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Language as Action

    James Pustejovsky


       USEM 40a
       Spring 2006
What is “discourse”?
   Discourse is:
   language above the sentence or above the clause
   a continuous stretch of spoken language larger than a
    sentence, often constituting a coherent unit
   a stretch of language perceived to be meaningful unified,
    and purposive; language in use
   (viewed) as social practice determined by social
    structures
Structural and functional
definitions of discourse
   Structural or textual definition of discourse:
    Discourse is a particular unit of language (above
    the sentence).
   Functional definition of discourse:
    Discourse is a particular focus of language use.
Structural approach to discourse
  Find the constituents that have particular relationships
   with each other and that can occur in a restricted number
   of arrangements;
 Problems: units in which people speak do not always
   look like sentences, or grammatically correct sentences.
Example 1
(From “The Colour Purple”, Alice Wharton)
    Jack is tall and kind and don't hardly say anything. Love children.
    Respect his wife, Odessa, and all Odessa Amazon sisters (Celie’s
    Diary)
Structural approach to discourse
   Examples, like Colourless green ideas sleep furiously
    (Chomsky);
   Solving the problem: adopt Lyons’s distinction between
    system-sentences and text – sentences. System
    sentences are well-formed abstract theoretical
    sentences generated according to the existing grammar
    rules; text-sentences are context-dependent utterances
    or parts of utterances which occur in everyday life.
   The discourse analysis will be concerned with text-
    sentences.
Functional approach to discourse
   Roman Jakobson: language performs six
    functions:
     Addressor(emotive);
     Context (referential)
     Addressee (conative);
     Contact (phatic);
     Message (poetic);
     Code (metalinguistic).
Functional approach to discourse

 Utterances may have multiple functions;
 The major concern: discourse analysis
  can turn out into a more general and
  broader analysis of language functions. Or
  it will fail to make a special place for the
  analysis of relationships between
  utterances.
Recent approach to DA
 Discourse is no longer studies for its own
  sake. Discourse is viewed as a social
  practice.
 M. Foucault, N. Fairclough
Recent approach to DA
   Discourse is characterised as:
      produced/consumed/monitored by social
      actors (producers/receivers of social
      practices);
     shaped by social structures;
     with social implications;
     socially valued and regulated (production,
      reception and circulation).
Recent approach to DA
   If in traditional studies discourses were analysed
    in relation to social processes that form them,
    then recently researchers started talking about
    bidirectional and complex relations between
    discourses and social practices:

Discourses of food                   Social Practice
“Healthy Food”                       Healthy lifestyle
What Makes Discourse
    Different?
   Similarities (to monologues)
     Anaphora
     Discourse   structure & coherence
   Key Differences
     Turnsand utterances
     Grounding
     Conversational implicature
What Makes Discourse
    Different?
   Property #1: Turns and utterances
       Speaker A … then Speaker B … etc.
       Timing and turn-switching
           Levinson (1983) suggests that less than 5% of
            American English dialogue is overlapped
           Task-oriented dialogue … even LESS overlap!
       Natural conversation requires knowing
           WHO should speak next … and …
           WHEN they should speak
What Makes Discourse
    Different?
   Property #1: Turns and utterances
       Conversational Analysis (CA)
           Sacks et al. (1974) argued that turn-taking
            behavior is governed by a set of rules
               At each TRP (transition-relevance place) …
                A. If current speaker selects Speaker A as the next
                    speaker, then Speaker A must speak next
                B. If no speaker selected, any other may take turn
                C. If no one else takes the turn, the current speaker
                    may take the next turn
What Makes Discourse
Different?
   Property #1: Turns and utterances
       Implications of Sacks’ rules
           Adjacency pairs
               Question-answer … Request-grant … etc.
           Interpreting silence
               Refusal to respond? A “dispreferred” response?
           TRPs generally at utterance boundaries
               Utterance boundary detection critically important
               Current boundary algorithms based on: Cue words,
                N-gram word or POS sequences, and prosody
What Makes Discourse
    Different?
   Property #2: Grounding
     Dialogue is a collective act requiring “common
      ground” (Stalnaker, 1978)
        Listener must acknowledge (ground) the speaker’s
         utterances
        Achieved through “backchanneling”

        Listener indicates problems by issuing a “request

         for repair”
What Makes Discourse
    Different?
   Property #3: Implicature
     Interpretation  of an utterance relies on more
      than just the literal meanings
     Grice (1975, 1978)
        Theory of Conversational Implicature
        Proposed that what enables listeners to draw

         inferences are guided by a set of maxims
         (heuristics for interpretations)
What Makes Discourse
    Different?
   Property #3: Implicature
       Grice’s Maxims (1975, 1978)
           Maxim of Quantity
               Be exactly as informative as is required
           Maxim of Quality
               Try to make your contribution one that is true
           Maxim of Relevance
               Be relevant
           Maxim of Manner
               Be perspicuous (Avoid obscurity & ambiguity)
Austin’s Speech Act Theory
Argues that truth conditions are not central to language
understanding. Utterances do not only say things, they
do things.
   Distinction between constatives and performatives.
   Performatives cannot be false, but they can fail to do things.
   Performatives are not a special class of sentences. Some
   sentences are explicitly performatives, others can be implicitly.
   The performative/constative distinction does not really exist.
   Rather, they are special cases of a set of illocutionary acts.
Speech Acts
    Austin (1962)
        An utterance in dialogue is an ACTION
        Speech acts
            Performative sentences uttered by an authority
             (they change the state of the world)
        Any sentence in real speech contains
            Locutionary act      – utterance with particular meaning
            Illocutionary act    – asking, answering, promising, etc.
            Perlocutionary act   – effect upon feelings, thoughts, etc.
Speech Acts
   Searle (1975)
       All speech acts classified as
           Assertives     – suggesting, boasting, concluding, etc.
           Directives     – asking, ordering, inviting, etc.
           Commissives    – promising, planning, vowing, etc.
           Expressives    – thanking, apologizing, deploring, etc.
           Declarations   – performatives (state-changing)
Speech act theory
   Developed by two philosophers: John Austin and John
    Searle;
   Austin (“How to do things with words”): some sentences
    are used not just to state something, which is true or
    false:
Example 1
I apologize.
I declare the meeting open.
 These sentences are    used to do things. They are
    performatives/ vs. all other utterances – constatives.
Speech act theory
   Differentiation between performatives and constatives:
    adverb “hereby”
Example 2
I hereby apologize.
I hereby declare the meeting open.
   Examples of performative verbs in English:
to say              to withdraw
to protest          to declare
to object           to plead
to apologize        to vote
to deny             to thank, etc.
to promise
Speech act theory
   Constatives can be true or false; performatives can't be true or
    false. But performatives can go wrong;
   Conditions for performative sentences, which make them
    successful ("felicitous“ conditions):
   Condition 1:
      There must be a conventional procedure following a
        conventional effect;
      The circumstances and the persons must be appropriate.
   Condition 2:
   The procedure must be executed:
      Correctly;
      Completely.
Speech act theory
   Condition 3:
   Often
      The person must have the requisite thoughts,
       feelings and intentions, as specified in the
       procedure;
      If consequent conduct is specified, then the relevant
       parties must do so.



    Favorite examples: marriages
Speech act theory
   Types of speech acts:
       Verdictives (e.g. estimating, assessing, describing);
       Exercitives (ordering, appointing, advising);
       Commissives (promising, betting);
       Behabitives (apologizing, congratulating, thanking);
       Expositives (arguing, insisting).
Speech act theory
 Performatives: explicit and implicit;
 Performatives and constatives are just two
  subclasses of illocutionary acts;
 Illocutionary acts consist of other classes
  of speech acts.
Speech act theory
Each speech act consists of 3 components:
   Locutionary act (the actual words which the speaker is
    saying);
   Illocutionary act (the intention of the speaker);
   Perlocutionary act (the effect of the utterance on the
    hearer).

