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Branded Design Tested:
How simple changes in page element aesthetics led to a 51%
increase in subscriptions
We’re sharing on Twitter!
#WebClinic
Pamela Jesseau
Senior Director,
Marketing
MECLABS Institute
Austin McCraw
Senior Director,
Content Production
MECLABS Institute
Today’s Speakers
Experiment: Background
Experiment ID: TP11081
Record Location: MECLABS Research Library
Research Partner: Protected*
Background: A regional marketing commission.
Goal: To raise awareness of local activities and events, increasing number of travelers and
tourist spending in [City].
Research Question: Which sign-up page will generate the most response?
Test Design: A/B split test
*Note: Test has been anonymized to protect partner confidentiality.
The control
Control
The control
The treatment
The treatment
Control Treatment
Side-by-side
Experiment: Results
Treatments Conversion Rate
Percent Relative
Change
Level of
Confidence
Control 56.4% -- --
Treatment 37.3% -33.94 99%
34% Decrease in conversionsThe treatment decreased conversion rates by a relative 33.94%.
Experiment: Results
Treatments Conversion Rate
Percent Relative
Change
Level of
Confidence
Control 56.4% 51.37% 99%
Treatment 37.3% -- --
51% Increase in conversionsThe control outperformed the treatment by a relative 51.37%.
Why did the branded treatment lose??
Key question
Research across many brands
Today we are going to review three elements
that determine a brand’s effectiveness.
Today’s focus
ELEMENT #1:
Fostered conclusions
Fostered conclusion
1. A brand is the aggregate experience of the value proposition.
2. A brand represents the sum total of experiences in the market place, particularly
those that connect to you.
3. Brands exist in the mind. It represents a form of mental shorthand for a particular
set of fostered conclusions.
4. A brand does not make a promise; it creates an expectation. The strength of the
brand is derived not from declaration but through expectation.
Key principles
Fostered conclusion
1. Brand is the aggregate experience of the value proposition
2. Brand, represents the sum total of experiences in the market place, particularly
those that connect to you.
3. Brand exists in the mind. It represents a form of mental shorthand for a particular
set of fostered conclusions.
4. Brand does not make a promise; it creates an expectation. The strength of the
brand is derived not from declaration, but through expectation.
Key principles
To see a more in-depth Web clinic related to these
principles and value proposition visit:
MarketingExperiments.com/brand
What are the fostered conclusions?
What are the fostered conclusions?
What are the fostered conclusions?
[City] is uniquely …
• Culturally diverse
• Creative/Artsy
• Historically grounded
• Fun/Never boring
What are the fostered conclusions?
ELEMENT #2:
Short-hand symbols
Short-hand symbols
1. A properly developed brand leverages short-hand symbols to stimulate a
connection (auto-suggest) to a desired, fostered conclusion (the value
proposition in action). Short-hand symbols typically take three forms:
• Voice – The written and/or spoken tone/personality of the message
Key principles
Voice
Brand Design Tested: How simple changes in page element aesthetics led to a 51%  increase in subscriptions
Brand Design Tested: How simple changes in page element aesthetics led to a 51%  increase in subscriptions
Voice
Voice
Voice
Voice
Voice
Short-hand symbols
1. A properly developed brand leverages short-hand symbols to stimulate a
connection (auto-suggest) to a desired, fostered conclusion (the value
proposition in action). Short-hand symbols typically take three forms:
• Voice – The written and/or spoken tone/personality of the message
• Style – The design approach/elements (colors, shapes, etc.) of the format
Key principles
Style
Reductive design approach
Style
Front-facing
Geometric shapes
Style
Straight hard shadows
Style
Style
Short-hand symbols
1. A properly developed brand leverages short-hand symbols to stimulate a
connection (auto-suggest) to a desired, fostered conclusion (the value
proposition in action). Short-hand symbols typically take three forms:
• Voice – The written and/or spoken tone/personality of the message
• Style – The design approach/elements (colors, shapes, etc.) of the format
• Marks – The iconic mark(s) associated with brand (logo, face, name, etc.)
