Eagle in Paintings .ppsx
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a powerful symbol in art represents strength, freedom, royalty and connection to the divine, power and authority
Eagle in Paintings .ppsx
- 2. a powerful symbol in art represents strength, freedom, royalty and connection to the divine, power and authority
- 5. from the eagle symbol of divine punishment in Rubens' Prometheus Bound to the eagle of freedom, of grandiose nature in Carus' Fantasy of the Alps through to the eagle symbolic bird of John the Evangelist in Raphael's Vision of Ezekiel and eagle symbolizing air in West's allegory Omnia Vincit Amor
- 6. Eagle in Greek and Roman mythology is the bird associated with Zeus Jupiter, the king of the gods, symbolizing his power and authority is attributed to bringing Ganymede to Mount Olympus to serve as cupbearer to the gods and plays a crucial role in the punishment of the Titan Prometheus
- 7. Zeus, in the guise of an eagle Ganymede seemingly accepting or enjoying the experience, smiling and holding the eagle's wings and looking up in surprise a dog Antonio da Correggio Le Corrège The Abduction of Ganymede L'Enlèvement de Ganymède El rapto de Ganimedes 1520-1540 Kunsthistorisches Museum, Vienna
- 10. a fair curly-haired boy and an eagle with out-stretched wings … the contrast between the strength of the eagle and the fragility of Ganymede Rembrandt Harmenszoon van Rijn The Rape of Ganymede Le Rapt de Ganymède El rapto de Ganímedes 1635 Staatliche Kunstsammlungen Dresden, Dresden
- 12. The eagle, with its imposing presence, symbolizes Jupiter's power and his desire for Ganymede. Peter Paul Rubens surprises by using this story with profane humor: the position of Ganymede and that of the quiver full of his arrows leaves no one indifferent! So it seems that the painting was not intended to be seen by a mixed and educated public. … ... it should be remembered that Ganymede aroused the jealousy of Juno (or Hera to the Greeks), and Jupiter was immediately ordered to return the young man to his earthly condition. There's no way I'm keeping him in Olympus! Oh no, this! So Jupiter hesitated between throwing him into a dark, earthly place, or .... but yes, it's much better that way! place it definitively in the sky of constellations! Peter Paul Rubens The Rape of Ganymede Le Viol de Ganymède El rapto de Ganimedes 1636-1638 Museo Nacional del Prado, Madrid
- 15. Eagle as a symbol of divine punishment … The eagle is Zeus' instrument to punish Prometheus for defying the gods and giving fire to humans. It also symbolizes the power and brutality with which the gods exercise their dominion over mortals. Peter Paul Rubens Prometheus Bound Prométhée enchaîné Prometeo encadenado 1611-18 Philadelphia Museum of Art, Philadelphia, PA
- 18. Zeus metamorphosed himself into a bull to abduct Europa. The eagle, Zeus's animal, is perched in the clouds, emphasizing the presence and divine power of the king of the gods. François Boucher L'Enlèvement d'Europe The Rape of Europa El rapto de Europa 1747 Musée du Louvre, Paris
- 22. One of Jupiter's many adventures. Jupiter, transformed into a satyr, seduces Antiope, a nymph, while she sleeps. The eagle in the scene emphasizes the divine presence and deception. Anthony van Dyck Jupiter and Antiope Jupiter et Antiope Júpiter y Antiope 1620 Museum voor Schone Kunsten, Ghent
- 25. Jupiter seated "in Majesty" with the hapless and bloodied Semele, his gaze is severe, wide-eyed and fixed straight ahead in fierce prepossession and … at the foot of the god's throne, an eagle spreads its wings Gustave Moreau Jupiter et Sémélé Jupiter and Semele Júpiter y Semele 1894–1895 Musée National Gustave-Moreau, Paris
- 28. Thetis, pleading with Jupiter to intervene in the Trojan War on behalf of her son, Achilles. The dark, almost hidden eagle, gazing at Jupiter, who is seated on a throne. In “Jupiter and Thetis”, the eagle symbolizes Jupiter's dominion and power over gods and mortals. Jean Auguste Dominique Ingres Jupiter et Thétis Jupiter and Thetis Júpiter y Tetis 1811 Musée Granet, Aix-en-Provence
- 31. a accomplice, an eagle, lurking above the pink satin curtain .. two young women, one completely naked, a trio of winged cupids, eagle, clutching tiny thunderbolts in its talons Only the fierce glare of the eagle and the ominous hovering of the mischievous cupids, fingering their darts, hint at the coming assault … François Boucher Jupiter in the Guise of Diana, and the Nymph Callisto La Nymphe Callisto, séduite par Jupiter sous les traits de Diane La ninfa Calisto, seducida por Júpiter bajo la forma de Diana 1759 Nelson-Atkins Museum of Art, Kansas City
- 35. Olympia is seduced by Jupiter and the eagle blinding Philip II of Macedon, Olympias' husband The eagle, in this context, is not just a symbol of Zeus but also an instrument of his power: Philip is punished for witnessing the divine act. Giulio Romano Zeus seducing Olympias Zeus séduit Olympias Júpiter seduce a Olimpia 1526-1528 Sala di Psiche, Palazzo del Tè, Mantua
- 38. Jupiter in the form of golden rain a baroque bed a bored woman an old maid with a tray gold coins Jupiter, a wrinkled old man arrives on a cloud and … the small dog barking at the eagle, the symbol of Jupiter Giovanni Battista Tiepolo Danae and Jupiter Jupiter et Danae Júpiter y Dánae 1736 Universitet Konsthistoriska Institutionen, Stockholm
- 41. Eagle in Christian art is associated with Saint John the Evangelist. This connection stems from the eagle's soaring flight and ability to look directly at the sun, mirroring the theological depth and spiritual heights explored in John's Gospel.
