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© 2012 The McGraw-Hill Companies, Inc. All rights reserved
The World of Music
7th
Connect edition
Part 4
Listening to Western
Classical Music
Chapter 12: Music of the
Romantic Period
(Nineteenth Century)
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Attributes of the Romantic Period
 Revolution
 Capitalism
 Emotion
 Imagination
 A Desire to be
Different
 Nationalism
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Changes in Musical Life
 Patronage System in Decline
 Composers must Promote Themselves
 Creates need for:
 Concert Managers (Impresarios)
 Music Publishers
 Music Critics
 Virtuosi Become Celebrities
 Much Music too Difficult for Amateurs
 Creates need for Teachers
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Absolute and Program Music
 Absolute
 Classical
 Music for its own sake
 No intended imagery
 Characteristic of:
 Sonata
 Symphony
 Concerto
 Program
 Depicts:
 Moods
 Images
 Stories
 Characters
 Reflects interest in
poetry
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Characteristics of Romantic Music
 Programmatic
 Lyrical Melodies
 Chromaticism
 Dissonance
 Emotional
 Complex Rhythms
 Syncopated
 Irregular
 Bigger (and more Varied) Orchestras
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Forms of the Romantic Period
 Sonata Common, but less Strict
 Symphonic Poem
 Stage Forms
 Overture
 Prelude
 Suite
 Incidental Music
 Many Different Chamber Groups
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Opera in the Romantic Period
 Composers
 Verdi
 Wagner
 Rossini
 Puccini
 Richard Strauss
 Great Variety in Size and Subjects
 Romantic Operas Still Performed Today
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Ballet
 Originally Part of
Opera
 Features Dancing
 Solo
 Ensemble
 Famous Tchaikovsky
Ballets
 Sleeping Beauty
 Swan Lake
 The Nutcracker
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Keyboard Music
 New Miniature Forms
 Character Pieces
 Solo (Voice) Song with
Piano
 Expressive
 Lyrical and Dramatic
 Technically
Demanding
 Chopin Miniature
Forms
 Impromptu
 Nocturne
 Mazurka
 Polonaise
 Prelude
 Waltz
 Étude
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Songs
 Solo Voice with Piano
 Usually Short
 Schubert
 Wrote over 600 Songs
 Frequently used words of German Poets
 Highly Expressive
 Often Strophic
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Johannes Brahms (1833–1897)
 German
 Traditionalist
 Traits of his Music
 Passionate
 Introspective
 Rich/Dark
 Lyrical
 Complex Rhythms
 Intricate Polyphony
 Mostly Absolute
 Output
 4 Symphonies
 1 Violin Concerto
 2 Piano Concertos
 Much Chamber Music
 Sonatas
 Piano
 Cello
 Violin
 Clarinet
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Frédéric Chopin (1810–1849)
 Polish
 Pianist
 Unique Compositional
Style
 Elaborate Decorative
Melodies
 Colorful, Dissonant
Harmonies
 Extreme Rubato
 Output
 Many Miniatures
 3 Piano Sonatas
 2 Piano Concertos
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Felix Mendelssohn (1809–1847)
 German
 Wealthy Family
 Widely Traveled
 Traditional (Classical)
Style
 Well-Known Pieces
 “Scotch” Symphony
 “Italian” Symphony
 Elijah Oratorio
 Violin Concerto in E
Minor
 Hebrides Overture
 Midsummer Night’s
Dream Incidental Music
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Franz Schubert (1797–1828)
 Prolific Song
Composer
 Struggled with poverty
and illness
 Style
 Great variety
 Lyrical melodies
 Colorful harmonies
 Great sensitivity to
poetic texts
 Output
 600 + Lieder
 2 Song Cycles
 9 Symphonies
 22 Piano Sonatas
 Miniatures
 Chamber Pieces
 Choral Works
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Pyotr I’yich Tchaikovsky (1840–1893)
 Russian
 Influences
 Russian Folk Songs
 Italian Opera
 French Ballet
 German
Symphonies/Songs
 Style
 Tuneful
 Accessible
 Emotional
 Output
 6 Symphonies
 Concertos
 Violin
 Piano
 Ballets
 Swan Lake
 Sleeping Beauty
 The Nutcracker
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Giuseppe Verdi (1813–1901)
 Italian
 Known for Opera
 Unhappy
 Tragic Endings
 Invited to open Carnegie
Hall
 Style
 Conventional Harmonies
 Predictable Rhythms
 Superb Melodies
 Theatrical
 Representative Works
 Opera
 Rigoletto
 La Traviata
 Il Trovatore
 Aida
 Choral
 Te Deum
 Requiem
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Richard Wagner (1813–1883)
 German
 Revolutionary
 His Music Drama had
equal portions of:
 Music
 Drama
 Poetry
 Stagecraft
 Style
 Symphonic
 Strong Brass
 Leitmotiv
 Colorful
 Wrote own Libretti
 Music Dramas
 The Ring of the
Nibelung
 Tristan and Isolde
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Other Romantic Composers
 Hector Berlioz
 Antonin Dvořák
 Edvard Grieg
 Franz Liszt
 Gustav Mahler
 Giacomo Puccini
 Sergei Rachmaninoff
 Nicolay Rimsky-
Korsakov
 Gioachino Rossini
 Robert Schumann
 Bedřich Smetana
 Richard Strauss
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Chapter Summary
 Why do you think Romantic Period music is so
much more popular than modern classical music?
 What can you learn by listening to a piece
multiple times?
 Do you think the emotional language of Western
music is universally human or culturally learned?
Would a Brahms symphony communicate the
same emotions to a rural Chinese farmer that it
does to you?
