EnidBaxterRyceCV2014public
- 1. E n i d B a x t e r R y c e Coordinator, School of the Arts Chair, Cinematic Arts and Technology Associate Professor, Cinematic Arts and Environmental Studies CSU Monterey Bay, Seaside, CA ebryce@csumb.edu http://enidryce.com EDUCATION: 2000 Master of Fine Art, Claremont Graduate University, Claremont, California 1996 Bachelor of Fine Art, The Cooper Union for the Advancement of Science and Art, New York, New York 1995 Ellen Battel Stoekel Fellow, Yale University, New Haven, Connecticut AWARDS and HONORS: 2016 Artist in Residence, Monterey Museum of Art 2015 Campus Nominee, Eugene Wang Award of Excellence, CSU Monterey Bay 2014 California Council for the Humanities, California Stories Grant, War Comes Home Initiative 2014 Community Foundation for Monterey County, Community Impact Grant 2013 Innovations Grant, CSU Monterey Bay 2012 Champion of the Arts, Education, Arts Council for Monterey County 2010 Grant Recipient, American Recovery and Reinvestment Act, Broadband Technology Opportunity Program 2009 Audience Appreciation Award, Carpenteria Valley Animation Festival 2009 Arts Council for Monterey County Grant, Co-recipient 2009 Marion Penn Community Partnership Award 2008 Educational Seed Grant, Apple Computers 2007 Honoree, Women’s Leadership Council, Seaside, CA 2007 Faculty Research and Scholarship Incentive Grant, CSUMB, CA 2006 California Council for the Humanities, California Stories Grant 2005 Kodak Grant for Independent Film Production 2002 Durfee Artists’ Resource for Completion Grant 2002 Kodak Grant for Independent Film Production 1999 - 2000 Art Fellowship, Claremont Graduate University 1998 Smogdance Film Festival, Second Prize 1996 The Cooper Union, Ethyl Cram Prize for Overall Excellence in Art 1996 Academy of American Poets, Elizabeth Kray Prize 1995 Yale University, Ellen Battle Stoekel Fellowship 1995 National Arts Club, New York City, Award of Distinction 1994 Bristol-Myers Squibb Arts Scholarship Award 1993 Governor’s Award in Arts, New Jersey 1993 Marie Walsh Sharpe Art Foundation Fellowship 1992 The Cooper Union, four year, full-tuition Scholarship INTERPRETIVE, CURATORIAL and COMMUNITY PROJECTS: 2013 – present Community Curator, Philip Glass Days and Nights Festival, CA Curate, organize and promote all daytime programs for the festival. 2015-2017 Fort Ord Collections Project, Library of Congress and National Gallery, Washington DC Featured nationally for the 25th anniversary of the Veteran’s History Project, a special collection created collaboratively with students and community members and exhibition to be held at the Smithsonian’s National Gallery Theater and the Monterey Museum of Art. 2016 (upcoming) Permanent Exhibition on the Monarch Life Cycle, Pacific Grove Museum of Natural History, Pacific Grove, CA Create paintings for interpretive display on Monarch habitats.
- 2. 2016 Artist in Residence, Monterey Museum of Art, Monterey, CA Create a series of artworks, participatory experiences and programs to enhance contemporary exhibitions for diverse audiences. 2015 Ambulante CA, Monterey Programmer. CA Organized public programs for migrant and rural audiences for the international touring film festival. Funded by the Annenberg Foundation. 2014 Planet Ord, Monterey County Free Libraries, Marina, Seaside and King City, CA Created artworks, curated community-based and archival content, developed and directed related screenings and discussions at public library branches. For permanent exhibition at the Seaside public Library. Funded by Cal Humanities. 2014 City of Seaside Diamond Anniversary, Walter Avery Gallery, Seaside City Hall, CA Created artworks, curated community-based and archival content for the City’s 60th anniversary exhibition at City Hall. Some Artworks remain on permanent diplay. 2014 Planet Ord, Santa Cruz Museum of Art and History, Santa Cruz, CA Created artworks, curated community-based and archival content, developed and directed related screenings and discussions. Funded by Cal Humanities. 2013 Sea Changes, Watershed Project, First Night, Monterey, CA Created and facilitated a participatory project demonstrating the Salinas watershed and the effects of Sea Level rise projections for 2000 viewers. In collaboration with the Watershed Institute. 2012 - present Arts Programs and Exhibitions, Bay-Delta Science Conference, Sacramento, CA Curate and create participatory art projects, exhibitions and experiences for the largest, most significant gathering of scientists and government organizations concerned with the Bay-Delta. 2009 – 2014 Founder and Director, Monterey Bay Film Society, Seaside, CA Ongoing program of visiting artists, Sundance programmers, and workshops for 2000 at-risk kids nationally. 2008 – 2013 Young Filmmakers, First Night Monterey, Monterey, CA Curate and present family friendly-film programs for the event. 2013 Sea Change, Hayward Shoreline Interpretive Center, Hayward, CA Invited by the Womens’ Environmental Art Directory, curated an arts exhibition, interpretive materials and related programming on the topic of sea level change at this science interpretation center. 2013 and 2010 Judge and Programmer, Blue Ocean Film Festival, Monterey, CA 2009 – 2013 Carmel Short Cinema, Forest Theater, Carmel ,CA Created an annual film screening program. 2012 Facing the Sublime in Water, CA (with Nicole Antebi), Armory Center for the Arts, Pasadena, CA Created museum exhibition, interpretive materials and months of related programming funded by the National Endowment for the Arts, based on the my Water, CA project with Nicole Antebi. 2011 Liquid Assets (with Nicole Antebi) Crocker Art Museum, Sacramento, CA Created museum exhibition, interpretive materials and months of related programming including a day-long festival attended by 1800 people, funded by the James Irvine Foundation, based on my Water, CA project with Nicole Antebi.
