The Representation of
       Religious/Spiritual
    Experience on factual
      British TV, 2000-09
Ruth Deller, Sheffield Hallam University
              AHRC-funded PhD candidate
Key questions
 What is the nature of coverage of
  religion/spirituality in factual television?
 How can it be understood in relation to debates
  within sociology, cultural studies and religious
  studies about the role of religion in
  contemporary Britain?
 What are viewers’ responses to these
  programmes?
 What are programme-makers' motivations?
Methodology
   Textual analysis
       Discourse, narrative, semiotics, quantitative etc
       Sample of themes, channels, years, genres
   Audience research
       Forums
       Blogs
       Focus Groups
       Exit survey
       Twitter
       Live chat
Methodology
   Interviews
       TV commissioning editors
       Programme-makers
       Participants
Key findings: texts
 Factual   TV conventions
    Personalities
    Journeys and experiences
    Debates
    Talking heads and experts
    Historical/Cultural contexts
Key findings: texts
 Seeking to understand belief in socio-historical
  context.
 Debunking/unpacking particular beliefs, stories
  and practices.
 Personal exploration of beliefs and practices.

 Education about different beliefs and practices.

 Debate and discussion about world events and
  belief.
 Appreciation of culture.
Key findings: texts
 Acceptable   and unacceptable beliefs and
  practices
 Of the 'big six', Islam and Christianity receive
  most coverage; Sikhism and Buddhism least;
  particularly in relation to Britain.
 Atheism occasionally discussed but
  agnosticism rarely mentioned; however
  agnosticism often default ideological
  perspective.
Key findings: texts
 'Spirituality'
               widely discussed but mainly in
  relation to mainstream religion.
 'New age', 'occult' or 'supernatural' beliefs
  often dismissed, ridiculed or presented as
  light entertainment (e.g. ITV2).
 Paganism, occult/spiritualism and some other
  beliefs (e.g. Voodoo, Wicca, Scientology)
  often presented as sinister or 'spooky' -
  sometimes jokingly.
Key findings: audiences
 It'simpossible to please everyone! Many
  groups complain about the coverage they get n
  relation to other groups; perceived (often
  imaginary) biases within programmes.
Audiences like:
 Open-mindedness
 Learning something new

 Willingness to debate

 Detailed exploration of issues

 Attractive visuals

 Respect for those featured

 Covering wide range of beliefs and practices

 Being ‘fair’
Audiences like:
 Creativity, something ‘new’
 Interesting narratives and ‘characters’

 Knowing the perspective of those involved in
  making programme – or at least of the key
  voices
Audiences dislike:
 Misrepresenting their own beliefs
 Giving a voice to people they don’t like

 The presenter/narrator patronising those
  featured
 Inaccuracy

 Omitting key points, facts or events

 Stereotypical imagery and portrayals

 Length of programmes

 Sensational titles, trailers or opening
  monologues
Audiences dislike:
 Not being allowed to make up their own minds
 ‘Flaky’ people

 Not getting to the ‘heart’ of an issue

 Not being able to see a particular programme
  (e.g. many are watercooler stuff, hear about it
  after event via friends, press coverage, awards;
  repeats happen too soon or at odd times; some
  programmes not publicised)
Interviews: industry
 Understand   lack of diversity within religious
  programmes, but feel there aren’t good
  programming ideas for some of the under-
  represented faiths.
 Don’t know how to present ‘spirituality’
  outside of religion.
 See importance of religion to mainstream and
  within non ‘God slot’ genres.
Interviews: industry
 Feel  emphasis on personality can be at
  expense of deeper, more intellectual
  discussion.
 Constrictions of budgets, timeslots etc.

 9/11 was a key turning point.

 Some topics are seen as more audience-
  friendly (e.g. Da Vinci code).
 Feel less experimental commissioning now
  compared to earlier in decade.
Interviews: participants
 Not always given full idea of what programme
  will be like.
 Complaints about finished edits omitting key
  detail.
 Sense of footage being used to fit a pre-
  determined script.
 Dealing with press and public reaction has been
  difficult.
Summary
 Sense   of importance of religion (this has increased
  over decade, less ‘why believe’, more ‘what is role of
  religion’).
 Spirituality and religion still largely understood through
  shorthand and stereotyping.
 Strong sense of what is and isn’t acceptable.

 Several groups/beliefs still excluded.

