GRADE 8 - QUARTER I
SOUTHEAST
ASIAN
MUSIC
MAP OF SOUTHEAST
ASIA
MYANMAR
LAOS
THAILAND
VIETNAM
CAMBODIA
PHILIPPINES
BRUNEI
MALAYSIA
EAST TIMOR
SINGAPORE
INDONESIA
Each country’s musical instruments and even
some songs are somewhat similar to each
other due to their history of trading and
migration.
Instruments in Southeast Asia can be
classified according to the Hornbostel Sach’s
classification.
CHARACTERISTICS OF
SOUTHEAST ASIAN MUSIC
Music is an important part of the lives of
Southeast Asian Countries.
Songs from Southeast Asia commonly use pentatonic
(5-tone) scales or heptatonic (7-tone) scales.
Vocal music is music made
specifically for voices. It may
be performed with or without
instruments.
VOCAL MUSIC
Instrumental music is
made solely for
instruments.
INSTRUMENTAL
MUSIC
Cambodia is one of the most
beautiful countries in Southeast
Asia. It is also known as
Kâmpŭchéa. It was the center
of the Khmer (Cambodian)
kingdom of Angkor, a great
empire that dominated
Southeast Asia for 600 years.
CAMBODIA
ANGKOR WAT
CAMBODIA
• Art music is highly influenced by ancient
forms as well as Hindu forms.
• Cambodian court music is roughly similar
to that of Java, Indonesia. They feature
choruses with large orchestras based on
struck keys and gongs.
• Cambodian people also absorbed and
adopted Indian, Chinese, European, and
other cultures to suit their own traditions
and tastes that resulted in a distinct
Cambodian culture.
• The Pinpeat is a Cambodian musical
ensemble or an orchestra that usually
accompanies ceremonial music of the
royal courts and temples.
• Music is always part of their court dances,
masked plays, shadow plays, and religious
ceremonies.
• Usually consists of nine or ten
instruments.
PINPEAT ENSEMBLE
PINPEAT ENSEMBLE
Indonesia is an archipelago in
Southeast Asia comprising
approximately 17,500 islands.
Fourth most populous country
and is the fourth biggest nation
of the world.
BORUBUDOR
INDONESIA
PELOG
Heptatonic (7) tone scale with semi tone
MUSICAL SCALE OF
INDONESIA
SLENDRO
Five (5) equidistant tones in octave
GAMELAN ENSEMBLE
•The Gamelan or Gamelan orchestra is the
most popular form of music in Indonesia.
•There are many types of Gamelan Javanese
and Balinese Gamelan are the most famous.
•It contains a variety of instruments such as
metallophones, xylophones, kendang and
gongs; bamboo flutes, bowed and plucked
strings.
•Karawitan is the term for every kind of
gamelan music in Java.
•Believed to possess supernatural powers.
•Consider their instruments sacred, therefore
stepping over the instrument is a sign of
disrespect.
•Musicians bow before playing the
instruments to show respect.
GAMELAN ENSEMBLE
•Gamelan orchestras are used to
accompany dances, songs, and
WayangKulit.
GERONG
Refers to the unison male
chorus that sings with the
Gamelan.
PESIDHEN
A female soloist singer
who sings with a
Gamelan
GAMELAN ENSEMBLE
Myanmar was known as Burma until
1989 when the country’s name was
officially changed by the military
government that took over in 1988.
The music of Myanmar has
similarities with many other musical
traditions in the region, including
Chinese music and Thai music,
probably because its longest land
border is shared with China.
SCHWEDAGO
MYANMAR
The Hsaing Waing is Myanmar’s
traditional folk music ensemble.
It is made up mainly of different
gongs and drums as well as
other instruments depending
on the nature of the
performance.
HSAING WAING
Instruments are performed in open-air
ensembles at ceremonies and festivals.
Other instruments in the Hsaing Waing
are the: chauk lon pat, hne, pat waing, kyi
waing , siand wa , maung hsaing.