© 2012 The McGraw-Hill Companies, Inc. All rights reserved
Chapter 12: Music of the Romantic Period
(Nineteenth Century)
Image Credits
 Slide 2 Royalty-Free/CORBIS
 Slide 8 © Digital Vision

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Chapter 12 Slides

  • 1. © 2012 The McGraw-Hill Companies, Inc. All rights reserved The World of Music 7th Connect edition Part 4 Listening to Western Classical Music Chapter 12: Music of the Romantic Period (Nineteenth Century) Chapter 12: Music of the Romantic Period (Nineteenth Century)
  • 2. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Attributes of the Romantic Period  Revolution  Capitalism  Emotion  Imagination  A Desire to be Different  Nationalism
  • 3. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Changes in Musical Life  Patronage System in Decline  Composers must Promote Themselves  Creates need for:  Concert Managers (Impresarios)  Music Publishers  Music Critics  Virtuosi Become Celebrities  Much Music too Difficult for Amateurs  Creates need for Teachers
  • 4. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Absolute and Program Music  Absolute  Classical  Music for its own sake  No intended imagery  Characteristic of:  Sonata  Symphony  Concerto  Program  Depicts:  Moods  Images  Stories  Characters  Reflects interest in poetry
  • 5. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Characteristics of Romantic Music  Programmatic  Lyrical Melodies  Chromaticism  Dissonance  Emotional  Complex Rhythms  Syncopated  Irregular  Bigger (and more Varied) Orchestras
  • 6. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Forms of the Romantic Period  Sonata Common, but less Strict  Symphonic Poem  Stage Forms  Overture  Prelude  Suite  Incidental Music  Many Different Chamber Groups
  • 7. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Opera in the Romantic Period  Composers  Verdi  Wagner  Rossini  Puccini  Richard Strauss  Great Variety in Size and Subjects  Romantic Operas Still Performed Today
  • 8. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Ballet  Originally Part of Opera  Features Dancing  Solo  Ensemble  Famous Tchaikovsky Ballets  Sleeping Beauty  Swan Lake  The Nutcracker
  • 9. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Keyboard Music  New Miniature Forms  Character Pieces  Solo (Voice) Song with Piano  Expressive  Lyrical and Dramatic  Technically Demanding  Chopin Miniature Forms  Impromptu  Nocturne  Mazurka  Polonaise  Prelude  Waltz  Étude
  • 10. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Songs  Solo Voice with Piano  Usually Short  Schubert  Wrote over 600 Songs  Frequently used words of German Poets  Highly Expressive  Often Strophic
  • 11. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Johannes Brahms (1833–1897)  German  Traditionalist  Traits of his Music  Passionate  Introspective  Rich/Dark  Lyrical  Complex Rhythms  Intricate Polyphony  Mostly Absolute  Output  4 Symphonies  1 Violin Concerto  2 Piano Concertos  Much Chamber Music  Sonatas  Piano  Cello  Violin  Clarinet
  • 12. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Frédéric Chopin (1810–1849)  Polish  Pianist  Unique Compositional Style  Elaborate Decorative Melodies  Colorful, Dissonant Harmonies  Extreme Rubato  Output  Many Miniatures  3 Piano Sonatas  2 Piano Concertos
  • 13. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Felix Mendelssohn (1809–1847)  German  Wealthy Family  Widely Traveled  Traditional (Classical) Style  Well-Known Pieces  “Scotch” Symphony  “Italian” Symphony  Elijah Oratorio  Violin Concerto in E Minor  Hebrides Overture  Midsummer Night’s Dream Incidental Music
  • 14. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Franz Schubert (1797–1828)  Prolific Song Composer  Struggled with poverty and illness  Style  Great variety  Lyrical melodies  Colorful harmonies  Great sensitivity to poetic texts  Output  600 + Lieder  2 Song Cycles  9 Symphonies  22 Piano Sonatas  Miniatures  Chamber Pieces  Choral Works
  • 15. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Pyotr I’yich Tchaikovsky (1840–1893)  Russian  Influences  Russian Folk Songs  Italian Opera  French Ballet  German Symphonies/Songs  Style  Tuneful  Accessible  Emotional  Output  6 Symphonies  Concertos  Violin  Piano  Ballets  Swan Lake  Sleeping Beauty  The Nutcracker
  • 16. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Giuseppe Verdi (1813–1901)  Italian  Known for Opera  Unhappy  Tragic Endings  Invited to open Carnegie Hall  Style  Conventional Harmonies  Predictable Rhythms  Superb Melodies  Theatrical  Representative Works  Opera  Rigoletto  La Traviata  Il Trovatore  Aida  Choral  Te Deum  Requiem
  • 17. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Richard Wagner (1813–1883)  German  Revolutionary  His Music Drama had equal portions of:  Music  Drama  Poetry  Stagecraft  Style  Symphonic  Strong Brass  Leitmotiv  Colorful  Wrote own Libretti  Music Dramas  The Ring of the Nibelung  Tristan and Isolde
  • 18. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Other Romantic Composers  Hector Berlioz  Antonin Dvořák  Edvard Grieg  Franz Liszt  Gustav Mahler  Giacomo Puccini  Sergei Rachmaninoff  Nicolay Rimsky- Korsakov  Gioachino Rossini  Robert Schumann  Bedřich Smetana  Richard Strauss
  • 19. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Chapter Summary  Why do you think Romantic Period music is so much more popular than modern classical music?  What can you learn by listening to a piece multiple times?  Do you think the emotional language of Western music is universally human or culturally learned? Would a Brahms symphony communicate the same emotions to a rural Chinese farmer that it does to you?
  • 20. © 2012 The McGraw-Hill Companies, Inc. All rights reserved Chapter 12: Music of the Romantic Period (Nineteenth Century) Image Credits  Slide 2 Royalty-Free/CORBIS  Slide 8 © Digital Vision