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   RePEc:kap:jculte:v:49:y:2025:i:1:d:10.1007_s10824-023-09495-6.

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2. First Names and Ascribed Characteristics. (2025). Werner, Katharina ; Rockenbach, Bettina ; Grundmann, Susanna.
   In: Journal of Economic Behavior & Organization.
   RePEc:eee:jeborg:v:234:y:2025:i:c:s0167268125001258.

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3. Where are the female composers? Human capital and gender inequality in music history. (2025). Law, Marc ; Kristensen, Martin ; Borowiecki, Karol.
   In: European Economic Review.
   RePEc:eee:eecrev:v:171:y:2025:i:c:s0014292124002228.

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4. The strategic use of social identity. (2023). Lane, Tom.
   In: Discussion Papers.
   RePEc:not:notcdx:2023-01.

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   RePEc:kap:jculte:v:49:y:2025:i:1:d:10.1007_s10824-023-09490-x.

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4. Is There Really a Gender Gap That Disfavors Female Painters? An Experimental Study in Spain. (2023). Baumert, Thomas ; Galvan-Lamet, Pedro ; Valbuena-Garcia, Esther.
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10. Fame, What’s your name? quasi and statistical gender discrimination in an art valuation experimentc. (2022). Hoffmann, Robert ; Coate, Bronwyn.
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16. Pricing Art and the Art of Pricing : On Returns and Risk in Art Auction Markets. (2021). Renneboog, Luc ; Li, Yuexin ; Ma, X.
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19. Drivers of Buying Contemporary Art – Investoren und Family Offices als Marktakteure. (2021). Verriet, Tim ; Dahlhoff, Dieter H.
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    In: Journal of Economic Behavior & Organization.
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    In: Discussion Papers on Economics.
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31. The artist–art dealer relationship as a marketing channel. (2014). Cuccia, Tiziana ; Cellini, Roberto.
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32. Oversupply of Labor and Other Peculiarities of Arts Labor Market. (2013). Popovic, Milenko ; Ratkovi, Kruna.
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33. Happiness in the arts—International evidence on artists’ job satisfaction. (2013). Frey, Bruno ; Bille, Trine ; Steiner, Lasse ; Fjallegaard, Cecilie Bryld .
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