- 3. 2010 Film Program, West End Festival, Sand City, CA 2009 Premonitions in Electrocelluloid, Organized screening, workshops and conference. Funded by the CSU Media Arts Initiative. Featuring international film curators Mike Plante, Ed Halter, Thomas Beard, Andrea Grove and Bill Kelly, Jr. Blackbox Cabaret, CSUMB, Seaside, CA 2008 Echo Park Film Center Mobile Media, Organized screenings and workshops at Youth Arts Coalition, Monterey; Community Partnership for Youth, Seaside and Alisal Center for the Arts, Salinas 2006 Carr Lake: Cultivating Community, Outdoor Screening, Salinas, CA 2006 Sense and Sentiment Film program, Pomona College, Claremont, CA 2005 Exhibitions and Technical Director, The Flaherty Seminar, Claremont, CA 2004-2006 Pitzer College Cinematheque Series, Claremont, California including screenings by Yolanda Cruz, Jenny Stark, Alex Herrera, Barry Schwabsky, Mark Allen, Craig Baldwin, Queer Youth Nation, and many others. 2004 Jenny Stark at the Echo Park Film Center, Los Angeles, CA 2003 Film Curator, “Breathless!” 608 Folsom Art Space, San Francisco, CA 2002- 2003 Assistant Director and Web Producer, LA Freewaves Festival, Los Angeles, CA 2000-2003 Experimental Film and Video Curator, Smogdance Film Festival, Pomona, CA 1996-1998 Co-Director and Curator, Lucy Gallery for Experimental Arts, Albuquerque, NM EXHIBITIONS: SOLO EXHIBITIONS: 2016 (upcoming) Planet Ord, National Gallery Theater, The Smithsonian, Washington, D.C. 2015 THE WEST, Contemporary Video Art Center, Stanislaus, CA 2014 Planet Ord, Touring exhibition, Montery County Free Libraries, Seaside, Marina and King City Branches, CA Seaside’s 60th Anniversary, Walter Avery Gallery, Seaside City Hall, Seaside, CA Planet Ord, Santa Cruz Museum of Art and History, Santa Cruz, CA 2012 Water, CA (with Nicole Antebi), Armory Center for the Arts, Pasadena, CA 2011 Water, CA (with Nicole Antebi) Crocker Art Museum, Sacramento, CA Signs, Center for Contemporary Art, Sacramento, CA 2010 Planet Ord, DMDC, Department of Defense, Monterey, CA A Film is a Burning Thing, Center for Contemporary Art, Sacramento, CA
- 4. 2009 A Film is a Burning Thing, CCA Andratx, Mallorca, Spain (curated by Barry Schwabsky) 2008 Olive’s Backyard Concert, Link Contemporary Art, Claremont, CA Local 909er, Inlandia Institute, UC Riverside, Riverside, CA Local 909er and Secret Apocalyptic Love Diaries, The Black Box Cabaret, CSUMB, Seaside, CA 2007 The Wire 25: Secret Cinema, The Roxy, London, UK (with Jesse Stead, Curated by Mark Webber) Local 909er, Sweeney Art Museum, Riverside, CA LOCAL 909er, Wignall Museum, Chaffey College, Rancho Cucamonga, CA 2004 Enid Baxter Blader’s Screening and Giant Vegetable Contest, Los Angeles Contemporary Exhibitions, Hollywood, California True Love Always, Anna Helwing Gallery, Los Angeles, California 2003 LETTER FROM THE GIRL, Aurora Picture Show, Houston, Texas LETTER FROM THE GIRL, Cinescape at The Hideout, Austin, Texas 2002 LETTER FROM THE GIRL, MAILED AT THE GAS STATION, Location One, New York, New York (catalog) 2001 New Work, Roberts & Tilton, Los Angeles, California (catalog) Wise Blood, Orange County Museum of Art, Newport Beach, California 2000 Blind Town/Downhome Sublime, Claremont Graduate University, Claremont, California 1998 Recall, Santa Fe International Academy of Art, Santa Fe, New Mexico Dogs Tied to Strong Strings, Site 21/21, Albuquerque, New Mexico 1997 Maps, Lucy Gallery, Albuquerque, New Mexico 1996 Swing, The Cooper Union Houghton Gallery, New York, New York 1995 Fall Work, The Cooper Union, New York, New York 1993 Enid Baxter Blader, The Café, Rosemont, New Jersey GROUP EXHIBITIONS AND SCREENINGS: 2014 Videotag, Thinh Studios, Hawthorne, CA (catalog) 2013 Carte De California, Kellog Museum, Pomona, CA Codex Dynamic, DUMBO Arts Festival, Brooklyn, NY 2012 Herman La Prada, Dubai, United Arab Emirates 2011 Rooftop Films, New York, NY New York Stories, Anthology of Film Archives, New York, NY Information Economy, DUMBO Art Center, Brooklyn, NY Atlanta Underground Film Festival, Atlanta, GA Globians International Film Festival, Berlin, Germany Psycho-Geo, Other Cinema, San Francisco, CA 2010 Set Theory, Torrance Art Museum, Torrance, CA Psycho-Geo, Other Cinema, San Francisco, CA
- 5. For Roland, Bunny Gunner, Pomona, CA Carmel Art and Film Festival, Carmel, CA 2009 Slamdance Anarchy, Park City, Utah Green Shorts, Hello Lucky, Houston, TX San Francisco International Children’s Film Festival, San Francisco, CA Psycho-Geo, Other Cinema, San Francisco, CA MOCA Fresh, Museum of Contemporary Art Los Angeles, Los Angeles Santa Cruz Film Festival, Santa Cruz, CA Garden State Film Festival, Asbury Park, New Jersey New Filmmakers, Soho House, New York, NY 2008 California Video, J.Paul Getty Museum, Los Angeles, CA Mill Valley Film Festival, Berkely, CA California Scenarios, Orange County Museum of Art, Irvine, CA Hollywood or Hollywould? LA Freewaves, Hollywood, CA Local 909er, Gleason Theater, Hollywood, CA Smockshop Screening, Smockshop, Los Angeles, CA Push Play, ARTspace, Dallas, TX Fresh Mix, Link Contemporary Art, Claremont, CA Social Justice Colloquium, CSUMB, Seaside, CA Le