![|---------10-11p10----13p10----11p10----13-10----:
|------11----------11-------11-------11-------11-:
|-9h11-------------------------------------------:
|------------------------------------------------:
|------------------------------------------------:
|------------------------------------------------:
This part is where Michael did a fret board tapping technique. I'm not sure
if this is
correct but it sounds cool.
T T T T T T
|-------------------------------------------|
|-------------------------------------------|
|-5S9-12-5S9-12-5S9-12-5S9-12-5S9-12-5S9-12-|
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|
T T T T T
|-------------------------------------------:
|-5S9-13-5S9-13-5S9-13-5S9-13-5S9-13-5S9-13-:
|-------------------------------------------:
|-------------------------------------------:
|-------------------------------------------:
|-------------------------------------------:
|--------------------------------------------:----*|
|----------------16h18p16h18-16--15b16r15----:----*|
|-15h17p15h17p15--------------------------15-:-15-*|
|--------------------------------------------:----*|
|--------------------------------------------:----*|
|--------------------------------------------:----*|
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting](https://image.slidesharecdn.com/pleasenote-120202101109-phpapp01/85/Please-note-2-320.jpg)
Please note
- 1. #----------------------------------PLEASE NOTE------------------------------- --# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #---------------------------------------------------------------------------- --## LIWANAG SA DILIM (SOLO_ As recorded by Rivermaya (Released as a Single in 2004) Transcribed by Arjay C. Nacion I used Power Tab Editor Software to Make this tab. This is purely ear transcribed. Please rate this. I'm at least 90% sure that my transcription is correct. For my friends and band mates: Mga tol astig tong song na 'to. Oh Arnie, pakinggan mo na lang yung song for the tempo and timing. Gtr I (E A D G B E) - Standard Tuning 8/8 Gtr I |-11p10----13p10----11p10----13p10----15p10----: |-------11-------11-------11-------11-------11-: |----------------------------------------------: |----------------------------------------------: |----------------------------------------------: |----------------------------------------------: |---------10-11p10----13p10----11p10----13-10----|| |------11----------11-------11-------11-------11-|| |-9h11-------------------------------------------|| |------------------------------------------------|| |------------------------------------------------|| |------------------------------------------------|| |--------------------:---------------: |-6S8----------------:-8S6--8S6--8S6-: |-----5S7------------:---------------: |---------3S5--------:---------------: |-------------3S5----:---------------: |-----------------6--:---------------: |-11p10----13p10----11p10----13p10----15p10----|| |-------11-------11-------11-------11-------11-|| |----------------------------------------------|| |----------------------------------------------|| |----------------------------------------------|| |----------------------------------------------||
- 2. |---------10-11p10----13p10----11p10----13-10----: |------11----------11-------11-------11-------11-: |-9h11-------------------------------------------: |------------------------------------------------: |------------------------------------------------: |------------------------------------------------: This part is where Michael did a fret board tapping technique. I'm not sure if this is correct but it sounds cool. T T T T T T |-------------------------------------------| |-------------------------------------------| |-5S9-12-5S9-12-5S9-12-5S9-12-5S9-12-5S9-12-| |-------------------------------------------| |-------------------------------------------| |-------------------------------------------| T T T T T |-------------------------------------------: |-5S9-13-5S9-13-5S9-13-5S9-13-5S9-13-5S9-13-: |-------------------------------------------: |-------------------------------------------: |-------------------------------------------: |-------------------------------------------: |--------------------------------------------:----*| |----------------16h18p16h18-16--15b16r15----:----*| |-15h17p15h17p15--------------------------15-:-15-*| |--------------------------------------------:----*| |--------------------------------------------:----*| |--------------------------------------------:----*| Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) / - slide into or out of (from/to "nowhere") s - legato slide S - shift slide - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting
- 3. n/ - tremolo bar dip; n = amount to dip n - tremolo bar down n/ - tremolo bar up /n - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths ***************************************************************************** ********** * Generated using Power Tab Editor by Brad Larsen - http://powertab.guitarnetwork.org * ***************************************************************************** **********