IMDb RATING
7.3/10
1.7K
YOUR RATING
In the final days of WW2, in a M.A.S.H. unit in Burma, a seriously wounded corporal watches in dismay as fellow soldiers pack-up to return home but a caring nurse and five remaining soldiers... Read allIn the final days of WW2, in a M.A.S.H. unit in Burma, a seriously wounded corporal watches in dismay as fellow soldiers pack-up to return home but a caring nurse and five remaining soldiers bring him solace.In the final days of WW2, in a M.A.S.H. unit in Burma, a seriously wounded corporal watches in dismay as fellow soldiers pack-up to return home but a caring nurse and five remaining soldiers bring him solace.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 6 wins & 3 nominations total
Howard Marion-Crawford
- Tommy
- (as Howard Crawford)
Alfie Bass
- Orderly
- (as Alfred Bass)
Robert Douglas
- Narrator
- (voice)
- (uncredited)
Clive Dunn
- MacDougall
- (uncredited)
John Gregson
- Raw Recruit in Jungle
- (uncredited)
Pamela van Dale
- Burmese Woman
- (uncredited)
Ben Williams
- Clerk at Hospital
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
As a fan of neither soap operas nor Ronald Reagan I find myself utterly captivated by the movie of The Hasty Heart, a popular play of the postwar years, which was filmed in England by Warner Brothers. Richard Todd plays Lachy, a proud, somewhat obnoxious Scotsman who is assigned to a Burmese hospital, where he is presumably recovering from surgery but in fact dying, a fact kept from him by the medical staff. The other patients are told to go easy on the fellow, to make friends with him, which they do, with considerable opposition from Lachy himself, who did not up to this time have friends. There is some excellent dialogue along the way, as the various patients and staff members attempt to soften up this hard case, which in the end they do. The acting, of Richard Todd, as Lachy, and Patricia Neal, as the nurse he develops what I guess one would call a crush on, is quite good, but what makes the film somewhat of a revelation is the truly excellent performance of none other than Ronald Reagan, as Yank, the one American among the patients, and nobody's fool. Reagan does not play his part for charm. Yank is in his way as tough as Lachy, only he accepts life and Lachy doesn't. He too has a hard streak, but also compassion; and he is never soft. The interaction between the astringent Yank and everyone else is, thanks to Mr. Reagan, far and above the liveliest part of the film, which depending on one's mood can be either inspiring, in a gentle sort of way, or vaguely depressing, given its subject matter. This is a fine example of a well-made play of the sort its author, John Patrick, was an expert at. One doesn't see too many of them around these days, as they have gone out of fashion, as the art of the drama has, for good or ill, moved on. After seeing this movie one might have second thoughts about the notion that the theatre has, in the last half-century, moved on to better things.
The Hasty Heart is one of the finest and most sensetive films ever made. Ronald Reagan gives his best acting performance and this story should bring a tear to the most cynical eyes. It is a story about a man with a terminal illness and his battle with self pity. As sad as it is, it is a celebration nevertheless, of the human condition. Its about real people and real feelings, not some hyped up special effects extravaganza of all prop and no plot. Although the film is not religious, per se, and does not mention God, it is a spiritual film, a gut wrenching exercise of the soul.
I join others praising this movie. Is it sentimental? Well, yes. Is it simple? Yes. In fact, does the main character seem a little simple? Yes - the acting by Oscar nominated Richard Todd is a bit broad to my taste. (I quite admire Todd - who, in The Longest Day, played virtually the part he played in the real D Day landing; generally Todd is rather stoic and understated in his acting - e.g., D Day: The Sixth of June - not so here).
Still, there is something about this movie that really grabs you - like say, The Fantasticks - simple, yet quite true, very humane and in its own way, powerful.
Reagan is his usual fine self - I think always underrated as an actor - e.g., see his smallish part in Bette Davis' Dark Victory (he's a lazy society swell). Patricia Neal is the sort of woman you DO fall for.
The fact that they do not sugarcoat the ending - we know the future will be grim, is to the movie's benefit. These were dark days - all these men had been through the Depression, had been in a vicious War in Burma for years, had seen, and caused others, death many many times. They're far more matter of fact about death than any contemporary movie would make its characters -"oh, too bad, a bad break" is the comment. The acceptance of this grim reality made me think about the resilience of people and the stoicism of that generation.
Do see it- it's a wonderful simple tearjerker that you won't forget.
Still, there is something about this movie that really grabs you - like say, The Fantasticks - simple, yet quite true, very humane and in its own way, powerful.
