From the course: Artist at Work: Creating Depth of Field
Unlock the full course today
Join today to access over 24,700 courses taught by industry experts.
Editing the whites to differentiate
From the course: Artist at Work: Creating Depth of Field
Editing the whites to differentiate
Now, again I have an issue with that white cloth, I don't want it to draw too much attention to it. So, I want it to contrast what's, what it's sitting on, so the question is, what color should that be? For now I'm just going to leave it, sort of a simple purply tone with a little bit of warmth because I haven't decided yet. I know it needs to be light. Because it's a you know, it's the white cloth. I'm just going to lock in something a little bit of white. A little bit of pink, a little bit of yellow, and decide later what needs to work against that croissant. And again when you work with colors like this where they tend to dry a little bit darker. So, that's not an issue when you're working digitally, or with other wet medium, but water-color just dries, sometimes a little lighter, but also just not as vibrant. So that's, it's not bad. Now I'll get to that croissant, and it's really a rich tone, it's not as bright as the red mug by any stretch of the imagination, but it's warm. It's…
Contents
-
-
Introduction11m 13s
-
Establishing a focal point7m 1s
-
(Locked)
Relating the foreground color to the focal point5m
-
(Locked)
Bringing objects forward5m 42s
-
(Locked)
Colorizing the middle ground5m 26s
-
(Locked)
Editing the whites to differentiate7m 43s
-
(Locked)
Using cool tones to establish distance5m 30s
-
(Locked)
Lightening the Eiffel Tower to fit the context2m 8s
-
(Locked)
Using mixed media to achieve a gradient sky9m 25s
-
(Locked)
Creating reflections in water2m 41s
-
(Locked)
Adding final details4m 20s
-