The standard of AI is improving. Let’s hope advertisers keep up.
image credit: JEA GHOM (Behance)

The standard of AI is improving. Let’s hope advertisers keep up.

In an age when even facts are regarded as subjective, brands and advertisers have more liberty than ever to say and show whatever they like in their ads.

The lawful requirement that all advertising is “Legal, decent, honest and truthful” still holds – theoretically – but honest is a broad canvas (always has been) and which of us can truly say we’ve not received a brief that pushes the boundaries of truthful?

'Decency’ is the most subjective of all these terms. It alludes to a set of nebulous moral and societal standards and asks advertisers to adhere to them.

In the past, there’s been a broad consensus around society’s standards. That is possibly not the case now, but it should be. Standards distinguish the good guys from the bad guys, in life, the universe and advertising. 

But even if we can’t agree on what’s decent, one would hope it’s incumbent upon brands to run work that upholds a basic level of accuracy and competence.

So yes, it bothers me that Snapchat recently ran a terribly written OOH ad – grammatically incorrect and clumsy to boot. Someone on LinkedIn – I can’t be bothered to look them up – launched a passionate defence of the brand’s shoddy output, because “it doesn’t matter” and “the kids don’t care”, but I do. “It doesn’t matter” is the start of a very slippery slope.

Standards should be personal. I am the harshest judge of my own work and I project that judgment on what I see from others. So it irritates me that some clients are running formulaic, poor quality text from ChatGPT as copy (American spellings, we see you), and images that might not be any good but, you know, they’re AI.

We should apply the highest of standards to whatever work we create for our clients, and hope that they share this commitment to producing text and images that elevate the public discourse, or, at the very least, don’t pollute it.

That means engaging agencies/collectives/freelancers who use their professional skills to make every piece of communication as good as it can be. That’s the entire point of our existence (that and having fun doing the job). And from a creative point of view, encouraging our clients to employ the same ethos.

Working hard to perfect an AI image should be every bit as rewarding as doing the same in InDesign; maybe even more so as the creative canvas is so great. The opposite approach – standing back and running whatever’s spat out – simply isn’t right.

Yuqing Liu

2D Creative Designer

5mo

Couldn't agree more! While technology lowers creative barriers, it should never lower our standards. AI is just a tool - what matters is the craftsman's discipline. Sloppy work erodes trust in our entire industry, whether it's human or machine-made. The real differentiator? That obsessive polish before hitting 'publish.

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Urja Angre

Front-End Developer | Technical Support Engineer @Mphasis Limited

6mo

Love this take, NEIL

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Marcus Kirsch

I improve your company's services, people and processes. AI Opportunity Assessment, Discovery, Transformation, Training. EY, NHS, BT, HSBC, WPP, Nissan, etc.: hello-twc.youcanbook.me

6mo

Given the technology maturity in many industries, if you throw it at comunication, which needs to be measured and nuanced and contextual, AI will need an extra set of hands, so that this does not become a nuclear bomb. However, the opportunities are amazing for a hybrid approach. Are companies with more than 1,000 employees fast enough? Most are not set up for this at all.

Gustav Hallén

🤖 Creative Catalyst, Amplifying AI processes with my 20 years experience from Art Direction, Photography and 3D to push knowledge and outputs with AI

6mo

Truth, once a firm foundation, now shifts like sand beneath our feet. In this landscape where subjectivity reigns, where “good enough” too often replaces “excellent,” what is left for those who still believe in craft? A misplaced comma, a lifeless AI-generated image, a slogan that limps instead of soars—these are not small oversights. They are symptoms of an erosion. When brands no longer hold the line on precision, on beauty, on the integrity of language itself. Perhaps it is not facts that are in crisis, but standards. And when standards fade, so too does trust. Not in some grand, dramatic collapse, but in the slow, dulling creep of carelessness. The poet knows: the right word in the right place changes everything. The designer knows: a misaligned element whispers negligence. The greats in our industry—those who have shaped culture, shifted hearts—knew this too.

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