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Eloise Hatton
Fully Narrated
 Fully Narrated – use a voice over to
make sense of visuals included in the
documentary, this voice over is known
as ‘The Voice of God’. The voice over
conveys the exposition. (Exposition
means line of argument).
Fly on the Wall
 Fly on the wall – relies entirely on
observations and also includes the
audience watching something as it
happens and features a distorted
version of the truth.
 Viewers come to their own conclusions.
Mixed
 Mixed – uses a mix of interviews,
observation and narration. The narrative
section in these types of documentaries
is comparable to a news reporting.
 They are more objective as they use a
range of techniques within the
documentary rather than focusing on
one technique such as the narrative
section.
Self - Reflexive
 Self – Reflexive – is when the subject
acknowledges the camera, and they
usually become about the person in
front of the camera rather than the
actual issue/subject. Critics say that self-
reflexive documentaries fall into empty
narcissi. They speak directly to the film
maker.
Docu - Drama
 Docu – drama – are a re-enactment of
events that have occurred and are
fictional narrative based on facts. Critics
say that docudramas claim to represent
the truth but can only ever hope to film
fiction. Docudramas can be misleading
and risky in some ways.
Docu - Soap
 Docu – Soap – have become
increasingly popular throughout the past
10 years, these types of documentaries
follow peoples lives. Docudramas
originated in Britain and have low
production costs and people of ten
become ‘famous’ from these
documentaries.
Current Affairs
 Current affairs – different from
documentaries and are journalist based
programmes addressing the news in
more detail.
Differences between Current
affairs and Documentaries
 Current affairs are based on daily events
and only have 5 -10 minutes where a
documentary can take months to make.
Features of Documentaries
According to John Carner from the Uni of
Liverpool there are 5 central elements of
the documentary.
 Observation –puts the audience in a role of eye witness where
the camera appears to be on scene. In direct address to the
audience (i.e. speech over heard is a common factor).
 Interview – TV documentaries use interviews to make a contrast
between observation sequences and are structured in two
ways, either intercut fragments of observation or a completely
uninterrupted sequences.
 Dramatisation – even though all documentaries use a sense of
drama it is specifically used to portray people and events the
film maker can not gain access to in real life. These sequences
are said to be based on fact.
 Mise-en-scene – literally what the director and producers put in
the frame (e.g. props/lighting/etc).
 Exposition – the line of argument running through a
documentary. (Does not always have to be verbal, it can be oral
or visual).

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Different types of documentaries 2

  • 2. Fully Narrated  Fully Narrated – use a voice over to make sense of visuals included in the documentary, this voice over is known as ‘The Voice of God’. The voice over conveys the exposition. (Exposition means line of argument).
  • 3. Fly on the Wall  Fly on the wall – relies entirely on observations and also includes the audience watching something as it happens and features a distorted version of the truth.  Viewers come to their own conclusions.
  • 4. Mixed  Mixed – uses a mix of interviews, observation and narration. The narrative section in these types of documentaries is comparable to a news reporting.  They are more objective as they use a range of techniques within the documentary rather than focusing on one technique such as the narrative section.
  • 5. Self - Reflexive  Self – Reflexive – is when the subject acknowledges the camera, and they usually become about the person in front of the camera rather than the actual issue/subject. Critics say that self- reflexive documentaries fall into empty narcissi. They speak directly to the film maker.
  • 6. Docu - Drama  Docu – drama – are a re-enactment of events that have occurred and are fictional narrative based on facts. Critics say that docudramas claim to represent the truth but can only ever hope to film fiction. Docudramas can be misleading and risky in some ways.
  • 7. Docu - Soap  Docu – Soap – have become increasingly popular throughout the past 10 years, these types of documentaries follow peoples lives. Docudramas originated in Britain and have low production costs and people of ten become ‘famous’ from these documentaries.
  • 8. Current Affairs  Current affairs – different from documentaries and are journalist based programmes addressing the news in more detail.
  • 9. Differences between Current affairs and Documentaries  Current affairs are based on daily events and only have 5 -10 minutes where a documentary can take months to make.
  • 10. Features of Documentaries According to John Carner from the Uni of Liverpool there are 5 central elements of the documentary.
  • 11.  Observation –puts the audience in a role of eye witness where the camera appears to be on scene. In direct address to the audience (i.e. speech over heard is a common factor).  Interview – TV documentaries use interviews to make a contrast between observation sequences and are structured in two ways, either intercut fragments of observation or a completely uninterrupted sequences.  Dramatisation – even though all documentaries use a sense of drama it is specifically used to portray people and events the film maker can not gain access to in real life. These sequences are said to be based on fact.  Mise-en-scene – literally what the director and producers put in the frame (e.g. props/lighting/etc).  Exposition – the line of argument running through a documentary. (Does not always have to be verbal, it can be oral or visual).