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ME3100 Analog Circuit Design
http://dreamcatcher.asia/
This courseware product contains scholarly and technical
information and is protected by copyright laws and international
treaties. No part of this publication may be reproduced by any means,
be it transmitted, transcribed, photocopied, stored in a retrieval
system, or translated into any language in any form, without the prior
written permission of Acehub Vista Sdn. Bhd.
The use of the courseware product and all other products developed
and/or distributed by Acehub Vista Sdn. Bhd. are subject to the
applicable License Agreement.
For further information, see the Courseware Product License
Agreement.
2
7. Active Filter Design and
Implementation
3
Applications of Filter
In a data acquisition system, the analog signal to
be acquired may contain unwanted components
that need to be removed before the signal can be
processed.
•noise and interference
•carrier component
Typically can be done by using an analog filter
•but increasingly being performed digitally
(i.e., digital filters)
In addition, filters are also used to prevent aliasing
from occurring during the sampling process.
4
Filter Characteristics
Four classifications of filters
i. Low-Pass Filters (LPF)
ii. High-Pass Filters (HPF)
iii. Band-Pass Filters (BPF)
iv. Band-Rejection Filters (BRF)
Three regions common to all filters
• Passband
• Stopband
• Transition band
5
Ideal Filter Characteristics
6
Combination of Filters
Band Pass Filter can be constructed by
• cascading LPF and HPF in series
• with the appropriate passband and stopband frequencies
Similarly, Band Reject Filter can be constructed by
• combining LPF and HPF in parallel
• with the appropriate cutoff frequencies
7
Filter Specifications
Ideal filter characteristics are never realisable
• practical filters are only an approximation of the ideal filter
Main parameters used to describe filters:
• Cutoff frequency (or corner frequency, fC)
– typically the –3 dB point
– or frequency at which it exits the ripple band
(e.g., for ripple type of filters)
• Order of filter
– related to the transition steepness from Passband to Stopband
8
Low-Pass Filter Characteristics
9
Filter Specifications
Passband Gain ( Gpass ):
• usually flat but there are exceptions.
Passband Corner Frequency (fC):
• typically the –3 dB point
Stopband Attenuation (Gstop):
• minimum attenuation required in the SB (stopband)
Stopband (SB) Frequency (fS ):
• frequency at which SB begins
Transition Region:
• frequency range between fC and fS
10
Desirable Filter Properties
Low Insertion Loss
• for signals that are supposed to pass through a filter
• the amount of attenuation of a passband signal when
passing through the filter should be as low as possible
Steep Roll-Off
• for signals that are supposed to be attenuated
• a measure of how much they are attenuated
11
Passive RC Filter
Utilizes passive R and C components
For example, an RC Low pass filter:
RC
fc

2
1

VIN VO
R
C
12
Higher Order RC Filter
Higher order filter
•can be constructed by cascading multiple stages of 1st
order
filters (e.g. filters used for RF applications)
•but difficult to design due to interaction between the stages
(i.e. loading effect)
Second-order low-pass filter
13
LC Filter
LC
2
1
fC


2nd order filter
•used L and C (with R due to source or line resistance)
VIN
VO
R
C
L
R
X
R
X
Q C
L


What happens if R → 0 ?
14
Differential RC Filter
Differential signalling is commonly used in a high-speed
circuit,
• need a differential RC filter
• not to degrade the common mode performance
)
R
R
if
C
R
2
2
1
f S
T
S
C 

 (
+
VIN
-
+
VO
-
RS
C
RS
RT
RT = input impedance or termination at the receiver
R
2
R
R
SF
S
T
T


