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5. Phonology and Language Use 1st Edition Joan Bybee
Digital Instant Download
Author(s): Joan Bybee
ISBN(s): 9780521583749, 0521583748
Edition: 1
File Details: PDF, 1.14 MB
Year: 2001
Language: english
7. PHONOLOGY AND LANGUAGE USE
A research perspective that takes language use into account opens up
new views of old issues and provides an understanding of issues that lin-
guists have rarely addressed. Referencing new developments in cog-
nitive and functional linguistics, phonetics, and connectionist modeling,
this book investigates various ways in which a speaker/hearer’s experi-
ence with language affects the representation of phonology. Rather than
assuming phonological representations in terms of phonemes, Joan
Bybee adopts an exemplar model, in which specific tokens of use are
stored and categorized phonetically with reference to variables in the
context. This model allows an account of phonetically gradual sound
change that produces lexical variation, and provides an explanatory
account of the fact that many reductive sound changes affect high-
frequency items first. The well-known effects of type and token fre-
quency on morphologically conditioned phonological alterations are
shown also to apply to larger sequences, such as fixed phrases and
constructions, solving some of the problems formulated previously as
dealing with the phonology–syntax interface.
Joan Bybee is the author of several books and articles on phonology,
morphology, language universals, and linguistic change. Most recently,
she served as a coeditor for both Essays on Language and Function Type
(1997) and Modality in Grammar and Discourse (1995). Dr. Bybee is
Regents’ Professor of Linguistics and Chair of the Department of
Linguistics at the University of New Mexico.
9. CAMBRIDGE STUDIES IN LINGUISTICS
General editors: s. r. anderson, j. bresnan, b. comrie,
w. dressler, c. ewen, r. huddleston, r. lass,
d. lightfoot, j. lyons, p. h. matthews, r. posner,
s. romaine, n. v. smith, n. vincent
Phonology and Language Use
10. CAMBRIDGE STUDIES IN LINGUISTICS
In this series
72 luigi burzio: Principles of English stress
73 john a. hawkins: A performance theory of order and constituency
74 alice c. harris and lyle campbell: Historical syntax in cross-
linguistic perspective
75 liliane haegeman: The syntax of negation
76 paul gorrell: Syntax and parsing
77 guglielmo cinque: Italian syntax and Universal Grammar
78 henry smith: Restrictiveness in case theory
79 d. robert ladd: Intonational phonology
80 andrea moro: The raising of predicates: Predicative noun phrases
and the theory of clause structure
81 roger lass: Historical linguistics and language change
82 john m. anderson: A notional theory of syntactic categories
83 bernd heine: Possession: Cognitive sources, forces and
grammaticalization
84 nomi erteschik-shir: The dynamics of focus structure
85 john coleman: Phonological representations: Their names, forms
and powers
86 christina y. bethin: Slavic prosody: Language change and
phonological theory
87 barbara dancygier: Conditionals and prediction: Time, knowledge,
and causation in English
88 claire lefebvre: Creole genesis and the acquisition of grammar:
The case of Haitian Creole
89 heinz giegerich: Lexical strata in English: Morphological causes,
phonological effects
90 keren rice: Morpheme order and semantic scope: Word formation
in the Athapaskan verb
91 april mcmahon: Lexical phonology and the history of English
92 matthew y. chen: Tone sandhi: Patterns across Chinese dialects
93 gregory t. stump: Inflectional morphology
Supplementary volumes
liliane haegeman: Theory and description in generative syntax: A case
study in West Flemish
a. e. backhouse: The lexical field of taste: A semantic study of Japanese
taste terms
nikolaus ritt: Quantity adjustment: Vowel lengthening and shortening
in early Middle English
Earlier issues not listed are also available
15. Contents
ix
List of Figures page xiii
List of Tables xv
Acknowledgments xvii
1 Language Use as Part of Linguistic Theory 1
1.1 Substance and Usage in Phonology 1
1.2 Some Basic Principles of a Usage-Based Model 6
1.3 The Creative Role of Repetition 8
1.4 Frequency Effects 10
1.5 Phonology as Procedure, Structure as Emergent 14
1.6 Organization of the Book 16
1.7 Language as a Part of Human Behavior 17
2 A Usage-Based Model for Phonology and Morphology 19
2.1 Introduction 19
2.2 The Rule/List Fallacy 20
2.3 Organized Storage 21
2.4 Morphological Structure Is Emergent 23
2.5 Rules and Schemas Compared 26
2.6 Frequency Effects 28
2.7 Units of Storage 29
2.8 Phonological Units 31
2.9 From Local to General Schemas 31
2.10 Conclusion 33
3 The Nature of Lexical Representation 35
3.1 Introduction 35
3.2 The Phonemic Principle 35
16. 3.3 A Cognitively Realistic Model of Phonological
Representation 37
3.4 Linguistic Evidence for Detailed and Redundant
Storage 40
3.5 Usage-Based Categorization versus Phonemic
Representation 49
3.6 Phonetic Detail in the Lexicon – Variation and the
Early Involvement of the Lexicon and Morphology
in Change 54
3.7 A Model for Sound Change 57
3.8 Special Reduction of High-Frequency Words and
Phrases 60
3.9 Conclusion 62
4 Phonological Processes, Phonological Patterns 63
4.1 Introduction 63
4.2 Phonetic Etiology and Its Limits 65
4.3 Articulatory Gestures 69
4.4 Patterns of Change and Constraints on Processes 77
4.5 Segments as Emergent Units 85
4.6 Generalization over Syllable-Initial and Syllable-
Final Position 86
4.7 Phonotactics 88
4.8 Conclusion 95
5 The Interaction of Phonology with Morphology 96
5.1 Introduction 96
5.2 Morphological versus Phonological Conditioning 97
5.3 Lexical Storage of Complex Forms, Both Regular
and Irregular 109
5.4 Lexical Strength 113
5.5 Paradigmatic Relations Expressed as Lexical
Connections 117
5.6 Lexical Classes: Productivity Due to Type
Frequency 118
5.7 The Interaction of Lexical Strength and Lexical
Connection 124
5.8 Product-Oriented Schemas 126
5.9 Phonological Similarity in Gangs 130
5.10 Conclusion 135
x Contents
17. 6 The Units of Storage and Access: Morphemes, Words,
and Phrases 137
6.1 Introduction 137
6.2 Phonological Representations of Words 138
6.3 Morphemes within Words 144
6.4 Phrases and Constructions with Alternations 157
6.5 Conclusion 166
7 Constructions as Processing Units: The Rise and Fall
of French Liaison 167
7.1 Introduction 167
7.2 Final Consonant Deletion in French 168
7.3 Grammatical Constructions and Liaison 171
7.4 Loss of Liaison as Regularization 177
7.5 Syntactic Cohesion as Frequency of
Co-occurrence 185
