Real Analysis Theory Of Measure And Integration 3rd Edition J Yeh
Real Analysis Theory Of Measure And Integration 3rd Edition J Yeh
Real Analysis Theory Of Measure And Integration 3rd Edition J Yeh
Real Analysis Theory Of Measure And Integration 3rd Edition J Yeh
1. Real Analysis Theory Of Measure And Integration
3rd Edition J Yeh download
https://ebookbell.com/product/real-analysis-theory-of-measure-
and-integration-3rd-edition-j-yeh-34016180
Explore and download more ebooks at ebookbell.com
2. Here are some recommended products that we believe you will be
interested in. You can click the link to download.
Real Analysis Theory Of Measure And Integration 2nd Edition J Yeh
https://ebookbell.com/product/real-analysis-theory-of-measure-and-
integration-2nd-edition-j-yeh-1007734
Problems And Proofs In Real Analysis Theory Of Measure And Integration
1st Edition James J Yeh
https://ebookbell.com/product/problems-and-proofs-in-real-analysis-
theory-of-measure-and-integration-1st-edition-james-j-yeh-49110644
Notes On Real Analysis And Measure Theory Fine Properties Of Real Sets
And Functions Alexander Kharazishvili
https://ebookbell.com/product/notes-on-real-analysis-and-measure-
theory-fine-properties-of-real-sets-and-functions-alexander-
kharazishvili-46249308
Real Analysis An Introduction To The Theory Of Real Functions And
Integration 1st Edition Jewgeni H Dshalalow
https://ebookbell.com/product/real-analysis-an-introduction-to-the-
theory-of-real-functions-and-integration-1st-edition-jewgeni-h-
dshalalow-2226844
3. Pattern Theory The Stochastic Analysis Of Realworld Signals Mumford D
https://ebookbell.com/product/pattern-theory-the-stochastic-analysis-
of-realworld-signals-mumford-d-2046222
Real Analysis Measure Theory Integration And Hilbert Spaces Elias M
Stein Rami Shakarchi
https://ebookbell.com/product/real-analysis-measure-theory-
integration-and-hilbert-spaces-elias-m-stein-rami-shakarchi-51950918
Real Analysis Measure Theory Integration And Hilbert Spaces First
Edition Elias M Stein Rami Shakarchi
https://ebookbell.com/product/real-analysis-measure-theory-
integration-and-hilbert-spaces-first-edition-elias-m-stein-rami-
shakarchi-58228904
Real Analysis Measure Theory Integration And Hilbert Spaces Elias M
Stein Rami Shakarchi
https://ebookbell.com/product/real-analysis-measure-theory-
integration-and-hilbert-spaces-elias-m-stein-rami-shakarchi-34751356
Real Analysis Measure Theory Integration And Hilbert Spaces Elias M
Stein
https://ebookbell.com/product/real-analysis-measure-theory-
integration-and-hilbert-spaces-elias-m-stein-38429984
8. 3rd Edition
REAL ANALYSIS
Theory of Measure and Integration
J Yeh
University of California, irvine
Ye World Scientific
NEW JERSEY » LONDON » SINGAPORE + BEIJING » SHANGHAI » HONG KONG » TAIPEI » CHENNAI
13. viii Contents
[V] Continuity and Borel and Lebesgue Measurability of FunctionsonR... 86
[VI] Cantor Ternary Set and Cantor-Lebesgue Function ............ 88
§5 Completion of Measure Space 2.0... 6. ee eee 99
[I] Complete Extension and Completion of a Measure Space ......... 99
[11] Completion of the Borel Measure Space to the Lebesgue Measure Space 102
§6 Convergence a.e. and Convergence in Measure ................ 104
[I] Convergence ae... ee ee ee 104
[II] Almost Uniform Convergence ...........0 02020000005 108
[Il] Convergence in Measure 2... 1 ee et ill
[IV] Cauchy Sequences in Convergence in Measure ............05 116
[V] Approximation by Step Functions and Continuous Functions ....... 119
2 The Lebesgue Integral 131
§7 Integration of Bounded Functions on Sets of Finite Measure.......... 131
[I] Integration of Simple Functions ... 2... 20.2... 02.2002
eee 131
[I] Integration of Bounded Functions on Sets of Finite Measure ....... 136
[IIT] Riemann Integrability 2.0...
