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Media Jamming and Spectacle
according to Kellner and Debord
Douglas Kellner
• 1943
• Columbia University
• Abroad In Germany
• Frankfurt School
• UCLA
Media Culture and the
Triumph of the Spectacle
Media Culture and the
Triumph of the Spectacle
Media Culture and the
Triumph of the Spectacle
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“During the past decades, the culture industries have multiplied
media spectacles in novel spaces and sites, and spectacle itself is
becoming one of the organizing principles of the economy, polity,
society, and everyday life”.
Media Culture and the
Triumph of the Spectacle
The Internet-based economy deploys spectacle as a means of
promotion, reproduction, and the circulation and selling of
commodities. Media culture itself proliferates ever more
technologically sophisticated spectacles to seize audiences and
increase their power and profit. The forms of entertainment
permeate news and information, and a tablodized infotainment
culture is increasingly popular. New multimedia that synthesize forms
of radio, film, TV news and entertainment, and the mushrooming
domain of cyberspace, become spectacles of technoculture,
generating expanding sites of information and entertainment, while
intensifying the spectacle-form of media culture.”
Media Culture and the
Triumph of the Spectacle
The Internet-based economy deploys spectacle as a means of
promotion, reproduction, and the circulation and selling of
commodities. Media culture itself proliferates ever more
technologically sophisticated spectacles to seize audiences and
increase their power and profit. The forms of entertainment
permeate news and information, and a tablodized infotainment
culture is increasingly popular. New multimedia that synthesize forms
of radio, film, TV news and entertainment, and the mushrooming
domain of cyberspace, become spectacles of technoculture,
generating expanding sites of information and entertainment, while
intensifying the spectacle-form of media culture.”
Media Culture and the
Triumph of the Spectacle
WTF?!
SPECTACLE
Let’s focus on it!
1.
anything presented to the sight or view,
especially something of a striking or impressive
kind: “The stars make a fine spectacle tonight.”
2.
a public show or display, especially on a large sc
ale: “The coronation was a lavish spectacle.”
“OF COURSE, THERE HAVE BEEN
SPECTACLES SINCE PREMODERN TIMES”
“SOCIAL CONTROL”, “RITUALS OF
GOVERNANCE AND POWER”
Spectacles, according to Machiavelli:
SPECTACLE: TOOL OF PACIFICATION
AND DEPOLITICIZATION
Spectacles, according to Debord:
media spectacles
a whole new approach
Thesis: The Triumph
• Economy
• Politics
• Society
• Culture
• Everyday life
SPECTACLE!
} = Media
technospectacles
Well... He doesn’t really talk about that.
Thesis: The Triumph
• Economy
• Politics
• Society
• Culture
• Everyday life
SPECTACLE!
} = Media
Back to the...
EXAMPLES & CONCEPTS
Here we go!
ENTERTAINMENT ECONOMY
Products are brands, images, ideas... spectacles!
Beer & Frogs ?
Soda & Star Wars ?
Taco & Dog ?
CELEBRITIES
Manufactured, managed, personalized media spectacles
It matters to 129k people

Extremely important!
Celebrity Status
He goes on with examples...
Sports
Comic Books
Reality TV
Fashion
Food
Music
Media jamming and spectacle
----SRSLY?
“These games are highly competitive, violent,
and provide allegories for life under corporate
capitalism and Terror War militarism. In the
game Pacman, as in the corporate jungle, its eat
or be eaten, just as in air and ground war games,
its kill or be killed.”
That was too much!
So let’s go back to Guy...
According to Guy
• Indeed, spectacles are bad
• Ruling-class
• We have immediate tasks
• Detournement
THROUGH COMMERCIAL MECHANISMS,
EVEN AVANT-GARDE IS MANIPULATED
... paraphrasing Deborde
Detournement vs. Spectacles
What about the web?
vs
/gobbueno

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Media jamming and spectacle

Editor's Notes

  • #6: Just in case you prefer it, I promise won’t tell any DMCAagent.
  • #7: He starts talking about spectacles without really introducing the term
  • #8: He starts talking about spectacles without really introducing the term
  • #9: He starts talking about spectacles without really introducing the term
  • #12: Olympic Games in Classical Greece; “Bread and circuses” and Gladiators in Ancient Rome
  • #15: He is not talking just about the old concept of spectacles, but that are now in the radio, TV, or Internet. He’s talking about a whole new set of causes and consequences, deeply rooted in contemporary society.
  • #16: He provides an overview of the dissemination of media spectacle throughout the major domains of the...
  • #17: He says he will talk about the kind of spectacles that come with the development of new multimedia and information technologies.
  • #18: Let’s get back to
  • #20: Commercial enterprises have to be entertaining to prosper. Among other consequences, everything surrounds entertainment.
  • #21: Commercial enterprises have to be entertaining to prosper. Among other consequences, everything surrounds entertainment.
  • #22: Commercial enterprises have to be entertaining to prosper. Among other consequences, everythingsurrounds entertainment.
  • #23: Commercial enterprises have to be entertaining to prosper. Among other consequences, everythingsurrounds entertainment.
  • #24: Does that really matter to our lives?
  • #25: Does that really matter to our lives?
  • #26: Does that really matter to our lives?
  • #27: Does that really matter to our lives?