- 42. The painting is based on Ezekiel's vision described in the Book of the Prophet, where God appears to him in the midst of a storm. God is surrounded by two angels and the four living creatures, symbolic beings of the Evangelists or tetramorphs. a man - generally identified with the evangelist Matthew, a winged lion - Mark, a winged ox - Luke and an eagle capable of contemplating the sun, chosen to symbolize John's ability to contemplate the divine nature Ezekiel places the creatures in a specific spatial arrangement: the man and the eagle at the top and the lion and the ox at the bottom. Raphael Raphaël Ezekiel's Vision La Vision d'Ézéchiel La visión de Ezequiel 1517-1518 Galleria Palatina (Palazzo Pitti), Florence
- 45. St John the Evangelist holds an open book and a writing quill. An angel points towards the sky, where the Woman of the Apocalypse has appeared. Since the Middle Ages this heavenly vision has been identified with the Madonna. On the ground is an eagle, a reference to the symbolic animal of the Evangelist. The bird guards its master's writing tools, which a demon is trying to steal. Hieronymus Bosch Jérôme Bosch St. John the Evangelist on Patmos Saint Jean l'Évangéliste à Patmos San Juan en Patmos 1489 Gemäldegalerie, Berlin
- 48. Eagle in landscapes, portraits, allegories showing the beauty and symbolic power of this bird.
- 49. An eagle and a swan fighting, symbols that evoke strength and courage ... The diptych "Portrait of Johannes and Anna Cuspinian" is an important work of the Northern Renaissance, combining individual portraits and symbolism. The image of the swan fighting the eagle at the top of the portrait, an emblem of courage and strength, is taken from a passage in Pliny the Elder's work according to which the swan is not afraid to face the terrible raptor which it manages to defeat. Lucas Cranach the Elder Lucas Cranach l'Ancien Portrait of Anna Cuspinian Portrait de Anna Cuspinian El retrato de Anna Cuspinian 1502 Oskar Reinhart Collection, Winterthur
- 53. This work idealizes the Prince's face and body when, in fact, he was born with grave physical and psychological malformations that may have been due to his parents' inbreeding. Jupiter and an eagle carrying the column of Hercules have been interpreted as an allegory of Philip II, who, like the god of Antiquity, is proud of his son, the new Hercules - hence the column - destined to inherit the Hispanic monarchy. Alonso Sánchez Coello Retrato del príncipe don Carlos de Austria Prince Don Carlos Portrait de Don Carlos 1555-1559 Museo Nacional del Prado, Madrid
- 56. The eagle ... is present on the carpet under Napoleon's feet, on the back of the throne, and also on the imperial insignia, especially on the collar of the Legion of Honor. The eagle symbolizes Napoleon's power, strength and authority. The eagle recalls the heritage of Rome, symbol of the foundation of civilization. The eagle is a central emblem of the Empire, a powerful symbol of the Empire and of Napoleon's power. Jean Auguste Dominique Ingres Napoléon Ier sur le trône impérial Napoleon I on His Imperial Throne Napoleón en su trono imperial 1806 Musée de l'Armée, Paris
- 60. a white eagle trampled underfoot by Jason ... Jason, by stepping on the eagle, shows a posture of dominance and victory. This posture is reminiscent of figures such as St. Michael defeating the Devil or St. George fighting the dragon, evoking comparisons with Christian iconographies of saints triumphing over evil (according to Le Musée critique de la Sorbonne). Gustave Moreau Jason ou Jason et Médée Jason or Jason and Medea Jason 1865 Musée d’Orsay, Paris
- 64. hippocampus for water lion for earth eagle for air they are part of an allegory in which love, symbolized by a deity, dominates the three elements The eagle its presence can be interpreted as a symbol of strength, power and dominion, qualities that love can also possess, being able to transcend and control the most powerful elements of nature. Benjamin West Omnia Vincit Amor, or The Power of Love in the Three Elements Omnia Vincit Amor, ou Le Pouvoir de l'Amour dans les Trois Éléments Omnia Vincit Amor o El poder del Amor sobre los Tres Elementos 1809 Metropolitan Museum of Art, Manhattan, New York City
- 69. eagles ... symbols of freedom, strength and the awe-inspiring nature of the Alps the grandeur and mystery of the natural world Carl Gustav Carus Fantasy of the Alps. Eagles Nesting on an Alpine Peak Fantaisie du monde alpin. Aigles nichant sur un cor des Alpes Fantasía de los Alpes 1822 Nationalmuseum, Stockholm
- 72. a crescent moon in the sky a bird's nest with two eggs sits on a stone wall and a mountain with the form of an eagle ... a sense of mystery and wonder, as the viewer is invited to question the nature of reality and perception seamlessly blending the natural and the surreal The painting, inspired by Edgar Allan Poe's story of the same name. René Magritte Le domaine d’Arnheim The Domain of Arnheim El Dominio de Arnheim 1962 Musées Royaux des Beaux-Arts de Belgique, Brussels
- 75. Eagle in Paintings Aigle dans la peinture Águila en las pinturas Images and text credit www. Music The Piano Guys Before You Go- Lewis Capaldi (Piano Cello Cover) Created olga_oes Thanks for watching