ee een 145
§8 Integration of Nonnegative Functions... 2... ee
eee ee 159
[I] Lebesgue Integral of Nonnegative Functions .............2.004 159
[II] Monotone Convergence Theorem .............-.2-2045. 161
[1] Approximation of the Integral by Truncation .............00- 169
§9 Integration of Measurable Functions ................-2-2504- 177
[I] Lebesgue Integral of Measurable Functions... 2... 0.2... ee 177
[II] Convergence Theorems .. 1... ee 186
[I] Convergence Theorems under Convergence in Measure ......... 190
[IV] Approximation of the Integral by Truncation ............... 191
[V] Translation and Linear Transformation of the Lebesgue IntegralonR . . 196
[VI] Integration by Image Measure... 2... ee 201
§10 Signed Measures ... 2.2... 2. es 212
[T] Signed Measure Spaces .. 2... ce et 212
[II] Decomposition of Signed Measures .. 2... 0... 0.0.0
ee eee 218
[III] Integration on a Signed Measure Space... 2... 0. ee eee eee 227
§11 Absolute Continuity ofa Measure 2... 0. ee 235
[I] The Radon-Nikodym Derivative 2.2.1...
0... eee ee eee 235
[I] Absolute Continuity of a Signed Measure Relative to a Positive Measure 236
[III] Properties of the Radon-Nikodym Derivative ............... 247
3 Differentiation and Integration 257
§12 Monotone Functions and Functions of Bounded Variation ........... 257
[I] The Derivative... ee 257
[I] Differentiability of Monotone Functions ..............-... 263
[OI] Functions of Bounded Variation... . 1... .. eee ee eee 274
§13 Absolutely Continuous Functions .............2020
000005 283
[I] Absolute Continuity... ee ee ee eee 283
[II] Banach-Zarecki Criterion for Absolute Continuity ............ 286
15. [VI] The Dual Space of C(X) «0. ee
5 Extension of Additive Set Functions to Measures
§20 Extension of Additive Set Functions on an Algebra... 2.2... 0.0005
[I] Additive Set Function on an Algebra 2... ee
[1] Extension of an Additive Set Function on an Algebra to a Measure ... .
[1] Regularity of an Outer Measure Derived from a Countably Additive Set
Function onan Algebra 2... ee
[IV] Uniqueness of Extension of a Countably Additive Set Function on
an Algebra toa Measure... 2. ee
[V] Approximation to a o-algebra Generated by an Algebra .........
[VI] Outer Measure Based ona Measure... ...........222005
§21 Extension of Additive Set Functions ona Semialgebra 2... 2... ee
[I] Semialgebras of Sets 2 1. ee
[0] Additive Set Function on a Semialgebra 2... ee ee
[I] Outer Measures Based on Additive Set Functions on a Semialgebra . . .
§22 Lebesgue-Stieltjes Measure Spaces 2... ee
ee ee
[I] Lebesgue-Stieltjes Outer Measures . 2... 1 ee
[I] Regularity of the Lebesgue-Stieltjes Outer Measures ...........
[II] Absolute Continuity and Singularity of a Lebesgue-Stieltjes Measure . .
[IV] Decomposition of an Increasing Function... .........--045-
§23 Product Measure Spaces . 2... 0 ee es
[I] Existence and Uniqueness of Product Measure Spaces ...........
[II] Integration on Product Measure Space .. 6.0...
eee ee ee
[II] Completion of Product Measure Space... 0... eee
ee eee
[[V] Convolution of Functions 2... 20.0... ee
[V] Some Related Theorems ...........--..---.-.----.
6 Measure and Integration on the Euclidean Space
§24 Lebesgue Measure Space on the Euclidean Space ...........--05
[I] Lebesgue Outer Measure on the Euclidean Space... ..........
