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ELEMENTS AND PRINCIPLES. MAPEH 10 2025SS
REVIEW,
REVIEW,
REVIEW
1.Impressionism
2.Expressionism
3.Abstractionism
4.Contemporary art forms
ANALYZE ME
1.Who’s art work was in the picture
2.What do you see in the artwork
3.Is the title "Starry Night"
appropriate to the image? Why?
4.What elements of arts were used
by the artists?
Vincent Van Gogh
“STARRY NIGHT”
PRINCPLES AND
ELEMENTS OF
ARTS
PRINCPLES OF ARTS
1. Unity and variety
2. Balance
3. Emphasis and subordination
4. Contrast
5. Repetition and Rhythm
6. Scale and Proportion
UNITY AND VARIETY
Unity refers to the appearance or condition
of the oneness of an artwork. All the elements
such as line, color, texture, and others belong
together, which results in having a coherent
and harmonious whole. As variety provides
diversity, yet it acts as a counterbalance to
extreme unity.
Going Home, Jacob Lawrence
Illustrated by: Abihail A. Agcaoili, “Going
Home” May 27, 2020
The Migration Series, Jacob Lawrence
Source: Esther Westerveld, “The Migration Series
(Jacob Lawrence) July 2012. Museum of Modern Art- Manhattan NY
https://www.flickr.com/photos/westher/7709073344
BALANCE
Balance is the condition in which
acting influences are held in
check by opposing forces or what
is on the left side should appear
on the right side also in order to
achieve equilibrium.
BALANCE
• SYMMETRICAL- Both sides are
the same.
• ASYMMETRICAL- Two sides are
not the same.
Chariot, Alberto Giacometti
Source:
Nelson-Atkins
“Chariot”
https://live.staticflickr.
com/5034/588
The Evening Glow of the Ando,
Suzuki
Haranobu
EMPHASIS AND SUBORDINATION
To draw our attention to an area or areas,
the artist uses emphasis. To create emphasis,
position, contrast, color intensity, and size
can all be used. Neutral areas of lesser
interest are created by artists through
subordination to keep us from being
distracted from the areas of emphasis.
ELEMENTS AND PRINCIPLES. MAPEH 10 2025SS
CONTRAST
The juxtaposition of strongly
dissimilar elements is called
contrast. Dark set against light, large
against small, bright colors against
dull are examples of contrasts. Visual
experience becomes monotonous
without contrast.
ELEMENTS AND PRINCIPLES. MAPEH 10 2025SS
REPETITION AND RHYTHM
The repetition of visual elements
gives a composition of unity,
continuity, flow, and emphasis.
Rhythm in visual art is created
through the regular recurrence of
elements with related variations.
https://thereader.mitpress.mit.edu/the-extraordinary-ways-
rhythm-shapes-our-lives/
The Maestà, or Maestà of Duccio, Duccio di
Buoninsegna
Source: N.A, “The Maestra or
Maeata of Duccio di
Buoninsegna”
https://commons.wikimedia.org/wiki/
File:Taizokai.jpg. Creative Commons
Attribution- ShareAlike License
SCALE AND PROPORTION
The scale is the relation of one
thing to another. It is one of the
first decisions an artist makes
when planning a work of art.
Proportion is the size relationship
of parts to a whole.
https://app.sophia.org/tutorials/design-in-art-scale-and-
proportion
ZAPATISTAS,Jose Clemente Orozco
Source:Zajdowicz, Thad, “Zapatistas”
https://live.staticflickr.com/7571/2800696
8585_2376a46c16
_b.jpg
ELEMENTS OF ARTS
1. LINE
2. SHAPE
3. SPACE
4. VALUE
5. COLOR
6. TEXTURE
7. PERSPECTIVE
LINE
The line is our basic means for
recording and symbolizing ideas,
observations, and feelings; it is a
primary means of visual
communication. Lines always have
direction. They are always active.
Actual Line
Implied line and
implied curved
line
Actual straight
line and implied
curved line
ed lines H. Dance of
gged, irregular line
Line created by an edge
Vertical line and
horizontal line
Diagonal lines (slow
action, fast action)
Sharp jagged lines Dance of curving lines
Hardline; soft line Ragged, irregular line
SHAPES
Shape refers to the expanse within the outline of
a two-dimensional area or within the outer
boundaries of a three-dimensional object. It may be
geometric, which tends to be precise, or regular
(circles, triangles, squares) or organic, which are
irregular, often curving or rounded, and seem
relaxed and more informal. Most common shapes
in the human-made world are geometric, while
most shapes in nature are organic.