7.6 Taking the Phonology Seriously 185
7.7 Conclusion 187
8 Universals, Synchrony and Diachrony 189
8.1 Universals and Explanation 189
8.2 Searching for Universals 191
8.3 Phoneme Inventories 197
8.4 Two Main Mechanisms for Phonological Change 199
8.5 Syllable Structure 204
8.6 More Evidence against Universals as Purely
Synchronic 211
8.7 Diachronic Sources for Formal Universals: The
Phonemic Principle and Structure Preservation 212
References 217
Author Index 231
Subject Index 235
Languages Index 238
Contents xi
19. Figures
2.1 Lexical connections for [ε̃nd] in send, lend, trend,
blend, bend. page 22
2.2 Lexical connections for the [b] in bee, bet, bed, bad,
ban, bin. 23
2.3 Phonological and semantic connections yield Past
in played, spilled, spoiled, banned, rammed. 23
2.4 The emergence of the -ing suffix in play, playing;
ban, banning; ram, ramming; spoil, spoiling. 24
2.5 A network of formatives. 25
3.1 Exemplar representation and associations. 52
4.1 Tract variables and associated articulators proposed
by Browman and Goldstein. 70
5.1 The different relations in three sets of Singular-Plural
forms. 116
5.2 Relations among some forms of the verb cantar
‘to sing’. 118
5.3 Family resemblance structure for the mentir class. 133
8.1 The relations among three tiers of crosslinguistic
phenomena. 210
xiii
21. Tables
3.1 American English Schwa Deletion: Poststress Vowels
Preceding Unstressed Sonorant-Initial Consonants
Tend to Delete (Hooper 1976b) page 41
5.1 The Effects of Word Frequency on t/d Deletion in
Regular Past Tense Verbs (Non-Prevocalic Only) 112
5.2 Count of Verbs Used by French Nursery School
Children During Play (Guillaume 1927/1973) 120
5.3 A Semiproductive Verb Class of English (Bybee
and Moder 1983) 127
5.4 Examples of Strong Preterits in Spanish Compared
to Regulars 134
5.5 Family Resemblance Structure for Strong Preterits
in Spanish 134
6.1 The Variable Reduction of /s/ in Argentinian
Spanish (Terrell 1978, Hooper 1981) 140
6.2 The Variable Reduction of /s/ in Cuban Spanish
(Terrell 1977, 1979, Hooper 1981) 140
6.3 Percentage of Occurrence of Word-Final /s/ before
a Consonant, Vowel, and Pause in Two Dialects of
Spanish 142
6.4 Rate of Deletion for Regular Past Tense Compared
to All Other Words of Comparable Frequency (403
Tokens or Fewer) 147
6.5 Rate of Deletion According to Token Frequency for
All Non–Past Participle Tokens of Medial d 149
6.6 Rate of Deletion in the Past Participle Suffix 150
6.7 Rate of Deletion in the First Conjugation Past
Participle Suffix vs. /d/ Following /a/ Overall 151
xv
22. 6.8 Rate of Deletion in the Second and Third
Conjugation Past Participle Suffix vs. /d/ Following
/i/ Overall 151
6.9 Deletion/Retention Rates for High- and Low-
Frequency First Conjugation Past Participles 152
6.10 The Forms of Two Spanish Verbs with ue and with o 154
6.11 The Relation between the Transparent vs. Pragmatic
Uses of I don’t know and the Full vs. Reduced
Vowel Variants 161
6.12 Number of Items Preceding and Following don’t 163
7.1 Number of Instances of Liaison for the Forms of the
Verb être ‘to be’ 180
7.2 A
° gren’s Findings for Auxiliaries and Following
Infinitives 183
xvi List of Tables
23. Acknowledgments
The idea for this book and the perception that it was needed arose in
the context of the community of researchers who investigate the way
language use gives rise to grammar. Indeed, it was these workers in
usage-based functionalism, most notably my long-time friend Sandy
Thompson, who first supported and encouraged a book that would
show how principles that had been successfully applied to the expla-
nation of morphosyntactic patterns could also be applied to phonol-
ogy. This book was originally intended for these linguists and their
students. However, the encouragement and support of phonologists
was also forthcoming once the idea of the book was broached. I am
grateful to Janet Pierrehumbert in her role as editor for Cambridge
University Press for supporting this project and for giving me exten-
sive comments and suggestions on the first draft of the manuscript. I
am also much indebted to Martin Haspelmath, José Ignacio Hualde,
and Carmen Pensado for their careful reading of the first draft and
their detailed comments and questions. I am particularly grateful to
José Ignacio Hualde for comments that caused me to rethink certain
issues. In addition, suggestions from Jürgen Klausenburger and Robert
Kirchner also led to revisions of the manuscript. Discussions with each
of these individuals helped me develop a deeper understanding of the
phenomena treated here, as well as an improved presentation of my
ideas.
For assistance in researching and editing,computing,and formatting,
I am grateful to Dawn Nordquist and Catie Berkenfield. Also, Dawn
Nordquist coded and helped me analyze the data discussed in Section
6.3.3, with the assistance of Rena Torres-Cacoullos. Aaron Smith also
assisted at various stages of the project. Thanks are also due to my
colleague Caroline Smith for consultation on various issues in the
xvii
24. phonetics literature. To the many students who have posed interesting
questions and problems over many semesters and to those whose
research answered some of these questions, I am extremely grateful for
the stimulation.
The University of New Mexico has provided research support in the
Regents’ Professorship I was awarded in 1996, and the College of Arts
and Sciences has provided teaching relief in the form of a Research
Semester in the spring of 1999. My parents, Robert and Elizabeth
Bybee, have provided donations, matched by the Exxon Foundation,
that made possible research assistance. Without these sources of sup-
port, this work would certainly have taken much longer to emerge.
And, finally, many thanks to Ira Jaffe, for the generosity and good
humor with which he contributes to the peaceful home and working
environment that we share.
xviii Acknowledgments
25. 1
Language Use as Part of Linguistic Theory
1.1 Substance and Usage in Phonology
This book introduces into the traditional study of phonology the notion
that language use plays a role in shaping the form and content of sound
systems. In particular, the frequency with which individual words or
sequences of words are used and the frequency with which certain pat-
terns recur in a language affects the nature of mental representation
and in some cases the actual phonetic shape of words. It is the goal
of the present work to explore to the extent possible at the present
moment the nature of the relation between the use of linguistic forms
on the one hand, and their storage and processing on the other.