15
Differential LC Filter
LC
2
2
1
fc


2nd
order RLC differential filter
+
VIN
–
+
VO
–
RS
C
RS
RT
L
L
 
S
T
S
C
S
L
R
R
R
2
X
R
X
Q 


16
Active filters utilize op-amps in the circuit
•provide gain
•provide buffering between stages (no loading effect)
•can be used to implement higher order filters without the
need of L (excessively big at low frequency)
For 1st
order active filter
•corner frequency always occurs at
where R is the equivalent resistance seen by the capacitor.
Active Filter
RC
2π
1
fC 
17
Active Filters
18
High Order Active Filter
High order Active filter can be designed by
combining RC filters around the op-amp.
Discussion: Find the corner frequencies of the
following filter:
19
High Order Active Filter (cont’d)
However, there are a few families of active filters
that can be designed to exhibit particular good
qualities of performance in certain aspects of the
filter response characteristics.
Example:
•very flat response in the passband
•sharp transition band
•good time-domain response
But these features are usually mutually exclusive
from each order. For example, it is not possible to
have a flat passband with a steep transition band.
20
Common Active Filters Families
Three of the commonly used filters families are as
follows:
•Butterworth
Flat response in Passband
•Chebyshev
Sharp transition between Passband and Stopband
•Bessel
Linear phase variation that preserve shape of signals
21
Butterworth Filter Response
Main features:
•maximally flat response in the passband flatness increases
with the order
•maximum deviation occurs at the PB edge
22
Chebyshev Filter Response
Main features:
–sharp cutoff (steep
transition band)
–ripple in the passband (PB)
(gain oscillates in PB)
Suitable for signals that
can tolerate amplitude
(and phase) distortion.
An example is Audio.
23
Bessel Filter Response
Main features:
•phase shift varies linearly with frequency in the passband,
i.e., the delay is same for all the frequency components.
•no oscillatory step response
Important for applications such as vision, video display
systems, and pattern matching. An example is
electrocardiography (ECG).
24
Frequency Responses of Filters
Butterworth Bessel
25
Frequency Response of Filters (cont’d)
Chebyshev with different ripple
26
Active Filter
Implementations
27
Filter Circuits Implementation
All three families of the active filter can be design
based on the same circuit topologies
•different component values are chosen to obtain the desired
response
Two common topologies:
1.Unity Gain Sallen-Key (SK):
low parts count, unity gain but part sensitive
2.Voltage Controlled Voltage Source (VCVS)
(Equal Component Sallen-Key):
low parts count, variable gain but part sensitive.
28
SK and VCVS Filter Circuits
Both circuit topologies
•are applicable for both low pass and high pass design, by
simply interchange the positions of R and C components in
the circuit
•can be cascaded for higher order filter implementation
Design can be done based on Filter Design Table
•components values are calculated based on the parameters
given and the desired corner frequency
(Though most likely filter design will be done using
software package nowadays)
29
Sallen-Key Filter Circuits
Low-pass filter
High-pass filter
30
Sallen-Key Filter Design Table
Poles Butterworth Chebyshev (0.5 db)
K1 K2 K1 K2
2 1.414 0.707 1.949 0.653
4 1.082 0.924 2.582 1.298
2.613 0.383 6.233 0.180
6 1.035 0.966 3.592 1.921
1.414 0.707 4.907 0.374
3.863 0.259 13.40 0.079
8 1.019 0.981 4.665 2.547
1.202 0.832 5.502 0.530
1.800 0.556 8.237 0.171
5.125 0.195 23.45 0.044
Design Table for Unity Gain Sallen-Key Low-Pass and High-Pass Filters
31
Example: Sallen-Key Filter Design
Requirement
Filter type = Low-Pass Chebyshev with 0.5 db ripple
Order of filter required = 4
fo = 10 KHz (o = 62830 rad/sec)
Poles Butterworth Chebyshev (0.5 db)
K1 K2 K1 K2
2 1.414 0.707 1.949 0.653
4 1.082 0.924 2.582 1.298
2.613 0.383 6.233 0.180
6 1.035 0.966 3.592 1.921
1.414 0.707 4.907 0.374
3.863 0.259 13.40 0.079
32
Example: Sallen-Key Filter Design (cont’d)
First Stage: K1 = 2.582
RC1 = K1/o = 2.582/62830 = 41.1x10–6
Choosing R = 10K, C1 = 4.1 nF
K2 = 1.298
RC2 = K2/o = 1.298/62830 = 20.7x10–6
For R = 10K, C2= 2.1 nF
33
Example: Sallen-Key Filter Design (cont’d)
Second Stage: K1 = 6.233
RC1 = K1/o = 6.233/62830 = 99.2x10–6
Choosing R = 10K, C1 = 9.9 nF
K2 = 0.180
RC2 = K2/o = 0.180/62830 = 2.86x10–6
For R = 10K, C2= 286 pF
34
Example: Sallen-Key Filter Design (cont’d)
4th
Order LPF
Discussion:
Are these components values good choices?
35
VCVS Filter Design
Low-Pass VCVS Filter
K3 = RCo K3 = 1/(RCo)
High-Pass VCVS Filter
36
VCVS Filter Design (cont’d)
Poles Butterworth Chebyshev (0.5 db)
K3 G K3 G
2 1.000 1.586 1.129 1.842
4 1.000 1.152 1.831 1.582
1.000 2.235 1.060 2.660
6 1.000 1.068 1.332 1.537
1.000 1.586 1.355 2.448
1.000 2.483 1.029 2.846
8 1.000 1.038 3.447 1.552
1.000 1.337 1.708 2.379
1.000 1.889 1.188 2.711
1.000 2.610 1.017 2.913
Table 2.4 Design table for VCVS Lowpass and Highpass Filters
37
Example: VCVS Filter Design
Requirement
Filter type = Low-Pass Butterworth
Filter order required = 4
fo = 10 Khz (o = 62830 rad/Sec)
Poles Butterworth Chebyshev (0.5 db)
K3 G K3 G
2 1.000 1.586 1.129 1.842
4 1.000 1.152 1.831 1.582
1.000 2.235 1.060 2.660
6 1.000 1.068 1.332 1.537
1.000 1.586 1.355 2.448
1.000 2.483 1.029 2.846
38
Example: VCVS Filter Design (cont’d)
First Stage: K3 = 1
RC = K3/o = 1/62830 = 15.9x10–6
Choosing R = 10K, C = 1.59 nF
G = 1.152
Choosing R1 = 10K, (G–1)R1 = 1.52K
39
Example: VCVS Filter Design (cont’d)
Second Stage: K3= 1
Use the same values of R and C as that of the
first stage
R = 10K, C = 1.59 nF
G = 2.235
Choosing R1 = 10K, (G–1)R1 =
12.35K
40
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ME3100 SAMPLE slide07 Active Filter Design and Implementation v1.01.ppt

