The Music Video
Simon Frith's theory presents the idea that Music videos come in
three types. Each type have their own features which are
recognizable to audiences.
Looking at examples of real media texts in the genre that we
wanted to make ours (RnB/Pop/Street) we found that music
videos for them were predominantly ‘performance’, with
sometimes a hybrid mix of narrative. Girl groups, like the Fifth
harmony ‘Boss’ music video (on the left) are usually of the
performance type. We decided the best way to utilize a girl
group music video that would also be able to appeal to our TA,
is to create a performance type with a subtle hint of narrative,
using the generally overused ‘love’ story as the theme.
Our music video
Dance
Lip-sync is a convention of a
performance music video
Fast-paced and discontinuous
editing cut to the beat of the music
Dramatic changes of framing and heavy movement of
camera to emphasise dance aspect of performance
This point is also a key feature of a performance
music video, where the music and lyrics inform
the performance, however it’s the performance
that drives the video. We used this feature in our
music video by putting in symbolic imagery of
“heart”, “planet” and themes of ‘Red’ like it’s
frequently said in the lyrics of Red Planet.
Red imagery: sometimes in the shape of
circles to connote ‘planets’ & silhouettes
bring a mystery to the subtle theme of
space.
We fully adhere to the genre conventions of
Rnb/Street/Pop (as you’ll see on the next slide) in
terms of style, Band identity etc. This is so that,
within all our individual aspects of our music video
which make it unique, we still include
conventions our audience expect to see in from
an RnB/Street/Pop music video.
Genre Conventions
Tion Waynes- “Can’t go
broke” Discontinuous editing with
choppy cuts and visually
striking colourful effects are
key conventions when it comes
to the style/look of the music
video
Drake- “Headlines”
Representation:
Usually in Rnb/Pop/Street music
videos, women are usually
represented as sex objects and
usually use their bodies to sell
the music. For example in the
examples on the right:
Although girl groups in this genre
play it down, it’s still prevalent.
We challenge this convention of
the sexual portrayal of
women/girls by reversing the
gender roles and making the guys
look like ‘objects’.
We have the men serving
the women in this shot- a
metaphorical shot
highlighting the men as
objects rather than the
women.
Girl group examples of
conventions of portrayal of
women
Band Identity:
Band Identity: Style

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Q1- Media coursework A2

  • 2. Simon Frith's theory presents the idea that Music videos come in three types. Each type have their own features which are recognizable to audiences. Looking at examples of real media texts in the genre that we wanted to make ours (RnB/Pop/Street) we found that music videos for them were predominantly ‘performance’, with sometimes a hybrid mix of narrative. Girl groups, like the Fifth harmony ‘Boss’ music video (on the left) are usually of the performance type. We decided the best way to utilize a girl group music video that would also be able to appeal to our TA, is to create a performance type with a subtle hint of narrative, using the generally overused ‘love’ story as the theme. Our music video Dance Lip-sync is a convention of a performance music video Fast-paced and discontinuous editing cut to the beat of the music Dramatic changes of framing and heavy movement of camera to emphasise dance aspect of performance
  • 3. This point is also a key feature of a performance music video, where the music and lyrics inform the performance, however it’s the performance that drives the video. We used this feature in our music video by putting in symbolic imagery of “heart”, “planet” and themes of ‘Red’ like it’s frequently said in the lyrics of Red Planet. Red imagery: sometimes in the shape of circles to connote ‘planets’ & silhouettes bring a mystery to the subtle theme of space. We fully adhere to the genre conventions of Rnb/Street/Pop (as you’ll see on the next slide) in terms of style, Band identity etc. This is so that, within all our individual aspects of our music video which make it unique, we still include conventions our audience expect to see in from an RnB/Street/Pop music video.
  • 4. Genre Conventions Tion Waynes- “Can’t go broke” Discontinuous editing with choppy cuts and visually striking colourful effects are key conventions when it comes to the style/look of the music video Drake- “Headlines” Representation: Usually in Rnb/Pop/Street music videos, women are usually represented as sex objects and usually use their bodies to sell the music. For example in the examples on the right: Although girl groups in this genre play it down, it’s still prevalent. We challenge this convention of the sexual portrayal of women/girls by reversing the gender roles and making the guys look like ‘objects’. We have the men serving the women in this shot- a metaphorical shot highlighting the men as objects rather than the women. Girl group examples of conventions of portrayal of women Band Identity: