I Could Never Be Your Woman

Rosie (Michelle Pfeiffer) is divorced mother of Izzie (Saoirse Ronan) and a producer of a silly high school TV show. She falls for new actor Adam (Paul Rudd), but the age difference is driving her crazy. I like Michelle Pfeiffer and Paul Rudd as a lovely couple. That is certainly a huge chunk of the movie, and is a lot of fun. But there are two things that are constantly annoying me in this movie.

First, writer/director Amy Heckerling wants this to be The Graduate with a different ending. Only Michelle Pfeiffer looks way too hot for the Anne Bancroft role. And Paul Rudd look older than 29. It makes the age difference look insignificant, and takes away much of the drama. Second, I couldn't stand Mother Nature (Tracey Ullman). She causes every scene to get off the narrative. It's very distracting. She's part of a whole series of overwritten jokey setups.

In the end, I like the leads. Saoirse is cute as the kid. That's enough to recommend this movie marginally.

Amy Heckerling's latest romantic comedy, I Could Never Be Your Woman, got, to use a proverbial word, shafted. It was meant for theatrical release and went straight to DVD due to some bad deals done with one of the producers. It's a shame despite the fact that Heckerling's comedy was far from being top-shelf work. It certainly stands a good chance at ranking well enough alongside (and probably better than) many of the tripe conventional market-stuffers that are out in cineplexes. Her film posits that a middle-aged TV writer (Michelle Pfieffer) has some angst and insecurities in dating one of the new stars of her TV show (Paud Rudd), and it's not a bad premise. This is also thrown in a quasi plot thread involving her daughter (Atonement's Saoirse Ronan, couldn't tell it was the same girl she's that good) as she tries to navigate her first possible boyfriend.

A lot of this isn't delivered with all of the best execution- certainly it's hard to figure on what exactly makes the Tracy Ullman bits funny as they're slipped in with some awkward soft-focus and at ill-timing- and there's something kind of fishy about putting such an actress like Michelle Pfieffer, who is still incredibly beautiful for any age, in the role of an insecure woman who can't see herself with such a younger man after such a long break from being with a man. At the same time, there is a good deal that does work to Heckerling's advantage, such as the bond between the mother and daughter in the story that doesn't ring as being sappy or trite like in other rom-coms or flicks with mother-daughter talks and such. And almost in spite of the bright lighting, Paul Rudd lays on the same charm and wit carried over from the Judd Apatow comedies (if, of course, nowhere near as funny in the sensibility of crudeness). And who can't love Jon Lovitz or Fred Willard?

So with I Could Never Be Your Woman, it's good for a rental, but that's not really the point with the release issue. It's the kind of movie, as with Heckerling's others, that play for laughs with a big audience, and are perfect for a certain niche of female viewers and die-hard rom-com afficionados. It's light and slight and not too terrible, if not much memorable either.

Director/writer Heckerling used to be one of the most bankable names in Hollywood. Now, not so much.

Audience reaction to this film -- plus the fact it was packaged by a Spanish production company -- pretty much tells us that her batting average is not quite what it was.

On paper it must have looked clever. A Rom-Com with a built-in 10 year age difference (older woman, younger man) starring one of the most personable male leads ever (Rudd) and one of the most beautiful women since the Sumerians started keeping records (Pfeiffer), along with a wonderfully precocious teen star (Saoirse Ronan) as insurance.

Mix in a (incredbly horrific) trope involving "Mother Nature" appearing in the story at random, and add one of Heckerling's favorite (but most over-rated) actors (Stacy Dash) and -- in theory -- you should have a hit.

In fact, all you have when the dust settles is Rudd's charm and Pfeiffer's beauty and a very forgettable script.

Considering the talent involved - writer/director Amy Heckerling and actors Michelle Pfeiffer and Paul Rudd - I Could Never Be Your Woman could contend for the most high-profile motion picture yet to take the direct-to-DVD route. This wasn't intended to be the path traveled by this motion picture; had all gone well, it would have been on multiplex screens a year or two ago. Financial mismanagement and bad decisions made the movie unreleasable and it languished until The Weinstein Company executed their home video rights. The result is a mixed blessing for Heckerling - her movie gets to see the light of day but it does so with the unenviable "direct-to-DVD" label. It's good enough to warrant better than the curt dismissal it is likely to receive in some corners.

I saw this last night (6/15/07) at The Maui International Film Festival. It is going to be categorized by some as a "Chick Flick", however the chemistry between Michelle Pfeiffer and Paul Rudd is undeniable. Since the film won't be released for a few months, I'm not going to go into any specific plot details, however Hollywood's obsession with youth, plastic surgery, and untalented pretty people is amusingly (and sometimes disturbingly) exposed.

Pfeiffer is a true movie star -- a brilliant actress and shamefully underrated comedian. And I would imagine that this film will likely be Paul Rudd's star-making vehicle. He's a talent power-house.

Other notable fine performances are give by the one and only Tracey Ullman as Mother Nature, and Saoirse Ronan as Pfeiffer's daughter.

I haven't laughed out loud at a movie in a long time, however I did last night -- many times. Judging from the reaction, laughter and applause of the hundreds of others in attendance, this movie is a winner.