[I] Regularity Properties of Lebesgue Measure SpaceonR” .........
[1] Approximation by Continuous Functions .............2004
[IV] Lebesgue Measure Space on R” as the Completion of a Product
Measure Space... 0. ee ee ee ee
[V] Translation of the Lebesgue IntegralonR™ ...........-0005
[VI] Linear Transformation of the Lebesgue IntegralonR” ..........
§25 Differentiation on the Euclidean Space... 1. ee
ee ee ee
[I] The Lebesgue Differentiation Theoremon RR” ...............
[01] Differentiation of Set Functions with Respect to the Lebesgue Measure
[III] Differentiation of the Indefinite Integral... 2. .......02..4.
[IV] Density of Lebesgue Measurable Sets Relative to the Lebesgue Measure
[V] Signed Borel Measureson R? 2... 0... ee
[VI] Differentiation of Borel Measures with Respect to the Lebesgue Measure
§26 Change of Variable of Integration on the Euclidean Space... .........
658
664
666
673
16. Contents
[I] Change of Variable of Integration by Differentiable Transformations
[I] Spherical CoordinatesinR® 2.2... .. cc ee
[II] Integration by Image Measure on Spherical Surfaces ...........
7 Hausdorff Measures on the Euclidean Space
§27 Hausdorff Measures .. 1... 0... ce ee ee ene
[I] Hausdorff Measures on R?. 2... ee
[11] Equivalent Definitions of Hausdorff Measure .............06
[10] Regularity of Hausdorff Measure... 1... 1. ee ee eee ee
[IV] Hausdorff Dimension ... 2... 20... 0.0.00.
§28 Transformations of Hausdorff Measures .........--...-2-00---
[1] Hausdorff Measure of Transformed Sets ........0..-
000 ere
[II] 1-dimensional Hausdorff Measure ..........0..00
022 eee
[I] Hausdorff Measure of Jordan Curves .............-00-22--
§29 Hausdorff Measures of Integral and Fractional Dimensions ..........
[1] Hausdorff Measure of Integral Dimension and Lebesgue Measure
[1] Calculation of the n-dimensional Hausdorff Measure of a Unit Cube in R”
[I] Transformation of Hausdorff Measure of Integral Dimension. ..... .
[IV] Hausdorff Measure of Fractional Dimension ...........0-2--
A Digital Expansions of Real Numbers
[I] Existence of p-digital Expansion .... 2.2.2.2... ..0.0000005
[II] Uniqueness Question in p-digital Representation .............
[10] Cardinality of the Cantor Ternary Set... 0... . ee ee ee
B Measurability of Limits and Derivatives
[I] Borel Measurability of Limits of aFunction ...........-2005
[11] Borel Measurability of the Derivative of aFunction ............
C Lipschitz Condition and Bounded Derivative
D Uniform Integrability
[I] Uniform Integrability 2... 0. ee
[MI] Equi-integrability 2... eee
[1] Uniform Integrability on Finite Measure Spaces .............
E Product-measurability and Factor-measurability
[I] Product-measurability and Factor-measurability of aSet ..........
[II] Product-measurability and Factor-measurability ofa Function ......
F Functions of Bounded Oscillation
[]) Partition of Closed Boxesin R® 2.2... ee
[I] Bounded OscillationinR® ........0......22
00.0000 008
[1] Bounded Oscillation on Subsets... 2... ee te te es
[IV] Bounded Oscillation on 1-dimensional Closed Boxes ..........
[V] Bounded Oscillation and Measurability ..............0006
[VI] Evaluation of the Total Variation of an Absolutely Continuous Function .
731
737
799
18. Preface to the First Edition
This monograph evolved froma set of lecture notes for a course entitled Real Analysis that
I taught at the University of California, Irvine. The subject of this course is the theory
of measure and integration. Its prerequisite is advanced calculus. All of the necessary
background material can be found, for example, in R. C. Buck’s Advanced Calculus. The
course is primarily for beginning graduate students in mathematics but the audience usually
includes students from other disciplines too. The first five chapters of this book contain
enough material for a one-year course. The remaining two chapters take an academic
quarter to cover.