Key principles
Examples of marks short-hand symbols
• Many brands have developed
marks, which immediately evoke
the essence of the brand.
• Marks can range from the logo
mark itself to a specific name like
a founder or CEO.
Marks
Marks
Marks
Marks
Marks
What short-hand symbols is [City] utilizing
to foster the desired conclusion?
Come down and experience [City] …
Follow your [City’s Abbreviated
Name] …
Ole! Put on your red cape and sash
and get ready for the fun run of
your life …
What are the short-hand symbols?
Voice:
• The intentional voice
for this organization is
laid-back and fun, yet
knowledgeable.
What are the short-hand symbols?
Style:
• The company leverages
font, colors, textures,
imagery and tilts as short-
hand symbols.
• This style is attempting to
communicate cultural
diversity, creativity and
fun.
What are the short-hand symbols?
Mark:
• There are essentially two
key marks for [City]: its
abbreviated name and
the emblem associated
with the city.
Abbreviated Names: Emblems:
The treatment employs
all of these elements.
Why did the branded
treatment lose?
Key question
ELEMENT #3:
Proper application
Proper application of short-hand symbols
1. All marketing should influence a decision. It is not enough to have a codified
brand with short-hand symbols.
2. We must ensure that our defined elements of our brand help, rather than
hinder, people when it comes to making the right decision.
Key principles
C = 4m + 3v + 2(i-f) - 2a
The treatment
Treatment
• First, notice how the
treatment integrates
many short-hand
symbols of the brand.
• Imagery
• Colors
• Fonts
The treatment Treatment
• Notice how much
difficulty was created by
the additional layer of
brand symbols:
• Images become hard to
discern
• Headline becomes difficult
to read
• Contrast makes it more
difficult to read
C = 4m + 3v + 2(i-f) - 2a
The treatment Treatment
• Notice how much
difficulty was created by
the additional layer of
brand symbols:
• Contrast and fonts becomes
very difficult to ready
C = 4m + 3v + 2(i-f) - 2a
The control
Control
• Notice how the control is still
using many brand elements
but in a much more balanced
way:
• Utilized simpler imagery and
same style
• Used more readable font for
important copy and bolded
key words
• Removed contrast in primary
texts
C = 4m + 3v + 2(i-f) - 2a
The control
Control
• Notice how the treatment is
still using many brand
elements but in a much
more balanced way:
• Simplified the form
(same number of fields)
by making it black on
white and using a more
readable font
C = 4m + 3v + 2(i-f) - 2a
Control Treatment
Side-by-side
51%INCREASE IN CONVERSION
Summary: Key principles
1. Key Principle #1: A brand does not make a promise; it creates an expectation.
Brands exist in the mind, representing the sum total of customer experiences in
the marketplace.
2. Key Principle #2: A properly developed brand leverages short-hand symbols to
stimulate a connection to a desired fostered conclusion. These short-hand
symbols come in the form of voice (tone), style (design) and mark (logos,
symbols, faces).
3. Key Principle #3: All marketing should influence a decision. We must ensure that
our defined elements of our brand help, rather than hinder, people when it
comes to making the right decision.
Brand Design Tested: How simple changes in page element aesthetics led to a 51%  increase in subscriptions
July Web clinic preview
#WebClinic
Next Clinic: Control
Email design
• The control uses a traditional headline
#WebClinic
Next Clinic: Control
Email design
• The control uses a traditional headline
• The body of the email features bulleted value copy
#WebClinic
Next Clinic: Treatment
Email design
• The control incorporates a seasonal headline
#WebClinic
Next Clinic: Treatment
Email design
• The control incorporates a seasonal headline
• Halloween-themed imagery and seasonal
modifications to the value copy are featured
#WebClinic
Which treatment won?