MYANMAR’S MUSICAL
INSTRUMENTS CATEGORY
LOUD SOUNDING
LOUND SOUNDING
INSTRUMENTS
For more formal and classical performances that
are performed indoors, the ensemble may be
accompanied by the saung gauk the national
instrument of (13-string angular harp with soft
sound) Myanmar, the pattala (Burmese
xylophone), or the piano and violin, both
introduced during colonial rule.
MYANMAR’S MUSICAL
INSTRUMENTS CATEGORY
SOFT SOUNDING
SOFT SOUNDING
INSTRUMENTS
Myanmar
classical songs
MAHAGITA
The Saung gauk
usually accompanies
these songs.
Malaysia is a constitutional
monarchy in Southeast Asia. It is
divided into two regions: 1. West
Malaysia – also known as Peninsular
Malaysia 2. East Malaysia consists of
thirteen states and three federal
territories. Chinese and Indian
cultural influences made their mark
when trade began in the country.
PAHANG STATE
MOSQUE
MALAYSIA
Emerged during the pre-colonial period
and still exists in the form of vocal, dance,
and theatrical music.
MUSICAL CATEGORY OF
MALAYSIA
CLASSICAL AND FOLK MUSIC
It contains elements from both local
music and foreign elements of
Arabian, Persian, Indian, Chinese, and
Western musical and theatrical
sources.
MUSICAL CATEGORY OF
MALAYSIA
SYNCRETIC OR
ACCULTURATED
This is a gong-based musical ensemble
commonly used in funerals and
weddings in East Malaysia. This type of
ensemble is similar to the kulintang of
the Philippines, Brunei, and Indonesia.
MUSICAL ENSEMBLE AND
PERFORMANCES OF MALAYSIA
AGUNG AND KULINTANG
This is a musical ensemble from
the Malay Peninsula that consists
of xylophones played swiftly and
rhythmically in traditional Malay
functions.
MUSICAL ENSEMBLE AND
PERFORMANCES OF MALAYSIA
KERTOK
This is a type of musical form that is
important to Malaysia’s national culture. It
is performed by singing in groups and
often in a competitive manner usually
with percussion instrumental
accompaniment or sometimes without
instruments at all.
MUSICAL ENSEMBLE AND
PERFORMANCES OF MALAYSIA
DIKIR BARAT
This is a form of martial art that is similar
to t’ai chi. It originated in the Malay
Peninsula since the Christian Era and is a
mixture of martial arts, dance, and music
usually accompanied by gongs, drums,
and Indian oboes.
MUSICAL ENSEMBLE AND
PERFORMANCES OF MALAYSIA
SILAT MELAYU
Thailand Formerly known as Siam,
Thailand is known for being the
sole nation in Southeast Asia that
has never been ruled by a Western
power. It is for this reason that the
country is also called “Muang Thai,”
which means “Land of the Free.”
AYUTTHAYA
RUINS
THAILAND
• Music is theoretically based on the five-tone
or seven-tone scale system.
• Songs of Thailand have inherently poetic lyrics
which allow a singer or performer to easily
define the melodic lines. It provides the singer
the opportunity to improvise song text to suit
the given occasion.
• Thai folk music consists of simple songs with
simple melodic lines.
THAILAND
It is a mid-sized orchestra that is
performed in either outdoor style with
hard mallets or indoor style with padded
mallets. This ensemble has different types
but the highly ornate one is traditionally
associated with funerals and cremation
ceremonies.
INSTRUMENTAL ENSEMBLE
OF THAILAND
PIPHAT
It is an orchestra that combines some of
the percussion and wind instruments of
the Piphat with an expanded string
section. This group is primarily used for
indoor performances and for the
accompaniment of stickpuppet theater.
INSTRUMENTAL ENSEMBLE
OF THAILAND
KHRUEANG SAI
This ensemble is traditionally played by
women in the courts of Central Thailand
and Cambodia. Because of this,
instruments for this ensemble are
historically smaller. A vocalist performing
with the Mahori is usually accompanied
by the so samsai.
