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DESIGNING WITHOUT
     IMITATING.
Designing without imitating
Our approach

Case Studies

  – Shechem
  – The Stealth House
  – The Monk House
Designing without imitating
Designing without imitating
Designing without imitating
Designing without imitating
Designing without imitating
Designing without imitating
Stylistic consensus is ultimately a myth
The challenge of the

‘Pluralist Milieu’
The juxtaposition of distinct
architectural styles (and the
philosophies that created them)
In the same shared space.

The challenge of difference is
here to stay…..so how can we
             unity
ensure we achieve

within difference.
‘E Pluribus Unum’
Celebrating ‘E Pluribus Unum’
Contemporary
Fit in
           Georgian
                      Bespoke

 Classism
                         Contrast
         Pastiche
                      Modernism
  Vernacular
                         Contextual
How does a building grow naturally and uniquely out
  of the conditions of its site?
the need for a theory of relating difference.
a new ism


 Rationalism

 Revivalism

 Eclecticism

Relationalism
A Social Theory
“Receptivity is only one side of hospitality. The other
side, equally important is confrontation… When we
really want to be hospitable we not only have to
receive strangers but also to confront them by an
unambiguous presence, not hiding ourselves
behind neutrality but showing our ideas, opinions
and lifestyle clearly and distinctly. No real dialogue
is possible between somebody and nobody.”
                                         Henri Nouwen
‘Love thy neighbour as thy self’

Perhaps the most well known relational axiom, ‘Love thy
neighbour,’ is completed with ‘as thy self’.

In the original Biblical account of this axiom, ‘neighbour’
is a verb. Co-appearing and proximity alone are
inadequate without the evidence of meaningful and
positive interaction between subjects.

Look for evidence of meaningful interaction between the
old and new.
The notion of RECOGNITION
Design generated from the site
             ‘The true innermost being of
             architecture can be compared to
             natures seed, and something of
             the inevitability of nature’s
             principle of growth ought to be a
             fundamental concept in
             architecture. If we think of the
             seeds that turn into plants or trees,
             everything within the same genus
             would develop the same way if
             the growth potential were not so
             different and if each growth
             possessed within itself the ability to
             grow without compromise. On
             account of different conditions,
             similar seeds turn into widely
             differing organisms.’

                                                Jorn Utzon,
                        The Innermost Being of Architecture
Style is not local
         but it can be Localised

                                   Winchester




London           Bath              Edinburgh
Designing without imitating
1 Castle Street, Dublin
De Blacam & Meagher
Designing without imitating
The scale, massing and height of
           proposed development should
           be considered in relation to that
           of adjoining buildings; the
           topography; The general pattern
           of heights in the area; and views,
           vistas and landmarks all
           influence the form of a
           development.



House in Corrubedo
Chipperfield
An entry from Snug’s blog
When we design we must have our eyes and our hearts open.
We must listen as well as look. We must smell, feel and
remember. All of our senses must be alive if we are to create
designs that bring ongoing life to the places in which we work.
There is no status quo. Places, like the cells in our own body,
are always being renewed. The challenge is to maintain our
identity and character whilst striving towards maturity.

For the buildings we design to succeed in this task we must
develop a deep understanding and respect for site. The result
will not however be a pastiche of past responses. It will be
something new, something befitting our era and the needs of
our age, something us and our clients can be proud of.
Shechem House
Designing without imitating
Designing without imitating
Designing without imitating
Designing without imitating
Designing without imitating
Designing without imitating
Designing without imitating
stealth HOUSE
Designing without imitating
Designing without imitating
Designing without imitating
Designing without imitating
Designing without imitating
Designing without imitating
Designing without imitating
Designing without imitating
Front   In Side




Rear     Out Side
Designing without imitating
Designing without imitating
The Monks House
Designing without imitating
The Site
The Site.
The Site.
The Analysis.
The Analysis.
The Analysis.
The Analysis.
The Analysis.
PULLED BACK FROM FRONTAGE
Imitate?




The Analysis.
Is this the right approach?
CONTEXTUALISM/CONSERVATION LED APPROACH -   CHARACTER / DESIGN LED APPROACH -
SEEKING TO PRESERVE.                        SEEKING TO ENHANCE.
a fresh perspective.....
‘What's in a name? that which we call a rose
 By any other name would smell as sweet.’
The concept
The Precedent
The Proposal.
The Proposal.
APP/L1765/A/10/2135765 “I conclude that the proposed development
        would cause no unacceptable harm to the living conditions of those at No.1
        Birinus Road with special reference to visual impact and daylight.”




The Progress.
The Proposal.
In context.
CONTEXTUALISM/CONSERVATION LED APPROACH -   CHARACTER / DESIGN LED APPROACH -
SEEKING TO PRESERVE.                        SEEKING TO ENHANCE.
DOMINANT RIDGE LINE




                       RECESSIVE RIDGE LINE




ELEVATIONAL ANALYSIS
Designing without imitating
Designing without imitating
Ground/Half Basement Floor   Half First Floor
RECESSIVE RIDGE LINE




KEEP HORIZONTAL LEVELS
MAINTAIN STREET RHYTHM
VIEW OF EAST ELEVATION FROM BIRINIUS ROAD




VIEW NORTH ALONG BIRINIUS ROAD
CONTEXTUALISM/CONSERVATION LED APPROACH -   CHARACTER / DESIGN LED APPROACH -
SEEKING TO PRESERVE.                        SEEKING TO ENHANCE.
NPPF
60. Planning policies and decisions should not attempt to impose
   architectural styles or particular tastes and they should not stifle
   innovation, originality or initiative through unsubstantiated
   requirements to conform to certain development forms or styles. It is,
   however, proper to seek to promote or reinforce local distinctiveness.

61. Although visual appearance and the architecture of individual
   buildings are very important factors, securing high quality and
   inclusive design goes beyond aesthetic considerations. Therefore,
   planning policies and decisions should address the connections
   between people and places and the integration of new
   development into the natural, built and historic environment.

63. In determining applications, great weight should be given to
   outstanding or innovative designs which help raise the standard of
   design more generally in the area.

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Designing without imitating

  • 1. DESIGNING WITHOUT IMITATING.
  • 3. Our approach Case Studies – Shechem – The Stealth House – The Monk House
  • 10. Stylistic consensus is ultimately a myth
  • 11. The challenge of the ‘Pluralist Milieu’ The juxtaposition of distinct architectural styles (and the philosophies that created them) In the same shared space. The challenge of difference is here to stay…..so how can we unity ensure we achieve within difference. ‘E Pluribus Unum’
  • 13. Contemporary Fit in Georgian Bespoke Classism Contrast Pastiche Modernism Vernacular Contextual
  • 14. How does a building grow naturally and uniquely out of the conditions of its site?
  • 15. the need for a theory of relating difference.
  • 16. a new ism Rationalism Revivalism Eclecticism Relationalism
  • 17. A Social Theory “Receptivity is only one side of hospitality. The other side, equally important is confrontation… When we really want to be hospitable we not only have to receive strangers but also to confront them by an unambiguous presence, not hiding ourselves behind neutrality but showing our ideas, opinions and lifestyle clearly and distinctly. No real dialogue is possible between somebody and nobody.” Henri Nouwen
  • 18. ‘Love thy neighbour as thy self’ Perhaps the most well known relational axiom, ‘Love thy neighbour,’ is completed with ‘as thy self’. In the original Biblical account of this axiom, ‘neighbour’ is a verb. Co-appearing and proximity alone are inadequate without the evidence of meaningful and positive interaction between subjects. Look for evidence of meaningful interaction between the old and new.
  • 19. The notion of RECOGNITION
  • 20. Design generated from the site ‘The true innermost being of architecture can be compared to natures seed, and something of the inevitability of nature’s principle of growth ought to be a fundamental concept in architecture. If we think of the seeds that turn into plants or trees, everything within the same genus would develop the same way if the growth potential were not so different and if each growth possessed within itself the ability to grow without compromise. On account of different conditions, similar seeds turn into widely differing organisms.’ Jorn Utzon, The Innermost Being of Architecture
  • 21. Style is not local but it can be Localised Winchester London Bath Edinburgh
  • 23. 1 Castle Street, Dublin De Blacam & Meagher
  • 25. The scale, massing and height of proposed development should be considered in relation to that of adjoining buildings; the topography; The general pattern of heights in the area; and views, vistas and landmarks all influence the form of a development. House in Corrubedo Chipperfield
  • 26. An entry from Snug’s blog When we design we must have our eyes and our hearts open. We must listen as well as look. We must smell, feel and remember. All of our senses must be alive if we are to create designs that bring ongoing life to the places in which we work. There is no status quo. Places, like the cells in our own body, are always being renewed. The challenge is to maintain our identity and character whilst striving towards maturity. For the buildings we design to succeed in this task we must develop a deep understanding and respect for site. The result will not however be a pastiche of past responses. It will be something new, something befitting our era and the needs of our age, something us and our clients can be proud of.
  • 44. Front In Side Rear Out Side
  • 57. PULLED BACK FROM FRONTAGE
  • 59. Is this the right approach?
  • 60. CONTEXTUALISM/CONSERVATION LED APPROACH - CHARACTER / DESIGN LED APPROACH - SEEKING TO PRESERVE. SEEKING TO ENHANCE.
  • 62. ‘What's in a name? that which we call a rose By any other name would smell as sweet.’
  • 67. APP/L1765/A/10/2135765 “I conclude that the proposed development would cause no unacceptable harm to the living conditions of those at No.1 Birinus Road with special reference to visual impact and daylight.” The Progress.
  • 70. CONTEXTUALISM/CONSERVATION LED APPROACH - CHARACTER / DESIGN LED APPROACH - SEEKING TO PRESERVE. SEEKING TO ENHANCE.
  • 71. DOMINANT RIDGE LINE RECESSIVE RIDGE LINE ELEVATIONAL ANALYSIS
  • 74. Ground/Half Basement Floor Half First Floor
  • 75. RECESSIVE RIDGE LINE KEEP HORIZONTAL LEVELS
  • 77. VIEW OF EAST ELEVATION FROM BIRINIUS ROAD VIEW NORTH ALONG BIRINIUS ROAD
  • 78. CONTEXTUALISM/CONSERVATION LED APPROACH - CHARACTER / DESIGN LED APPROACH - SEEKING TO PRESERVE. SEEKING TO ENHANCE.
  • 79. NPPF 60. Planning policies and decisions should not attempt to impose architectural styles or particular tastes and they should not stifle innovation, originality or initiative through unsubstantiated requirements to conform to certain development forms or styles. It is, however, proper to seek to promote or reinforce local distinctiveness. 61. Although visual appearance and the architecture of individual buildings are very important factors, securing high quality and inclusive design goes beyond aesthetic considerations. Therefore, planning policies and decisions should address the connections between people and places and the integration of new development into the natural, built and historic environment. 63. In determining applications, great weight should be given to outstanding or innovative designs which help raise the standard of design more generally in the area.