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AP Literature and Composition
and
English 118: Introduction to the
Literary Experience
Instructor: Stephanie Morrison
School Year: 2016-2017
Write this down!
• Email: Stephanie.Morrison@ppsd.org
• Phone: 401-258-3185
• Haiku Learning Site:
https://www.myhaikuclass.com/sjmorrison/ap_lit_2016_17/signup
Access Code: C3QNS
Course Description
• This course provides students with a rich experience
of literature from a variety of periods and genres,
exploring the questions of what literature is and how
texts make meaning.
• This is a 4 credit College Course- Rhode Island
College EEP Program
• You must receive a “C” or “B-” or better for most
colleges
• There is NO COST to you to take this course
• Students are expected to take the AP Exam in May
Required Texts
• Perrine’s Literature Structure, Sound and
Sense, 10th Edition. Thomas R. Arp and Greg
Johnson. Wadsworth Cengage Learning.2009.
• Foster, Thomas C. How to Read Literature Like
a Professor.
• Various novels and plays as indicated in units
REQUIREMENTS
• This course is rigorous and intellectually
demanding, requiring consistent effort and putting
emphasis upon developing independence of thought
and critical thinking
• Active participation in classroom discussion is
necessary
▫ Socratic Seminars (fishbowls), online discussion
groups, and small group to whole class discussions.
• Frequent written assignments, short and long-term,
formal and informal
▫ Students are required to complete all written
assignments in electronic format (except where
indicated) and use the Turnitin.com website.
GRADING
• End of Unit Projects and Essays 40%
• Quizzes and Short Writings 20%
• Collaboration and Discussion 20%
• Homework and Classwork 20%
• Late assignments will be penalized 5 points for
each school day late.
EXAMS
• There will be a Midterm Exam in January
(middle to end of Unit 4).
• The Final Exam is the Anthology presentation in
May.
• If you do not take the AP EXAM, you will have to
take an additional Final Exam
UNIT I: (one to two weeks)
Topic: Introduction to Literary Analysis
• Essential Questions: Why do we look into literature so deeply? How does
Literature reveal universal themes and ideas?
• Using their guide to literary criticism, students will examine universal
literary concepts
• Texts: How to Read Literature Like a Professor by Thomas C. Foster, and…
• Students will choose from the following list:
▫ Interpreter of Maladies by Jhumpa Lahiri (students must read the entire book, not just the
short story)
▫ Yellow Raft in Blue Water, by Michael Dorris
▫ If Beale Street Could Talk, by James Baldwin
▫ The Snows of Kilimanjaro by Ernest Hemingway (students must read the entire book, not
just the short story)
▫ Song of Solomon by Toni Morrison (or any other Toni Morrison novel except The Bluest
Eye)
▫ Going After Cacciato by Tim O’Brien
▫ The Road by Cormac McCarthy
▫ The Tortilla Curtain by T. Coraghessan Boyle
• Assessment:
▫ Critical Analysis Essay
UNIT II: (two weeks)
Topic: Introduction to College Level Writing
• Essential Question: What makes writing good or
bad? What do writers do?
• In this unit, students will learn about the
essentials for college level writing
• Students will practice peer-editing and revising,
as well as review basic citation and formatting.
• Students will also have a crash course in
grammar and conventions.
• Assessment:
▫ Reflective Essay
▫ Analytical Essay
▫ Informative Essay
UNIT III: (Eight weeks)
Topic: The Short Story
• Essential Questions: How is identity shaped by relationships and experiences? How do our choices affect
others and ourselves?
• Texts: In addition to How to Read Literature Like a Professor by Thomas C. Foster, students will read
the following short stories from Perrine’s:
▫ “The Most Dangerous Game” by Richard Connell
▫ “The Destructors” by Graham Greene
▫ “The Interpreter of Maladies” by Jhumpa Lahiri
▫ “Everyday Use” by Alice Walker
▫ “Miss Brill” by Katherine Mansfield
▫ “Welding with Children” by Time Gautreaux
▫ “A Worn Path” by Eudora Welty
▫ “Once Upon a Time” by Nadine Gordimer
▫ “The Lottery” by Shirley Jackson
▫ “Hills Like White Elephants” by Ernest Hemingway
▫ “The Rocking-Horse Winner” by D.H. Lawrence
▫ “Young Goodman Brown” by Nathaniel Hawthorne
▫ “The Drunkard” by Frank O’Connor
▫ Plus, at least 2 more stories chosen by students for literary criticism
• Assessment:
• Character analysis essay
• Setting analysis essay
• Review of literary criticism presentation
• Short Story Teaching Presentation
• Quizzes on each story and a comprehensive test
UNIT IV: (Eight to Nine Weeks)
Topic: The Novel
Essential Question: Why do we treat people who are different, differently?