To someone approaching linguistics from other disciplines, it might
seem odd that language use has not been taken into account in for-
mulating theories of language. However, since language is such a
complex phenomenon, it has been necessary to narrow the field of
study to make it manageable. Thus we commonly separate phonology
from syntax, synchrony from diachrony, child language from adult lan-
guage, and so on, constantly bearing in mind that interactions exist that
will eventually have to be taken into account. We then go on to for-
mulate theories for these domains – a theory of syntax, a theory of
phonology, a theory of language acquisition – knowing all the while
that the ultimate goal is to encompass all these subfields in one theory
of language.
Early in the twentieth century, a proposal was made to distinguish
the shared knowledge that a community of speakers has from the
actual uses to which that knowledge is put (de Saussure 1916). Many
researchers then focused their attention on the structure of that shared
knowledge (called ‘langue’ by Saussure and ‘competence’ by Chomsky
1
27. But these fishers know little of the merits and value of the finer
qualities. They do not yet realize the great difference in value which
accrues as the pearl exceeds the average of luster, color, or
perfection, consequently the speculator can often buy a very fine
pearl for little more than he would have to pay for an ordinary pearl
and though he knows that the piece is worth much more than he
has paid, and tries to get as nearly what it is worth as he can, both
his judgment and disposition to sell are affected by the low price he
has paid and the chances are that he too in turn will sell it at much
less than its relative value as compared with the ordinary market
price of poor or medium quality goods.
THE MARCHIONESS OF LONDONDERRY
28. This condition will gradually change. As in the past the fisher
learned more and more of the market value of ordinary pearls, so
also he will learn to know the price of exceptional pieces and to
know them when he has them. Even now, speculators hold fine large
pearls at high prices because of the ready sale for them in Europe.
It is difficult to compare the price of pearls in ancient times with
that of to-day. We make much finer and closer assortments and
gradations of quality and the business now is on a more distinctly
commercial basis. People generally are better informed and more
critical; they are not influenced by wonder, sentiment, superstition
and the "Arabian Nights" atmosphere, as much as formerly.
The Orient is not as strange and far away as it was. In the old
times, jewellers could and undoubtedly did take advantage of the
awe with which things from the mysterious East were regarded, and
of the general ignorance, to obtain large sums for very ordinary if
not inferior gems. Even in these days, many are influenced more by
the source from whence they come than by a critical knowledge of
the gems they buy. Some, who would not buy the most beautiful
fresh-water pearl, will pay an exorbitant price for one poorer and
less valuable because it is oriental. La Pellegrina in the hands of an
obscure dealer would be passed unnoticed by many who would be
enraptured by a more ordinary gem from a jeweller or person of
renown.
It is presumable therefore that prejudice was more influential
when ignorance prevailed to a greater extent than now. John Spruce
of Edinburgh in 1705 complained that he could not sell a necklace or
pendant of fine Scotch pearls in Scotland. He says "the generality
seek for oriental pearls because farther fetched," and continues: "At
this very day I can show some of our own Scots pearls as fine, more
hard and transparent than any oriental. It is true that the oriental
can be easier matched, because they are all of a yellow water, yet
foreigners covet Scots pearls."
The price in those days was regulated by general appearance and
loosely with regard to weight, rather than by definite assortment and
29. the exact system of reckoning by the multiple of the weight as now,
for he says, "If a Scotch pearl be of a fine transparent color and
perfectly round and of any great bigness, it may be worth 15 to 50
rix dollars, yea I have given 100 rix dollars (about $82.00 U. S.) for
one."
In 1862, Scotch pearls sold for about seventy-five cents to ten or
twelve dollars each, an extraordinary piece bringing occasionally as
much as twenty-five dollars, but after they were brought to the
favorable notice of persons of distinction and it was known that
Queen Victoria had bought one for one hundred and ten dollars, the
price of them quadrupled. In the time of Charles II. of England an
Irish pearl weighing 144 grains was valued at two hundred dollars.
In London during the early part of the nineteenth century, pearls
from Panama of good size and quality brought about four dollars per
grain.
About 1865, fine oriental pearls were sold in London for $1.25 to
$1.50 per grain in sizes up to three grains. Over that the price
increased gradually with the size so that five grainers were worth
about $2.50 per grain; ten grainers, $5.50 per grain; twenty grainers
$13.00 per grain and thirty grainers about $17.00 per grain. If their
fine grade equalled ours, there has been a remarkable advance in
the last forty years, as fine oriental round pearls of thirty grains to-
day, are worth in the United States $240.00 per grain flat.
Up to this time and after, prices were quoted very generally by the
carat. Later, the method of reckoning by the square or multiple
became more general, and the price went to about two dollars per
carat, in London, or fifty cents per grain base for ordinary sizes, the
larger ones being valued by the piece according to the individual
rarity and particular qualities, as before. At the Navigator's islands in
1858, fine round pearls of one to two grains were valued at about
fifty cents per grain, the price increasing until those of twenty grains
were considered worth twenty dollars per grain. Second class pearls
under one grain, averaging half a grain, were sold for about five
30. cents a grain. The same grade about nine grains average, were
worth about sixty-five cents per grain.
A third and fourth grade brought about twenty-five and fifty per
cent. less respectively. These prices, compared with those of
London, indicate that fine, large, round pearls commanded better
prices then in the East than they did in Europe. Seed pearls sold at
Tahiti for ten to fifteen dollars per pound. The island of Labuan, a
British possession in the East Indian archipelago, shipped pearls to
Singapore in the sixties at an average price of ten to fifteen cents
per grain. In 1871, 35 ounces of pearls shipped from Guayaquil were
valued at $100.00 per ounce.
As in former times, at many places where the fishing is done by
independent naked divers, especially among the remote islands of
the South Sea, there is no grading of pearls or definite ideas of
value. The natives dispose of their pearls, as they are able, to
traders, often for a very small price. It is so to-day at many points in
the Sulu archipelago from Mindanao to the Tawi Tawi islands. The
smaller established fisheries of the seas east of China assort roughly
and sell in bulk to buyers from neighboring trading centers.