ELEMENTS AND PRINCIPLES. MAPEH 10 2025SS
SPACE
Space is the indefinable, general
receptacle of all things. It is
continuous, infinite, and ever-present.
The visual arts are sometimes referred
to as spatial arts because most of the
art forms are organized in space.
ELEMENTS AND PRINCIPLES. MAPEH 10 2025SS
ELEMENTS AND PRINCIPLES. MAPEH 10 2025SS
VALUE
Value refers to the lightness
and darkness of surfaces. It
ranges from white to various
grays to black. It can be a
property of color or an
independent element color.
VALUE SCALE from White to Black
Source: Aurelius Jennings, “Value”, Pinterest, N.D.
https://www.pinterest.ph/pin/424323596117916373
COLOR
Color is a component of light, affects us
directly by modifying our thoughts,
moods, actions, and even our health.
Color exists only in light, but light itself
seems colorless to the human eye. The
so-called "color" is the effect on our eyes
of light waves of differing wavelengths or
frequencies.
COLOR
Hue- is the purest form of a color, referring
to its position on the color wheel, such as
red, blue, or yellow. It defines the basic
identity of a color, without tints (white added),
shades (black added), or tones (gray added),
and determines overall color harmony.
COLOR
Value refers to the relative lightness and
darkness from white through grays and black.
Intensity also called saturation, refers to
the purity of a hue or color. The pure hue is the
most intense form of a given color, the hue at
its highest saturation, and the hue in its
brightest form
Primary
intermediate
tertiary )
(
Secondary
intermediate
)
tertiary
(
Primary
intermediate
)
tertiary
(
Secondary
intermediate
)
tertiary
(
Primary
intermediate
( )
tertiary
Secondary
intermediate
( tertiary )
RED
RED -
ORANGE
ORANGE
YELLOW -
ORANGE
YELLOW -
GREEN
GREEN
BLUE -
GREEN
BLUE
BLUE -
VIOLET
VIOLET
RED -
VIOLET
YELLOW
Illustrated by: Jasper Etrata “Color Wheel” October 7, 2020
TEXTURE
The textile qualities of surfaces or to
the visual representation of those
qualities is referred to as texture, in
visual arts. Actual textures are those we
can feel by touching. Simulated textures
are those created to look like something
other than pain on a flat surface.
ELEMENTS AND PRINCIPLES. MAPEH 10 2025SS
PERSPECTIVE
Perspective is a point of view. In
visual arts, it can refer to any means
of representing three-dimensional
objects in space on a two-
dimensional surface. It is a system
designed to depict the way objects in
space appear to the eye.
ELEMENTS AND PRINCIPLES. MAPEH 10 2025SS
LINES
PERSPECTIVE
COLOR
TEXTURE
LINES
PERSPECTIVE
TEXTURE
ELEMENTS AND PRINCIPLES. MAPEH 10 2025SS

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ELEMENTS AND PRINCIPLES. MAPEH 10 2025SS

  • 5. 1.Who’s art work was in the picture 2.What do you see in the artwork 3.Is the title "Starry Night" appropriate to the image? Why? 4.What elements of arts were used by the artists?
  • 8. PRINCPLES OF ARTS 1. Unity and variety 2. Balance 3. Emphasis and subordination 4. Contrast 5. Repetition and Rhythm 6. Scale and Proportion
  • 9. UNITY AND VARIETY Unity refers to the appearance or condition of the oneness of an artwork. All the elements such as line, color, texture, and others belong together, which results in having a coherent and harmonious whole. As variety provides diversity, yet it acts as a counterbalance to extreme unity.
  • 10. Going Home, Jacob Lawrence Illustrated by: Abihail A. Agcaoili, “Going Home” May 27, 2020 The Migration Series, Jacob Lawrence Source: Esther Westerveld, “The Migration Series (Jacob Lawrence) July 2012. Museum of Modern Art- Manhattan NY https://www.flickr.com/photos/westher/7709073344
  • 11. BALANCE Balance is the condition in which acting influences are held in check by opposing forces or what is on the left side should appear on the right side also in order to achieve equilibrium.
  • 12. BALANCE • SYMMETRICAL- Both sides are the same. • ASYMMETRICAL- Two sides are not the same.
  • 14. EMPHASIS AND SUBORDINATION To draw our attention to an area or areas, the artist uses emphasis. To create emphasis, position, contrast, color intensity, and size can all be used. Neutral areas of lesser interest are created by artists through subordination to keep us from being distracted from the areas of emphasis.