INSTRUMENTAL ENSEMBLE
OF THAILAND
MAHORI
This country is an independent
state of Southeast Asia and
officially known as Lao People’s
Democratic Republic.
Wat Pha That Luang, Vientiane is
one of its famous landmarks. The
classical music and dance of Laos
is highly influences by India,
Cambodia, and Thailand.
Wat Pha That Luang,
Vientiane
LAOS
This is similar to the Piphat of
Thailand with instruments that are
strictly percussive but also
integrates the use of an oboe.
CATEGORIES OF LAO
ORCHESTRA
SEP NYAI
This is also known as the Mahori of
Thailand. However, it incorporates the use
of several
Traditional music, called Mor lam, is
largely based around the khene.
CATEGORIES OF LAO
ORCHESTRA
SEP NOI
Vietnam is officially known as
the Socialist Republic of
Vietnam.
This country is located on the
eastern coast of the
Indochinese Peninsula.
THIEN MU
VIETNAM
Nha nhac popularly performed
during the Tran Dynasty to the
Nguyen Dynasty. This form of
classical music is also performed
in honour of the gods and
scholars in temples.
CATEGORIES OF
VIETNAMESE MUSIC
IMPERIAL MUSIC
Dai Nhac (“great music”)
and the Tieu Nhac (“small
music”) which was
performed as chamber
music for the king.
CATEGORIES OF
VIETNAMESE MUSIC
Performed in musical theaters,
streets, courtship rituals, and
ceremonies for invoking
spirits.
FOLK MUSIC
This category is extremely
diverse because it includes
music performed both indoors
and outdoors.
CATEGORIES OF
VIETNAMESE MUSIC
RELIGIOUS AND
CEREMONIAL MUSIC
This is music performed
in religious rituals or at
funerals.
The Republic of Singapore is an
independent republic in Southeast
Asia, comprised of one main island
and about 50 small adjacent
islands off the southern tip of the
Malay Peninsula.
Singapore’s cultural life reflects its
colonization by the British Empire
and its diverse population.
MERLION
SINGAPORE
SINGAPORE MUSIC
Being the melting pot of
different cultures in Asia, folk
music of this country reflects
the culture and traditions of
specific groups.
Through the years, the music
industry in Singapore grew
having Western influenced
performances by the
Singapore Symphony
Orchestra as well as ethnic
music performances mainly by
the Singapore Chinese
Orchestra.
Other minority Asian ethnic
groups which have also made a
mark in the folk culture of
Singapore are the Cantonese,
Hokkien, and Malay Bangwasan.
DO YOU THINK MUSIC
IS ESSENTIAL TO US?
ACTIVITY TIME!
ASSIGNMENT!
REVIEW TIME!
PITCH
Lowness or highness
of sound.
RHYTHM
How you music flows.
MELODY
Tune of the song.
ELEMENTS OF MUSIC
DYNAMICS
Volume of a sound or
note.
TEXTURE
Roughness or
Softness of sound.
TIMBRE
Tone color
HARMONY
Synchronization of a sound.
ELEMENTS OF MUSIC
FORM
Overall structure or
plan of a piece of
music.
GRADE 8 - QUARTER I
SOUTHEAST
ASIAN
SONGS
Burung Kakatua or Burung kakaktua is a
traditional Indonesian children's song .
Burung Kakatua is a folk song from Indonesia
about the cockatoo (kakatua) and the village
grandmother who listens to it sing.
BURUNG KAKATUA
The Loy Krathong Song is extremely
famous in Thai Culture as is the festival
itself. Loy Krathong itself translates to
float a basket.
This is a gift given on the first day of a
full moon in the 12 month of the
traditional Thai lunar calendar each year.
LOI LOI KRATHONG
A folk song popular in Indonesia, Malaysia and
Singapore.The song is believed to have its origin in East
Nusa Tenggara in Indonesia. A popular Indonesian version
titled "Anak Kambing Saya" ("My Lamb" or "My Baby Goat")
has been attributed to Saridjah Niyung.