The output of the large fisheries is practically controlled by the
great merchants of neighboring cities who know the methods and
intricacies peculiar to the localities. For instance, the pearls of Ceylon
go to Madras, and Bombay handles the bulk of those from the
Arabian coast and the Red Sea. Lower California pearls are marketed
chiefly at La Paz. Those from Venezuela are shipped principally to
Paris and definite figures cannot be obtained. A few are brought to
the United States direct from Venezuela, chiefly by Syrians who
barter for them with the independent divers. These traders have no
knowledge of market rates for assorted goods but sell them in mixed
lots for as much as they can get.
The price of pearls of the first grade, in Ceylon in 1904, weighing
four grains and upwards each, was about $5.00 per grain. At
Macassar, prices for the irregular shaped pearls of the Dutch Indies
31. ranged from twenty-five cents to $1.25 per grain base according to
quality.
At the Ceylon fisheries, two-thirds of the oysters taken have been
the government's share. These were auctioned off daily. The prices
varied considerably, not only from fishing to fishing, but daily during
the season. If the oysters sold one day, yielded well, prices went up
and vice versa. In 1860, at the beginning of the Tinnevelly fishery,
they realized Rs 15. ($7.50) per thousand and rose later to Rs 40.
($20.00). In 1861 on the contrary they sold in the early part of the
season for $35.00 to $40.00 and fell to $20.00, at one time touching
$8.50.
In 1871, the Tuticorin catch brought a little over $40.00 per
thousand average. The average price paid in 1858 at the Ceylon
fisheries was a little less than ten dollars, and as the pearl yield was
good, the speculators made enormous profits. In consequence, the
average of 1859 went up to $22.50, the oysters bringing at one time
during the season as much as $42.00; 1860 realized an average of
$66.00, the highest price paid during the season being $90.00.
The fishery of 1863 though it realized more for the government on
account of the large catch, brought an average of $33.50 per
thousand only. In 1874 the oysters brought about $40.00 per
thousand. Of late years the average has been less, ranging from
$12.00 to $14.00 though at times double that price has been paid.
The pearls found in the oysters came quickly into the hands of
Hindu merchants who assorted them and shipped a large part to
Europe at prices much less than those which rule in the United
States, though they usually made a good profit over cost. With the
leasing of the Ceylon fisheries much of this speculative business will
undoubtedly be eliminated and the pearls marketed at more regular
prices.
At fisheries where mother-of-pearl is the chief factor of the
industry, it is difficult to get statistics of the number or value of the
pearls found, but in a general way India governs the market. Prices
32. in other sections adjust themselves to Madras and Bombay with such
modifications as quality and place would naturally make.
Mother-of-pearl shell varies in price from $250.00 to $500.00 per
ton for Mexican to $700.00 to $800.00 per ton for the white shell of
Australia and the South Sea.
34. IMITATION AND DOCTORED
PEARLS
In common with all other precious things, pearls have been long
imitated. The early method of making imitation or "mock-pearls" as
they were called, was to cut them out of the mother-of-pearl and
polish them. Another crude way was to make solid beads of glass
containing various ingredients which gave them a slight similarity to
the nacreous luster of the pearl. Beads of gypsum or alabaster were
soaked in oil and coated with wax. The scales of the bleak fish
dissolved in liquid ammonia or vinegar, was also used for covering
beads, the solution imparting a somewhat pearly appearance.
To coat one thousand ounces of glass beads, a French
manufacturer used three ounces of fish-scales, one ounce white
wax, one ounce pulverized alabaster and half an ounce fine
parchment glue. Another made beads of opal glass which he covered
with several layers of isinglass; over this was laid another coating of
a mixture of spirits of turpentine and copal, and a fat oil to exclude
moisture from the isinglass, following it with a thin layer of tinted
enamel to give resemblance to the orient of the pearl.
Some claimed that the best artificial pearls were made from
pulverized pearls. Seed pearls or valueless baroques were ground to
a fine powder, soaked in lemon-juice or vinegar and mixed with gum
tragacanth. The paste after being shaped and partially dried, was
then enclosed in a loaf and baked in an oven. The luster was
obtained by a final coating of fish-scale solution. A lighter and better
imitation was made by blowing hollow glass beads. The inside
surface was covered with a preparation from the fish-scales, after
which the bead was filled with wax. This method continues in use to-
day.
35. The fish-scale solution used is a guanine, the mucus which
lubricates the scales of the bleak fish (alburnus lucidus). The white
scales of the fish are carefully scraped into a horse-hair sieve over a
shallow tub of fresh water. The first water is thrown away. The
scales are then washed and pressed. The mucus sinks to the bottom
and is gathered as an oily mass, very brilliant and bluish-white. This
is packed with ammonia in tin boxes and sealed for shipment. It
takes about 20,000 fish to make one pound of the mucus.
A cheap imitation pearl is made of opal glass, a bluish-white milky
appearing material, to which a pearly effect is given by treating it
with fluoric acid. Imitation black pearls are made from hematite, but
as they require careful finishing to hide the metallic luster and are
much heavier than pearls, they are seldom used.
The Chinese and Japanese have been much more ingenious in
their methods and have long produced, with enforced aid from the
animal, imitations which are in part real pearl. The former insert in
the Chinese pearl-mussel (anodonta herculea) small figures of
Buddha upon which the fish proceeds to deposit its nacre. When
they are coated, which occurs in from one to two or three years, the
pearly figures are extracted and sold to the devout.
The Japanese do more. They attempt to produce a marketable
gem and have so far succeeded that a considerable number have
been sold of late in the United States and in many cases the public
buy them not knowing that they are an artificial production. The
base upon which the nacre is deposited appears to be composed of
a substance resembling porcelain shaped like a low dome hollowed
out on the under side and having a hole in the centre of the cavity.
As there is no nacre on the under side, it must, when the button is
placed in the mussel, be thereby protected from the action of the
fish except at the edges where the nacreous deposit probably joins it
to the shell but in such a manner that it can be easily detached. The
pearl covered button is then fitted to a piece of polished mother-of-
pearl of the same exterior size and shape and the two are neatly
joined, forming a double low domed piece of pearl on one side, and
36. mother-of-pearl on the other. These Japanese pearls as they are
called, when mounted in a setting constructed to hide the under
side, have the appearance of imperfect spheres of natural pearl.
The beds where the culture of these artificial pearls is carried on,
are situated in the Bay of Ago, a few miles south of the Temple of
Ise, in central Japan on the Pacific side. It is a quiet piece of water,
in a coast broken by numerous inlets and coves. A little north of the
centre of the bay is a small island called Tadoko where the necessary
buildings and the men connected with the industry are. Around the
island and near it, about 1,000 acres of sea bottom are leased and
used for the pearl oyster cultivation. The water is about five to seven
fathoms deep.
