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Ostensibly a porn parody of John Waters' typical social satire "Pecker", Michael Zen's "Peckers" conjured up instead for me the phenomenon of Yoko Ono the experimental filmmaker, her career before she dated and married John Lennon.
Specifically her movies "No. 4" and "Bottoms", which make an Ono statement by photographing naked backsides, in keeping with many experimental films of the '60s era, notably the classic 1940s movie "Geography of the Body", which was widely shown on the Underground Midnight Movie circuit two decades after it was made.
Zen is working for Vivid Video, and spotlights its superstar Raylene, cast here as a still photographer whose art project is to photograph a series of erect penises, using porn models. Meanwhile, her boyfriend Ian Daniels uses a video camera and is more inclined as a filmmaker toward pornography than art, and he takes umbrage at her working with so many studs, which he conjures up as "cheating" on him.
Zen does take a light poke at pretentious artists, but like Daniels' character, he is first and foremost a pornographer. He ends the movie with a speeded-up footage of the resulting exhibition of framed cock photos Raylene took, with folks examining them as art, but otherwise we are treated to a rather arousing set of sex scenes featuring top talent in action.
Notable is porn superstar Chloe, whose boyfriend here is Lexington Steele, and the movie climaxes (literally) with her extended sex scene with Lex that shows her deep throat ability (memorably with Lex's big dick wrapped with her string of pearls necklace, a scene later improved upon in a Mandingo segment of the porn "Once You Go Black..." series, co-starring Lauren Kain).
Oddly, Zen does not have any anal sex scene with Chloe (usually her specialty), instead featuring an obscure actress named "Deja Blue" (who vaguely resembles an ugly version of superstar Jenna Haze). Condoms are used throughout, but the sex is hot enough that I wonder why this is not as well known (or shown) as much as Zen's many other movies.
Specifically her movies "No. 4" and "Bottoms", which make an Ono statement by photographing naked backsides, in keeping with many experimental films of the '60s era, notably the classic 1940s movie "Geography of the Body", which was widely shown on the Underground Midnight Movie circuit two decades after it was made.
Zen is working for Vivid Video, and spotlights its superstar Raylene, cast here as a still photographer whose art project is to photograph a series of erect penises, using porn models. Meanwhile, her boyfriend Ian Daniels uses a video camera and is more inclined as a filmmaker toward pornography than art, and he takes umbrage at her working with so many studs, which he conjures up as "cheating" on him.
Zen does take a light poke at pretentious artists, but like Daniels' character, he is first and foremost a pornographer. He ends the movie with a speeded-up footage of the resulting exhibition of framed cock photos Raylene took, with folks examining them as art, but otherwise we are treated to a rather arousing set of sex scenes featuring top talent in action.
Notable is porn superstar Chloe, whose boyfriend here is Lexington Steele, and the movie climaxes (literally) with her extended sex scene with Lex that shows her deep throat ability (memorably with Lex's big dick wrapped with her string of pearls necklace, a scene later improved upon in a Mandingo segment of the porn "Once You Go Black..." series, co-starring Lauren Kain).
Oddly, Zen does not have any anal sex scene with Chloe (usually her specialty), instead featuring an obscure actress named "Deja Blue" (who vaguely resembles an ugly version of superstar Jenna Haze). Condoms are used throughout, but the sex is hot enough that I wonder why this is not as well known (or shown) as much as Zen's many other movies.
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- ConnectionsEdited into Prettiest Tits I Ever Came Across (2004)
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