•The song "Chan Mali Chan" is a light-hearted song that
starts with talking about looking for a lamb/kid.
CHAN MALI CHAN
ACTIVITY TIME!
ACTIVITY TIME!
Choose one Southeast Asian song.
Memorize the lyrics and create a video using
TIKTOK application. If you are done with your
tiktok, send it to your buddy in class for
evaluation. In exchange you will be
evaluatingb his work too. Submit your score to
your teacher.
TIME!
1. It is a folk song from Indonesia about the cockatoo
(kakatua) and the village grandmother who listens
to it sing.
2. One of the elements of music which describes as
the lowness or highness of a sound.
3. It is a song from Vietnam which is similar to the
Ugoy ng duyan of the Philippines.
4. It is also known as the tune of the song.
5. The song "Chan Mali Chan" is a light-hearted song
that starts with talking about looking for a _______.
QUIZ
TIME!
QUIZ
6. What is the tempo of the song Chan Mali
Chan?
7. It is also known as the tone color.
8. What is the tempo of the song LoiLoi
Krathong
9. This is a gift given on the first day of a full
moon in the 12 month of the traditional Thai
lunar calendar each year.
10. One of the elements of music which
Thank You
for listening!

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QTR 1 MUSIC 8 (SOUTHEAST ASIAN MUSIC).pptx

  • 1. GRADE 8 - QUARTER I SOUTHEAST ASIAN MUSIC
  • 3. Each country’s musical instruments and even some songs are somewhat similar to each other due to their history of trading and migration. Instruments in Southeast Asia can be classified according to the Hornbostel Sach’s classification. CHARACTERISTICS OF SOUTHEAST ASIAN MUSIC Music is an important part of the lives of Southeast Asian Countries. Songs from Southeast Asia commonly use pentatonic (5-tone) scales or heptatonic (7-tone) scales.
  • 4. Vocal music is music made specifically for voices. It may be performed with or without instruments. VOCAL MUSIC
  • 5. Instrumental music is made solely for instruments. INSTRUMENTAL MUSIC
  • 6. Cambodia is one of the most beautiful countries in Southeast Asia. It is also known as Kâmpŭchéa. It was the center of the Khmer (Cambodian) kingdom of Angkor, a great empire that dominated Southeast Asia for 600 years. CAMBODIA ANGKOR WAT
  • 7. CAMBODIA • Art music is highly influenced by ancient forms as well as Hindu forms. • Cambodian court music is roughly similar to that of Java, Indonesia. They feature choruses with large orchestras based on struck keys and gongs. • Cambodian people also absorbed and adopted Indian, Chinese, European, and other cultures to suit their own traditions and tastes that resulted in a distinct Cambodian culture.
  • 8. • The Pinpeat is a Cambodian musical ensemble or an orchestra that usually accompanies ceremonial music of the royal courts and temples. • Music is always part of their court dances, masked plays, shadow plays, and religious ceremonies. • Usually consists of nine or ten instruments. PINPEAT ENSEMBLE
  • 10. Indonesia is an archipelago in Southeast Asia comprising approximately 17,500 islands. Fourth most populous country and is the fourth biggest nation of the world. BORUBUDOR INDONESIA
  • 11. PELOG Heptatonic (7) tone scale with semi tone MUSICAL SCALE OF INDONESIA SLENDRO Five (5) equidistant tones in octave
  • 12. GAMELAN ENSEMBLE •The Gamelan or Gamelan orchestra is the most popular form of music in Indonesia. •There are many types of Gamelan Javanese and Balinese Gamelan are the most famous. •It contains a variety of instruments such as metallophones, xylophones, kendang and gongs; bamboo flutes, bowed and plucked strings. •Karawitan is the term for every kind of gamelan music in Java.
  • 13. •Believed to possess supernatural powers. •Consider their instruments sacred, therefore stepping over the instrument is a sign of disrespect. •Musicians bow before playing the instruments to show respect. GAMELAN ENSEMBLE •Gamelan orchestras are used to accompany dances, songs, and WayangKulit.