The oyster used is the one common to the waters of Japan, the
Avicula martensii Dunker. In May and June, stones weighing six to
eight pounds are scattered over the bottom of the sheltered shallows
which run up into the land, where the spat is collected. The breeding
season is in July to August and in the latter month very tiny shells
attached to the stones by the byssus may be seen already.
The number increases as the season advances until in November,
in order to protect the young fish from the approaching winter cold,
the stones lying in very shallow water are removed with the
adhering oysters to deeper water—over six feet. After three years
the oysters are taken out and the nuclei of the culture pearl
inserted. This done, they are spread over the sea bottom, about one
to every square foot and left undisturbed for four years. They are
then taken out and opened and both the culture pearls and
whatever natural pearls there may be, are harvested. At present,
upwards of a quarter of a million oysters are treated annually.
Experiments are being made constantly, in the United States and
Europe, to improve upon the hollow glass bead lined with fish-scale
but so far without success. The finest of these imitate the natural
pearl very well and if finely mounted similar to the genuine, will
deceive many while worn. Closer observation will reveal the glassy
37. shine of the surface and it will be found under the loup to contain
numerous small holes. The specific gravity is also less.
One finds occasionally in lots, a mock-pearl which has been cut
and polished from the mother-of-pearl, but imitations of this
character are scarce and find no place in the market. The few made
are found usually in parcels of fresh-water pearls and are put there
by unscrupulous dealers, as also are hematite balls and even
buckshot, to be sold with the lot by weight as genuine pearls.
Since the price of pearls has advanced so rapidly, much ingenuity
has been shown in the improvement of poor pearls. Button pearls
grown to the shell are broken out and the under or flat side carefully
scraped and smoothed to hide the irregular lines of juncture
between the pearl and the shell. Protuberances on the surface of
round pearls are scraped off and the broken skin edges smoothed
down so as to be unnoticeable to the naked eye.
In a like manner chalky rings and spots are toned down. Surface
cracks are filled by soaking the pearls in a solution and if the pearl
has been pierced, interior cracks can also be rendered unobservable.
A serious objection to pierced pearls arises from the ease with which
interior defects can be doctored where the skin is pierced and a
boring made through the nacreous layers. Not only are cracks made
to disappear, but coloring matter can be introduced between the
skins. A white pearl of very poor color can by such means be
changed temporarily into a black pearl which will command a fancy
price. This illegitimate doctoring of pearls, whereby defects are
hidden and a fictitious appearance of quality imparted to last long
enough to make sales at exorbitant prices, should not be
confounded with the legitimate improvement of pearls which is now
growing to be an industry of some importance. Experts are now able
by careful manipulation to restore to some extent the luster which
has been lost by wear or age.
Formerly this was done by skinning the pearl, i.e., removing the
outer skin by peeling it carefully off with the edge of a sharp knife,
an unsatisfactory method at best, as the under skin may not be
38. good and if all the outer skin is not taken off, the broken edges of
the layers composing the skin, mar the luster and color when the
pearl is worn. Few also succeed in removing a skin without
scratching the new one disclosed by its removal.
Pearls having a decidedly bad outer skin with a good one under it,
can only be materially improved by removing the bad skin, but
owing to the liability of finding equally bad imperfections
underneath, or irregularities which would necessitate the removal of
several skins with a consequent loss of size and weight, pearls with
minor imperfections or lack of luster are now slowly rubbed between
the fingers, the abrasion being assisted by various substances which
differ with the judgment and experience of the operator, the
preparation being in all cases kept secret by the expert using it.
Many fine pearls which have lost their pristine luster are now
considerably improved by this method, and without the dangers
involved and the necessary loss of weight, consequent on peeling.
Large numbers of poor or imperfect pearls are scraped or
otherwise doctored by the traders and speculators at the fisheries.
These men acquire such pearls at a slight cost, and by various
methods fix them so that by mixing them in lots with good pearls,
they often make large profits. They also mix in many cracked pearls.
This is done more often at Margarita and the other Venezuelan
fisheries where the proportion of cracked pearls is greater than in
the Indian and South Sea fisheries.
The skins of a pearl may also be removed by the application of
weak acids, but this method requires careful and expert handling or
the acid will act irregularly and leave the surface, if improved in
luster, uneven and pitted.
Few important fresh-water baroques and irregular pearls leave the
west without receiving the attention of the speculators through
whose hands they pass, and the scraping is often very roughly done.
Rough and discolored projections are broken or filed off and then
scraped over with a knife edge. While fresh, the broken skin edges
left thus will often pass unnoticed by a careless buyer, but they
39. become discolored and dead later. Unless one buys of a dealer in
whom implicit confidence may be placed, not alone for honesty but
for his knowledge of pearls, it is better to examine all pearls under a
glass before purchasing.
As many persons both in the trade and out of it, are not
sufficiently familiar with pearls to be quite sure of their ability to
detect the genuine from fine imitations, the following points of
difference will be of service. All imitation pearls made of some solid
material are heavier than the genuine and lack the pearly
characteristics of the fine imitations even. If made of solid glass
without acid finish, they are shiny and too poor to require a second
consideration, if acid finished they have a "ground-glass" appearance
which is unmistakable. If made of other material of a vitreous
nature, they are heavier than pearls, dull in luster or without luster,
dark in color and unmistakably lacking in pearly characteristics. The
only dangerous imitations are the Japan culture pearls and the
hollow, glass bead-pearls. The former may always be recognized by
the mother-of-pearl back, the latter by various signs.
All these hollow glass beads, have one or two holes. They are
coated on the inside with fish-scale solution and filled with wax.
Some are treated with acid or sand-blasted to tone down the shiny,
glassy appearing surface, and to hide the blow-holes in the glass.
The effect is quite pearly, but the color is somewhat darker and they
show some iridescence. Without the surface treatment they are
more shiny and under the loup one will discover the small blow-
holes peculiar to surfaces which have been molten.
The rims of the holes have a smooth, rounded, congealed
appearance, whereas holes in pearls have a rough, square, chalky
edge. On looking diagonally into the hole of a glass bead, the glass
will appear as a dark ring against the wax filling, and where there
are two holes, one will almost invariably have a ring in the glass, a
short distance from and around it. The surface over the ring is
smooth, though it looks as if it were ridged; the ring is in the glass,
not on it.
