The Flower of Evil

After four years in USA, François Vasseur (Benoît Magimel) returns to France and his father Gérard Vasseur (Bernard Le Coq) welcomes him at the airport and brings François home. François meets his stepmother Anne Charpin-Vasseur (Nathalie Baye), his stepsister Michèle Charpin-Vasseur (Mélanie Doutey) and his Aunt Line (Suzanne Flon) that has prepared a lamprey for lunch. The family has secrets: François and Michèle are in love with each other; Aunt Line is haunted by her past; and the womanizer Gérard, who has a laboratory and a pharmacy, hates that Anne is running for the election for Mayor. When a leaflet exposes the despicable scandal of their family, Anne is afraid of how this will affect her electorate while Michèle and François believe that Gérard has written and distributed the pamphlet. After the election there is an unexpected death that will certainly affect the Charpin-Vasseur family.

"La Fleur du Mal", a.k.a. "The Flower of Evil", is a dark family drama about a family with many secrets, including an incestuous relationship and collaboration with the Nazis and a murder in World War II. The story is slowly developed with open conclusion, with another great direction of Claude Chabrol and magnificent performances, highlighting Suzanne Flon in the role of a very clever old woman. My vote is seven.

Title (Brazil): Not Available

Note: On 13 January 2025, I saw this film again.

Classical Greek students after a modern take on The House of Atreus need look no further than Chabrol's latest. As ever there is elegance and style to spare and it's really great to know that actresses as old as Suzanne Flon (who scored again this year in Effroyables Jardins) can still not only get meaty roles but also deliver. Unlike other commenters the charm, sex appeal and, most of all, acting ability of Benoit Magimal is lost on me but I would walk a mile for a Nathalie Baye performance and she does not disappoint here. I note that other comments touch on the Frenchness on display but if you choose to see a French film why expect Sauerkraut and halva. Not Chabrol's finest but still out of the right bottle.

"Flower of Evil" tells of a French Bordeaux bourgeoisie family of three generations with a family tree like a Los Angeles freeway map and a history of evil doings which doesn't really have anything to do with anything. As this film rolls along with the la-de-da day-to-day business of the mother running for local civic office while the step-sibs falling in love and granny putters around the garden, one can only wonder what the hell, if anything, is being developed in this apparent nonstory. When the end credits roll unexpectedly one can only wonder what Chabrol had in mind and why it was never really brought into clarity of fruition at the end. A kind of moderately interesting floparoo, this subtitled French flick has plenty of talent but no story. (C+)

I saw "La fleur du mal" at the San Sebastian Film Festival last september. Certainly, this last Chabrol film isn't a great movie, though it's not an awful movie either. One has the feeling while watching it (and after having it watched)that it is all filmed with too much distance, too cold, no emotions whatsoever. Chabrol's study of a french, provincial, upper-bourgeousie family, that is rotten to its roots (they are all a bunch of hypocrites), lacks of passion, interest (you have seen this story many times on film) and, in my opinion, of humor and sarcasm. But I insist, its not a terrible movie(with ticket prices so high nowadays, at least here in spain, sometimes you just have to get mad while watching some movies lately); its just too long, too conventional and too plain.

Director Chabrol takes on the French bourgeois so insidiously, so quietly, so subtly, that you don't realize his cinematic scalpel has just removed several layers of sensitive skin; this family-based thriller shows a woman running for office, examines her philandering husband, and zeroes in on two slightly incestuous slightly related children, all under the care of a quietly smiling, deadly caretaker, who smiles while encouraging the tots to misbehave.

The plot, such as it is, could be frustrating if the viewer is looking for any kind of forward action--this is an expose of empty morality, and hardly qualifies as a suspense film (you might even ask--when will this end?), but in considering the gorgeously cinematic interiors (and beach setting) in contrast to the vapid emptiness each character ultimately reveals, this could be a film you like very much; it's typically French in that it tends to look inside rather than outside, examine character development in lieu of action perpetrated by a hero.