The document discusses experiments in art and technology conducted by the organization Experiments in Art and Technology (EAT) in 1966 and 1967. EAT explored artist-engineer collaboration and the potential of combining artistic and technical exploration. A key event was the 9 Evenings: Theatre and Engineering in 1967, which featured collaborations between artists like Robert Rauschenberg and engineers. The document also discusses the work of Nam June Paik, who was among the first artists to use televisions in artworks and viewed technology through a cybernetic and Buddhist lens.