Merged scripts 3
- 1. RAT TRAILER SCRIPT BAAM PRODUCTIONS Alessio Giuseppe Petulla
- 2. SECTION 1 FADE IN EXT. Diner off of the highway in Little Italy – NIGHT TIME. Three men are discussing Business whilst seated around a cornered lounge area. ANTONIO You know... we’ve always treated you like one of us. We’ve always been there for you and helped you out just like a brother. SALVATORE I know Antonio, and I really am truly grateful. CARLO You’d better be. We’ve busted our asses... both of us to save your skin. EXT. To Park. BULLY approaches Young Salvatore. SALVATORE Please, I don’t want any trouble... CARLO Hey, get off of him Punches Bully in the jaw FADE TO Diner ANTONIO We got a little too much heat right now SALVATORE What do you mean? CARLO Well there is something we need you to sort out for us. Hands over an envelope to Salvatore SALVATORE I don’t want to be getting my hands dirty ANTONIO
- 3. It’s about time you paid us back. CARLO When you’re alone, open up the envelope. Everything you need is inside. ANTONIO And hey--toughen up a bit, huh? Slaps Salvatore Fade to INT. of CAR SALVATORE Alone in his car, he opens up the envelope. A Gun and photograph of a target with a post-it note reading his address and instructions stating “When it is done, drop the gun. We will take care of the body”. SECTION 2 EXT. Antonio and Carlo are waiting in their Car whilst holding binoculars staring at a white House. ANTONIO What the hell is taking him so long? Checking his watch. SALVATORE He runs and quickly enters his Car and slams the door. He throws the gun and photograph into the backseat DISSOLVE to outside of EXT. White house ANTONIO Aggressively punching the door DEBTOR Opens door CARLO Turns his head in shock and looks inside the house. What the hell?
- 4. ANTIONIO Pulls out his gun from his belt fast and shoots the debtor twice; once in the chest and again in the head. CUT TO BLACK FADE TO EXT. Antonio and Carlo are smashing their fists against a plain black door CARLO Open up Sal, we know you’re in there Shouting against a black house door INT. CUT to door being kicked down HAZEL Get the hell out of my house. Sal’s not here. ANTONIO Quit lying to us or you’ll be lying flat on your stomach. Raising his voice whilst aiming a gun at Hazel HAZEL I’m not telling you anything Clutching a blunt object and swinging at the twins CARLO Lunging and grabbing Hazel’s hair HAZEL (Continued): I know who you really are. Do you really think I haven’t seen your files? I know everything. ANTONIO Pushes her backwards with great force and shoots her twice, killing her instantly DISSOLVE to phone ringing CARLO Reaches into Hazel’s pocket and pulls out her phone
- 5. SALVATORE (over the phone) Hazel, Hazel. You gotta get outta there now. Those pricks are coming after me. CARLO Hangs up the phone Section 3 Dissolve to EXT. SUBURBAN STREET – LATE AFTERNOON The Streets are close to dimmed as there are few working street lights. SALVATORE is walking down the street whilst holding a Mobile Phone pressed against his right ear. As he is speaking, he is looking behind him and being very conscious of his surroundings through fast movements. FADE TO: INT. Detective Dwayne’s Home Office where there is a very organised and neat desk, covered with files, a Pistol and a photo of the two Fibonacci brothers. DWAYNE So why the hell should I trust you Sal? CUT TO: EXT. SUBURBAN STREET – EVENING Two Hitmen- One wearing a black leather jacket with a Gun rack underneath. The other is wearing a long, black jacket and a Fedora hat with a Gun rack underneath his jacket. SALVATORE is walking down the street until he is stopped by a Black Car which pulls up close to the curb. The two Hitmen jump out, hit Salvatore in the chest and grab him into the Car. SALVATORE drops his phone onto the Car floor underneath the driver’s seat whilst the call remains active. CUT TO: EXT. DARK FOREST – NIGHT The Car pulls over to a pre-dug ditch where there are two shovels stuck into the ground beside it. The Ditch is roughly 2 Meters Deep.