Measure is a fundamental concept in mathematics. Measures are introduced to estimate
sizes of sets. Then measures are used to define integrals. Here is an outline of the book.
Chapter 1 introduces the concepts of measure and measurable function. §1 defines
measure as a nonnegative countably additive set function on a o-algebra of subsets of an
arbitrary set. Measurable mapping from a measure space into another is then defined. §2
presents construction of a measure space by means of an outer measure. To have a concrete
example of a measure space early on, the Lebesgue measure space on the real line R is
introduced in §3. Subsequent developments in the rest of Chapter 1 and Chapter 2 are in the
setting of a general measure space. (This is from the consideration that in the definition of a
Measure and an integral with respect to a measure the algebraic and topological structure of
the underlying space is irrelevant and indeed unnecessary. Topology of the space on which
a measure is defined becomes relevant when one considers the regularity of the measure,
that is, approximation of measurable sets by Borel sets.) §4 treats measurable functions, in
particular algebraic operations on measurable functions and pointwise limits of sequences of
measurable functions. §5 shows that every measure space can be completed. §6 compares
two modes of convergence of a sequence of measurable functions: convergence almost
everywhere and convergence in measure. The Borel-Cantelli Lemma and its applications
are presented. A unifying theorem (Theorem 6.5) is introduced from which many other
convergence theorems relating the two modes of convergence are derived subsequently.
These include Egoroff’s theorem on almost uniform convergence, Lebesgue’s and Riesz’s
theorems.
Chapter 2 treats integration of functions on an arbitrary measure space. In §7 the
Lebesgue integral, that is, an integral with respect to a measure, is defined for a bounded.
real-valued measurable function on a set of finite measure. The Bounded Convergence
Theorem on the commutation of integration and limiting process for a uniformly bounded.
19. xiv Preface
sequence of measurable functions which converges almost everywhere on a set of finite
measure is proved here. The proof is based on Egoroff’s theorem. On the Lebesgue
measure space on R, comparison of the Lebesgue integral and the Riemann integral is made.
§8 contains the fundamental idea of integration with respect to a measure. It is shown here
that for every nonnegative extended real-valued measurable function on a measurable set
the integral with respect to the measure always exists even though it may not be finite. The
Monotone Convergence Theorem for an increasing sequence of nonnegative measurable
functions, the most fundamental of all convergence theorems regarding commutation of
integration and convergence of the sequence of integrands, is proved here. Fatou’s Lemma
concerning the limit inferior of a sequence of nonnegative measurable functions is derived
from the Monotone Convergence Theorem. In §9 the integral of an extended real-valued
measurable function on a measurable set is then defined as the difference of the integrals of
the positive and negative parts of the function provided the difference exists in the extended
real number system. The generalized monotone convergence theorem for a monotone
sequence of extended real-valued measurable functions, generalized Fatou’s lemma for
the limit inferior and the limit superior of a sequence of extended real-valued measurable
functions, and Lebesgue’s Dominated Convergence Theorem are proved here. Fatou’s
Lemma and Lebesgue’s Dominated Convergence Theorem under convergence in measure
are included. In §10 a signed measure is defined as an extended real-valued countably
additive set function on a o-algebra and then shown to be the difference of two positive
measures. In §11 the Radon-Nikodym derivative of a signed measure with respect to a
positive measure is defined as a function which we integrate with respect to the latter to
obtain the former. The existence of the Radon-Nikodym derivative is then proved under
the assumption that the former is absolutely continuous with respect to the latter and that
both are o-finite. (The fact that the Radon-Nikodym derivative is a derivative not only in
name but in fact it is the derivative of a measure with respect to another is shown for Borel
measures on the Euclidean space in §25.)
