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Analysis
the filming and editing of interviews
the filming and editing of interviews

• The mise-en-scene of the interviews related
  directly to the ‘Jaws’ film as the background
  was mostly film merchandise, for example,
  Jaws the shark.
the filming and editing of interviews

• Graphics of the name and relevance of
  interviewees appeared on screen to anchor
  who the person was and what they had to do
  with the documentary.
the filming and editing of interviews

• The start of the documentary was taken up by
  vox pops and the relevance of the interviewee
  was displayed on screen.
the filming and editing of interviews

• To further anchor the relevance, the box
  which displayed the name and relevance was
  made of water and had Jaws in it.



• This re-inforces the relevance and the focus is
  on the content of the documentary.
the filming and editing of interviews

• The interviewee was framed either to the left
  or right of the screen to follow conventions
  and the rule of thirds was used almost
  perfectly.
the filming and editing of interviews

• CU and medium shots were mainly used to
  frame the subject but BCU were used
  sometimes.
the filming and editing of interviews

• In order to have the interview looking in the
  right direction, the interviewer must be on the
  same eye-line or the interviewee would be
  looking up or down from the camera and just
  wouldn’t look right.
• Therefore, the position of the interviewer is
  crucial.
the filming and editing of interviews

• The light source is mostly in front of the interviewee so
  their face is visible on camera.




• Finally, interviewees follow an unwritten rule in
  interviews and sit on an ‘unmoveable chair’ so they do
  not ruin the convention of interview framing.

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Jaws analysis

  • 1. Analysis the filming and editing of interviews
  • 2. the filming and editing of interviews • The mise-en-scene of the interviews related directly to the ‘Jaws’ film as the background was mostly film merchandise, for example, Jaws the shark.
  • 3. the filming and editing of interviews • Graphics of the name and relevance of interviewees appeared on screen to anchor who the person was and what they had to do with the documentary.
  • 4. the filming and editing of interviews • The start of the documentary was taken up by vox pops and the relevance of the interviewee was displayed on screen.
  • 5. the filming and editing of interviews • To further anchor the relevance, the box which displayed the name and relevance was made of water and had Jaws in it. • This re-inforces the relevance and the focus is on the content of the documentary.
  • 6. the filming and editing of interviews • The interviewee was framed either to the left or right of the screen to follow conventions and the rule of thirds was used almost perfectly.
  • 7. the filming and editing of interviews • CU and medium shots were mainly used to frame the subject but BCU were used sometimes.
  • 8. the filming and editing of interviews • In order to have the interview looking in the right direction, the interviewer must be on the same eye-line or the interviewee would be looking up or down from the camera and just wouldn’t look right. • Therefore, the position of the interviewer is crucial.
  • 9. the filming and editing of interviews • The light source is mostly in front of the interviewee so their face is visible on camera. • Finally, interviewees follow an unwritten rule in interviews and sit on an ‘unmoveable chair’ so they do not ruin the convention of interview framing.