People Que Manque, Paris, France Family Music Day, Santa Cruz, CA 2007 Union for Democratic Communication, Vancouver, BC Society for Cinema and Media Studies, Chicago, IL Psycho-Geo, Other Cinema, San Francisco, CA Never Still, Center for Contemporary Arts, Glasgow, UK Incognito, Santa Monica Museum of Art, Santa Monica, CA MP4fest, Silverlake Film Festival, Los Angeles, CA Avant to Live, Other Cinema, San Francisco, CA Optica, Gijon, Asturias, Spain 2006 LA Freewaves, UCLA Hammer Museum, Los Angeles, CA (web catalog) Combine Platter, Museum of Contemporary Art, Los Angeles, CA Thailand New Media Arts Festival, Bangkok, Thailand Midnight in the Garden of Good and Evil, New York Academy of Sciences, New York, NY Coup de Foudre, Tina Kim Fine Art, New York, NY Eflux Video Rental, ArtHouse, Austin, TX Avant to Live, Other Cinema, San Francisco, CA Deluge, Bucheon Gallery, San Francisco, CA The Best of Aurora Picture Show 3, Center for Documentary Studies, Durham, NC The Best of Aurora Picture Show 3, Monkeytown, Brooklyn, NY The Best of Z Film Festival, The Horse Hospital, London, England The Best of Aurora Picture Show 3, Bickett Gallery, Raleigh, NC Optica, Gijon, Asturias, Spain Avant to Live, Other Cinema, San Francisco, CA Thailand New Media Arts Festival, Bangkok, Thailand Coup de Foudre, Tina Kim Fine Art, New York, NY Deluge, Bucheon Gallery, San Francisco, CA The Best of Z Film Festival, The Horse Hospital, London, England Avant to Live, Other Cinema, San Francisco, CA Telling, Torrance Museum of Art, Torrance, CA Technologized Bodies/Embodied Technologies, The Arc Light Theater, Los Angeles, CA Fair Exchange, Millard Sheets Gallery, Pomona, CA (catalog) Technologized Bodies/Embodied Technologies, Art Interactive Gallery, Cambridge, MA People in Love, Echo Park Film Center, Los Angeles, CA Sense and Sensibility, Rose Hills Theater, Pomona College, CA 2005 Video Pool, Pool Art Fair, Miami, Fl A Single Channel Video Show, Glendale College Art Museum, Glendale, CA
- 6. The Best of ‘Z’ Film Festival, Heaven Gallery, Chicago, Illinois Incognito, Santa Monica Museum of Art, Santa Monica, California Faces of the Fallen, The Nichols Gallery, Pitzer College, Claremont, California Avant to Live, Other Cinema, San Francisco, California I’ll Kick Your Ass, 14 North, Los Angeles, California Video Remains and Stuck on a Hammerhead, Scripps College, Claremont, California 2004 Incognito, Santa Monica Museum of Art, Santa Monica, California Shock A Go-Go Film Fest, Vine Theater, Los Angeles, California LA Freewaves, Red Cat Theater, Disney Hall, Los Angeles, California (catalog) Other Cinema, San Francisco, California Best of Short Shorts, ArtHouse, Austin, Texas Best of Aurora Picture Show, Texas Commission of Arts, Austin, Texas (catalog) Best of Aurora Picture Show, Motion Media Arts, Austin, Texas (catalog) Extremely Short Shorts VII, Aurora Picture Show, Houston, Texas Best of Aurora Picture Show, Echo Park Film Center, Los Angeles, California (catalog) MiniCine, Shreveport, Louisiana Best of Aurora, Ballroom Marfa, Marfa, Texas (catalog) The Orange Show’s Cinema, Houston, Texas Video Wall, Kunsthallle Wien, Vienna, Austria Women in the Director’s Chair, Chicago, Illinois Z Film Festival, Heaven Gallery, Chicago, Illinois 2003 Enid Baxter Blader and Enid Williams, superior (an exhibition space) Cleveland, Ohio POW: Parts of a Whole, Space #410, Brooklyn, New York The Brewster Project, Brewster, New York Breathless, 608 Folsom, San Francisco, California VideoTechque, ArtBasel, Basel, Switzerland Full Nelson Performance Festival, Del Mar Theater, Los Angeles, California Nocturnal Video Programme, Galerie Christine Koenig, Vienna, Austria Dystopias, The Blanton Museum of Art, Austin, Texas 2002 East of Hollywood, Studio 210TWO, Los Angeles, California Are Friends Electric?, Nerve.com, New York, New York Shimmering Substances, The Cornerhouse, Manchester, England (catalog) Extremely Short Shorts V, Aurora Picture Show, Houston, Texas Line Up, Lord Mori/Happy Lion Gallery, Los Angeles, California Shimmering Substances, Barry Schwabsky, curator. The Arnolfini, Bristol, England (catalog) Pan African Film Festival, Denver, Colorado One, superior (an exhibition space), Cleveland, Ohio DV Noir: Video Art in the Shadow of Hollywood, Museum, California Center for the Arts, Escondido, California Glamour Trip So Soon to Slip, Whitman College Art Museum, Walla Walla, Washington (catalog) Sundance, Park City, Utah 2001 Ever Since Icarus, Lord Mori/Happy Lion Gallery, Los Angeles, California (catalog) Women in the Director's Chair Film Festival, Chicago, Illinois Constellation 6, (with Jody Hughes), Feis Do-do, Los Angeles, California Test Tube, Christopher Miles, curator. Pierce College, Woodland Hills, California Drawings, Gallery Hana, Houston, Texas Toronto Inside Out Film Festival, Toronto, Canada Inaugural Exhibition, Mario’s Furniture, Los Angeles, California Contemporary Art Series, Coppos Films, Los Angeles, California Mixed Bag, Raid Projects, Los Angeles, California The New Film Festival, New York, New York Awakenings: Los Angeles International Film Festival, Los Angeles, California FrameLine International Film Festival, San Francisco, California Silverlake Film Festival, Vista Theater, Los Angeles, California Prison Breaks, Prince Music Theater, Philadelphia, Pennsylvania