40. These hollow-blown glass pearls are lighter than the real pearls
also. There is one never failing test however which discovers even
the best of these most dangerous imitations. Drop a small spot of
ink from the point of a pen upon one, and hold it between the eye
and the light, when two spots will appear, the one nearest to the eye
being a reflection from the inner wall of the glass resting against the
wax, of the actual ink spot on the surface. The duplicate spot will be
lighter in color than the original. On a real pearl there would be no
such reflection, nor would it appear on a solid bead imitation, but as
before stated, the weight of the latter betrays them, as they are
heavier than the real, nor do they look as pearly, and on holding
them between the eye and light they do not show the translucency
at the edge of the circumference peculiar in a more or less degree,
to the gem.
42. FACTS AND FANCIES
In ancient days there was a belief in the east that at the full of the
moon the pearl-oyster rose to the surface of the sea and opened its
shell to receive the falling dew-drops. These congealing, hardened
into pearls. Similarly, the natives of India believed that Buddha in
certain months showered upon the earth, dew-drops from heaven,
which the oyster, floating on the waters to breathe, received and
held until they hardened and became pearls. These poetical
imaginations of the Orientals were carried west with the pearls.
Poets embodied them in verse. Prose writers, losing the poetry of
the fable, trimmed them to the bare statements of impossible facts.
An English writer early in the eighteenth century speaking of the
mussels in the streams of northern England said that "gaping
eagerly and sucking in their dewy streams they did conceive and
bring forth a great plenty of pearls."
Later writers also attributed the origin of pearls to the reception of
raindrops from heaven by the oyster, and one gravely asserted that
the fishermen always found more pearls after a season of heavy
rains. He did not state that the oysters rose to the surface of the sea
to receive the raindrops, neither did he explain how these drops
from heaven passed through the brine to the oyster inviolate. Pliny
was more definite; he stated that the quality of the pearls varied
with that of the dew from which they were formed and were clear or
turbid as it was. The pearl would be pale-colored if the weather was
cloudy when the dew fell into the shell, and large if the dew was
plentiful. Thunder during the reception of the drop resulted in a
hollow pearl and if lightning caused the shell to close suddenly the
pearl would be small.
The people of Java and Borneo had a belief which should have
been yet more difficult to acquire. They asserted that the pearls
43. themselves breed and increase in number if placed in cotton.
Clusters of twinned pearls were said to be produced thus, and it is
related that some had the audacity to sell breeding pearls claiming
to distinguish the male from the female. This fable also travelled
west and was received by the credulous. M. S. Lovell in his "Edible
Mollusks" says, "A Spanish lady informed a friend of mine that if
seed-pearls were shut up in cotton-wool they would increase either
in size or in number."
To this day the ancient superstition, or belief, is believed not only
by sea-board Malays, but by Europeans, and there are those who
claim to own breeding pearls and to have bred from them. The
pearls are placed in a box with a layer of cotton-seed and a few
grains of rice, under and over them. The box is then closed and in a
year, if one account given is a fair statement of average results, one
may look for a four-fold increase, though the children will not be as
large as the parents. Some of them may be as large as a pin head.
The rice will look crumbly and worm-eaten.
Another breeder of pearls says that the breeding pearls
themselves grow in size and if the box has been kept undisturbed,
there will be found with them at the end of the year others of
various sizes, some almost microscopic. A year later these would be
larger. It is also said that when a pearl is about to breed, a small
black speck makes its appearance on the surface, and that during
the period of breeding the pearl changes its shape from a sphere to
an irregular ovoid, and develops layers of scales on the surface
visible to the naked eye.
After a time, the breeding pearls change their orient to a dirty
white, the scales having peeled off. In all cases the rice looks as
though some beetle had taken a circular bite out of the end of each
kernel. Somehow a perusal of the accounts of the remarkable
results, leaves the reader with a conglomerate impression of
transformed rice and imagination.
Nevertheless, the breeding of pearls in cotton-wool or cotton-seed
with rice, is asserted and believed, and the methods by which the
44. wonder is accomplished may be had with great circumstance and
some variations from those who have experimented. No greater
evidence exists of the child-like faith of people in the old times than
the incredible stories about precious stones which were current in
those days.
It is equally wonderful that although it took centuries to disprove
them, they received credence for more centuries after they were
shown to be impossible and one hears those same delightful fairy
stories about angel's tears, drops of dew from heaven, raindrops,
etc., seriously quoted in this matter-of-fact land to-day, often by
people who after a moment's thought would become conscious of
their fallacy.
But romance abhors reason, and though oysters cannot rise to the
surface of the sea, nor raindrops pass immaculate through the ocean
to the gaping mollusks, nor the downpour of one season increase
the yield at once of things which are the growth of years, there will
long remain some who will refuse the dictum of the biologist, that
unless the dews of heaven and the tears of angels carry much lime
in solution, the calcareous surroundings of the oyster's bed must
have more to do with the genesis of the pearl than anything dropped
into the ocean by the clouds above it, and will still cling to fancy in
the face of fact. Meantime the priests of Buddha exact charity
oysters from the fishers of their faith, that the god thus propitiated
may cause the oysters to yield more pearls.
A question often raised, and which by its periodical revival seems
to be a favorite with newspapers and magazines, as well as, to the
general public, is, "Do pearls live and die?" It originated probably in
observations of certain changes that occasionally take place in pearls
which could be readily construed by a speculative or imaginative
mind to mean death. Sometimes with pearls the brilliancy of youth
fades and passes and the clear skin of early days takes on the hue
of age.
If now a ready pen waited on fancy to state the facts it would
establish an imaginative theory for centuries, for like gossip, a thing
45. once printed in a book will long pass on unquestioned and be quoted
or re-stated many times. There are pearls which for certain qualities
invite as a descriptive term the word live. There are others which by
comparison appear, and are described, as dead. Then there are
others that lose by untoward circumstances the live qualities they
once possessed and without dying become dead pearls. The calcite
carbonate crystals of which they are formed dissolve in acids and are
affected to a certain extent by the acidity of the excretions of the
human skin, sufficiently in some cases to destroy, or at any rate dim,
their luster.
Gases in the atmosphere, sudden changes in temperature, heat,
and various other influences operate more or less in the same
direction. The chemical changes thus produced might with poetic
license be called the death of the pearl and in a sense the term
would be true were the whole pearl involved, but as a rule these
misfortunes affect the outer skin of the pearl only, so if that dies
death is but skin deep, a live pearl remaining beneath it.
