Ae cs6 wn_reveal

Adobe After Effects CS6 What’s New

Adobe® After Effects® CS6
Create moving images as unlimited as your imagination
You have creative visions for what you want to deliver. You also have deadlines.
Adobe After Effects CS6 software works with you to meet both goals. Deliver cinematic
visual effects and sophisticated motion graphics using the industry standard for
animation and compositing that offers you complete creative control while delivering
unparalleled performance.

After Effects CS6 takes performance to a new level with Global Performance Cache, which maximizes
your productivity by saving virtually every preview for instant recall, meaning less waiting for After
Effects to catch up. It works as fast as you do. Create and work with extruded text and shapes directly
in After Effects, using the new ray-traced 3D rendering engine for a polished final look. Master a wide
variety of challenges and extend your creativity with new tools such as variable mask feathering, 3D
Camera Tracker, Rolling Shutter Repair, and more high-quality built-in effects to make your final product
look the way you intend. Enhanced integration between After Effects CS6 and other Adobe tools makes
your workflow even faster and more fluid than ever before.

All source images © 2010-2011 Mattel, Inc. All rights reserved.

The ray-traced 3D rendering engine in After Effects CS6 supports reflections, refraction, environment maps, and much more.

Top features With Adobe After Effects CS6, you can:
• lobal Performance Cache (Page 3)
G
Work faster. Work more quickly using Adobe After Effects CS6 software, optimized to help you
• D Camera Tracker (Page 5)
3
create more in less time. Maximize performance with Global Performance Cache, which preserves
• ully ray-traced, extruded text and
F
shapes (Page 6) previews whenever possible for a fast, robust, and responsive workflow, taking full advantage of
• ariable Mask Feathering (Page 7)
V the power of your computer’s hardware.
• ight integration with Adobe
T
Create visual effects with enhanced precision and new creative options. Challenge creative
Illustrator (Page 7)
boundaries. Use the 3D Camera Tracker and Rolling Shutter Repair features to seamlessly integrate
• olling Shutter Repair (Page 8)
R
• nhanced effects (Page 8)
E
new elements into your existing video footage. Work precisely with variable mask feathering and
• ro Import After Effects (Page 9)
P mocha AE CS6 to make your visual effects look exactly the way you intend.
• mproved mocha AE workflow
I Work quickly and easily with ray-traced 3D. Create high-quality imagery faster using a powerful
(Page 10)
new 3D engine. Easily extrude text and shapes created in After Effects or vector graphics imported
• Additional enhancements (Page 10)
from Adobe Illustrator ® software.

Who uses After Effects?
Motion graphics designers and visual effects artists use After Effects to produce intricately
designed short-form content such as TV commercials, broadcast graphics, and film titles, and to
create a wide range of visual effects shots. After Effects is able to handle virtually any animation
and compositing task, and offers timesaving integration with other essential tools and components
of Production Premium—Adobe Illustrator and Photoshop software, the video editing software
Adobe Premiere Pro, and 3D modeling applications such as Maxon CINEMA 4D and Autodesk 3ds
Max. A rich ecosystem of third-party plug-ins and scripts means highly specialized solutions are
readily available.

Video editors and other post-production professionals use After Effects to complement
nonlinear editing tools such as Adobe Premiere Pro because it offers an efficient, well-integrated
solution for delivering higher production values. When designing attention-getting show openers,
lower thirds, and other types of motion graphics, After Effects offers timesaving presets as well as
the ability to refine virtually every aspect of every design element. Video editors also use After
Effects for a wide variety of post-production tasks, including color correction, motion tracking,
keying, and rotoscoping.

Interactive designers turn to After Effects because it offers flexible tools they can use to prepare
dynamic media that integrates well with interactive projects and the tools used to create them.
Whether creating finished full-frame video content or objects with transparent backgrounds that
can be composited with other elements, designing snippets of persistent motion that add richness
to an interactive experience, or creating visually distinctive text animations, interactive designers
benefit from the superb quality of After Effects as well as the tight integration between After Effects
and Adobe Flash Professional software.

Adobe After Effects CS6 What’s New 2

Top new features of Adobe After Effects CS6

Global Performance Cache
The Global Performance Cache feature is a revolution ”under the hood” that makes After Effects
faster and more responsive than ever before by taking full advantage of the power of your
computer’s hardware.