  • 1. 1 ME3100 Analog Circuit Design http://dreamcatcher.asia/ This courseware product contains scholarly and technical information and is protected by copyright laws and international treaties. No part of this publication may be reproduced by any means, be it transmitted, transcribed, photocopied, stored in a retrieval system, or translated into any language in any form, without the prior written permission of Acehub Vista Sdn. Bhd. The use of the courseware product and all other products developed and/or distributed by Acehub Vista Sdn. Bhd. are subject to the applicable License Agreement. For further information, see the Courseware Product License Agreement.
  • 2. 2 7. Active Filter Design and Implementation
  • 3. 3 Applications of Filter In a data acquisition system, the analog signal to be acquired may contain unwanted components that need to be removed before the signal can be processed. •noise and interference •carrier component Typically can be done by using an analog filter •but increasingly being performed digitally (i.e., digital filters) In addition, filters are also used to prevent aliasing from occurring during the sampling process.
  • 4. 4 Filter Characteristics Four classifications of filters i. Low-Pass Filters (LPF) ii. High-Pass Filters (HPF) iii. Band-Pass Filters (BPF) iv. Band-Rejection Filters (BRF) Three regions common to all filters • Passband • Stopband • Transition band
  • 6. 6 Combination of Filters Band Pass Filter can be constructed by • cascading LPF and HPF in series • with the appropriate passband and stopband frequencies Similarly, Band Reject Filter can be constructed by • combining LPF and HPF in parallel • with the appropriate cutoff frequencies
  • 7. 7 Filter Specifications Ideal filter characteristics are never realisable • practical filters are only an approximation of the ideal filter Main parameters used to describe filters: • Cutoff frequency (or corner frequency, fC) – typically the –3 dB point – or frequency at which it exits the ripple band (e.g., for ripple type of filters) • Order of filter – related to the transition steepness from Passband to Stopband
  • 9. 9 Filter Specifications Passband Gain ( Gpass ): • usually flat but there are exceptions. Passband Corner Frequency (fC): • typically the –3 dB point Stopband Attenuation (Gstop): • minimum attenuation required in the SB (stopband) Stopband (SB) Frequency (fS ): • frequency at which SB begins Transition Region: • frequency range between fC and fS
  • 10. 10 Desirable Filter Properties Low Insertion Loss • for signals that are supposed to pass through a filter • the amount of attenuation of a passband signal when passing through the filter should be as low as possible Steep Roll-Off • for signals that are supposed to be attenuated • a measure of how much they are attenuated
  • 11. 11 Passive RC Filter Utilizes passive R and C components For example, an RC Low pass filter: RC fc  2 1  VIN VO R C
  • 12. 12 Higher Order RC Filter Higher order filter •can be constructed by cascading multiple stages of 1st order filters (e.g. filters used for RF applications) •but difficult to design due to interaction between the stages (i.e. loading effect) Second-order low-pass filter
  • 13. 13 LC Filter LC 2 1 fC   2nd order filter •used L and C (with R due to source or line resistance) VIN VO R C L R X R X Q C L   What happens if R → 0 ?
  • 14. 14 Differential RC Filter Differential signalling is commonly used in a high-speed circuit, • need a differential RC filter • not to degrade the common mode performance ) R R if C R 2 2 1 f S T S C    ( + VIN - + VO - RS C RS RT RT = input impedance or termination at the receiver R 2 R R SF S T T  
  • 15. 15 Differential LC Filter LC 2 2 1 fc   2nd order RLC differential filter + VIN – + VO – RS C RS RT L L   S T S C S L R R R 2 X R X Q   
  • 16. 16 Active filters utilize op-amps in the circuit •provide gain •provide buffering between stages (no loading effect) •can be used to implement higher order filters without the need of L (excessively big at low frequency) For 1st order active filter •corner frequency always occurs at where R is the equivalent resistance seen by the capacitor. Active Filter RC 2π 1 fC 
  • 18. 18 High Order Active Filter High order Active filter can be designed by combining RC filters around the op-amp. Discussion: Find the corner frequencies of the following filter:
  • 19. 19 High Order Active Filter (cont’d) However, there are a few families of active filters that can be designed to exhibit particular good qualities of performance in certain aspects of the filter response characteristics. Example: •very flat response in the passband •sharp transition band •good time-domain response But these features are usually mutually exclusive from each order. For example, it is not possible to have a flat passband with a steep transition band.