  • 14. GERONG Refers to the unison male chorus that sings with the Gamelan. PESIDHEN A female soloist singer who sings with a Gamelan GAMELAN ENSEMBLE
  • 15. Myanmar was known as Burma until 1989 when the country’s name was officially changed by the military government that took over in 1988. The music of Myanmar has similarities with many other musical traditions in the region, including Chinese music and Thai music, probably because its longest land border is shared with China. SCHWEDAGO MYANMAR
  • 16. The Hsaing Waing is Myanmar’s traditional folk music ensemble. It is made up mainly of different gongs and drums as well as other instruments depending on the nature of the performance. HSAING WAING
  • 17. Instruments are performed in open-air ensembles at ceremonies and festivals. Other instruments in the Hsaing Waing are the: chauk lon pat, hne, pat waing, kyi waing , siand wa , maung hsaing. MYANMAR’S MUSICAL INSTRUMENTS CATEGORY LOUD SOUNDING
  • 19. For more formal and classical performances that are performed indoors, the ensemble may be accompanied by the saung gauk the national instrument of (13-string angular harp with soft sound) Myanmar, the pattala (Burmese xylophone), or the piano and violin, both introduced during colonial rule. MYANMAR’S MUSICAL INSTRUMENTS CATEGORY SOFT SOUNDING
  • 21. Myanmar classical songs MAHAGITA The Saung gauk usually accompanies these songs.
  • 22. Malaysia is a constitutional monarchy in Southeast Asia. It is divided into two regions: 1. West Malaysia – also known as Peninsular Malaysia 2. East Malaysia consists of thirteen states and three federal territories. Chinese and Indian cultural influences made their mark when trade began in the country. PAHANG STATE MOSQUE MALAYSIA
  • 23. Emerged during the pre-colonial period and still exists in the form of vocal, dance, and theatrical music. MUSICAL CATEGORY OF MALAYSIA CLASSICAL AND FOLK MUSIC
  • 24. It contains elements from both local music and foreign elements of Arabian, Persian, Indian, Chinese, and Western musical and theatrical sources. MUSICAL CATEGORY OF MALAYSIA SYNCRETIC OR ACCULTURATED
  • 25. This is a gong-based musical ensemble commonly used in funerals and weddings in East Malaysia. This type of ensemble is similar to the kulintang of the Philippines, Brunei, and Indonesia. MUSICAL ENSEMBLE AND PERFORMANCES OF MALAYSIA AGUNG AND KULINTANG
  • 26. This is a musical ensemble from the Malay Peninsula that consists of xylophones played swiftly and rhythmically in traditional Malay functions. MUSICAL ENSEMBLE AND PERFORMANCES OF MALAYSIA KERTOK
  • 27. This is a type of musical form that is important to Malaysia’s national culture. It is performed by singing in groups and often in a competitive manner usually with percussion instrumental accompaniment or sometimes without instruments at all. MUSICAL ENSEMBLE AND PERFORMANCES OF MALAYSIA DIKIR BARAT
  • 28. This is a form of martial art that is similar to t’ai chi. It originated in the Malay Peninsula since the Christian Era and is a mixture of martial arts, dance, and music usually accompanied by gongs, drums, and Indian oboes. MUSICAL ENSEMBLE AND PERFORMANCES OF MALAYSIA SILAT MELAYU
  • 29. Thailand Formerly known as Siam, Thailand is known for being the sole nation in Southeast Asia that has never been ruled by a Western power. It is for this reason that the country is also called “Muang Thai,” which means “Land of the Free.” AYUTTHAYA RUINS THAILAND
  • 30. • Music is theoretically based on the five-tone or seven-tone scale system. • Songs of Thailand have inherently poetic lyrics which allow a singer or performer to easily define the melodic lines. It provides the singer the opportunity to improvise song text to suit the given occasion. • Thai folk music consists of simple songs with simple melodic lines. THAILAND
