Interactionism in Music - ICMPC-APSCOM
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The document discusses interactionism in the context of music, focusing on measuring entrainment and influence within dyads and groups. It emphasizes the importance of social interaction as a constitutive element in cognition and suggests methods for studying dynamics of interaction. The conclusions highlight a shift from individual states to interpersonal processes, proposing future research directions involving continuous data and automated analysis.
Interactionism in Music - ICMPC-APSCOM
- 1. Interactionism & Music Measuring entrainment and influence in dyads and groups Tommi Himberg & Neta Spiro
- 3. Coupled action- perception loops 3Hari & Kujala, 2009
- 4. Interactionism • Hanne de Jaegher, Ezequiel di Paolo, Shaun Gallagher • “participatory sense-making” • social interaction plays not just a contextual, but an enabling or constitutive role in cognition 4
- 5. Leman - guqin 5Leman et al. 2009
- 6. Co-confident movement 6Noy et al. 2011
- 7. 7 Leading & following Himberg et al. in prep
- 8. 8 −200 −100 0 100 200 −0.2 0 0.2 0.4 0.6 LAG (frames) Correlationcoefficient Cross−correlation − acceleration P1 leads P2 leads Joint leadership Leading & following Himberg et al. in prep
- 9. Continuous, mutual adaptation 9Himberg & Thompson, 2010
- 10. String quartet 10Timmers et al. 2014
- 11. Mutuality in MT 11Spiro & Himberg, 2014
- 12. Methods • study design is the key: study people in actual interaction; manipulate coupling etc. • what to measure? study the dynamics of interaction: windowed analyses, continuous measures • influence: Granger causality etc. 12
- 13. Conclusions • interactionism shifts focus from individual states to interpersonal processes • what to measure, how to analyse? • future directions: continuous data, embodied & enactive approach, updated theoretical frameworks, automated data analysis… 13
- 14. Interactionism & Music Measuring entrainment and influence in dyads and groups Tommi Himberg & Neta Spiro Thank you! tommi.himberg@aalto.fi