Example 3
(From "Sense and Sensibility")

Wait, he is kneeling down.
Speech act theory
   Compare Austin’s classification with other classification of speech
    acts
                             Conclusions for DA:
   speech act theory is concerned with what people do with language or
    it is concerned with the function of language.;
   a piece of discourse (what is said) is chunked/segmented into units
    that have communicative functions,;
   these function are identified and labelled;
   different speech acts initiate and respond to other acts. Acts to a
    certain degree specify what kind of response is expected;
    they create options for a next utterance each time they are
    performed;
   An utterance can perform more than one speech act at a time ;
   there is more than one option of responses for a next utterance;
   Deborah Schiffrin: ‘this flexibility has an important analytical
    consequence: it means that a single sequence of utterances may
    actually be the outcome of a fairly wide range of different underlying
    functional relations.’
Pragmatics
   Based primarily on the ideas of Paul Grice:
   People interact having minimal assumptions
    (implicatures) about one another;
   Two types of implicatures: conventional and
    conversational;
   Conventional implicatures do not require any particular
    context in order to be understood (or inferred);
   Conversational implicatures are context – dependant.
    What is implied varies according to the context of an
    utterance.
Pragmatics
 To explain HOW we interpret implicatures
  Grice introduced the Cooperative
  Principal:
 Make your contribution such as
  required, at the stage at which it
  occurs, by the accepted purpose or
  direction of the talk exchange in which
  you are engaged.
Pragmatics
   There are four conversational maxims which help us to
    realize the implicit meaning if an utterance:
   Maxim of Quantity:
    Make your contributions as informative as required (for
    the current purposes of the exchange). Do not make
    your contribution more informative than required.

   Maxim of Quality:
    Do not say what you believe to be false. Do not say
    something if you lack adequate evidence.
Pragmatics
   Maxim of Relation:
    Be relative.

   Maxim of Manner:
    Be perspicuous (or express your ideas clearly)
    Avoid obscurity of expressions (= do not use expressions which
    are not clear or easy to understand);
    Avoid ambiguity (= presence of more than one meaning);
    Be brief (avoid unnecessary usage of too many words);
    Be orderly.
Pragmatics
   The contribution of Gricean pragmatics to
    DA is a set of principles that constrains
    speakers’ sequential choices in a text and
    allows hearers to recognize speaker’s
    intentions.