Chapter 3 treats the interplay between integration and differentiation on the Lebesgue
measure space on R. §12 presents Lebesgue’s theorem that every real-valued increasing
function on R is differentiable almost everywhere on R. The proof is based on a Vitali
covering theorem. This is followed by Lebesgue’s theorem on the integral of the derivative
of a real-valued increasing function on a finite closed interval in R. Functions of bounded
variation are included here. §13 defines absolute continuity of a real-valued function on a
finite closed interval in R and then shows that a function is absolutely continuous if and
only if it is an indefinite integral of a Lebesgue integrable function. This is followed by
Lebesgue’s decomposition of a real-valued increasing function as the sum of an absolutely
continuous function and a singular function. Such methods of calculating a Riemann integral
in calculus as the Fundamental Theorem of Calculus, integration by parts, and change of
variable of integration find their counterparts in the Lebesgue integral here. §14 treats
convex functions and in particular their differentiability and absolute continuity property.
Jensen’s inequality is included here.
Chapter 4 treats the L? spaces of measurable functions f with integrable | f|? for p €
(0, 00) and the space L™ of essentially bounded measurable functions on a general measure
20. Preface xV
space. Here Hélder’s inequality and Minkowski’s inequality are proved for p € (0, oo]. §15
introduces the Banach space and its dual. §16 treats L? spaces for p € [1, oo] as well as for
p € (O, 1). §17 treats relation among the L? spaces for different values of p. The £7 spaces
of sequences of numbers (a, : n € N) with }7,,cn lan|? < 00 is treated as a particular case
of L? spaces in which the underlying measure space is the counting measure space on the
set N of natural numbers. The Riesz representation theorem on the L? spaces is proved in
§18. §19 treats integration on a locally compact Hausdorff space. Urysohn’s Lemma on
the existence of a continuous function with compact support and partition of unity, Borel
and Radon measures, the Riesz representation theorem on the space of continuous functions
with compact support as well as Lusin’s theorem on approximation of a measurable function
by continuous functions are included here. (The placement of §19 in Chapter 4 is somewhat
arbitrary.)
Chapter 5 treats extension of additive set functions to measures. It starts with extension
of an additive set function on an algebra to a measure in §20 and completes the theory with
extension of an additive set function on a semialgebra to a measure in §21. (Semialgebra of
sets is an abstraction of the aggregate of left-open and right-closed boxes in the Euclidean
space R”. Its importance lies in the fact that the Cartesian product of finitely many al-
gebras and in particular o-algebras is in general not an algebra, but only a semialgebra.)
As an example of extending an additive set function on a semialgebra to a measure, the
Lebesgue-Stieltjes measure determined by a real-valued increasing function on R is treated
in §22, Theorems establishing the equivalence of the absolute continuity and singularity
of a Lebesgue-Stieltjes measure with respect to the Lebesgue measure with the absolute
continuity and singularity of the increasing function that determines the Lebesgue-Stieltjes
measure are proved. As a second example of extending an additive set function on a semi-
algebra to a measure, the product measure on the product of finitely many measure spaces
is included in §23. Tonelli’s theorem and Fubini’s theorem on the reduction of a multiple
integral to iterated integrals are found here.
Chapter 6 specializes in integration in the Lebesgue measure space on R”. In §24 the
Lebesgue measure on R” is constructed as an extension of the notion of volumes of boxes
in R” to Lebesgue measurable subsets of R”. Then it is shown that the Lebesgue measure
space on R” is the completion of the n-fold product of the Lebesgue measure space on R.
Regularity of the Lebesgue measure and in particular approximation of Lebesgue measurable
sets by open sets leads to approximation of the integral of a measurable function by that of a
continuous function. Translation invariance of the Lebesgue measure and integral and linear
transformation of the Lebesgue measure and integral are treated. §25 begins with the study
of the average function of a locally integrable function. Hardy-Littlewood maximal theorem
and Lebesgue differentiation theorem are presented. These are followed by differentiation
of a set function with respect to the Lebesgue measure, in particular differentiation of a
signed Borel measure with respect to the Lebesgue measure, and density of a Lebesgue
measurable set with respect to the Lebesgue measure. §26 treats change of variable of
integration by differentiable transformations.