  • 31. It is a mid-sized orchestra that is performed in either outdoor style with hard mallets or indoor style with padded mallets. This ensemble has different types but the highly ornate one is traditionally associated with funerals and cremation ceremonies. INSTRUMENTAL ENSEMBLE OF THAILAND PIPHAT
  • 32. It is an orchestra that combines some of the percussion and wind instruments of the Piphat with an expanded string section. This group is primarily used for indoor performances and for the accompaniment of stickpuppet theater. INSTRUMENTAL ENSEMBLE OF THAILAND KHRUEANG SAI
  • 33. This ensemble is traditionally played by women in the courts of Central Thailand and Cambodia. Because of this, instruments for this ensemble are historically smaller. A vocalist performing with the Mahori is usually accompanied by the so samsai. INSTRUMENTAL ENSEMBLE OF THAILAND MAHORI
  • 34. This country is an independent state of Southeast Asia and officially known as Lao People’s Democratic Republic. Wat Pha That Luang, Vientiane is one of its famous landmarks. The classical music and dance of Laos is highly influences by India, Cambodia, and Thailand. Wat Pha That Luang, Vientiane LAOS
  • 35. This is similar to the Piphat of Thailand with instruments that are strictly percussive but also integrates the use of an oboe. CATEGORIES OF LAO ORCHESTRA SEP NYAI
  • 36. This is also known as the Mahori of Thailand. However, it incorporates the use of several Traditional music, called Mor lam, is largely based around the khene. CATEGORIES OF LAO ORCHESTRA SEP NOI
  • 37. Vietnam is officially known as the Socialist Republic of Vietnam. This country is located on the eastern coast of the Indochinese Peninsula. THIEN MU VIETNAM
  • 38. Nha nhac popularly performed during the Tran Dynasty to the Nguyen Dynasty. This form of classical music is also performed in honour of the gods and scholars in temples. CATEGORIES OF VIETNAMESE MUSIC IMPERIAL MUSIC Dai Nhac (“great music”) and the Tieu Nhac (“small music”) which was performed as chamber music for the king.
  • 39. CATEGORIES OF VIETNAMESE MUSIC Performed in musical theaters, streets, courtship rituals, and ceremonies for invoking spirits. FOLK MUSIC This category is extremely diverse because it includes music performed both indoors and outdoors.
  • 40. CATEGORIES OF VIETNAMESE MUSIC RELIGIOUS AND CEREMONIAL MUSIC This is music performed in religious rituals or at funerals.
  • 41. The Republic of Singapore is an independent republic in Southeast Asia, comprised of one main island and about 50 small adjacent islands off the southern tip of the Malay Peninsula. Singapore’s cultural life reflects its colonization by the British Empire and its diverse population. MERLION SINGAPORE
  • 42. SINGAPORE MUSIC Being the melting pot of different cultures in Asia, folk music of this country reflects the culture and traditions of specific groups. Through the years, the music industry in Singapore grew having Western influenced performances by the Singapore Symphony Orchestra as well as ethnic music performances mainly by the Singapore Chinese Orchestra. Other minority Asian ethnic groups which have also made a mark in the folk culture of Singapore are the Cantonese, Hokkien, and Malay Bangwasan.
  • 43. DO YOU THINK MUSIC IS ESSENTIAL TO US?
  • 47. PITCH Lowness or highness of sound. RHYTHM How you music flows. MELODY Tune of the song. ELEMENTS OF MUSIC DYNAMICS Volume of a sound or note.
  • 48. TEXTURE Roughness or Softness of sound. TIMBRE Tone color HARMONY Synchronization of a sound. ELEMENTS OF MUSIC FORM Overall structure or plan of a piece of music.