  • 20. 20 Common Active Filters Families Three of the commonly used filters families are as follows: •Butterworth Flat response in Passband •Chebyshev Sharp transition between Passband and Stopband •Bessel Linear phase variation that preserve shape of signals
  • 21. 21 Butterworth Filter Response Main features: •maximally flat response in the passband flatness increases with the order •maximum deviation occurs at the PB edge
  • 22. 22 Chebyshev Filter Response Main features: –sharp cutoff (steep transition band) –ripple in the passband (PB) (gain oscillates in PB) Suitable for signals that can tolerate amplitude (and phase) distortion. An example is Audio.
  • 23. 23 Bessel Filter Response Main features: •phase shift varies linearly with frequency in the passband, i.e., the delay is same for all the frequency components. •no oscillatory step response Important for applications such as vision, video display systems, and pattern matching. An example is electrocardiography (ECG).
  • 24. 24 Frequency Responses of Filters Butterworth Bessel
  • 25. 25 Frequency Response of Filters (cont’d) Chebyshev with different ripple
  • 27. 27 Filter Circuits Implementation All three families of the active filter can be design based on the same circuit topologies •different component values are chosen to obtain the desired response Two common topologies: 1.Unity Gain Sallen-Key (SK): low parts count, unity gain but part sensitive 2.Voltage Controlled Voltage Source (VCVS) (Equal Component Sallen-Key): low parts count, variable gain but part sensitive.
  • 28. 28 SK and VCVS Filter Circuits Both circuit topologies •are applicable for both low pass and high pass design, by simply interchange the positions of R and C components in the circuit •can be cascaded for higher order filter implementation Design can be done based on Filter Design Table •components values are calculated based on the parameters given and the desired corner frequency (Though most likely filter design will be done using software package nowadays)
  • 29. 29 Sallen-Key Filter Circuits Low-pass filter High-pass filter
  • 30. 30 Sallen-Key Filter Design Table Poles Butterworth Chebyshev (0.5 db) K1 K2 K1 K2 2 1.414 0.707 1.949 0.653 4 1.082 0.924 2.582 1.298 2.613 0.383 6.233 0.180 6 1.035 0.966 3.592 1.921 1.414 0.707 4.907 0.374 3.863 0.259 13.40 0.079 8 1.019 0.981 4.665 2.547 1.202 0.832 5.502 0.530 1.800 0.556 8.237 0.171 5.125 0.195 23.45 0.044 Design Table for Unity Gain Sallen-Key Low-Pass and High-Pass Filters
  • 31. 31 Example: Sallen-Key Filter Design Requirement Filter type = Low-Pass Chebyshev with 0.5 db ripple Order of filter required = 4 fo = 10 KHz (o = 62830 rad/sec) Poles Butterworth Chebyshev (0.5 db) K1 K2 K1 K2 2 1.414 0.707 1.949 0.653 4 1.082 0.924 2.582 1.298 2.613 0.383 6.233 0.180 6 1.035 0.966 3.592 1.921 1.414 0.707 4.907 0.374 3.863 0.259 13.40 0.079
  • 32. 32 Example: Sallen-Key Filter Design (cont’d) First Stage: K1 = 2.582 RC1 = K1/o = 2.582/62830 = 41.1x10–6 Choosing R = 10K, C1 = 4.1 nF K2 = 1.298 RC2 = K2/o = 1.298/62830 = 20.7x10–6 For R = 10K, C2= 2.1 nF
  • 33. 33 Example: Sallen-Key Filter Design (cont’d) Second Stage: K1 = 6.233 RC1 = K1/o = 6.233/62830 = 99.2x10–6 Choosing R = 10K, C1 = 9.9 nF K2 = 0.180 RC2 = K2/o = 0.180/62830 = 2.86x10–6 For R = 10K, C2= 286 pF
  • 34. 34 Example: Sallen-Key Filter Design (cont’d) 4th Order LPF Discussion: Are these components values good choices?
  • 35. 35 VCVS Filter Design Low-Pass VCVS Filter K3 = RCo K3 = 1/(RCo) High-Pass VCVS Filter
  • 36. 36 VCVS Filter Design (cont’d) Poles Butterworth Chebyshev (0.5 db) K3 G K3 G 2 1.000 1.586 1.129 1.842 4 1.000 1.152 1.831 1.582 1.000 2.235 1.060 2.660 6 1.000 1.068 1.332 1.537 1.000 1.586 1.355 2.448 1.000 2.483 1.029 2.846 8 1.000 1.038 3.447 1.552 1.000 1.337 1.708 2.379 1.000 1.889 1.188 2.711 1.000 2.610 1.017 2.913 Table 2.4 Design table for VCVS Lowpass and Highpass Filters
  • 37. 37 Example: VCVS Filter Design Requirement Filter type = Low-Pass Butterworth Filter order required = 4 fo = 10 Khz (o = 62830 rad/Sec) Poles Butterworth Chebyshev (0.5 db) K3 G K3 G 2 1.000 1.586 1.129 1.842 4 1.000 1.152 1.831 1.582 1.000 2.235 1.060 2.660 6 1.000 1.068 1.332 1.537 1.000 1.586 1.355 2.448 1.000 2.483 1.029 2.846
  • 38. 38 Example: VCVS Filter Design (cont’d) First Stage: K3 = 1 RC = K3/o = 1/62830 = 15.9x10–6 Choosing R = 10K, C = 1.59 nF G = 1.152 Choosing R1 = 10K, (G–1)R1 = 1.52K
  • 39. 39 Example: VCVS Filter Design (cont’d) Second Stage: K3= 1 Use the same values of R and C as that of the first stage R = 10K, C = 1.59 nF G = 2.235 Choosing R1 = 10K, (G–1)R1 = 12.35K
  • 40. 40 Thank you for viewing this sample slide. The full version has the complete set of slides. To purchase the full version of this teaching slides set, please go to dreamcatcher.asia/cw

