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Presented by :
● M.Adrian Syahid
Ramadhan
● Fitria Wulandari
● Tutik Sri Rahayu
Metaphors are convenient because after they have
become establised writers no longer have to spell out
long rationales or present elaborate guidelines;
instead, they need only evoke the metaphor and we all
understand the intended meaning. In such a way the
metaphor of teaching/learning has come to embody
the cooperative spirit and intent of a humanistic
classroom.
The director's role in a
communicative classroom
is essentially a
creativeone in which the
prime function is getting
other people to do things
with language by
establishing short-term
objectives which coincide
with the interests of the
majority in the group.
Outside of class, the
director connects with
professional peers by
sharing ideas and
exchanging visits to each
other's productions.
Writers must
produce materials
that encourage and
lead to spontaneous
behavior in
classrooms.
Writers need to have well-
developed sense of the
complexity of scripts, their
internal workings, and their
types.
Writers must have up-to-date understanding
of linguistic and learning theories, broad
knowledge of the culture patterns pertaining
to the target language as well as to the
learners' first language, and familiarity with
the educational context within which their
materials will be utilized.
Researchers establish the basis for a
curriculum by their influence in the fields
of language science,learning theory and
educational philosophy.
As a player, one
must participate
actively. At the
same time, one
must be
concentrate by
observing what
others do.
Players take part in all of the
interactional configurations which
are important in a communicative
language course: as individual, in
pairs, in small groups, and whole
group display
As players, paticipants can come to view
language learning as something quite
different from "knowing" which associate
with other schooling experiences in their
lives.
THANKS FOR
YOUR
ATTENTION

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The Role of Teachers and Learners in Communicative Curriculum

  • 1. Presented by : ● M.Adrian Syahid Ramadhan ● Fitria Wulandari ● Tutik Sri Rahayu
  • 2. Metaphors are convenient because after they have become establised writers no longer have to spell out long rationales or present elaborate guidelines; instead, they need only evoke the metaphor and we all understand the intended meaning. In such a way the metaphor of teaching/learning has come to embody the cooperative spirit and intent of a humanistic classroom.
  • 3. The director's role in a communicative classroom is essentially a creativeone in which the prime function is getting other people to do things with language by establishing short-term objectives which coincide with the interests of the majority in the group. Outside of class, the director connects with professional peers by sharing ideas and exchanging visits to each other's productions.
  • 4. Writers must produce materials that encourage and lead to spontaneous behavior in classrooms. Writers need to have well- developed sense of the complexity of scripts, their internal workings, and their types.
  • 5. Writers must have up-to-date understanding of linguistic and learning theories, broad knowledge of the culture patterns pertaining to the target language as well as to the learners' first language, and familiarity with the educational context within which their materials will be utilized.
  • 6. Researchers establish the basis for a curriculum by their influence in the fields of language science,learning theory and educational philosophy.
  • 7. As a player, one must participate actively. At the same time, one must be concentrate by observing what others do. Players take part in all of the interactional configurations which are important in a communicative language course: as individual, in pairs, in small groups, and whole group display
  • 8. As players, paticipants can come to view language learning as something quite different from "knowing" which associate with other schooling experiences in their lives.