Chapter 7 is an introduction to Hausdorff measures on R”. §27 defines s-dimensional
Hausdorff measures on R" for s € [0, 00) and the Hausdorff dimension of a subset of R”.
21. xvi Preface
§28 studies transformations of Hausdorff measures. §29 shows that a Hausdorff measure of
integral dimension is a constant multiple of the Lebesgue measure of the same dimension.
Every concept is defined precisely and every theorem is presented with a detailed and
complete proof. I endeavored to present proofs that are natural and inevitable. Counter-
examples are presented to show that certain conditions in the hypothesis of a theorem can
not be simply dropped. References to earlier results within the text are made extensively so
that the relation among the theorems as well as the line of development of the theory can
be traced easily. On these grounds this book is suitable for self-study for anyone who has a
good background in advanced calculus.
In writing this book I am indebted to the works that I consulted. These are listed in the
Bibliography. I made no attempt to give the origin of the theory and the theorems. To be
consistent, I make no mention of the improvements that I made on some of the theorems. I
take this opportunity to thank all the readers who found errors and suggested improvements
in the various versions of the lecture notes on which this book is based.
J. Yeh
Corona del Mar, California
January, 2000
22. Preface to the Second Edition
In this new edition all chapters have been revised and additional material have been incor-
porated although the framework and organization of the book are unchanged. Specifically
the following sections have been added:
§13 [VI] Length of Rectifiable Curves
§15 [VII] Baire Category Theorem
[VI] Uniform Boundedness Theorem
[IX] Open Mapping Theorem
[X] Hahn-Banach Extension Theorems
§16 weak convergence in L? spaces in [III] and [TV] of §16
the complete metric spaces L? for p € (0, 1) in [V] of §16
§19 [V] Signed Radon Measures
[VI] Dual Space of C(X)
§23 [IV.2] Convolution of L? Functions
[IV.3] Approximate Identity in Convolution Product
[IV.4] Approximate Identity Relative to Pointwise Convergence
Besides these topics there are additional theorems in sections: §1, §4, §5, §8, §10, §11,
§13, §15, §16, §17, §19, §20, §21, §23, §24, §25, and §27. Also 64 problems have been
added.
To use this book as a textbook, selection of the following sections for instance makes a
possible one-year course at the graduate level:
$1 to §13, §15([T] to [VI]), §16 to §21, §23(M] to [III])
It is my pleasure to thank Abel Klein for his helpful comments on the first edition of
this book.
J. Yeh
Corona del Mar, California
March, 2006
xvii
24. Preface to the Third Edition
In this edition several topics are added. Since these topics do not fit in single sections they
are presented as appendices. They are:
[A] Digital Expansions of Real Numbers
[B] Measurability of Limits and Derivatives
[C] Lipschitz Condition and Bounded Derivative
[D] Uniform Integrability
[E] Product-measurability and Factor-measurability
[F] Functions of Bounded Oscillation
In [B], we show that if the limit of a real-valued function on R exists then it is Borel-
measurable. In particular if a real-valued function is differentiable then the derivative is
Borel-measurable.
In [C], we show that if a real-valued function satisfies a Lipschitz condition on [a, b] C R
then it is differentiable a.e. on [a, b] and moreover the derivative is bounded on [a, 5].
In [D], we discuss uniform integrability and equi-integrability.
In [F], we define the notion of bounded oscillation for a real-valued function whose domain
of definition is a closed box in R”. We show that for the particular case n = 1 a function is
of bounded oscillation if and only if it is a function of bounded variation.
Also 93 problems have been added. There is now atotal of 394 problems.