Editor's Notes

  • #14: If there is no RS in the return path, a common mode signal introduces differential component due to the RS and R+ ground impedance at the +ve terminal. The RS return will form another potential divider with the R- to ground impedance.
  • #21: Reference: “The Art of Electronic” by Paul Horowitz & Winfield Hill, Cambridge University Press; 2 edition (July 28, 1989)
  • #22: Audio ? – how much amplitude distortion can be allowed? Phase is generally bot important. Inportant is frequency component. (Techonline – Tim Wescott, Sampling: What Nyquist Didn't Say, and What to Do About It) http://www.techonline.com/learning/techpaper/199204243 Reference: “The Art of Electronic” by Paul Horowitz & Winfield Hill, Cambridge University Press; 2 edition (July 28, 1989)
  • #23: Example: Used as an anti-aliasing filter that must not distort the signal waveform. Audio signals can generally tolerant with signal distortion (due to phase delay) as long as frequency components are preserved Reference: “The Art of Electronic” by Paul Horowitz & Winfield Hill, Cambridge University Press; 2 edition (July 28, 1989)
  • #24: Reference: “The Art of Electronic” by Paul Horowitz & Winfield Hill, Cambridge University Press; 2 edition (July 28, 1989)
  • #25: Reference: The Art of Electronic” by Paul Horowitz & Winfield Hill, Cambridge University Press; 2 edition (July 28, 1989)