  • 49. GRADE 8 - QUARTER I SOUTHEAST ASIAN SONGS
  • 50. Burung Kakatua or Burung kakaktua is a traditional Indonesian children's song . Burung Kakatua is a folk song from Indonesia about the cockatoo (kakatua) and the village grandmother who listens to it sing. BURUNG KAKATUA
  • 51. The Loy Krathong Song is extremely famous in Thai Culture as is the festival itself. Loy Krathong itself translates to float a basket. This is a gift given on the first day of a full moon in the 12 month of the traditional Thai lunar calendar each year. LOI LOI KRATHONG
  • 52. A folk song popular in Indonesia, Malaysia and Singapore.The song is believed to have its origin in East Nusa Tenggara in Indonesia. A popular Indonesian version titled "Anak Kambing Saya" ("My Lamb" or "My Baby Goat") has been attributed to Saridjah Niyung. •The song "Chan Mali Chan" is a light-hearted song that starts with talking about looking for a lamb/kid. CHAN MALI CHAN
  • 55. Choose one Southeast Asian song. Memorize the lyrics and create a video using TIKTOK application. If you are done with your tiktok, send it to your buddy in class for evaluation. In exchange you will be evaluatingb his work too. Submit your score to your teacher.
  • 56. TIME! 1. It is a folk song from Indonesia about the cockatoo (kakatua) and the village grandmother who listens to it sing. 2. One of the elements of music which describes as the lowness or highness of a sound. 3. It is a song from Vietnam which is similar to the Ugoy ng duyan of the Philippines. 4. It is also known as the tune of the song. 5. The song "Chan Mali Chan" is a light-hearted song that starts with talking about looking for a _______. QUIZ
  • 57. TIME! QUIZ 6. What is the tempo of the song Chan Mali Chan? 7. It is also known as the tone color. 8. What is the tempo of the song LoiLoi Krathong 9. This is a gift given on the first day of a full moon in the 12 month of the traditional Thai lunar calendar each year. 10. One of the elements of music which

Editor's Notes

  • #3: 1. Music is an important part of the lives of Southeast Asian Countries they use it for rituals, ceremonies, courting, and entertainment. 2. Most of the instruments are percussive with an exception of some aerophones and chordophones.
  • #10: With over 238 million people, Indonesia is the world’s. Today the contemporary music of Indonesia is popular not only in the region but also in the neighbouring countries. Through interaction with other cultures such as Indian, Arabic, Chinese and European, a wide range of musical styles has been developed.
  • #11: Both vocal and instrumental music in Indonesia use slendro and peloq scales. Polyphonic stratification kind of melody is a result of hocket/Interlock. Interlocking is a common technique used in gong ensembles. Irama – is an Indonesian term for tempo 13
  • #14: Vocal music is used as ornamentation of the Gamelan. It is as important as gamelan.
  • #15: Early civilization in Myanmar dates back to the 1st century with archaeological evidences of the Pyu Kingdoms of Thayekhittaya (Sri Ksetra), Beithano (Visnu), and Hanlin.
  • #17: Most of the Hsaing Waing instruments belong to the loud sounding category. instruments in the Hsaing Waing are the: chauk lon pat (a set of 8 tuned drums) hne (a double reed pipe) pat waing (a set of 21 drums in a circle) kyi waing (small bronze gongs in a circular frame) Not shown in the picture is the siand wa (bell and clapper) 17 maung hsaing (larger bronze gongs in a rectangular frame)
  • #21: 1. Myanmar not only has musical ensembles but also an extensive collection of classical songs called the Mahagita. These songs are divided into different types like the oldest repertoires, royal court music, songs of longing, horses’ dance songs, worship songs for Burmese spirits, and songs of sorrow and music adapted from Ayutthaya and the Mon people. 2. The saung gauk usually accompanies these songs.
  • #22: The country is multiethnic and multi-cultural, which plays a large role in developing their culture. The constitution declares Islam the state religion while protecting freedom of religion. Multi-racial groups that influenced Malaysia’s music genre: 1. 2. 3. 4. Malay Chinese Indian Iban 5. Dayak 6. Kadazandusun 7. Eurasians Malaysian music is largely based around percussion instruments. It has multicultural influence and is believed to have originated in the Kelantan-Pattani region with a mixture of Indian, Chinese, Thai, and Indonesian influences.
  • #24: Malaysian Musical Instruments Musical instruments of Malaysia are greatly associated with their culture and roots. Due to colonization, the stages of development of Malaysian instruments are great. They share some common features with Indian musical instruments. After the colonization of Malaysia by the British, the musical development was influenced by Western music. 