#WebClinic
Live July 8th at 4 p.m. EDT
• The exact changes that resulted in a 25% change in clickthrough rate
• Why those changes affected performance
• How you can apply the same principles to your pages
• Key strategies when incorporating seasonality
Join us for the next live 35-minute Web
clinic to discover:
To see the results
To join live, register at the link below:
MarketingExperiments.com/seasonality
Customer Motivation

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Brand Design Tested: How simple changes in page element aesthetics led to a 51% increase in subscriptions

  • 1. Branded Design Tested: How simple changes in page element aesthetics led to a 51% increase in subscriptions
  • 2. We’re sharing on Twitter! #WebClinic
  • 3. Pamela Jesseau Senior Director, Marketing MECLABS Institute Austin McCraw Senior Director, Content Production MECLABS Institute Today’s Speakers
  • 4. Experiment: Background Experiment ID: TP11081 Record Location: MECLABS Research Library Research Partner: Protected* Background: A regional marketing commission. Goal: To raise awareness of local activities and events, increasing number of travelers and tourist spending in [City]. Research Question: Which sign-up page will generate the most response? Test Design: A/B split test *Note: Test has been anonymized to protect partner confidentiality.
  • 10. Experiment: Results Treatments Conversion Rate Percent Relative Change Level of Confidence Control 56.4% -- -- Treatment 37.3% -33.94 99% 34% Decrease in conversionsThe treatment decreased conversion rates by a relative 33.94%.
  • 11. Experiment: Results Treatments Conversion Rate Percent Relative Change Level of Confidence Control 56.4% 51.37% 99% Treatment 37.3% -- -- 51% Increase in conversionsThe control outperformed the treatment by a relative 51.37%.
  • 12. Why did the branded treatment lose?? Key question
  • 14. Today we are going to review three elements that determine a brand’s effectiveness. Today’s focus
  • 16. Fostered conclusion 1. A brand is the aggregate experience of the value proposition. 2. A brand represents the sum total of experiences in the market place, particularly those that connect to you. 3. Brands exist in the mind. It represents a form of mental shorthand for a particular set of fostered conclusions. 4. A brand does not make a promise; it creates an expectation. The strength of the brand is derived not from declaration but through expectation. Key principles
  • 17. Fostered conclusion 1. Brand is the aggregate experience of the value proposition 2. Brand, represents the sum total of experiences in the market place, particularly those that connect to you. 3. Brand exists in the mind. It represents a form of mental shorthand for a particular set of fostered conclusions. 4. Brand does not make a promise; it creates an expectation. The strength of the brand is derived not from declaration, but through expectation. Key principles To see a more in-depth Web clinic related to these principles and value proposition visit: MarketingExperiments.com/brand
  • 18. What are the fostered conclusions?
  • 19. What are the fostered conclusions?
  • 20. What are the fostered conclusions?
  • 21. [City] is uniquely … • Culturally diverse • Creative/Artsy • Historically grounded • Fun/Never boring What are the fostered conclusions?
  • 23. Short-hand symbols 1. A properly developed brand leverages short-hand symbols to stimulate a connection (auto-suggest) to a desired, fostered conclusion (the value proposition in action). Short-hand symbols typically take three forms: • Voice – The written and/or spoken tone/personality of the message Key principles
  • 24. Voice
  • 27. Voice
  • 28. Voice
  • 29. Voice
  • 30. Voice
  • 31. Voice
  • 32. Short-hand symbols 1. A properly developed brand leverages short-hand symbols to stimulate a connection (auto-suggest) to a desired, fostered conclusion (the value proposition in action). Short-hand symbols typically take three forms: • Voice – The written and/or spoken tone/personality of the message • Style – The design approach/elements (colors, shapes, etc.) of the format Key principles
  • 33. Style
  • 36. Style
  • 37. Style
  • 38. Short-hand symbols 1. A properly developed brand leverages short-hand symbols to stimulate a connection (auto-suggest) to a desired, fostered conclusion (the value proposition in action). Short-hand symbols typically take three forms: • Voice – The written and/or spoken tone/personality of the message • Style – The design approach/elements (colors, shapes, etc.) of the format • Marks – The iconic mark(s) associated with brand (logo, face, name, etc.) Key principles
  • 39. Examples of marks short-hand symbols • Many brands have developed marks, which immediately evoke the essence of the brand. • Marks can range from the logo mark itself to a specific name like a founder or CEO.
