Principles of Design for HONR 202
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Balance is an important principle of design that can be achieved through symmetrical or asymmetrical balance. Other key principles include emphasis through focal points, repetition and rhythm to create flow, and unity through consistency with enough variety to be interesting. Comparison allows designers to analyze different techniques.
Principles of Design for HONR 202
- 3. BALANCE
- 13. EMPHASIS AND FOCAL POINT
- 23. COMPARISON
Editor's Notes
- #2: Nicolas Poussin, The Holy Family on the Steps, 1648. Oil on canvas, 72.4 x 111.7 cm.
- #6: Eguerrand Quarton, Coronation of the Virgin, 1453-1454. Panel painting, 72 x 86 in.
- #7: Leonardo da Vinci, The Last Supper, fresco, 1490s, Milan, Italy.
- #8: Thomas Jefferson, Monticello. Built 1772.
- #9: Rose window. Chartres Cathedral, c. 1215. Chartres, France.
- #12: Jan Vermeer, Woman Holding a Balance, c. 1664. Oil on canvas. 15 7/8 x 14 in.
- #13: Hiroshige View of Mount Fuji from Harajuku, part of the Fifty-three Stations of the Tōkaidō series
- #15: Leonardo da Vinci, The Last Supper, fresco, 1490s, Milan, Italy.
- #16: Georges de La Tour, Joseph the Carpenter, c. 1645. Oil on canvas, 18 ½ x 25 1/2 in.
- #17: Anna Vallayer-Coster. Still Life with Lobster. 1781. Oil on canvas. 27 ¾ x 35 ¼ in
- #19: Raphael Sanzio, Madonna of the Chair, c. 1514. Oil on wood. Diameter 2’ 4”.
- #20: Hieronymus Bosch, Christ Carrying the Cross, 1515-1516. Oil on panel, 30.2 x 32.9 in.
- #23: Nicolas Poussin, The Holy Family on the Steps, 1648. Oil on canvas, 72.4 x 111.7 cm.
- #25: Cimabue, Madonna Enthroned with Angels and Prophets, 1280-1285. Tempera and gold on wood, 11’ 7” x 7’ 4”. Giotto, Adoration of the Magi, 1305-1306. Fresco, 78 ½” x 73”.