Reagan is his usual fine self - I think always underrated as an actor - e.g., see his smallish part in Bette Davis' Dark Victory (he's a lazy society swell). Patricia Neal is the sort of woman you DO fall for.
The fact that they do not sugarcoat the ending - we know the future will be grim, is to the movie's benefit. These were dark days - all these men had been through the Depression, had been in a vicious War in Burma for years, had seen, and caused others, death many many times. They're far more matter of fact about death than any contemporary movie would make its characters -"oh, too bad, a bad break" is the comment. The acceptance of this grim reality made me think about the resilience of people and the stoicism of that generation.
Do see it- it's a wonderful simple tearjerker that you won't forget.
It has been some time and dozens of films since I've been so moved. Although no fan of Reagan, I appreciated him here. And I've always been charmed by Neal. The supporting cast was also quite fine. But the performance by Richard Todd deserved every bit of critical praise he's received. Was Broderick Crawford's award win more deserved that year? Tough to say now, in light of this screening. Of course, it matters not. It is history. What I can say is that of all the nominated performances from 1949, I was no where near as moved, as touched. The emotional depth caught me by surprise. The bits of humor welcome and appropriate. Albeit somewhat melodramatic, I was reminded of the decency there is. Watch this one. It'll stay with you a while. You won't be disappointed.
My diary records my varying impressions of this film:
1985
A young man doesn't know he is dying. He doesn't appreciate people. His friends know his fate and try to be kind, but he rejects them. They don't give up, and he mellows a little. But then he finds out he is dying and that they knew. He interprets their kindness as mere pity, is outraged and prepares to die alone. However a man who doesn't speak English, and therefore doesn't know he is dying gives him a gift, and convinces him that there is genuine friendship in this world. The movie is gimmicky and contrived, like a dramatized sermon, but it is one of the better films ever made.
1986
This time I wasn't tearful. I found it rather preachy. The writer should have written a short essay rather than bore us with a contrived plot.
1998
I loved it just as much as when I first saw it. The critics, true to form, despised its "sentimentality", yet it is an exceptionally lucid, warm and wonderful play, Reagan's best and most humane role.
2000
One of my most favorite movies. It focuses your attention on what is valuable in life, stripping away pride. We all have a very limited time, and appreciation and gratitude is in order. The real subject of the film however, is faith in mankind. The bitter man's faith has been shattered by the war. Yet he learns that however murky and ignoble people's motives may be, one must cherish every morsel of kindness one can get or give. (Although solitude is not that bad either!!!) Profoundly wise and moving!
1985
A young man doesn't know he is dying. He doesn't appreciate people. His friends know his fate and try to be kind, but he rejects them. They don't give up, and he mellows a little. But then he finds out he is dying and that they knew. He interprets their kindness as mere pity, is outraged and prepares to die alone. However a man who doesn't speak English, and therefore doesn't know he is dying gives him a gift, and convinces him that there is genuine friendship in this world. The movie is gimmicky and contrived, like a dramatized sermon, but it is one of the better films ever made.
1986
This time I wasn't tearful. I found it rather preachy. The writer should have written a short essay rather than bore us with a contrived plot.
1998
I loved it just as much as when I first saw it. The critics, true to form, despised its "sentimentality", yet it is an exceptionally lucid, warm and wonderful play, Reagan's best and most humane role.
2000
One of my most favorite movies. It focuses your attention on what is valuable in life, stripping away pride. We all have a very limited time, and appreciation and gratitude is in order. The real subject of the film however, is faith in mankind. The bitter man's faith has been shattered by the war. Yet he learns that however murky and ignoble people's motives may be, one must cherish every morsel of kindness one can get or give. (Although solitude is not that bad either!!!) Profoundly wise and moving!
Did you know
- TriviaWhen Lachie asks Yank what he's going to do after the war, Yank replies that he's going back to "...a little place on the Rock River, Dixon, Illinois." This is actor Ronald Reagan's actual boyhood home.
- Quotes
Sister Parker: He's a foundling, his father left his mother before he was born. Do you know what that means?
Yank: He sure is!
- ConnectionsFeatured in Elstree Story (1952)
- How long is The Hasty Heart?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Hasty Heart
- Filming locations
- Elstree Studios, Borehamwood, Hertfordshire, England, UK(studio: made at Elstree Studios, London, England.)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 42m(102 min)
- Color
- Aspect ratio
- 1.37 : 1
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