Architecture Lighting & Acoustics (Intro)
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Architecture Lighting & Acoustics (Intro)
Architecture Lighting & Acoustics (Intro)
- 1. BIA2029: Architecture Lighting & Acoustics By Ar. Dr. Mohd Firrdhaus Mohd Sahabuddin Architecture Department, Faculty of Built Environment, Universiti Malaya Week 1 (5/3) – Natural Lighting Concept in Architecture
- 2. The Course Learning Outcomes: 2 At the end of the course students are able to: 1. Identify the needs, comfort and requirements of building users in terms of lighting and architectural acoustics. 2. Demonstrate the design concept of special lighting and architectural acoustics in groups. 3. Appraise architectural design in terms of lighting and architectural acoustics.
- 3. Weekly Topic Part A: Natural Lighting ▫ Natural Lighting Strategies in Architecture ▫ Natural Lighting Concept in Architecture Part B: Artificial Lighting ▫ Artificial Lighting Concept in Architecture ▫ Artificial Lighting Strategies in Architecture Part C: Assessment & Presentation ▫ Natural & Artificial Lightings Assessment ▫ Presentation of the Assessment 3
- 4. Weekly Schedule 4 Week Date Topic Lecturer 1 5/3 (Intro) Natural Lighting Concept in Architecture MFMS 2 12/3 Natural Lighting Strategies in Architecture MFMS 3 19/3 Artificial Lighting Concept in Architecture MFMS 4 26/3 Artificial Lighting Strategies in Architecture MFMS 5 2/4 Fieldwork Study & Assessment MFMS 6 9/4 Mid Semester Break 7 16/4 Enhancing Design for Lighting & Visual Impact MFMS 8 23/4 Final Group Presentation MFMS 9 30/4 Acoustics in Architecture NCD 10 7/5 Acoustics in Architecture NCD 11 17/5 Acoustics in Architecture NCD 12 21/5 Acoustics in Architecture NCD 13 28/5 Acoustics in Architecture NCD 14 4/6 Acoustics in Architecture NCD 15 11/6 Acoustics in Architecture NCD
- 5. Content ▪ Introduction ▪ What is light ? ▪ Relationship between light space and human ▪ Relationship between light and architecture ▪ Natural light and architecture ▪ Light influence mood ▪ Light create atmosphere ▪ Natural lighting ▫ Daylight ▫ Lightwell ▫ Clerestory ▫ Skylight ▫ Atrium ▪ Is natural light better than artificial light? 5
- 6. What is the difference in lighting in these photos? 6
- 7. Introduction ▪ The perception of space is directly connected to the way light integrates with it. ▪ What we see, what we experience and how we interpret the architectural elements is affected by lights. ▪ Regarding architecture, either as space, as material or as color, it is essentially dependant on the lighting situation. ▪ The dynamic daylight and artificial lighting are able to instigate and provoke different visual experiences and moods. ▪ Due to the light, it is possible to perceive different atmospheres in the same physical environment. 7 Grand Central Terminal in New York
- 8. What Is Light? ▪ Light is the soul of architecture design. ▪ Light allows us to see, to know where we are and what around us. ▪ Light models those objects to enhance visual and to help us define the physical world. ▪ Nothing would be visible without light. ▪ To redefine the relationships of people with the environment and with themselves. ▪ It is divided into natural light and artificial light. ▪ Natural light is a gift of nature. ▪ Artificial light sources free people from total dependence on daylight during the day as well as after dark. 8
- 9. Relationship Between Light, Space and Human ▪ Light is fundamental for space and essential for human well-being and it is the success of any building. ▪ Light quality affects human behaviour, health, comfort and mood. "Space and light and order. Those are the things that men need just as much as they need bread or a place to sleep" - Le Corbusier ▪ Light, space and human they effect and work with each other. ▪ Space needs light to illuminate; light needs space to receive it, light within the space change human experience. 9
- 10. Relationship Between Light And Architecture ▪ Most of the architectures like to amplify use of natural light. ▪ Natural light makes architectural more harmony between exterior, interior, nature and human. ▪ Light work with some element like colours, can make space more dynamic and beautifier. ▪ Vision is most important sense through which we experience architecture, and light is the medium that reveals space, form, texture and colour to our eyes. ▪ Light can be employed through design to evoke an emotional response to increased sensibilities. ▪ Architecture and light have close relation. 10 Church of light
- 11. Natural Light And Architecture ▪ Natural light keeps changing through times. ▪ Architects cannot control natural light, from morning to night, day after day changes. ▪ Its existence gives life to space, modelling the spatial sensibility. ▪ Natural light for the space, like the air for life, these two have symbiotic relationship. ▪ Natural light into interior design have many positive effects, including the considerable financial savings in energy. ▪ Natural light is considered a beneficial design for many reasons: human health, comfort and satisfaction, energy conservation, view. 11 IIM Library, Ahmedabad Light in Mosque
- 12. Light Influence Mood ▪ The psychological factors should not be overlooked. ▪ People need to change perspective in order to relax the eyes and mood. ▪ Lack of natural light makes people feel depressed and tensed 12
- 13. Light Create Atmosphere ▪ Light creates atmosphere. ▪ Many factors affect the building atmosphere. ▪ Natural light is one of the most important factors. ▪ Architect needs to use light to create a different order and rhythm change the spatial effect gives different atmosphere. 13