- 7. Outfest, The Directors Guild of America, Los Angeles, California Image Out Film Festival, Rochester, New York Released, Claremont Forum, Claremont, California Seattle Film Festival, Seattle, Washington Womens' Liberation Film Series, City College of New York, New York Sex Worker Film Festival, San Francisco, California Released: Special Screening, Pitzer College, Claremont, California 2000 Video Art/Video Culture, National Gallery of Art, Smithsonian, Washington, D.C. Recalling Spaces, Cerritos College, Los Angeles, California ICU, Raid Projects, Santa Ana, California Inland Specific, Pomona College Museum of Art, Claremont, California (catalog) Extremely Short Shorts III, Aurora Picture Show, Houston, Texas Artists and Writers, Da Center for the Arts, Pomona, California 1999 Ply, Art Center College, Pasadena, California Smogdance Film Festival, Pomona, California CAA, Los Angeles Municipal Art Gallery, Los Angeles, California California Special, Aurora Picture Show, Houston, Texas Sunspot Laboratory, California State University, Los Angeles, California Blue, The Bradbury Building, Los Angeles, California Extremely Short Shorts II, Aurora Picture Show, Houston, Texas 1998 Smogdance Film Festival, Pomona, California Outpost Performance Space, Albuquerque, New Mexico 1997 My Solitary Vice, Site 21/21, Albuquerque, New Mexico SIMCHA, The KiMo Theatre, Albuquerque, New Mexico 1996 Alumni Exhibition, The Cooper Union, New York, New York Annual Exhibition, Harwood Art Center, Albuquerque, New Mexico Small Works, Lucy Gallery, Albuquerque, New Mexico 1995 Stoekel Fellowship Exhibition, Yale University Gallery, Norfolk, Connecticut I Shot My Wad: Photos, Yale University Gallery, Norfolk, Connecticut Annual Exhibition, National Arts Club, New York, New York Transitional Images, Transgressive Imaginations, The Cooper Union, New York, New York 1993 Biennial Exhibition, Trenton City Museum, Trenton, NJ PUBLICATIONS (chronological): Blader, Enid Baxter. “THE ORD,” Cross Process, Boulder: Timothy Orme, 2014 Blader, Enid Baxter. An Interpretive Guide to the Crocker Museum’s American Painting Collection. Sacramento: The Crocker Museum, 2011 Blader, Enid Baxter. A Film is a Burning Place: Collected Works of Enid Baxter Blader. Houston: Aurora Video and Microcinema International, 2009. Blader, Enid Baxter. Olive’s Backyard Concert, Seattle: IndieFlix, 2009 Blader, Enid Baxter. Secret Apocalyptic Love Diaries: Seattle: Indieflix, 2009 Phillips, Glenn. “Enid Baxter Blader” California Video: Artists and Histories. Los Angeles: Getty Publications, 2008. Blader, Enid Baxter. A Succession of White Days: All Good Dreamers Pass This Way. Los Angeles: Bavaria Records, 2007 Blader, Enid Baxter. “Stuck on a Hammerhead,” Best of Aurora, Volume Three, Houston: Aurora Picture Show, 2006
- 8. Blader, Enid Baxter. “Radio Nowhere,” Best of Aurora, Volume Two, Houston: Aurora Picture Show, 2004 Blader, Enid Baxter. “Full Moon in Sunbury,” Los Angeles: X-TRA Contemporary Art Quarterly, vol. 6, No. 4, Summer 2004,, pp 17- 20. (illus.) Blader, Enid Baxter. “Lucille.” Cherrybomb, Chicago: Cherrybomb LLC, May, 2004 Blader, Enid Baxter. (with Barry Schwabsky.) " LUCILLE," MAS Magazine, September, 2003. (illus) Blader, Enid Baxter. (with Christopher Miles.) “Letter from the Girl,” Location One: New York, NY, 2002. Blader, Enid Baxter. “Sheltered,” Released: Five Short Films About Women in Prison. Pasadena: Stranger Baby Productions, 2001 (a grassroots publication: illus.) Juhasz, Alex. Women of Vision: Histories in Feminist Film and Video. Minneapolis: University of Minnesota, 2001. CONFERENCES: Bay-Delta Science Conference, 2014, Sacramento, CA Plenary Speaker Arts Curator and Panel Chair, “Science Communication.” National Council on Public History, 2014, Monterey, CA Panelist, “Preserving Military History on Decommissioned Bases.” National Steinbeck Festival, 2013, Salinas, CA Panelist, “A Voice.” Bay-Delta Science Conference, 2012, Sacramento, CA Plenary Speaker Arts Curator and Panel Chair, “Not Just a Pretty Picture.” National Media Consortium, Monterey, CA Panelist: " Crossing the Digital Divide and Engaging Students and Community.” Society for Cinema and Media Studies, 2009, Tokyo, Japan. Co-Chair, Caucus on Class. (organized programs but unable to attend.) College Art Association, 2008, Dallas TX Screening: Secret Apocalyptic Love Diaries. Union for Democratic Communication, 2007, Vancouver, British Colombia Screening: Local 909er Panel Chair: “The Development of the Inland Empire.” Society for Film and Media Studies Conference, 2007, Chicago, IL Screening: LOCAL 909er Panel Chair: “Apocalyptic Persuasions: The Mainstreaming of Millenarism.” Society for Film and Media Studies Conference, 2006, Vancouver, British Colombia Paper: “Small-Time Digital Apocalypse Narratives: American Analog Declension Times.” College Art Association, 2006, Los Angeles, California Lucille included in Technologized Bodies screening.