Global Performance Cache comprises a set of technologies: a global RAM cache, a persistent disk
cache, and a new graphics pipeline.

Green bars indicate a composition has
been cached into RAM (above); blue
bars indicate it has been cached to disk
(right). When you open a project you
previously worked on, the composition
you previewed earlier displays a blue
disk-cache indicator bar, indicating that
those frames have been stored on disk
and are available for immediate use
without the need for re-rendering.

Global RAM cache
Adobe After Effects CS6 contains a vastly improved frame caching system that allows you to reuse
elements or play “what if” with various ideas without having to wait for a previously created frame
to re-render. For example, you can try a new idea, and then undo if you don’t like it, without any
penalty in productivity.

What is happening under the hood is that—within the limits of available memory—any frame of
a composition or layer inside an After Effects project that is the same as a previously rendered
and cached frame does not need to be re-rendered. Reusable frames are recognized anywhere on
the timeline, including when using loop expressions, time remapping, and copying then pasting
keyframes—not just on adjacent frames. Reusable frames are also recognized on duplicated layers
or duplicated compositions. Cached frames are restored after an undo/redo; cached frames are
also restored when a composition or layer is returned to a previous state, such as toggling a layer’s
visibility off and then back on.

Persistent disk cache
With After Effects CS6, you can reopen a project you were working on earlier, and your previously
rendered cache is still intact, ready for immediate preview playback and rendering. You can also
render and cache a composition’s work area to disk in the background while you continue to work.

After Effects calculates if a frame cached to RAM would take less time to retrieve from disk than
to render again, and if so, it is also copied to a special user-defined disk cache. Upon opening a
project, the disk cache is scanned, looking for frames matching those in the project, and makes
them available again for immediate use without the need for re-rendering. This is particularly a
boon when you need to work on multiple projects during the course of the day or week.


Additionally, this cache contains frames from all projects you have opened in the same or earlier
sessions, so disk-cached frames from one project will be retrieved for reuse in other projects that
need those same frames.

You have control over which disk you use for caching as well as how much space to reserve for the cache.

New graphics pipeline
After Effects CS6 better harnesses OpenGL and the video card in your computer when drawing
images to the screen. This results in faster interactivity, a more highly responsive work
environment, and a smoother, more immediate user experience.
You get improved playback of memory-cached frames as well as improved performance while
working in larger Composition, Layer, and Footage viewer sizes (particularly useful for working
with larger image formats and on larger displays). Specific benefits include faster manipulation of
layers with graphical overlays such as bounding box handles, masks, motion tracker points, and
motion paths, as well as working more efficiently with viewers that contain overlays such as guides
and grids, custom user interfaces for effects, and interactions like brush size adjustments.

Based on early tests of After Effects CS6 performed by NVIDIA®, depending on hardware
configuration, many of these functions have been accelerated by a factor of 1.5 to 2.5—with
some (such as grids, guides, and rulers) being up to 16 times faster than before.


3D Camera Tracker
The new 3D Camera Tracker effect automatically analyzes the motion present in 2D footage;
computes the position, orientation, and field of view of the real camera that shot the scene; and
creates a new 3D camera in After Effects to match. It also overlays 3D track points onto the 2D footage,
making it easy and intuitive for you to attach new 3D After Effects layers onto the original footage.

As a result, these 3D layers have the same movement and perspective changes as the original
footage, allowing you to insert new objects into existing scenes with relative ease—a boon both
when augmenting reality with visual effects and when creating new realities with motion graphics.
The 3D Camera Tracker effect even helps create “shadow catchers,” so your new 3D layers can cast
realistic shadows onto flat surfaces in the existing footage.

The 3D Camera Tracker can make intelligent decisions to analyze your footage unassisted, or you
can enter data about the original shot for even more precise results. Based on an approach similar
to that of the Warp Stabilizer introduced in After Effects CS5.5, this analysis takes place in the
background while you continue working, further increasing your productivity for what used to be
a very labor-intensive task.


The 3D Camera Tracker greatly simplifies previously labor-intensive visual effects tasks such as replacing multiple data
screens arranged at multiple angles, shot with a handheld camera.