- 6. SALVATORE is thrown into the ditch by the two Hitmen with great force. After Landing, one HITMAN picks up the shovel to begin covering SALVATORE with soil, along with the other who reaches for his Pistol and aims at SALVATORE. DETECTIVE DWAYNE PALMER shoots the two HITMEN in the back before SALVATORE is killed and buried. DWAYNE looks at SALVATORE. DWAYNE: So you were saying. DWAYNE loosens SALVATORE’s restraints and cuts him loose. SALVATORE (V.O) They are hunting for me. Just like I’m a Rat. CUT TO INT. DWAYNE’S Office Desk DWAYNE pours himself and SALVATORE a mug of black Coffee each and then unfolds a map of the New York City and places it gently onto his desk. He then reaches for a marker pen and circles a point. DWAYNE: If you want to put these guys away for good, this is where we gotta go. New York City DWAYNE points to the circled location on the map. EXT. A Skyline view of the circled area of New York from the Map – DAY Section 4 EXT: A CAR PARK DWAYNE whilst standing in a Phone-booth, speaking to SAL. DWAYNE: (Screaming) Just shut up and listen, okay? You are getting way too paranoid about this. INT: Salvatore is sitting inside a Motel room inside a dirty and slightly greasy Bathtub, on his PHONE, lying in the tub after locking the Bathroom door. The curtains are drawn. SALVARORE:
- 7. Angry facial expressions whilst slamming his hand against the Bathtub and shaking his body very hesitantly Do you know what it’s like constantly being afraid? EXT: OUTSIDE A TALL BUILDING, THE CITY CARLO and ANTONIO are inside their Car waiting outside of a Building. They are holding their Pistols attached to their Gun belts. INT: THE FIBONACCI HOUSEHOLD CARLO and ANTONIO are looking at a torn piece of paper, with the ADDRESS: 588 Lincoln Ave, New York ANTONIO picks up the piece of paper containing the address CARLO: INT: INSIDE A MOTEL ROOM- NIGHT SAL begins to cry whilst his head is tucked in between his knees. He is still inside the Bathtub with the curtains closed. INT: IN AN ABANDONED LOCATION- DAY DWAYNE is interrogating a MAN, mid-forties, White, BLEEDING, whilst he is hanging from his arms around a horizontal pipeline with a Gun pointed at his head. DWAYNE: Where the hell are they hiding? INT: SALVATORE’s OFFICE ROOM - DAYTIME ANTONIO and CARLO plant explosives and light the fuse whilst slowly walking out of the house. There is a huge explosion which completely destroys the house. CARLO (V.O): Who is his partner? Just some cheap, low-life cop. INT: SALVATORE SEEN RUNNING DOWN A STREET- NOON MAIN CREDITS: CAST’S NAMES ‘AGATINO D’AGATE- AS SALVATORE VITTI’ EXT: SOLITARY BUILDING (CONSTRUCTION SITE)- NIGHT
- 8. SAL is sprinting whilst holding his PISTOL. He hides behind a tree and raises his Pistol whilst aiming at an assumed threat. INT: Inside Dwayne’s Car SAL is sitting in the passenger seat with his GUN on the dashboard with BULLET SHELLS laying around it, accompanied with a large zipped bag containing half a dozen weapons. CAPTION-‘BEN OGLIBO- AS DETECTIVE DWAYNE PALMER EXT: CAR PAR- EVENING DWAYNE is lying against the door of his bullet hit Car, on the ground, and seen clutching his wounded arm whilst blood is dripping from his left cheek (with a Gun lying next to his legs) INT: Antonio and Carlo’s office ANTONIO is at a PHOTO of himself, CARLO and SAlVATORE as Young adults looking very comfortable and happy together. ANTONIO tearsthe photo fiercely and slams it onto the floor whilst bearing an aggressive facial expression. CAPTION-‘ALESSIO PETULLA’- AS ANTONIO FIBONACCI’ EXT: THE FORREST- NIGHT ANTONIO uses a plastic bag to suffocate a victim and shoots him CAPTION- ‘MARCO PETULLA’- AS CARLO FIBONACCI’ INT: MOTEL ROOM- EVENING CARLO stands in the ROOM with a GUN, whilst wearing DISPOSABLE PLASTIC GLOVES, and a BODY is on the DIRTY FLOOR, soaked in BLOOD EXT: GREENLAND SPACE-EVENING CARLO and ANTONIO are both holding SHOVELS. EXT. In an alleyway ANTONIO In slow motion, Antonio pulls out his Gun from his Gun-rack and shoots straight forward. CUT TO BLACK