- 9. Queering the Discourse, 2005, The Claremont Colleges, Claremont, CA Stuck on a Hammerhead screening. The Flaherty Seminar, 2005, The Claremont Colleges, Claremont, California Editor of Featured Documentary, Technical Coordinator and Participant LECTURES and PRESENTATIONS: 2015 “In conversation with Enid Baxter Ryce,” USC Center for the American West, Huntington Libraries, Galleries and Gardens, Pasadena, CA 2014 “Planet Ord,” Philip Glass Days and Nights Festival, Carmel, CA Artist’s Lecture, Santa Cruz Museum of Art and History, Santa Cruz, CA Artist’s Lecture, Carmel Women’s Club, Carmel, CA 2013 “What’s new, What’s Next” Creative Tech Expo, Hartnell College, Salinas, CA 2012 “Water, CA: Guided Tours of the permanent collection through Environmental and Post-Colonial Lenses”. Crocker Art Museum, Sacramento, CA. “Monterey Bay Film Festival,” Creative Tech Expo, Seaside, CA 2011 “On Impressionism” Crocker Art Museum, Sacramento, CA Artist’s Lecture, Center for Contemporary Art, Sacramento, CA 2010 Artist Talk, Veteran’s Day, Fort Ord Alumni Association, Seaside, CA Artist Talk/Military Briefing. “Fort Ord: Yesterday and Today.” GKUS-DMDC, Department of Defence, Seaside with simulcast to DOD, Washington, DC. Speaker and Panelist, Citizens for a Sustainable Marina, Marina, CA Featured Speaker, Kiwanis Club, Marina, CA 2009 Featured Speaker, Fort Ord Alumni Association 2009 Reunion, Seaside, CA Featured Speaker, Marina Rotary Club, Marina, CA Where is Place in the Landscape of Hope? Panelist, CSUMB, Seaside, CA Water, CA. Presentation, Focus the Nation, CSUMB, Seaside, CA A Film is a Burning Place, Screening, CSUMB, Seaside, CA
- 10. 2008 Concrete Paradigm: Teens Tell. Public Presentation with TAT Service Learning Students, CSUMB, Seaside, CA Local 909er, Author/Filmmaker Lecture, Inlandia Institute, Riverside Public Library, Riverside, CA Local 909er, Panelist and Screening, Social Justice Colloquium, CSUMB, Seaside, CA Screening of Local 909er and Secret Apocalyptic Love Diaries, and talk Blackbox Cabaret, 2007 Wignall Museum, Chaffey College, Rancho Cucamonga, CA 2006 Chair, Panel on Urban Redevelopment Millard Sheets Gallery, Pomona, CA 2005 Claremont Graduate University, Claremont, California Scripps College, Claremont, California 2004 Los Angeles Contemporary Exhibitions, Los Angeles, California Laguna Art Museum Fellows, Laguna, California 2003 Aurora Picture Show, Houston, Texas Cinescape, Austin, Texas 2002 San Francisco Art Institute, San Francisco, California Museum, California Center for the Arts, Escondido, California 2001 One Wall, 2001, Orange County Museum of Art, Irvine, CA BIBLIOGRAPY: Adams, Sam,"Screenpicks" Philadelphia City Paper, August 9 - 16, 2001. A la Mode, Brownie, “Women in the Director’s Chair,” DykeDiva, March, 2004 Allen, David, The Inland Times, "Smogdance Does it Again,” October 15, 2000. Antebi, Nicole. “Magical Thinking and the Los Angeles Aquaduct,” Arid: A Journal of Desert Art, Design and Ecology. August 9, 2013. Artblock Live: Reggie Woolery interviews artist, filmmaker, musician and professor Enid Baxter Blader.” Podcast, KCET, Los Angeles. http://kcet.org/local/podcasts/artsblock_live 1/1/09 Bridges, Joseph. “A Film is a Burning Place.” Real Sound Theory. 4/30/09.