Fully ray-traced, extruded text and shapes
After Effects CS6 introduces a new ray-traced 3D rendering engine, allowing you to simply and
quickly design fully ray-traced, geometric text and shape layers in 3D space. These enhanced 3D
capabilities include:
• Beveled and extruded text and shape layers, adding depth to graphic designs without compro-
mising animations

• Bending of footage and composition layers, adding dimension and yielding more interesting
lighting effects for otherwise flat content

• Environment map support, for photorealistic reflections of virtual imagery in addition to the
layers included in a composition

• Additional material options, including reflection, transparency, and index of refraction to mimic
light traveling through glass and other translucent materials
Accelerating ray-traced renders
After Effects CS6 renders ray-traced
3D images using your computer’s
CPU, employing all of its physi-
cal cores. Additionally, it may take
advantage of NVIDIA OptiX™ for
highly accelerated rendering. OptiX
requires a supported NVIDIA GPU
and 1024+ MB of texture memory.
For a current list of supported GPUs,
visit www.adobe.com/products/
aftereffects/tech-specs.html.
Using a qualified NVIDIA graphics
card greatly accelerates render-
ing of ray-traced 3D compositions.
Based on tests of an early pre-
release version of After Effects CS6
performed by NVIDIA, their Quadro®
graphics cards deliver impressive
results. Compared to CPU-only
rendering using a high-end six-core
Intel i7 3960X processor running
at 3.3 GHz, installing an entry-level
NVIDIA Quadro 2000 improves The ability to create translucent shapes and type is but one option provided by the ray-traced 3D renderer.
performance by over a factor of ten,
while a top-of-the-line Maximus™ The new ray-traced renderer is available as an alternative
system powered by a Quadro 6000 to the scanline-based Classic 3D composition renderer
and Tesla™ C2075 is over 50 times that has been available for several versions. In addition
faster. Results will vary depending on
to the new capabilities mentioned above, existing
your specific projects and hardware
configuration, but these preliminary
capabilities like soft shadows, motion blur, depth-of-field
results give an indication of the blur, intra-character shadowing, projection of an image
benefits of GPU acceleration of ray- onto a surface with any light type, and intersection of
traced rendering in After Effects CS6. layers are also supported in the new ray tracer. 2D layer
backdrops at the bottom of the stacking order are visible,
and you can look through translucent objects to see those
layers. By using a ray tracer to render the scene, the result
is now also more physically accurate, including improved
soft shadows and depth-of-field blur, plus sharper light
transmission for video projection and effects such as light
streaming through a stained glass window.

In addition to a new Geometry Options section, the
ray-traced 3D renderer features Material Options for
Reflection, Transparency, and Refraction.


Variable Mask Feathering
With Variable Mask Feathering, you can work precisely and create the exact shape you want with
the proper degree of softness at the edges, yielding more realistic composites as well as opening
creative possibilities.

After Effects has long had the ability to add a “feathered” soft edge to masked shapes, but in previous
versions the width of the feather was the same around the entire mask. After Effects CS6 contains
a new Mask Feather tool that lets you define a virtually infinite number of points along a closed
mask, and define the width of the feather at each of these points. This means some sections such as
hard metallic edges can remain sharp, while other sections that are out of focus or otherwise
blurred may have a softer outline. These points are not tied to the underlying mask vertices, which
makes After Effects more flexible than other systems that allow the feather to be defined only on a
per-vertex basis. Two different feather falloff options—Smooth and Linear—are also available.


Variable Mask Feathering makes it possible to create more nuanced transparency with fewer masks.

Tight integration with Adobe Illustrator CS6
Adobe Illustrator software has long been a favorite for creating complex text layouts, logos, and
other graphical elements. After Effects CS6 has a Create Shapes From Vector Layer command to
convert any Illustrator vector-based artwork—including AI and EPS files—into After Effects shape
layers. As a result, you can make changes as simple as tweaking the fill and stroke color or as
complex as editing the shape’s individual vertices without leaving After Effects. You can also apply
shape operators inside After Effects, including the self-animating Wiggle Paths and Wiggle
Transform operators.

And remember, shape layers may
also be extruded and ray traced in
After Effects CS6, making it fast
and easy to create high-quality
animated, dimensional logos from
previously flat artwork.

Choosing Create Shapes From Vector Layer
creates an editable and animatable shape
layer based on your vector artwork, while
leaving your original vector layer intact.