Texts:
▫ The Bluest Eye, by Toni Morrison
▫ Wuthering Heights, by Emily Dickinson
▫ Ceremony, by Leslie Marmon Silko
▫ The Brief Wondrous Life of Oscar Wao, by Junot Diaz
Students will also read two other novels (independently) chosen from the following:
• Chronicle of a Death Foretold, by Gabriel Garcia Marquez
• Invisible Man, by Ralph Ellison
• The Scarlet Letter, by Nathaniel Hawthorne
• The Color Purple, by Alice Walker
• Frankenstein, by Mary Shelley
• Jane Eyre, by Charlotte Bronte
• Great Expectations, by Charles Dickens
• The Poisonwood Bible, by Toni Morrison
• The Color of Water, by James McBride
• In Cold Blood, by Truman Capote
Assessment:
• Author Presentation
• Literary Criticism Research
• Analysis of theme essay
• Contextualizing and Annotating a Text Project
• Novel Study
UNIT V: (Nine to ten weeks)
Topic: Poetry
• Essential Questions: What is Love, Death,
and the Natural World?
• Texts: Students will read many poems from
the poetry section of Perrine’s Literature:
Structure, Sound and Sense, ninth edition.
• More than 20 poets will be studied in depth
• Assessment:
▫ Poem explication essay
▫ Sonnet Recitation
▫ Poetry Presentation
UNIT VI: (Six weeks)
Topic: Drama
• Essential Question: Who am I? What is
my place in the world?
• Texts:
▫ Death of a Salesman by Arthur Miller
▫ Fences by August Wilson
▫ Hamlet by William Shakespeare
• Assessment:
▫ Essay on Tragedy in Drama
▫ Dramatic Reading/Interpretation
▫ Objective Test on each play
UNIT VI: (Two weeks)
Topic: Literary Anthology
• Essential Questions: TBD by student
• Assignment:
▫ This is a culminating project that
documents a student’s literary influences,
inclinations, creations, and interests. The
student will use technology, if appropriate,
to document and create the work. The
student will present this project to the
class.
What next?
• Register for Haiku Learning site
• Make sure you have finished your summer
reading book… and How to Read Literature…
You will need:
• A Notebook for class notes and a folder to keep
all handouts in (or a binder for both)
• Sticky notes
• Pens (NOT pencils)
• Writer’s Journal (I will provide one)

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Ap syllabus presentation

  • 1. AP Literature and Composition and English 118: Introduction to the Literary Experience Instructor: Stephanie Morrison School Year: 2016-2017
  • 2. Write this down! • Email: Stephanie.Morrison@ppsd.org • Phone: 401-258-3185 • Haiku Learning Site: https://www.myhaikuclass.com/sjmorrison/ap_lit_2016_17/signup Access Code: C3QNS
  • 3. Course Description • This course provides students with a rich experience of literature from a variety of periods and genres, exploring the questions of what literature is and how texts make meaning. • This is a 4 credit College Course- Rhode Island College EEP Program • You must receive a “C” or “B-” or better for most colleges • There is NO COST to you to take this course • Students are expected to take the AP Exam in May
  • 4. Required Texts • Perrine’s Literature Structure, Sound and Sense, 10th Edition. Thomas R. Arp and Greg Johnson. Wadsworth Cengage Learning.2009. • Foster, Thomas C. How to Read Literature Like a Professor. • Various novels and plays as indicated in units
  • 5. REQUIREMENTS • This course is rigorous and intellectually demanding, requiring consistent effort and putting emphasis upon developing independence of thought and critical thinking • Active participation in classroom discussion is necessary ▫ Socratic Seminars (fishbowls), online discussion groups, and small group to whole class discussions. • Frequent written assignments, short and long-term, formal and informal ▫ Students are required to complete all written assignments in electronic format (except where indicated) and use the Turnitin.com website.
  • 6. GRADING • End of Unit Projects and Essays 40% • Quizzes and Short Writings 20% • Collaboration and Discussion 20% • Homework and Classwork 20% • Late assignments will be penalized 5 points for each school day late.