- 11. Brightwell, Eric. “Celluloid Heroines: Fearless Filmmaking Females.” Amoeba Blog. 4/20/10. Burton, Antionett and Alexandra Juhasz. “Feminist history making and Video Remains.” Jump Cut, Winter, 2006. http://www.jumpcut.org Butin, Simon. “Water CA, The Future of Place-Based MultiMedia?” Terrain.org, 8/17/2010. Cabrera, Marcos. “Teen Film Festival Exceed Expectations.” The Monterey Herald. 3/24/2009. Cabrera, Marcos, “The Reel Lives of Teens: CSUMB helps kids tell their stories through film.” The Monterey Herald, 12/9/2008. Cabrera, Marcos. “CSUMB launches Teen Film Festival.” The Monterey Herald 11/11/2008 Clark, Robert,"Time to Untangle Theoretical Threads," ArtReview, June 2002. (illus.) Cooper, Jacqueline, Enid Baxter Blader. Los Angeles: Roberts and Tilton Gallery, 2001 (illus.) Cooper, Jacqueline,"In Search of the New Bohemians: The Flight and Possible Return of Passion to the Contemporary Art World,” Side Street Projects Journal, Summer, 2002. (illus.) Cowan, Amber, "Art: The Five Best Shows Around the Country," The Information, supplement to The Independent. May 18, 2002, p. 13 Dykyi, Oksana. “A Film is a Burning Place: Works by Enid Baxter Blader.” University at Buffalo Libraries Educational Media Review. 10/14/2009. Duray, Dan. “The Manhatten Bridge is Going to Look Odd this Weekend.” New York Observer. 9/27/12. Frank, Peter. "Pick of the Week,” LA Weekly, April 11, p.38, 2003. Fogdall, Scott, "Embracing Threat," Glamour Trip So Soon to Slip. Walla Walla: Whitman College, 2002. (illus.) Green, Suvan. Set Theory. Torrance: Torrance Museum of Art, 2010. Grenier, Merediith, “Torrance Museum Puts on Another Telling Exhibition,” Daily Breeze, May 2, 2006. Hartel, Nick. “A Film is a Burning Place: Works by Enid Baxter Blader.” DVD Talk, 2009-08-25. Huet, Ellen. “An Ambitious Project Captures the Leftover Murals and Mystery of Fort Ord.”Monterey County Weekly, 8/5/10. Hunt, Ian,"Shimmering Substance," Art Monthly, June 2, v. 257, 2002 Huston, Shaun. “A Film is a Burning Place: Works by Enid Baxter Blader,” Pop Matters, 2009-07-01. Huffington Post, “Dumbo Arts Festival 2012 Preview: Superhero, Codex Dynamic, and Inverted Sky.” 9.10.2012 Johnson, Ken, “Coupe De Foudre,” The New York Times, June 16, 2006. Johnson, Ken, "Enid Baxter Blader at Location One," The New York Times, November 8, 2003.
- 12. Joseph, Adam. “In the Shorts: Monterey Bay Film Festival amasses a whirlwind of striking short films.” Monterey County Weekly. 5/10/10 Juhasz, Alex, "No Woman is An Object," Camera Obscura, Duke University Press, 2004. Laird, Tessa, Leap of Faith, Los Angeles: Lord Mori Gallery, 2001. (illus.) Lee, Jeffrey, “It’s Not How Big It Is... Small Works Well Enough at Lucy Gallery,” The Weekly Alibi, May 6, 1997. (illus) Leung, Wendy, “And Starring the 909 as Itself…” The Daily Bulletin, February 2, 2007 Leung, Wendy, “Invisible Trajectories,” The Daily Bulletin, January 20, 2007 Leung, Wendy, “Invisible Trajectories,” The San Bernardino Sun, January 20, 2007 Littlefield, Kinney, “A Whirl With Video Visions," The Los Angeles Times, March 19, 2001. Michno, Christopher, “Facing the Sublime in Water, CA.” Artillery, February 19, 2013 (illus.) Miles, Christopher, "Enid Baxter Blader’s Softer Sublime,” Artforum, May 2001, (illus.) Mizota, Sharon, “’Review: Facing the Sublime in Water, CA’ delves deep,” Los Angeles Times, December 20, 2013. Myers, Holly. “Getty Curator Glenn Phillips on the ‘California Video’ Show: Playing with the Camera.” LA Weekly, March 12, 2008. O’Brian, Pat, “Multiple Views,” The Press-Enterprise, February 1, 2007 Olkowski, Sandy, “Enid Baxter Blader: Artist Profile,” With It Girl Magazine. June 2001. (illus.) Olkowski, Sandy, “Enid Baxter Blader: New Work at Roberts and Tilton Gallery,” With It Girl Magazine, May, 2001. (illus) Phillips, Glenn. California Video: Artists and Histories. Los Angeles: Getty Publications, 2008. Porras, Stephanie, Inland Specific: Installtions by Artists of the San Gabriel Valley. Pomona: Pomona College Museum of Art, 2000. (illus.) Pulkka, Wesley, "Constructing Narrative: Enid Baxter Blader at the Santa Fe International Academy of Art,” The Santa Fe Tribune, January 12, 1998. (illus.) David P. Redlawsk and Tom. Rice (Eds.) Civic Service: Service Learning with State and Local Government Partners. San Francisco: Jossey-Bass, 2009 Roberts, Catsou and Barry Schwabsky, Shimmering Substances, Bristol: The Arnolfini, 2002. (illus.) Sameshima, Dean, Ply (exhibition catalog), Pasadena: Art Center College of Design, 2000. (illus.) Schulze, Troy, “Letter from the Girl, Mailed at the Gas Station,” Houston Press, Feb 6, 2003.
