Medieval/Middle Ages




      Dark Ages c.500-1000
  Late Middle Ages c.1000-1450
Music of Greek and Rome provided
foundation for music of later
ages




• very few documented works exist.
• Most documents of music were destroyed
during the fall of the Roman Empire (c.476)
Dark Ages (c.500-1000)
 Ascent and
 Development

 Secular music
 learned by oral
 transmission

 Sacred music
 preserved earliest
 examples of notated
 music
Late Middle Ages
                (c. 1000-1450)
                (c. 1000-1450)
developed cathedrals & universities

many great literary works shaped language:

   Chanson do Roland (1100) Divine Comedy (1307) Canterbury
   Tales (1386)

Crusades (c. 200 years)

males dominated: idealized the figure of the fearless warrior

status of women was raised by universal cult of Mary (mother of
Christ)

promoted concepts of chivalry and adornment by knights.

women and love become popular topics in poetry and song
Church & State
       2 centers of power
       2 centers of power

STATE: newly developed
governments led by a king

CHARLEMANGNE (742-814)
emperor of the Franks

    developed modern
    government

    encouraged education
Roman Catholic Church

 PATRONAGE: church is largest patron of
 music

 men/women preserved & performed music

 monastaries develop

   code of conduct

 monophonic PLAINCHANT or “Gregorian
 chant” dominates
Gregorian Chant
 Named after Pope Gregory
 the Great (540-604)

 Single line (monophonic)

 Latin text

 Functional music for LITURGY (church
 services)

 Uses MODES for melodies (special scales)

 Notated by NEUMES (asc./dec. symbols)
3 types of Chant

   syllabic: 1 note per syllable

   neumatic: small groups of notes (2-6)
   per syllable

   melismatic: long groups of notes for
   each syllable


Chant dominated until REFORM movement of
Council of Trent (1545-1563)
Hildegard of Bingen (1098-
1179)

   •nun, playwright, poet,
    musician, naturalist,
    pharmacologist,
    visionary
   •wrote 77 chants
   •many songs praise
    Virgin Mary
   •composed Alleluia: o
    virga mediatrix
ROMAN CATHOLIC CHURCH SERVICES


  Daily Offices: series of services throughout the day
  Mass
      most solemn ritual of church
      Reenactment of the sacrifice of Christ
      Latin texts

 Proper: texts that varied from day to day
 Ordinary: texts remained the same

Cloister - men and women served the church which
 was a heavy daily work schedule
Rise of Polyphony
  Organum - earliest form of polyphony
  developed by Notre Dame Cathedral      composers
  added interval of 4th or 5th to
existing chant (new ideas founded               on
old)
  Fixed melody (called tenor) upper
   part freely composed above
  Rhythmic modes (patterns)

 Motet - added new text to highly melismatic organum
Secular music
Mostly instrumental dance music

   Triple meter, binary forms

   embellishments are added upon repeats

Vocal music

   Minstrels: versatile traveling entertainers, lower class

   Troubadours and Trouvères: French poet-musicians, court
   musicians and members of aristocracy, songs about chivalry,
   unrequited love, political and war songs

   Minnesingers: German counterpart to Troubadours

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Medieval power point

  • 1. Medieval/Middle Ages Dark Ages c.500-1000 Late Middle Ages c.1000-1450
  • 2. Music of Greek and Rome provided foundation for music of later ages • very few documented works exist. • Most documents of music were destroyed during the fall of the Roman Empire (c.476)
  • 3. Dark Ages (c.500-1000) Ascent and Development Secular music learned by oral transmission Sacred music preserved earliest examples of notated music
  • 4. Late Middle Ages (c. 1000-1450) (c. 1000-1450) developed cathedrals & universities many great literary works shaped language: Chanson do Roland (1100) Divine Comedy (1307) Canterbury Tales (1386) Crusades (c. 200 years) males dominated: idealized the figure of the fearless warrior status of women was raised by universal cult of Mary (mother of Christ) promoted concepts of chivalry and adornment by knights. women and love become popular topics in poetry and song
  • 5. Church & State 2 centers of power 2 centers of power STATE: newly developed governments led by a king CHARLEMANGNE (742-814) emperor of the Franks developed modern government encouraged education
  • 6. Roman Catholic Church PATRONAGE: church is largest patron of music men/women preserved & performed music monastaries develop code of conduct monophonic PLAINCHANT or “Gregorian chant” dominates
  • 7. Gregorian Chant Named after Pope Gregory the Great (540-604) Single line (monophonic) Latin text Functional music for LITURGY (church services) Uses MODES for melodies (special scales) Notated by NEUMES (asc./dec. symbols)
  • 8. 3 types of Chant syllabic: 1 note per syllable neumatic: small groups of notes (2-6) per syllable melismatic: long groups of notes for each syllable Chant dominated until REFORM movement of Council of Trent (1545-1563)
  • 9. Hildegard of Bingen (1098- 1179) •nun, playwright, poet, musician, naturalist, pharmacologist, visionary •wrote 77 chants •many songs praise Virgin Mary •composed Alleluia: o virga mediatrix
  • 10. ROMAN CATHOLIC CHURCH SERVICES Daily Offices: series of services throughout the day Mass most solemn ritual of church Reenactment of the sacrifice of Christ Latin texts Proper: texts that varied from day to day Ordinary: texts remained the same Cloister - men and women served the church which was a heavy daily work schedule
  • 11. Rise of Polyphony Organum - earliest form of polyphony developed by Notre Dame Cathedral composers added interval of 4th or 5th to existing chant (new ideas founded on old) Fixed melody (called tenor) upper part freely composed above Rhythmic modes (patterns) Motet - added new text to highly melismatic organum
  • 12. Secular music Mostly instrumental dance music Triple meter, binary forms embellishments are added upon repeats Vocal music Minstrels: versatile traveling entertainers, lower class Troubadours and Trouvères: French poet-musicians, court musicians and members of aristocracy, songs about chivalry, unrequited love, political and war songs Minnesingers: German counterpart to Troubadours