Rolling Shutter Repair
Digital cameras with CMOS sensors—including video-capable DSLRs, which are becoming
increasingly popular for the creation of films, commercials, and television shows—typically have
what is commonly known as a “rolling” shutter, which captures a frame of video one scan line at
a time. Due to time lag between scan lines, not all parts of the image are recorded at exactly the
same time, causing motion to ripple down the frame. If the camera or the subject is moving, the
rolling shutter can cause distortions, such as leaning buildings and other skewed images. Dealing
with this footage can cause headaches, especially when attempting to composite the footage with
nondistorted images, such as 3D layers and text.

After Effects CS6 includes an advanced Rolling Shutter Repair effect that contains two different
user-selectable algorithms to help fix problematic footage.


This skewed image is typical of scenes with fast movement shot with a digital This corrected image shows the results of applying Rolling Shutter Repair in
camera employing a CMOS sensor. Notice how it appears to lean slightly to After Effects CS6. In particular, the sticker on the tailgate is now a clean rectangle,
the left as a result. making it much easier to replace in post-production.

Enhanced effects
After Effects CS6 makes it easier to enhance the production value of your projects, with over 80
new and updated built-in effects.

The cornerstone of this bonanza for artists is the inclusion of the CycoreFX HD Suite. In contrast to
the 8-bit-per-channel CycoreFX previously bundled with After Effects, all 73 of the HD plug-ins—
including such popular effects as CC Sphere and CC Gradient Wipe—support 16-bit-per-channel
color; 35 of them support 32-bit floating point for maximum dynamic range. Among the many
benefits of increased color depth is reduced banding and other types of image degradation,
especially while applying color correction.


The CycoreFX HD Suite can be used in high-end visual effects and motion graphics jobs without concern about image quality.
Here, CC Sphere is used to animate a still image to create a dynamic background for this shot.


The CycoreFX HD Suite also includes effects
not previously bundled with After Effects,
such as Cross Blur, Color Neutralizer, Kernel,
Threads, Environment, Rainfall, Snowfall,
Block Load, Plastic, Line Sweep,
WarpoMatic, and Overbrights, as well as
enhancements such as support for motion
blur and a composition’s 3D lights in the
relevant CycoreFX effects.

Additionally, a number of Adobe effects
have also been rewritten to support 32-bit
floating point color, including Drop Shadow,
Spill Suppressor, Timewarp, Transform, Set
Matte, Photo Filter, and Fill, and transitions
such as Linear, Iris, and Radial Wipe. Floating
point color is essential for the preservation
of highlights and the ability to recover
shadow detail, especially when working
with high dynamic range footage such as
ARRIRAW files—another new addition in All source images © 2010-2011 Mattel, Inc. All rights reserved.

After Effects CS6. Newly bundled CycoreFX HD effects include CC Plastic.

Pro Import After Effects
Pro Import After Effects is an industry-leading integration solution that lets you easily import into
After Effects and work with Avid Media Composer and Symphony AAF/OMF files, as well as with
XML files from Apple Final Cut Pro 7 or earlier versions. Many effects and parameters from
supported Avid and Apple files are translated into After Effects, including position, scale, rotation,
keyframes, composite modes, titles, speed changes, and more.

Previously available as a separate product from Automatic Duck, Pro Import After Effects is
included with After Effects CS6. In addition to the already-excellent integration with Adobe
Premiere Pro CS6 software inside the Adobe Creative Suite 6 Production Premium and Master
Collection editions, the inclusion of Pro Import After Effects plugs After Effects solidly into any
professional production workflow.

Pro Import After Effects converts
sequences in popular editing software
into After Effects compositions,
greatly streamlining the workflow as
you employ After Effects to increase
the production value of your projects.


Improved mocha AE workflow
The professional 2.5D planar tracking and rotoscoping tool mocha AE from Imagineer Systems
continues to be bundled with After Effects. This tool, combined with Adobe’s own 3D Camera
Tracker, Warp Stabilizer, and traditional 2D point tracker, fills out a full suite of tracking tools to
take on whatever challenges your footage presents.

Additionally, After Effects CS6 now includes a Track In mocha AE menu command that lets you
launch mocha AE directly from within After Effects, so you can immediately begin working with the
per-vertex feathering and other masking tools available in mocha AE as well as in mocha shape.


