5. 1.Who’s art work was in the picture
2.What do you see in the artwork
3.Is the title "Starry Night"
appropriate to the image? Why?
4.What elements of arts were used
by the artists?
8. PRINCPLES OF ARTS
1. Unity and variety
2. Balance
3. Emphasis and subordination
4. Contrast
5. Repetition and Rhythm
6. Scale and Proportion
9. UNITY AND VARIETY
Unity refers to the appearance or condition
of the oneness of an artwork. All the elements
such as line, color, texture, and others belong
together, which results in having a coherent
and harmonious whole. As variety provides
diversity, yet it acts as a counterbalance to
extreme unity.
10. Going Home, Jacob Lawrence
Illustrated by: Abihail A. Agcaoili, “Going
Home” May 27, 2020
The Migration Series, Jacob Lawrence
Source: Esther Westerveld, “The Migration Series
(Jacob Lawrence) July 2012. Museum of Modern Art- Manhattan NY
https://www.flickr.com/photos/westher/7709073344
11. BALANCE
Balance is the condition in which
acting influences are held in
check by opposing forces or what
is on the left side should appear
on the right side also in order to
achieve equilibrium.
14. EMPHASIS AND SUBORDINATION
To draw our attention to an area or areas,
the artist uses emphasis. To create emphasis,
position, contrast, color intensity, and size
can all be used. Neutral areas of lesser
interest are created by artists through
subordination to keep us from being
distracted from the areas of emphasis.
16. CONTRAST
The juxtaposition of strongly
dissimilar elements is called
contrast. Dark set against light, large
against small, bright colors against
dull are examples of contrasts. Visual
experience becomes monotonous
without contrast.
18. REPETITION AND RHYTHM
The repetition of visual elements
gives a composition of unity,
continuity, flow, and emphasis.
Rhythm in visual art is created
through the regular recurrence of
elements with related variations.
20. SCALE AND PROPORTION
The scale is the relation of one
thing to another. It is one of the
first decisions an artist makes
when planning a work of art.
Proportion is the size relationship
of parts to a whole.
23. ELEMENTS OF ARTS
1. LINE
2. SHAPE
3. SPACE
4. VALUE
5. COLOR
6. TEXTURE
7. PERSPECTIVE
24. LINE
The line is our basic means for
recording and symbolizing ideas,
observations, and feelings; it is a
primary means of visual
communication. Lines always have
direction. They are always active.
25. Actual Line
Implied line and
implied curved
line
Actual straight
line and implied
curved line
ed lines H. Dance of
gged, irregular line
Line created by an edge
Vertical line and
horizontal line
Diagonal lines (slow
action, fast action)
Sharp jagged lines Dance of curving lines
Hardline; soft line Ragged, irregular line
26. SHAPES
Shape refers to the expanse within the outline of
a two-dimensional area or within the outer
boundaries of a three-dimensional object. It may be
geometric, which tends to be precise, or regular
(circles, triangles, squares) or organic, which are
irregular, often curving or rounded, and seem
relaxed and more informal. Most common shapes
in the human-made world are geometric, while
most shapes in nature are organic.
28. SPACE
Space is the indefinable, general
receptacle of all things. It is
continuous, infinite, and ever-present.
The visual arts are sometimes referred
to as spatial arts because most of the
art forms are organized in space.
31. VALUE
Value refers to the lightness
and darkness of surfaces. It
ranges from white to various
grays to black. It can be a
property of color or an
independent element color.
32. VALUE SCALE from White to Black
Source: Aurelius Jennings, “Value”, Pinterest, N.D.
https://www.pinterest.ph/pin/424323596117916373
33. COLOR
Color is a component of light, affects us
directly by modifying our thoughts,
moods, actions, and even our health.
Color exists only in light, but light itself
seems colorless to the human eye. The
so-called "color" is the effect on our eyes
of light waves of differing wavelengths or
frequencies.
34. COLOR
Hue- is the purest form of a color, referring
to its position on the color wheel, such as
red, blue, or yellow. It defines the basic
identity of a color, without tints (white added),
shades (black added), or tones (gray added),
and determines overall color harmony.
35. COLOR
Value refers to the relative lightness and
darkness from white through grays and black.
Intensity also called saturation, refers to
the purity of a hue or color. The pure hue is the
most intense form of a given color, the hue at
its highest saturation, and the hue in its
brightest form
37. TEXTURE
The textile qualities of surfaces or to
the visual representation of those
qualities is referred to as texture, in
visual arts. Actual textures are those we
can feel by touching. Simulated textures
are those created to look like something
other than pain on a flat surface.
39. PERSPECTIVE
Perspective is a point of view. In
visual arts, it can refer to any means
of representing three-dimensional
objects in space on a two-
dimensional surface. It is a system
designed to depict the way objects in
space appear to the eye.
#6:Who’s art work was in the picture
What do you see in the artwork
Is the title "Starry Night" appropriate to the image? Why?
What elements of arts were used by the artists?