The document discusses different types of photographs and their artistic value. It describes two types - the "time capture" photo that simply records an event, and photos with a "deeper meaning" that elicit emotional reactions. It analyzes two black and white photos by Elliot Erwitt - one of a church near a Native American massacre site that has deeper meaning, and one of a man and child on a bicycle that is a time capture. While Erwitt claims not to intend artistic meaning, the document argues he has an unconscious artistic eye and the bicycle photo is still art due to its perfect setting, despite falling in the time capture category.