- 13. Schwabsky, Barry, "Enid Baxter Blader at Location One," Artforum, May, 2003. (illus.) Schwabsky, Barry, "Enid Baxter Blader’s LUCILLE," MAS Magazine, September, 2003. (illus) Shoka, “A Spec of Hope.” Sacramento News and Review, 3.10.11 (illus.) Solana, Kimber. “Teen Film Festival Features Salinas Juvenile Hall.” The Californian, 4/19/09. Squier, Joseph. “Enid Baxter Blader, featured artist” http://www.ninthletter.com/featured_artist/artist/11 Taft, Irene. “Smogdance Prizewinner: Interview with Enid Baxter Blader.” Claremont Courier. October 28, 1998. (illus.) Tsatsos, Irene. Facing the Sublime in Water, CA. Pasadena, The Armory Center for the Arts, 2013. Tranberg, Dan. “Art Center Launches Spring Season with Two Shows,” The Cleveland Plain Dealer, Friday, March 22, 2002. Wallace, Kelsey. “A Film is a Burning Place: Works by Enid Baxter Blader.” Bitch, Issue 44, Pp 77-78, 2009. (illus) OTHER CREATIVE PRODUCTION and FILMOGRAPHY: selected and in brief 2015 FATHERS and PROPHETS, feature film. On-site producer for the film (Fort Ord), based on David Egger’s novel. PLANET ORD, experimental film. Director, Cinematographer. In progress. Devils’ Half Acre, web-based toponymy investigation. In progress. 2014 THE WEST, Experimental Documentary Film, 18 min, HD Stop-Frame animation. Position: Producer, Writer, Director, Second Camera, Lead Editor, Sound Editor. Created for an exhibition at the Armory Center for the Arts, Pasadena. Also screened at Kellog museum, Pomona and Video Art Center, Stanislaus. 2010 – 2014 THE ORD Documentary Film. 10 minutes, HD. Position: Producer, Writer, Director, Second Camera, Lead Editor, Sound Editor. New York Premiere as a long-term screening at DUMBO Art Center. Preview screened at Other Cinema, SF and Rough Cut screened during a briefing to the US Department of Defense. Be Like an Ant – Title. Hand-Painted Stop-Frame Animation Title Sequence for a feature documentary film, 30 seconds, HD. Position: Director and Animator. (Documentary was directed by Mike Plante.) Just completed. Under consideration at film festivals. Water, CA. Website. Book and Museum exhibitions. Features 28 artist, ecologist, architecture and literary projects on the subject of California’s Water. Position: Co-director. Wrote the introduction, water timeline and created two projects. Painted the interface paintings and co-edited the projects. This project was exhibited at the Crocker Museum, Sacramento in 2011 and the Armory Center for the Arts, in 2012. The site and exhibitions have been reviewed by the Los Angeles Times, Artillery Magazine, eco-art space,
- 14. and terrain.org. 2009 - 2014 http://PlanetOrd.com Website, Book and Museum exhibitions.. Directed by Enid Baxter Blader. Phase one launched 9/5/09. Current hits: Over 3 million. This site has been presented at numerous events hosted by community groups, veterans’ orgs and the US Army, as well as art venues. Exhibition at Santa Cruz Museum of Art and History. Featured on US Army Radio and upcoming monograph to be published by McSweeny’s. A Film is a Burning Place: Works By Enid Baxter Blader. Video Compilation Produced by Andrea Grover for Aurora Video, distributed by Microcinema International, 101 minutes, DVD, 2009. http://OlivesBackyardConcert.com Website for the film – with Department of Graphic Sciences. A Week in the Life: Society for Cinema and Media Studies A You-tube Video activist Project Position: Producer and Director 2008 Olive’s Backyard Concert, Animation, digital film Position: Producer/Writer/Director/Composer Pre-Screened at Link Contemporary Art, Claremont and Pacific Cultural Center, Santa Cruz, CA. New York Premiere at Soho House, through the Angelika New Filmmakers Series. Screening at Santa Cruz Film Festival and on Northern California PBS. LOCAL 909ER, Documentary, digital video, 16mm and 35mm film. Position: Producer/Writer/Director/Composer, In production. Made with support from Kodak, NewTown Pasadena and the California Council for the Humanities. Multiple screenings including in Chicago IL, Vancouver, BC and Los Angeles, CA. Featured project, California Council for the Humanities website. Devil’s Half Acre, Documentary Film and Website- Grant Proposal Postion: Producer/Writer/Director Finalist for Creative Capital. 2007 http://local909er.com. Multimedia website including video, animations, photo essays and accompanying online digital database. Position: Producer/Writer/Director/Composer Made with support from The Department of Graphic Science, Kodak, NewTown Pasadena and the California Council for the Humanities. SECRET APOCALYPTIC LOVE DIARIES, digital video, 2003 – 2007. Position: Producer/Writer/Director/Composer, An Experimental Short Series. Screening Internationally including at the Museum of Contemporary Art, Los Angeles, and the Center for Contemporary Arts, Glasgow. BLUE, Experimental hand painted 16 mm film. Position: Producer/Writer/Director/Composer. Screened at Other Cinema, San Francisco
- 15. 2006 MUSIC VIDEO FOR BEDROOM WALLS’ A Succession of White Days, digital film, 2006. Position: Writer, Director. Released and distributed on the All Good Dreamers Pass this Way Album on the Bavaria Records Label. BEE STORIES, digital video, 2006. Position: Editor. Directed by Nancy Macko. Exhibited at Los Angeles Municipal Art Museum, December 2006 – January 2007. Included in the Hive Universe Publication. 