You can now select a footage item directly in the Project panel of After Effects CS6 and open it in mocha AE without needing
to go through the Finder (Mac OS) or Explorer (Windows).

Additional enhancements
In every release, After Effects introduces dozens of new features as well as refinements to existing
features. Among such features added in After Effects CS6 are:
• Re-engineered use of OpenGL for real-time interactive draft rendering, making After Effects even
more responsive

• Finer control over composition objects via new bounding box controls. For example, to help
visualize the 3D bounds for beveled, extruded, or curved layers in addition to “flat” layers, the
bounding boxes for selected 3D layers now appear as dashed outlines with scaling handles.

• Numerous scripting language additions and improvements, including support for the new
Variable Mask Feathering feature

• Ability to import ARRIRAW footage from ARRIFLEX D-21 or ALEXA digital cameras

• Native support for Adobe SpeedGrade .Look files, cineSpace .csp files, and overrange IRIDAS
.cube files

About Adobe Systems Incorporated
Adobe is changing the world through digital experiences. For more information, visit www.adobe.com.


System requirements
Mac OS Windows
• Multicore Intel® processor with 64-bit support • Intel® Core™2 Duo or AMD Phenom® II processor; 64-bit support required
• Mac OS X v10.6.8 or v10.7 • Microsoft® Windows® 7 with Service Pack 1 (64 bit)
• 4GB of RAM (8GB recommended) • 4GB of RAM (8GB recommended)
• 4GB of available hard-disk space for installation; additional free space • 3GB of available hard-disk space; additional free space required during
required during installation (cannot install on a volume that uses a installation (cannot install on removable flash storage devices)
case-sensitive file system or on removable flash storage devices) Additional disk space for disk cache; 10GB recommended
Additional disk space for disk cache; 10GB recommended • 1280x900 display
• 1280x900 display OpenGL 2.0–capable system
OpenGL 2.0–capable system DVD-ROM drive for installation from DVD media
DVD-ROM drive for installation from DVD media • QuickTime 7.6.6 software required for QuickTime features
• QuickTime 7.6.6 software required for QuickTime features • Optional: Adobe-certified GPU card for GPU-accelerated ray-traced
• Optional: Adobe-certified GPU card for GPU-accelerated ray-traced 3D renderer; visit www.adobe.com/go/aftereffects_systemreqs for
3D renderer; visit www.adobe.com/go/aftereffects_systemreqs for the latest list of supported cards
the latest list of supported cards • This software will not operate without activation. Broadband Internet
• This software will not operate without activation. Broadband Internet connection and registration are required for software activation,
connection and registration are required for software activation, validation of subscriptions, and access to online services.* Phone
validation of subscriptions, and access to online services.* Phone activation is not available.
activation is not available.
For updates to system requirements and more detailed information
For updates to system requirements and more detailed information about video hardware compatibility, visit
about video hardware compatibility, visit www.adobe.com/go/aftereffects_systemreqs.
www.adobe.com/go/aftereffects_systemreqs.

Expected release date
Second quarter 2012

For more information
Product details:
www.adobe.com/aftereffects

Adobe, the Adobe logo, Adobe Audition, Adobe Premiere, Creative Cloud, the Creative Cloud logo, Creative Suite, Encore, Flash, Illustrator, Muse, Photoshop,
Prelude, and SpeedGrade are either registered trademarks or trademarks of Adobe Systems Incorporated in the United States and/or other countries. Apple,
Mac, and Mac OS are trademarks of Apple Inc., registered in the United States and other countries. QuickTime is a trademark used under license. Intel and
Adobe Systems Incorporated Core are trademarks or registered trademarks of Intel Corporation or its subsidiaries in the United States and other countries. Microsoft and Windows are
345 Park Avenue either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Maximus, NVIDIA, OpitX, Quadro, and Tesla
are either registered trademarks or trademarks of NVIDIA Corporation in the United States and/or other countries. HOT WHEELS and the Flame Logo are
San Jose, CA 95110-2704 trademarks of Mattel, Inc., registered in the United States and other countries. All other trademarks are the property of their respective owners.
USA
www.adobe.com © 2012 Adobe Systems Incorporated. All rights reserved.

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