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Discourse analysis

  • 1. Language as Action James Pustejovsky USEM 40a Spring 2006
  • 2. What is “discourse”?  Discourse is:  language above the sentence or above the clause  a continuous stretch of spoken language larger than a sentence, often constituting a coherent unit  a stretch of language perceived to be meaningful unified, and purposive; language in use  (viewed) as social practice determined by social structures
  • 3. Structural and functional definitions of discourse  Structural or textual definition of discourse: Discourse is a particular unit of language (above the sentence).  Functional definition of discourse: Discourse is a particular focus of language use.
  • 4. Structural approach to discourse  Find the constituents that have particular relationships with each other and that can occur in a restricted number of arrangements;  Problems: units in which people speak do not always look like sentences, or grammatically correct sentences. Example 1 (From “The Colour Purple”, Alice Wharton) Jack is tall and kind and don't hardly say anything. Love children. Respect his wife, Odessa, and all Odessa Amazon sisters (Celie’s Diary)
  • 5. Structural approach to discourse  Examples, like Colourless green ideas sleep furiously (Chomsky);  Solving the problem: adopt Lyons’s distinction between system-sentences and text – sentences. System sentences are well-formed abstract theoretical sentences generated according to the existing grammar rules; text-sentences are context-dependent utterances or parts of utterances which occur in everyday life.  The discourse analysis will be concerned with text- sentences.
  • 6. Functional approach to discourse  Roman Jakobson: language performs six functions:  Addressor(emotive);  Context (referential)  Addressee (conative);  Contact (phatic);  Message (poetic);  Code (metalinguistic).
  • 7. Functional approach to discourse  Utterances may have multiple functions;  The major concern: discourse analysis can turn out into a more general and broader analysis of language functions. Or it will fail to make a special place for the analysis of relationships between utterances.
  • 8. Recent approach to DA  Discourse is no longer studies for its own sake. Discourse is viewed as a social practice.  M. Foucault, N. Fairclough
  • 9. Recent approach to DA  Discourse is characterised as:  produced/consumed/monitored by social actors (producers/receivers of social practices);  shaped by social structures;  with social implications;  socially valued and regulated (production, reception and circulation).
  • 10. Recent approach to DA  If in traditional studies discourses were analysed in relation to social processes that form them, then recently researchers started talking about bidirectional and complex relations between discourses and social practices: Discourses of food Social Practice “Healthy Food” Healthy lifestyle
  • 11. What Makes Discourse Different?  Similarities (to monologues)  Anaphora  Discourse structure & coherence  Key Differences  Turnsand utterances  Grounding  Conversational implicature
  • 12. What Makes Discourse Different?  Property #1: Turns and utterances  Speaker A … then Speaker B … etc.  Timing and turn-switching  Levinson (1983) suggests that less than 5% of American English dialogue is overlapped  Task-oriented dialogue … even LESS overlap!  Natural conversation requires knowing  WHO should speak next … and …  WHEN they should speak
  • 13. What Makes Discourse Different?  Property #1: Turns and utterances  Conversational Analysis (CA)  Sacks et al. (1974) argued that turn-taking behavior is governed by a set of rules  At each TRP (transition-relevance place) … A. If current speaker selects Speaker A as the next speaker, then Speaker A must speak next B. If no speaker selected, any other may take turn C. If no one else takes the turn, the current speaker may take the next turn
  • 14. What Makes Discourse Different?  Property #1: Turns and utterances  Implications of Sacks’ rules  Adjacency pairs  Question-answer … Request-grant … etc.  Interpreting silence  Refusal to respond? A “dispreferred” response?  TRPs generally at utterance boundaries  Utterance boundary detection critically important  Current boundary algorithms based on: Cue words, N-gram word or POS sequences, and prosody
  • 15. What Makes Discourse Different?  Property #2: Grounding  Dialogue is a collective act requiring “common ground” (Stalnaker, 1978)  Listener must acknowledge (ground) the speaker’s utterances  Achieved through “backchanneling”  Listener indicates problems by issuing a “request for repair”
  • 16. What Makes Discourse Different?  Property #3: Implicature  Interpretation of an utterance relies on more than just the literal meanings  Grice (1975, 1978)  Theory of Conversational Implicature  Proposed that what enables listeners to draw inferences are guided by a set of maxims (heuristics for interpretations)
  • 17. What Makes Discourse Different?  Property #3: Implicature  Grice’s Maxims (1975, 1978)  Maxim of Quantity  Be exactly as informative as is required  Maxim of Quality  Try to make your contribution one that is true  Maxim of Relevance  Be relevant  Maxim of Manner  Be perspicuous (Avoid obscurity & ambiguity)
  • 18. Austin’s Speech Act Theory Argues that truth conditions are not central to language understanding. Utterances do not only say things, they do things. Distinction between constatives and performatives. Performatives cannot be false, but they can fail to do things. Performatives are not a special class of sentences. Some sentences are explicitly performatives, others can be implicitly. The performative/constative distinction does not really exist. Rather, they are special cases of a set of illocutionary acts.
