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Expressionism




Key Terms
•   Expressionism
•   Vasili Kandinsky
•   Emancipation of dissonance
•   Klangfarbenmelodie (tone-color melody)
•   Atonal music
•   Harmonics
•   Melodrama
•   Sprechgesang
•   Basso ostinato
•   Twelve-tone composition
Arnold Schoenberg (1874-1951)

          Style Periodization

          1)     EARLY (to 1905)
                      •     Romantic style
                             –   Verklärte Nacht, Op. 4 (1899)
          2)     MIDDLE (1905-17)
                      •     Atonal/Pantonal works, emancipation of dissonance
                      •     Expressionism
                      •     Piano Pieces, Op. 11 (1909), Pierrot lunaire, Op. 21 (1912)
          3)     FALLOW (1917-23)
                      •     Abandon works based solely on unconscious, toward a new
                            compositional system based on the total chromatic, crafted by
                            motivic transformation and forms
                      •     Society for Private Musical Performances (est. 1918)
                             –     Frequent repetition of works in different concerts
                             –     Introductory discussions to works performed
                             –     Removal of corrupting influences of publicity
                             –     Guests prohibited, except for visitors from abroad
                             –     Reviews or advertisements of works & artists prohibited
                             –     Judgment discouraged
                             –     Performers selected on interest in the society, not mere
                                   virtuosity
          4)     MATURE (1923-51)
                      •     12-tone technique
                      •     1930s emigrates to California
Vassili Kandinsky (1866-1944), Impression III (Concert), 1911
Piano Pieces, Op.11 (1909)
          No. 1
Right: Pierrot by Pablo
Pierrot lunaire (1912)                Picasso, 1918
     Melodrama

     Instrumentation
            Piano
      Flute (+ piccolo)
  Clarinet (+ bass clarinet)
      Violin (+ viola)         Below: Commedia
            Cello                    dell’arte characters

   Voice (Sprechgesang)
PART I: The Departure
 PART II: Adventures
      No. 8 “Nacht”
 No. 9 “Gebet an Pierrot”
PART III: Homecoming
No. 18 “Der Mondfleck”
No. 9 “Gebet an Pierrot”
No. 18 “Der Mondfleck”
No. 8 Nacht (Passacaglia), 1912, page 1

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Powerpoint.expressionism

  • 1. Expressionism Key Terms • Expressionism • Vasili Kandinsky • Emancipation of dissonance • Klangfarbenmelodie (tone-color melody) • Atonal music • Harmonics • Melodrama • Sprechgesang • Basso ostinato • Twelve-tone composition
  • 2. Arnold Schoenberg (1874-1951) Style Periodization 1) EARLY (to 1905) • Romantic style – Verklärte Nacht, Op. 4 (1899) 2) MIDDLE (1905-17) • Atonal/Pantonal works, emancipation of dissonance • Expressionism • Piano Pieces, Op. 11 (1909), Pierrot lunaire, Op. 21 (1912) 3) FALLOW (1917-23) • Abandon works based solely on unconscious, toward a new compositional system based on the total chromatic, crafted by motivic transformation and forms • Society for Private Musical Performances (est. 1918) – Frequent repetition of works in different concerts – Introductory discussions to works performed – Removal of corrupting influences of publicity – Guests prohibited, except for visitors from abroad – Reviews or advertisements of works & artists prohibited – Judgment discouraged – Performers selected on interest in the society, not mere virtuosity 4) MATURE (1923-51) • 12-tone technique • 1930s emigrates to California
  • 3. Vassili Kandinsky (1866-1944), Impression III (Concert), 1911
  • 4. Piano Pieces, Op.11 (1909) No. 1
  • 5. Right: Pierrot by Pablo Pierrot lunaire (1912) Picasso, 1918 Melodrama Instrumentation Piano Flute (+ piccolo) Clarinet (+ bass clarinet) Violin (+ viola) Below: Commedia Cello dell’arte characters Voice (Sprechgesang)
  • 6. PART I: The Departure PART II: Adventures No. 8 “Nacht” No. 9 “Gebet an Pierrot” PART III: Homecoming No. 18 “Der Mondfleck”
  • 7. No. 9 “Gebet an Pierrot” No. 18 “Der Mondfleck”
  • 8. No. 8 Nacht (Passacaglia), 1912, page 1