  • 16. CONTRAST The juxtaposition of strongly dissimilar elements is called contrast. Dark set against light, large against small, bright colors against dull are examples of contrasts. Visual experience becomes monotonous without contrast.
  • 18. REPETITION AND RHYTHM The repetition of visual elements gives a composition of unity, continuity, flow, and emphasis. Rhythm in visual art is created through the regular recurrence of elements with related variations.
  • 19. https://thereader.mitpress.mit.edu/the-extraordinary-ways- rhythm-shapes-our-lives/ The Maestà, or Maestà of Duccio, Duccio di Buoninsegna Source: N.A, “The Maestra or Maeata of Duccio di Buoninsegna” https://commons.wikimedia.org/wiki/ File:Taizokai.jpg. Creative Commons Attribution- ShareAlike License
  • 20. SCALE AND PROPORTION The scale is the relation of one thing to another. It is one of the first decisions an artist makes when planning a work of art. Proportion is the size relationship of parts to a whole.
  • 22. ZAPATISTAS,Jose Clemente Orozco Source:Zajdowicz, Thad, “Zapatistas” https://live.staticflickr.com/7571/2800696 8585_2376a46c16 _b.jpg
  • 23. ELEMENTS OF ARTS 1. LINE 2. SHAPE 3. SPACE 4. VALUE 5. COLOR 6. TEXTURE 7. PERSPECTIVE
  • 24. LINE The line is our basic means for recording and symbolizing ideas, observations, and feelings; it is a primary means of visual communication. Lines always have direction. They are always active.
  • 25. Actual Line Implied line and implied curved line Actual straight line and implied curved line ed lines H. Dance of gged, irregular line Line created by an edge Vertical line and horizontal line Diagonal lines (slow action, fast action) Sharp jagged lines Dance of curving lines Hardline; soft line Ragged, irregular line
  • 26. SHAPES Shape refers to the expanse within the outline of a two-dimensional area or within the outer boundaries of a three-dimensional object. It may be geometric, which tends to be precise, or regular (circles, triangles, squares) or organic, which are irregular, often curving or rounded, and seem relaxed and more informal. Most common shapes in the human-made world are geometric, while most shapes in nature are organic.
  • 28. SPACE Space is the indefinable, general receptacle of all things. It is continuous, infinite, and ever-present. The visual arts are sometimes referred to as spatial arts because most of the art forms are organized in space.
  • 31. VALUE Value refers to the lightness and darkness of surfaces. It ranges from white to various grays to black. It can be a property of color or an independent element color.
  • 32. VALUE SCALE from White to Black Source: Aurelius Jennings, “Value”, Pinterest, N.D. https://www.pinterest.ph/pin/424323596117916373
  • 33. COLOR Color is a component of light, affects us directly by modifying our thoughts, moods, actions, and even our health. Color exists only in light, but light itself seems colorless to the human eye. The so-called "color" is the effect on our eyes of light waves of differing wavelengths or frequencies.
  • 34. COLOR Hue- is the purest form of a color, referring to its position on the color wheel, such as red, blue, or yellow. It defines the basic identity of a color, without tints (white added), shades (black added), or tones (gray added), and determines overall color harmony.
  • 35. COLOR Value refers to the relative lightness and darkness from white through grays and black. Intensity also called saturation, refers to the purity of a hue or color. The pure hue is the most intense form of a given color, the hue at its highest saturation, and the hue in its brightest form
  • 36. Primary intermediate tertiary ) ( Secondary intermediate ) tertiary ( Primary intermediate ) tertiary ( Secondary intermediate ) tertiary ( Primary intermediate ( ) tertiary Secondary intermediate ( tertiary ) RED RED - ORANGE ORANGE YELLOW - ORANGE YELLOW - GREEN GREEN BLUE - GREEN BLUE BLUE - VIOLET VIOLET RED - VIOLET YELLOW Illustrated by: Jasper Etrata “Color Wheel” October 7, 2020
  • 37. TEXTURE The textile qualities of surfaces or to the visual representation of those qualities is referred to as texture, in visual arts. Actual textures are those we can feel by touching. Simulated textures are those created to look like something other than pain on a flat surface.
  • 39. PERSPECTIVE Perspective is a point of view. In visual arts, it can refer to any means of representing three-dimensional objects in space on a two- dimensional surface. It is a system designed to depict the way objects in space appear to the eye.
  • 41. LINES
  • 43. COLOR
  • 45. LINES

Editor's Notes

  • #6: Who’s art work was in the picture What do you see in the artwork Is the title "Starry Night" appropriate to the image? Why? What elements of arts were used by the artists?
  • #14: Draws your attention