  • 19. Speech Acts  Austin (1962)  An utterance in dialogue is an ACTION  Speech acts  Performative sentences uttered by an authority (they change the state of the world)  Any sentence in real speech contains  Locutionary act – utterance with particular meaning  Illocutionary act – asking, answering, promising, etc.  Perlocutionary act – effect upon feelings, thoughts, etc.
  • 20. Speech Acts  Searle (1975)  All speech acts classified as  Assertives – suggesting, boasting, concluding, etc.  Directives – asking, ordering, inviting, etc.  Commissives – promising, planning, vowing, etc.  Expressives – thanking, apologizing, deploring, etc.  Declarations – performatives (state-changing)
  • 21. Speech act theory  Developed by two philosophers: John Austin and John Searle;  Austin (“How to do things with words”): some sentences are used not just to state something, which is true or false: Example 1 I apologize. I declare the meeting open.  These sentences are used to do things. They are performatives/ vs. all other utterances – constatives.
  • 22. Speech act theory  Differentiation between performatives and constatives: adverb “hereby” Example 2 I hereby apologize. I hereby declare the meeting open.  Examples of performative verbs in English: to say to withdraw to protest to declare to object to plead to apologize to vote to deny to thank, etc. to promise
  • 23. Speech act theory  Constatives can be true or false; performatives can't be true or false. But performatives can go wrong;  Conditions for performative sentences, which make them successful ("felicitous“ conditions):  Condition 1:  There must be a conventional procedure following a conventional effect;  The circumstances and the persons must be appropriate.  Condition 2:  The procedure must be executed:  Correctly;  Completely.
  • 24. Speech act theory  Condition 3:  Often  The person must have the requisite thoughts, feelings and intentions, as specified in the procedure;  If consequent conduct is specified, then the relevant parties must do so. Favorite examples: marriages
  • 25. Speech act theory  Types of speech acts:  Verdictives (e.g. estimating, assessing, describing);  Exercitives (ordering, appointing, advising);  Commissives (promising, betting);  Behabitives (apologizing, congratulating, thanking);  Expositives (arguing, insisting).
  • 26. Speech act theory  Performatives: explicit and implicit;  Performatives and constatives are just two subclasses of illocutionary acts;  Illocutionary acts consist of other classes of speech acts.
  • 27. Speech act theory Each speech act consists of 3 components:  Locutionary act (the actual words which the speaker is saying);  Illocutionary act (the intention of the speaker);  Perlocutionary act (the effect of the utterance on the hearer). Example 3 (From "Sense and Sensibility") Wait, he is kneeling down.
  • 28. Speech act theory  Compare Austin’s classification with other classification of speech acts Conclusions for DA:  speech act theory is concerned with what people do with language or it is concerned with the function of language.;  a piece of discourse (what is said) is chunked/segmented into units that have communicative functions,;  these function are identified and labelled;  different speech acts initiate and respond to other acts. Acts to a certain degree specify what kind of response is expected;  they create options for a next utterance each time they are performed;  An utterance can perform more than one speech act at a time ;  there is more than one option of responses for a next utterance;  Deborah Schiffrin: ‘this flexibility has an important analytical consequence: it means that a single sequence of utterances may actually be the outcome of a fairly wide range of different underlying functional relations.’
  • 29. Pragmatics  Based primarily on the ideas of Paul Grice:  People interact having minimal assumptions (implicatures) about one another;  Two types of implicatures: conventional and conversational;  Conventional implicatures do not require any particular context in order to be understood (or inferred);  Conversational implicatures are context – dependant. What is implied varies according to the context of an utterance.
  • 30. Pragmatics  To explain HOW we interpret implicatures Grice introduced the Cooperative Principal:  Make your contribution such as required, at the stage at which it occurs, by the accepted purpose or direction of the talk exchange in which you are engaged.
  • 31. Pragmatics  There are four conversational maxims which help us to realize the implicit meaning if an utterance:  Maxim of Quantity: Make your contributions as informative as required (for the current purposes of the exchange). Do not make your contribution more informative than required.  Maxim of Quality: Do not say what you believe to be false. Do not say something if you lack adequate evidence.
  • 32. Pragmatics  Maxim of Relation: Be relative.  Maxim of Manner: Be perspicuous (or express your ideas clearly) Avoid obscurity of expressions (= do not use expressions which are not clear or easy to understand); Avoid ambiguity (= presence of more than one meaning); Be brief (avoid unnecessary usage of too many words); Be orderly.
  • 33. Pragmatics  The contribution of Gricean pragmatics to DA is a set of principles that constrains speakers’ sequential choices in a text and allows hearers to recognize speaker’s intentions.