  • 40. Marks
  • 41. Marks
  • 42. Marks
  • 43. Marks
  • 44. Marks
  • 45. What short-hand symbols is [City] utilizing to foster the desired conclusion?
  • 46. Come down and experience [City] … Follow your [City’s Abbreviated Name] … Ole! Put on your red cape and sash and get ready for the fun run of your life … What are the short-hand symbols? Voice: • The intentional voice for this organization is laid-back and fun, yet knowledgeable.
  • 47. What are the short-hand symbols? Style: • The company leverages font, colors, textures, imagery and tilts as short- hand symbols. • This style is attempting to communicate cultural diversity, creativity and fun.
  • 48. What are the short-hand symbols? Mark: • There are essentially two key marks for [City]: its abbreviated name and the emblem associated with the city. Abbreviated Names: Emblems:
  • 49. The treatment employs all of these elements. Why did the branded treatment lose? Key question
  • 51. Proper application of short-hand symbols 1. All marketing should influence a decision. It is not enough to have a codified brand with short-hand symbols. 2. We must ensure that our defined elements of our brand help, rather than hinder, people when it comes to making the right decision. Key principles C = 4m + 3v + 2(i-f) - 2a
  • 52. The treatment Treatment • First, notice how the treatment integrates many short-hand symbols of the brand. • Imagery • Colors • Fonts
  • 53. The treatment Treatment • Notice how much difficulty was created by the additional layer of brand symbols: • Images become hard to discern • Headline becomes difficult to read • Contrast makes it more difficult to read C = 4m + 3v + 2(i-f) - 2a
  • 54. The treatment Treatment • Notice how much difficulty was created by the additional layer of brand symbols: • Contrast and fonts becomes very difficult to ready C = 4m + 3v + 2(i-f) - 2a
  • 55. The control Control • Notice how the control is still using many brand elements but in a much more balanced way: • Utilized simpler imagery and same style • Used more readable font for important copy and bolded key words • Removed contrast in primary texts C = 4m + 3v + 2(i-f) - 2a
  • 56. The control Control • Notice how the treatment is still using many brand elements but in a much more balanced way: • Simplified the form (same number of fields) by making it black on white and using a more readable font C = 4m + 3v + 2(i-f) - 2a
  • 58. Summary: Key principles 1. Key Principle #1: A brand does not make a promise; it creates an expectation. Brands exist in the mind, representing the sum total of customer experiences in the marketplace. 2. Key Principle #2: A properly developed brand leverages short-hand symbols to stimulate a connection to a desired fostered conclusion. These short-hand symbols come in the form of voice (tone), style (design) and mark (logos, symbols, faces). 3. Key Principle #3: All marketing should influence a decision. We must ensure that our defined elements of our brand help, rather than hinder, people when it comes to making the right decision.
  • 60. July Web clinic preview
  • 61. #WebClinic Next Clinic: Control Email design • The control uses a traditional headline
  • 62. #WebClinic Next Clinic: Control Email design • The control uses a traditional headline • The body of the email features bulleted value copy
  • 63. #WebClinic Next Clinic: Treatment Email design • The control incorporates a seasonal headline
  • 64. #WebClinic Next Clinic: Treatment Email design • The control incorporates a seasonal headline • Halloween-themed imagery and seasonal modifications to the value copy are featured
  • 66. #WebClinic Live July 8th at 4 p.m. EDT • The exact changes that resulted in a 25% change in clickthrough rate • Why those changes affected performance • How you can apply the same principles to your pages • Key strategies when incorporating seasonality Join us for the next live 35-minute Web clinic to discover: To see the results To join live, register at the link below: MarketingExperiments.com/seasonality Customer Motivation