2005 THE BUSH PLAN, digital video and animation on DVD, Documentary, 10 minutes, 2005. A collectively produced grassroots video. VIDEO REMAINS, Experimental Documentary, digital video, 55 minutes, 2005. Position: Editor and Sound Designer, Mixer. Directed by Alexandra Juhasz, Screening at Gay and Lesbian Film Festivals: New York, LA, San Francisco, Toronto, Torino, Paris and at The Flaherty Seminar, 2005 2004 STUCK ON A HAMMERHEAD, Experimental Short, digital film, 3 minutes, 2004. Position: Producer/Writer/Director. Screening at Aurora Picture Show, 2005, Other Cinema, 2005, Scripps College, 2005, ArtHouse, Austin, Texas, 2005, Anna Helwing Gallery, 2004 ZERO TOLERANCE, Documentary, digital video and 16mm film. Position: Co-Producer, Editor. Directed by Lisa J. Freeberg. Trailer and 30-minute version of the Documentary, digital video and 16mm film. 2003 LUCILLE, Experimental, 16mm film, 3 mintues, 2003. Position: Producer/Writer/Director. Made with support from Kodak. Premiered at Women in the Director’s Chair, Chicago and The Red Cat Theater, Los Angeles. Exhibited widely. Distributed on the Cherrybomb DVD compilation, 2004. MASTERS OF SCIENCE, DV-C digital video, 30 minutes, 2003 Position: Editor/Sound Mixer/Music Editor. Two pilot episodes of a 30-minute television program, video. Aired on Channel LA36, September – March, 2003. TREASURES OF LOS ANGELES, DV-C digital video, 120 minutes, 2003 Position: Editor/Sound Mixer/Music Editor. Thirteen documentary shorts for a television awards series, digital video. Aired on Channel LA36, April – May, 2003. WILD WEST, Documentary, 16mm film, 50 minutes, 2003. Position: Editor. Directed by Hannah Beadman. Premiered at Silver Lake Film Festival, 2005 BIG DIAMOND MYSTERY, Comic Mystery, High-Definition Video, 90 minutes, 2003. Position: Editor. Premiered in San Francisco. THE LAST VISIT, Experimental Horror, Digital Video, 30 minutes, 2003. Position: Editor, Sound Editor. Directed by Lara Martin. Aired on Icelandic Television, February, 2003 2002 DEAR GABE, Documentary, Digital Video, 50 minutes, 2002. Position: Editor, Post-Production Supervisor. Directed by Alexandra Juhasz. Premiered at The New Film Festival, NYC and Frameline International, San Francisco
- 16. Aired on IFC and Free Speech TV LETTER FROM THE GIRL, MAILED AT THE GAS STATION, Experimental Narrative Film Short, 16mm film, 20 minutes, 2002 Position: Producer/Writer/Director. Made with support from Kodak, and the Durfee Foundation. Premiered at Location One, New York, New York Reviewed in The New York Times and ArtForum. Exhibited at the Smithsonian and ArtBasel. LA Freewaves, K-CET, digital video, 30 seconds. Position: Producer and Director of Photography. Directed by Greg Kucera. Television Bumper for LA Freewaves, Aired on Channel K-CET, Los Angeles, in November, 2005 RADIO NOWHERE, Experimental Documentary Short, Digital Video, 6 minutes, 2002. Position: Producer/Writer/Director. Premiered at CCA Museum, Escondido, California. Widely exhibited. Toured nationally with the Best of Aurora Picture Show, 2004 2001 NAMING PRAIRIE, Documentary short, Beta SP, 9 minutes, 2001. Position: Writer, Editor and Post-Production Supervisor. Directed by Alexandra Juhasz. Premiered at Sundance, 2002. Exhibited Internationally, including the Berlin Film Festival. REALEASED: FIVE SHORT VIDEOS ABOUT WOMEN AND PRISON, Documentary series, digital video, 30 minutes, 2002. Position: Single Segment Director, Editor and Post-Production Supervisor. Widely internationally exhibited documentary series featuring Angela Davis. Aired on television 2003-2005. Shown in the Colorado Prison System 2003. THE REVIVAL OF LEE MACKEY, Experimental Narrative, Digital Video, 30 minutes, 2000. Position: Producer/Writer/Director, Premiered at the Smithsonian’s National Gallery Theater. In the collection of the Orange County Museum of Art. BLIND TOWN/DOWNHOME SUBLIME, Experimental Narrative, Digital Video, 10 minutes, 2000. Position: Producer/Writer/Director, Premiered at the Smithsonian’s National Gallery Theater In the collection of the Orange County Museum of Art. 2000 LOST BABY, Albuquerque, NM, Experimental Narrative, Hi-8 video, 6 minutes, 2000. Position: Producer/Writer/Director. Short Film Prizewinner. Smogdance Film Festival, 1998 PUBLIC COLLECTIONS: The J. Paul Getty Museum, Los Angeles, CA The Journal of Aesthetics and Protest, Los Angeles, CA Echo Park Film Center, Los Angeles, CA The Cooper Union for the Advancement of Science and Art, New York, NY Orange County Museum of Art, Irvine, CA Outfest Legacy Collection, Los Angeles, CA Aurora Picture Show, Houston, TX The Baldwin School, Bryn Mawr, PA Santa Cruz Museum of Art, Santa Cruz, CA Hayward Shoreline Interpretive Center, Hayward, CA
- 17. Pacific Grove Natural History Museum, Pacific Grove, CA Department of Military and Veterans’ Affairs, Monterey, CA Walter Avery Gallery, Seaside City Hall, Seaside, CA Seaside Public Library, Seaside, CA TEACHING and ADMINISTRATIVE EXPERIENCE: 2015 – present Coordinator, School of the Arts California State University Monterey Bay, Seaside, California 2009 – present Department Chair, Cinematic Arts and Technology California State University Monterey Bay, Seaside, California 2011 – present Associate Professor of Cinematic Arts and Environmental Studies, California State University Monterey Bay, Seaside, California 2006 – 2011 Assistant Professor of Cinematic Arts California State University Monterey Bay, Seaside, California 2003 – 2006 Director of Media Studies and Adjunct Assistant Professor, Pitzer College, Claremont, California Director of Media Practice, Intercollegiate Media Studies The Claremont Colleges, Claremont, California 2001 Lecturer, Introduction to Digital Media Cerritos College, Norwalk, California 2000 - 2001 Lecturer, Introduction to Digital Media Art Chaffey College, Rancho Cucamonga, California 1998 - 2000 Teaching Assistant, Introduction to Video Claremont Graduate University, Claremont, California 1999 Interim Lecturer, Introduction to Digital Arts, Spring Semester Claremont Graduate University, Claremont, California 1997 - 1998 Instructor, Drawing I University of New Mexico, Albuquerque, New Mexico 1996 - 1998 Instructor, University of New Mexico, Continuing Education Albuquerque, New Mexico (courses: Painting Methods, Handmade Books) 1996 - 1998 Instructor, Inner-City Arts Program Harwood Art Center, Albuquerque, New Mexico 1993 -1995 Instructor and Educational Liaison, Whitney Museum of American Art, New York, New York (Performance and multimedia Arts at the Regent Homeless Shelter and Strictly Business for Young Violent Offenders Program.) 1993 - 1996 Instructor of Sculpture, The Cooper Union Saturday Program The Cooper Union for the Advancement of Science and Art New York, New York 1993 Co-Founder, Director and Instructor
- 18. The Trenton City Museum, Arts in the Park Program, Trenton, New Jersey The Trenton City Museum, Trenton, NJ