- 14. Natural Lighting ▪ Lighting or illumination is the deliberate use of light to achieve a practical or aesthetic effect. ▪ Lighting includes the use of both artificial light as well as natural illumination by capturing daylight. ▪ Daylight as two distinct sources of light: ▫ Sunlight – That part of solar radiation that reaches the earth’s surface as parallel rays after selective attenuation by the atmosphere. ▫ Skylight – That part of solar radiation that reaches the earth’s surface as a result of scattering in the atmosphere. ▪ Sunlight and skylight may therefore be considered as the direct and diffuse components of daylight. ▪ Day lighting is sometimes used as the main source of light during daytime in buildings. 14
- 15. Daylight ▪ Daylight, or the light of day, is the combination of all direct and indirect sunlight during the daytime. ▪ This includes direct sunlight, diffuse sky radiation and (often) both of these reflected from the Earth and terrestrial objects. ▪ Daylight (both sunlight and skylight) is usually admitted into a building by the means of windows and skylights. ▪ The quantity of daylight obtained within a room will be dependent upon: ▫ the orientation, geometry and space planning of the spaces to be lit. ▫ the location and surface properties of any internal partitions which may reflect and distribute the daylight. ▫ the location, form and dimensions of any shading devices which will provide protection from too much light and glare. 15
- 16. Lightwell ▪ Light well or air shaft is an unroofed external space provided within the volume of a large building to allow light and air to reach a dark or unventilated area. ▪ Lightwells may be lined with glazed bricks to increase the reflection of sunlight within the space ▪ Lightwells serve to reduce the necessity for electric lighting, add a central space within the building, and provide an internal open space for windows to give an illusion of having a view outside. ▪ Use of the light well was known in ancient civilizations, including Egypt and Romans at the Palace of Knossos on Minoan Crete. 16
- 17. Clerestory Windows ▪ Another important element in creating daylighting is the use of clerestory windows. ▪ These are high, vertically placed windows. ▪ They can be used to increase direct solar gain when oriented towards the equator. ▪ When facing toward the sun, clerestories and other windows may admit unacceptable glare. ▪ Clerestories can be used to admit diffuse daylight that evenly illuminates a space such as a classroom or office. ▪ It also shine onto interior wall surfaces painted white or another light colour to reflect indirect light to interior areas where it is needed. ▪ This method has the advantage of reducing the directionality of light to make it softer and more diffuse, reducing shadows. 17
- 18. Skylights ▪ Skylights are light transmitting fenestration forming all, or a portion of, the roof of a building space. ▪ Skylights are widely used in daylighting design in residential and commercial buildings ▪ An alternative to a skylight is a roof lantern. ▪ A roof lantern is a daylighting cupola that sits above a roof, as opposed to a skylight which is fitted into a roof's construction. ▪ Roof lanterns serve as both an architectural feature and a method of introducing natural light into a space, and are typically wooden or metal structures with a number of glazed glass panels. 18 Roof lantern Skylights
- 19. Atrium ▪ Atrium is a large open space located within buildings. ▪ It is often used to light a central circulation or public area by daylight admitted through a glass roof or wall. ▪ Atrium provides some daylight to adjacent working areas, but the amount is often small and does not penetrate very far. ▪ The main function of an atrium is to provide a visual experience and a degree of contact with the outside for people in the working areas. ▪ The daylighting of successive storeys of rooms adjoining an atrium is interdependent and requires a balanced approach. ▪ Light from the sky can easily penetrate the upper storeys but not the lower, which rely primarily on light reflected from internal surfaces of the atrium such as floor-reflected light. 19
- 20. Is Natural Light Better Than Artificial Light? ▪ Using as much natural light in interior spaces as much as possible has many advantage over using artificial light. ▪ Artificial light is unable to replace some effect of natural light. ▪ Natural produces positive effects, both physiological and psychological. ▪ Making good use of natural light cuts the need of artificial lighting and energy consumption as well as helps provide a feeling of well being to our everyday life. 20 Articial Natural Articial Natural
- 21. DF-Tool (Daylight Prediction Tool) https://www.jkr.gov.my/ca warkitek/wp- includes/dftool/ 21
- 22. Pengenalan ‘Df-TOOL’ – ‘Online’ FASA 2 - Kreatif dan Mesra Pengguna - Keaslian Data Primer - Kos dan Masa Yang Minima - Keputusan Yang Tepat
- 23. A A Kedalaman / Ketinggian (D/H) FASA 2
- 24. B B Nisbah Tingkap Berbanding Dinding (WWR) FASA 2
- 27. E E Nisbah Rak Cahaya (LSR) FASA 2
- 29. Bagaimana Menggunakan ‘Df-TOOL’ 6 Purata Keputusan ‘Daylight Factor’ 7 Tahap prestasi Daylight Factor 2 Masukkan kedalaman ruang 5 Tekan butang ‘recalculate’ untuk Paparan keputusan 3 Masukkan faktor Pemindahan cahaya bahan kaca yang digunakan 4 Masukkan ketinggian dan kelebaran rak cahaya yg digunakan 1 Masukkan ketinggian dan kelebaran tingkap FASA 2
- 30. Thank you! 30