 Emphasis on moderation and tolerance within
  religious belief.
 Desire for ‘fairness’ and detailed exploration of topics.

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Leeds

  • 1. The Representation of Religious/Spiritual Experience on factual British TV, 2000-09 Ruth Deller, Sheffield Hallam University AHRC-funded PhD candidate
  • 2. Key questions  What is the nature of coverage of religion/spirituality in factual television?  How can it be understood in relation to debates within sociology, cultural studies and religious studies about the role of religion in contemporary Britain?  What are viewers’ responses to these programmes?  What are programme-makers' motivations?
  • 3. Methodology  Textual analysis  Discourse, narrative, semiotics, quantitative etc  Sample of themes, channels, years, genres  Audience research  Forums  Blogs  Focus Groups  Exit survey  Twitter  Live chat
  • 4. Methodology  Interviews  TV commissioning editors  Programme-makers  Participants
  • 5. Key findings: texts  Factual TV conventions  Personalities  Journeys and experiences  Debates  Talking heads and experts  Historical/Cultural contexts
  • 6. Key findings: texts  Seeking to understand belief in socio-historical context.  Debunking/unpacking particular beliefs, stories and practices.  Personal exploration of beliefs and practices.  Education about different beliefs and practices.  Debate and discussion about world events and belief.  Appreciation of culture.
  • 7. Key findings: texts  Acceptable and unacceptable beliefs and practices  Of the 'big six', Islam and Christianity receive most coverage; Sikhism and Buddhism least; particularly in relation to Britain.  Atheism occasionally discussed but agnosticism rarely mentioned; however agnosticism often default ideological perspective.
  • 8. Key findings: texts  'Spirituality' widely discussed but mainly in relation to mainstream religion.  'New age', 'occult' or 'supernatural' beliefs often dismissed, ridiculed or presented as light entertainment (e.g. ITV2).  Paganism, occult/spiritualism and some other beliefs (e.g. Voodoo, Wicca, Scientology) often presented as sinister or 'spooky' - sometimes jokingly.
  • 9. Key findings: audiences  It'simpossible to please everyone! Many groups complain about the coverage they get n relation to other groups; perceived (often imaginary) biases within programmes.
  • 10. Audiences like:  Open-mindedness  Learning something new  Willingness to debate  Detailed exploration of issues  Attractive visuals  Respect for those featured  Covering wide range of beliefs and practices  Being ‘fair’
  • 11. Audiences like:  Creativity, something ‘new’  Interesting narratives and ‘characters’  Knowing the perspective of those involved in making programme – or at least of the key voices
  • 12. Audiences dislike:  Misrepresenting their own beliefs  Giving a voice to people they don’t like  The presenter/narrator patronising those featured  Inaccuracy  Omitting key points, facts or events  Stereotypical imagery and portrayals  Length of programmes  Sensational titles, trailers or opening monologues
  • 13. Audiences dislike:  Not being allowed to make up their own minds  ‘Flaky’ people  Not getting to the ‘heart’ of an issue  Not being able to see a particular programme (e.g. many are watercooler stuff, hear about it after event via friends, press coverage, awards; repeats happen too soon or at odd times; some programmes not publicised)
  • 14. Interviews: industry  Understand lack of diversity within religious programmes, but feel there aren’t good programming ideas for some of the under- represented faiths.  Don’t know how to present ‘spirituality’ outside of religion.  See importance of religion to mainstream and within non ‘God slot’ genres.
  • 15. Interviews: industry  Feel emphasis on personality can be at expense of deeper, more intellectual discussion.  Constrictions of budgets, timeslots etc.  9/11 was a key turning point.  Some topics are seen as more audience- friendly (e.g. Da Vinci code).  Feel less experimental commissioning now compared to earlier in decade.
  • 16. Interviews: participants  Not always given full idea of what programme will be like.  Complaints about finished edits omitting key detail.  Sense of footage being used to fit a pre- determined script.  Dealing with press and public reaction has been difficult.
  • 17. Summary  Sense of importance of religion (this has increased over decade, less ‘why believe’, more ‘what is role of religion’).  Spirituality and religion still largely understood through shorthand and stereotyping.  Strong sense of what is and isn’t acceptable.  Several groups/beliefs still excluded.  Emphasis on moderation and tolerance within religious belief.  Desire for ‘fairness’ and detailed exploration of topics.