The document discusses the identity crises faced by the Seventh-day Adventist Church between 1919 and 1950, particularly in the context of fundamentalist and modernist ideologies. It highlights the tension within the church regarding biblical inspiration, the role of Ellen White, and the movement towards a more rigid stance on theological issues. The text ultimately portrays Adventism as aligning more closely with fundamentalist views while grappling with its own distinct beliefs, particularly regarding salvation and inspiration.