  • 7. EXAMS • There will be a Midterm Exam in January (middle to end of Unit 4). • The Final Exam is the Anthology presentation in May. • If you do not take the AP EXAM, you will have to take an additional Final Exam
  • 8. UNIT I: (one to two weeks) Topic: Introduction to Literary Analysis • Essential Questions: Why do we look into literature so deeply? How does Literature reveal universal themes and ideas? • Using their guide to literary criticism, students will examine universal literary concepts • Texts: How to Read Literature Like a Professor by Thomas C. Foster, and… • Students will choose from the following list: ▫ Interpreter of Maladies by Jhumpa Lahiri (students must read the entire book, not just the short story) ▫ Yellow Raft in Blue Water, by Michael Dorris ▫ If Beale Street Could Talk, by James Baldwin ▫ The Snows of Kilimanjaro by Ernest Hemingway (students must read the entire book, not just the short story) ▫ Song of Solomon by Toni Morrison (or any other Toni Morrison novel except The Bluest Eye) ▫ Going After Cacciato by Tim O’Brien ▫ The Road by Cormac McCarthy ▫ The Tortilla Curtain by T. Coraghessan Boyle • Assessment: ▫ Critical Analysis Essay
  • 9. UNIT II: (two weeks) Topic: Introduction to College Level Writing • Essential Question: What makes writing good or bad? What do writers do? • In this unit, students will learn about the essentials for college level writing • Students will practice peer-editing and revising, as well as review basic citation and formatting. • Students will also have a crash course in grammar and conventions. • Assessment: ▫ Reflective Essay ▫ Analytical Essay ▫ Informative Essay
  • 10. UNIT III: (Eight weeks) Topic: The Short Story • Essential Questions: How is identity shaped by relationships and experiences? How do our choices affect others and ourselves? • Texts: In addition to How to Read Literature Like a Professor by Thomas C. Foster, students will read the following short stories from Perrine’s: ▫ “The Most Dangerous Game” by Richard Connell ▫ “The Destructors” by Graham Greene ▫ “The Interpreter of Maladies” by Jhumpa Lahiri ▫ “Everyday Use” by Alice Walker ▫ “Miss Brill” by Katherine Mansfield ▫ “Welding with Children” by Time Gautreaux ▫ “A Worn Path” by Eudora Welty ▫ “Once Upon a Time” by Nadine Gordimer ▫ “The Lottery” by Shirley Jackson ▫ “Hills Like White Elephants” by Ernest Hemingway ▫ “The Rocking-Horse Winner” by D.H. Lawrence ▫ “Young Goodman Brown” by Nathaniel Hawthorne ▫ “The Drunkard” by Frank O’Connor ▫ Plus, at least 2 more stories chosen by students for literary criticism • Assessment: • Character analysis essay • Setting analysis essay • Review of literary criticism presentation • Short Story Teaching Presentation • Quizzes on each story and a comprehensive test
  • 11. UNIT IV: (Eight to Nine Weeks) Topic: The Novel Essential Question: Why do we treat people who are different, differently? Texts: ▫ The Bluest Eye, by Toni Morrison ▫ Wuthering Heights, by Emily Dickinson ▫ Ceremony, by Leslie Marmon Silko ▫ The Brief Wondrous Life of Oscar Wao, by Junot Diaz Students will also read two other novels (independently) chosen from the following: • Chronicle of a Death Foretold, by Gabriel Garcia Marquez • Invisible Man, by Ralph Ellison • The Scarlet Letter, by Nathaniel Hawthorne • The Color Purple, by Alice Walker • Frankenstein, by Mary Shelley • Jane Eyre, by Charlotte Bronte • Great Expectations, by Charles Dickens • The Poisonwood Bible, by Toni Morrison • The Color of Water, by James McBride • In Cold Blood, by Truman Capote Assessment: • Author Presentation • Literary Criticism Research • Analysis of theme essay • Contextualizing and Annotating a Text Project • Novel Study
  • 12. UNIT V: (Nine to ten weeks) Topic: Poetry • Essential Questions: What is Love, Death, and the Natural World? • Texts: Students will read many poems from the poetry section of Perrine’s Literature: Structure, Sound and Sense, ninth edition. • More than 20 poets will be studied in depth • Assessment: ▫ Poem explication essay ▫ Sonnet Recitation ▫ Poetry Presentation
  • 13. UNIT VI: (Six weeks) Topic: Drama • Essential Question: Who am I? What is my place in the world? • Texts: ▫ Death of a Salesman by Arthur Miller ▫ Fences by August Wilson ▫ Hamlet by William Shakespeare • Assessment: ▫ Essay on Tragedy in Drama ▫ Dramatic Reading/Interpretation ▫ Objective Test on each play
  • 14. UNIT VI: (Two weeks) Topic: Literary Anthology • Essential Questions: TBD by student • Assignment: ▫ This is a culminating project that documents a student’s literary influences, inclinations, creations, and interests. The student will use technology, if appropriate, to document and create the work. The student will present this project to the class.
  • 15. What next? • Register for Haiku Learning site • Make sure you have finished your summer reading book… and How to Read Literature… You will need: • A Notebook for class notes and a folder to keep all handouts in (or a binder for both) • Sticky notes • Pens (NOT pencils) • Writer’s Journal (I will provide one)