  • #29: Its musical principles and elements are basically derived from Chinese music, while its musical instruments are inspired from the Indian and Indonesian strings and gong-chimes. The Thais combined and adapted these to their culture and created their own unique music.
  • #30: 1. It is not only confined to the royal courts but is also used extensively in dance, theatre, and in ceremonies. 2. Its main focus in singing is the articulation of the text rather than the style or technique of execution. 3. The interpretation of a singer gives meaning to the sacred and spiritual essence of songs with free rhythm while melodies may either be interpreted or written in the high or low register with long or short durations.
  • #31: Other versions of the piphat ensemble are used to accompany specific forms of traditional Thai drama such as the large shadow puppet theatre (nang yai) and the khon dance drama.
  • #33: 1. However, regular-sized instruments are used today. 2. SOM SAM SAI – Traditional bowed string instrument of thailand
  • #34: It is formerly part of the Indochinese Union, also known as French Indochina. Themes are drawn from Hindu mythology, the Buddhist Jatakatales, and local legends. The royal entourage of Lao kings traditionally included musicians, and a typical orchestra improvised songs with sets of tuned gongs, xylophones, a bamboo flute, and other wind instruments. 
  • #36: Khene is a large bamboo mouth organ and is the most popular folk music instrument of Laos. Usually used for Laos traditional music.
  • #37: Vietnamese music (nhạc Việt Nam) refers to the ethnic music that originated from the "Kinh" people of Vietnam. This term is also used to address the music of any of the numerous ethnic minorities including the Montagnard, Degar, Tay, Cham, and others. 
  • #38: 1. The most popular of this kind is the Nha nhac that was popularly performed during the Tran Dynasty to the Nguyen Dynasty. This form of classical music is also performed in honour of the gods and scholars in temples. 2. Other classical music falling into this category include the Dai Nhac (“great music”) and the Tieu Nhac (“small music”) which was performed as chamber music for the king.
  • #39: 1. Performers of this category are also diverse. They may be professional musicians down to the blind artists in the streets who perform to earn their living. 2. Vietnamese folk music are performed in different occasions depending on its sub-category. It may be performed in musical theaters, streets, courtship rituals, and ceremonies for invoking spirits. Some Vietnamese music only makes use of female singers and some have both male and female singers.
  • #41: About three-fourths of the people of Singapore, known as Singaporeans, are Chinese, but there are significant Malay and Indian minorities.
  • #42: The ethnic groups which made a prominent place in the musical world of Singapore have been Chinese, Indian Malays, and Tamils. Other performing groups with Malay and Indian influence are still prevalent until today. 
  • #47: Rhythm - Time Signature, both simple and compound maybe used. Example of songs that are in duple meter are our favourite Philippine folk songs Magtanim ay Di Biro and Leron Leron Sinta. Burung Kakak Tua is an example of song in triple meter. Loi, Loi Khratong, Chai Mali Chan and Ru Con are in quadruple meter. MELODY - It has directions. The notes may step, skip, leap or stationary. Scale may be pentatonic or diatonic. The range maybe narrow or wide. texture –homophony, monophony, polyphony
  • #48: Rhythm - Time Signature, both simple and compound maybe used. Example of songs that are in duple meter are our favourite Philippine folk songs Magtanim ay Di Biro and Leron Leron Sinta. Burung Kakak Tua is an example of song in triple meter. Loi, Loi Khratong, Chai Mali Chan and Ru Con are in quadruple meter. MELODY - It has directions. The notes may step, skip, leap or stationary. Scale may be pentatonic or diatonic. The range maybe narrow or wide. texture –homophony, monophony, polyphony
  • #56: 1. BURUNG KA KATUA 3. PITCH 4. RUCON 5. MELODY 5. LAMB/KID
  • #57: 6. FAST 7. TIMBRE 8. MEDIUM FAST 9. LOY KRATHONG 10. DYNAMICS