As life and death means the segregation of particles into a
compact individuality and their final dissolution, pearls like all other
things in the restless economy of nature live and die, but the loss of
some of its native charms by the gem is not more a sign of death
than the rougher cuticle of a weather beaten sailor with which
exposure has replaced the smooth skin of the boy.
Nevertheless the idea of death coming to the pearl fascinates and
enterprising writers succeed in frequently placing very interesting
and readable articles before the public which incite the wonderment
of the reader and perpetuate the impression that this beloved gem is
some sort of a living creature subject to human vicissitudes. Lately a
story appeared in current publications which told how the pearls of a
lady's necklace sickened and lost their beauty. Much distressed she
carried them to the expert dealer of whom she bought them who
gravely advised her to let her maid wear them whereupon, they
recovered from the illness and their lustrous beauty was restored.
46. Twentieth century versions of fables older than this era are
common; shrewd traders and writers use them, nor are they always
careful to attach the fable to the particular gem to which, by right of
ancient usage, it belongs. The magical loss of color in the presence
of impending danger to its wearer is the ruby's prerogative, but,
though pearls may lose their charms by exposure to heat, gas and
rough usage, the wily orientals of remote or later ages provided no
traditional recovery more wonderful than the prosaic method of
feeding them to fowls and cutting them out of the gizzard an hour or
two later.
The pearl is generally considered to be the emblem of innocence
and purity. A pretty fashion in vogue among parents who can afford
it, is of giving a pearl to each of their daughters on their birthdays.
These are carefully matched and strung so that the string grows to a
necklace for maturer years.
Along with the emblematic idea and the fanciful notion of their
origin, there comes to us from the old days a superstition concerning
pearls which probably grew out of the statement that they were the
congealed tears of heaven. It was supposed that they brought tears
to their possessors. The idea originated probably about a thousand
years ago in western Europe. It did not exist in Rome during the
time of the Cæsars for the pearl was then the sign of power and
affluence and was coveted by men and women alike and it remains
a most popular gem in Italy to-day.
This absurdity has been kept alive by stories of prominent persons
in whose experience occurrences seemed to confirm the claim. The
Queen of Henry IV. of France dreamt that her diamonds were turned
to pearls the night previous to her husband's assassination by
Ravaillac. The consort of James IV. of Scotland dreamt of pearls
three nights in succession before the disastrous battle of Flodden
Field in which he lost his life. These and similar stories which appeal
to a love of the mysterious and wonderful have been perpetuated by
writers of books, so that even to-day there are women who coveting
pearls still fear to own them.
47. But to be out of the fashion is more dreadful to women than tears,
so it has come to pass that with the increasing vogue of the pearl,
less is heard of the superstition and it is dying, not of age or the
contempt of knowledge, but by the potency of fashion.
A story already referred to in these pages, that has been current
for over two thousand years during which time it has been
mentioned by almost every writer about pearls, deserves, for its
antiquity and absurdity, consideration here. It is of Cleopatra and the
pearl worth upwards of three hundred thousand dollars she is said to
have dissolved in wine to drink in costly fashion to her lover. This
was, of course, impossible. She may, with the help of the wine have
swallowed it like a pill or, as Sir Thomas Gresham did later, have
ground it to powder and mixed it with the wine she drank, but to
dissolve a pearl of great size as one of this value would be, was a
conjurer's feat.
The lime of which a pearl is chiefly composed will dissolve in acid,
but the gem although softened, would remain a pulpy mass held by
the organic matter interwoven throughout the strata of calcium
carbonate. Whatever she really did, or in what form she swallowed
the pearl, if she did so, Cleopatra and her pearl are better known to-
day to the general public than either of her Roman lovers, and they
will probably be handed down through many generations yet to
come.
To exaggerate is a common tendency. Dealers usually place
inordinately high figures on exceptional gems which they do for
several reasons: the great price excites wonder and interest; it
makes a large profit possible; it permits considerable reduction to a
shrewd buyer; and it pleases the person who finally purchases it, for
if the sale is made public the first asking price is usually given as the
value of the jewel, and sometimes even that is exceeded. The buyer
prefers to have it so because it increases the importance of his
possession in the public mind and paves the way for a good price if
he too at any time should wish to sell.
48. One reads constantly in the daily papers of sales where the prices
given are enormously beyond the sums actually paid, for the public
like big figures. Reporters know this and do not fail to supply the
demand. For instance: in an eastern city of the United States, a man
while at a lunch counter found a pearl in the oyster he was eating.
He took it at once to a jeweller of his acquaintance who handed it to
a New York pearl-dealer present and asked him to value it.
The pearl was large and round but, like all such formations in the
edible oyster, quite devoid of the nacre which constitutes a true
pearl. The dealer so informed them, adding casually, "If it were a
true pearl it would be worth several thousand dollars." An evening
paper that day had a half column story about it with, "A pearl worth
five thousand dollars found in an oyster at a lunch-counter," in black
head-lines, and the morning papers of the following day enlarged
the story by adding fanciful details.
Undoubtedly in the old days of license when immense fortunes
were made not only in trade but by piratical wars, large prices were
paid by fortune's favorites for pearls but it is extremely probable that
report, bruited from mouth to mouth, exaggerated even more than
the printed fables of our times do. It is doubtful if the pearls of
ancient chronicles were as fine, judged by the standards of to-day,
as we imagine or that all of them were as large as reported. The
public were more ignorant about them than now and also more
credulous and these invite exaggeration.
Very large pearls which for perfection of shape, luster and
freedom from flaws are beyond criticism, are the most rare of all
gems. The conditions under which a pearl grows, makes large size,
without the development of irregularities in the form and
imperfections in the skin, almost impossible; and as they all grow in
the same way, by the same process, out of the same sources of
supply and subject to the same limitations, we find big and little, fine
and ordinary, in about the same proportions as they occurred
thousands of years ago; the fish that made them then makes them
49. now, in the same kind of a narrow workshop and within the bounds
of a life whose duration has not changed.
Of very ancient historic pearls, the only one of which we have
reliable and expert knowledge, is that of the Shah of Persia seen by
Tavernier. This and La Peregrina are supposed to be still in existence.
Of the very large pearls generally mentioned by writers, three
undoubtedly exist, viz., La Pellegrina, the Beresford Hope and one of
medium quality in the Austrian Crown weighing about twelve
hundred grains.
