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- 1. Part I Elements Texture and Form Music: An Appreciation, Brief 7th Edition by Roger Kamien 2011 © McGraw-Hill Higher Education
- 2. Ch. 8 - Musical Texture Layering of sound, how layers relate Monophonic Texture Single, unaccompanied melody Literally “one sound” Polyphonic Texture 2 or more equally important melodies sounding simultaneously Homophonic Texture One melody with accompanimnet Changing texture within a piece creates variety and contrast
- 3. Listening “ Farandole” from L’Arlesienne Suite , No. 2 (1879) by Georges Bizet Listening Outline: p. 46 Brief set, CD 1:37 Note: contrasting textures
- 4. Ch. 9 - Musical Form Organization of musical elements in time Techniques that create musical form Repetition – restating musical ideas Contrast – avoiding monotony with new ideas Variation – reworking ideas to them new Types of musical form Ternary Simple A B A Subdivided aba cdc aba Subdivided aba cdc Subdivided aba
- 5. Listening “ Dance of the Reed Pipes” from Nutcracker Suite (1892) by Peter Ilyich Tchaikovsky Listening Outline: p. 49 Brief Set, CD 1:42 Note: ternary form
- 6. Types of Musical Form Binary A B A A B A B B A A B B
- 7. Listening “ Bour ée ” from Suite in E Minor for Lute (1710) by Johann Sebastian Bach Listening Outline: p. 51 Brief Set, CD 1:45 Note binary form
- 8. Ch. 10 - Musical Style Characteristic way of using melody, rhythm, tone color, dynamics, harmony, texture, and form Western art music can be divided into: Middle Ages—450-1450 Renaissance—1450-1600 Baroque—1600-1750 Classical—1750-1820 Romantic—1820-1900 20 th Century to 1945 1945 to present Shaped by political, economic, social, and intellectual developments