It is probable that very many pearls have been found, which if
generally known would have become celebrated, but of those
chronicled, most have passed out of public knowledge. It is probable
that some of those about which much has been written were not as
beautiful as others which have escaped notoriety. The writer's habit
of drawing upon the past to illustrate a subject, has narrowed the
literature of pearls to reiterated records of a few great pearls which
one by one have been brought to public notice during the past
centuries.
Exact and reliable statements about gems are a modern
innovation. In the old times unverified report was the only evidence
the general public had of them. Crown jewellers, not always quite
reliable, would make public some statements in general terms about
the jewels of a reigning house. Occasionally, as in the case of
France, the state had the crown jewels inventoried so that some
fairly definite knowledge could be had of them. Infrequently a
traveller published his observations, made under more or less
favorable circumstances, of the jewels of some oriental prince. Chief
of these was Tavernier, the French jeweller. He not only had expert
knowledge of gems but was able by recommendations of the French
court, to gain such access to the jewels of eastern princes and
dealers that he could make critical examinations of them.
For various reasons it is extremely difficult also in these days to
obtain accurate knowledge of extraordinary gems. Dealers for
business reasons are chary of information, nor will they make such
50. pieces common by allowing many to see and handle them. The
buyer is equally averse to publicity, so that exact knowledge does
not pass far beyond the dealer and his customer as a rule.
The finest pearl known is that in the Museum of Zosima, in
Moscow, called La Pellegrina. It is perfectly round and so lustrous
that it appears to be transparent. It weighs about 112 grains and
was bought of the captain of an East India ship at Leghorn.
The largest known pearl to-day is in the Beresford Hope collection
shown at the South Kensington Museum, London. It is two inches
long and its circumference is four and a half inches. It weighs three
ounces (1818 grains).
COUNTESS TORBY
51. Tavernier saw a pearl in 1663 belonging to the Shah of Persia
which was valued at 3200 tomans or about $320,000 of our money.
It was very perfect, pear-shaped, and nearly three inches long. It is
believed to have come from the ancient fishery at Catifa in Arabia.
Even this great sum was exceeded by Pliny in his estimate of the
pearl Cleopatra is said to have swallowed. He placed the value of
that at $375,000. As the Shah's pearl was about three inches long,
Cleopatra's must have been large enough to reflect on the story
connected with it.
It is said Julius Cæsar presented a pearl valued at an equivalent of
nearly $250,000 to Servilla the sister of Cato of Utica and mother of
Marcus Junius Brutus. The pearl taken from the ear-drop of Caecilia
Metella by Clodius to dissolve and drink in vinegar was valued at
$40,000.
A large pear-shaped pearl weighing one thousand grains was
found at the island of Margarita off the Colombian coast and given to
Philip II. of Spain. Some reports say it was obtained in 1579; others
give the date as 1560 and say it was presented to the monarch by
Don Diego de Temes. It was valued then at something over $30,000,
but Freco, the king's jeweller, said it might be worth twice to twenty
times as much for such a gem was priceless. It was later known
among the crown jewels as La Peregrina. Prior to this, a companion
of Magellan reported having seen two pearls as large as hen's eggs
in the possession of the Rajah of Borneo.
The pearl which Sir Thomas Gresham drank in his wine to
Elizabeth of England is said to have been worth seventy-five
thousand dollars. It was reported some years ago that the Queen of
the Gambiers owned a pearl of extraordinary luster, as large as a
pigeon's egg. There is a story that in 1779 a pearl weighing 2312
grains which cost in India $22,500, was offered for sale in St.
Petersburg. It was called the sleeping lion because of its shape and
must have been therefore a baroque.
The republic of Venice presented a pearl to Soliman The
Magnificent, Sultan of Turkey, which was valued at $80,000, and
52. Pope Leo X. bought one of a Venetian jeweller for $70,000. These
sums make the prices of to-day seem insignificant and it is very
probable that many of the pearls which brought such large amounts
would not pass criticism now. Perhaps one reason for the scarcity of
large pearls among those taken from the fisheries in this age is that
many of them are classed as baroques or are not sufficiently fine
and perfect to attract attention. They pass therefore among those
considered unworthy of notice.
A brown pearl valued at $25,000 was exhibited by Marchisini of
Florence at the Maritime International Exhibition at Naples in 1871.
Among the Dudley pearls exhibited at the London Exhibition of 1872
was a necklace of exceptionally fine pearls valued at $150,000. The
late Czar of Russia spent twenty-five years in collecting sufficient
perfect Virgin pearls to form a necklace for his wife. The Countess
Henckel owns a necklace of pearls which for value and associations
is unrivalled. It is composed of three strands, each at one time being
a separate and historical necklace. One was the famous necklace
belonging to the Empress Eugénie which has been valued at
£20,000; one known as "the necklace of the Virgin of Atokha,"
formerly owned by a member of the Spanish nobility, the third
belonged to the ex-Queen of Naples. For value this is exceeded by a
single strand necklace of large pearls lately bought by a western
millionaire of the United States. It is composed of thirty-seven pearls
ranging from eighteen to fifty-two and three-quarter grains each, the
latter being the largest central pearl. The combined weight of the
pearls is 979-3/4 grains and the value is given at $400,000.
A very beautiful and nearly perfect pear-shaped pearl was found
on the north-east coast of Australia in the seventies. It weighed 159
grains. There is a pearl about the size of a pigeon's egg in the
French crown jewels, valued at $8,000. Many fine pearls, especially
black or colored, have been found on the Mexican coast during the
last twenty-five years, among them a black pearl of 162 grains and
another of 108 grains, a white pear-shape weighing 176 grains, an
oval of 128 grains, and three weighing 300 grains, 180 grains and
372 grains respectively, the first two being found in the same year.
53. In the World's Fair in Paris, 1889, seven black pearls from this
district, valued at $22,000 were exhibited. These and others are
described in "Gems and Precious Stones" by Kunz. No fresh-water
pearl has attained an equal notoriety with the Queen pearl found at
Notch Brook near Paterson, New Jersey, in 1857. It weighed 93
grains and was sold to the Empress Eugénie.
Another round pearl of 400 grains, ruined by boiling, had it been
properly extracted from the mussel, would probably have been the
finest and most notable pearl of this age, though another as large as
a pigeon's egg, dropped from the mollusk and lost when the shell
was opened, might have rivalled it. The finder was wading in a
stream in Ohio, feeling for the projecting edges of the mussels with
his feet, and opening them as he brought them to the surface, as
was custom there. This, however, may have been like the fish that
got away.
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