Corona del Mar, California
August, 2013
xix
26. List of Notations
-
ARAAANNZ
BX)
Bx
SBR
Bp
(Bw),
Mt, ‘L
amt!
a(€)
a(€)
Miu")
Ags
Jo, Joes Jeo. Je
Yo» Noor Neo» Fe
D(f)
RS)
{D: f <a}
Ay
Hy
(4)"
wy
R, Mt, u,)
R", MT, Hr)
the natural numbers
the integers
the nonnegative integers
the real numbers
the complex numbers
RorC
the extended real number system {—co} UR U {oo}
the set of ¢ = & + in whereé,n ¢ R
the n-dimensional Euclidean space
the collection of all subsets of a set X
the o-algebra of Borel sets in a topological space X
the o-algebra of Borel sets in R
the o-algebra of Borel sets in R”
the collection of bounded Borel sets in R”
the o-algebra of Lebesgue measurable sets in R
the o-algebra of Lebesgue measurable sets in R*
algebra generated by €
o-algebra generated by €
o-algebra of .*-measurable sets
product o-algebra o (A x B)
classes of intervals in R
classes of intervals in R"
domain of definition of a function f
range of a function f
abbreviation of {x € D: f(x) < a}
Lebesgue outer measure on R
Lebesgue measure on R
Lebesgue outer measure on R”
Lebesgue measure on R”
Lebesgue measure space on R
Lebesgue measure space on R”
R, Mus), Hg) Lebesgue-Stieltjes measure space
LP(X, A, 2)
L?(X, A, w)
£(X, A, uw)
p.4
D1.16, p.1
D1.16, p.10
D1.16, p.10
D25.19, p.632
D3.1, p.41
D24.8, p.600
D1.12, p.7
D1.12, p.7
D2.2, p.28
D23.3, p.528
D3.1, p.41
D24.2, p.597
p.19
p.19
p.70
D3.1, p.41
D3.1, p.41
D24.5, p.598
D24.8, p.600
D3.1, p.41
D24.8, p.600
D22.5, p.507
D16.8, p.378
D16.22, p.385
D16.38, p.394
27. a
L™(X, A, w)
Eiog(R" wT, we)
L?R, DM, u,)
8(X, A, 4)
So(X, A, w)
So(X, 2, 2)
C(x)
ct(X)
C.(X)
Cy(X)
Co(X)
c@), CR)
c™(R), Co(R)
c™@R), CPR)
C(R), Co(R)
E‘, E°, E, 8E
|E|
B,(x), B(x, 7)
B,(x), Bz, r)
5 (x), SQ, 7)
ft, fo
RS
oF
f@+), f@-)
supp{f}
aT (p; -)
Jr(p)
at aT
lal
A<Kp
ALp
Ie lle
I+ llp
Il lloo
UZ lly.~
Ifill
Hy
WE
H°(E)
Fi, F, SE, 98
85, 5°, BS, BS
51 C5
iy K*
dim,
equal by definition
complement, interior, closure, boundary of E
diameter of E
open ball with center x and radius r
closed ball with center x and radius r
spherical (hyper)surface with center x and radius r
positive and negative parts of a function f
teal part of a function f
imaginary part of a function f
limz
ja f(x), limrta f(x)
support of f
differential of a mapping T at a point p
Jacobian matrix of a mapping T at a point p
positive and negative parts of a signed measure 1
total variation of a signed measure A
absolute continuity of A with respect to jz
singularity of 4 and yz
uniform norm
L? norm
essential supremum
norm of a bounded linear mapping L of V into W
norm of a bounded linear functional f
Hausdorff measure
HH*(E) as a function ofs € [0, 00)
Hausdorff dimension
Notations
D16.42, p.395
D25.1, p.620
D23.29, p.547
118.2, p.432
L18.2, p.432
T18.3, p.433
D19.48, p.471
D19.48, p.471
D19.9, p.447
D23.45, p.564
123.45, p.564
D23.38, p. 555
D23,38, p. 555
D23.38, p. 555
D23.45, p. 564
D27.1, p.675
D15.33, p.338
D15.33, p.338
D15.33, p.338
D4.25, p.83
p.376
p.376
p.251
D19.7, p.447
p.649
p.650
D10.22, p.213
D10.22, p.213
D114, p.225
D10.16, p.211
T19.50, p.471
D16.8, p.378
D16.36, p.393
D15.29, p.337
D15.39, p344
D27.3, p.675
D27.7, p.677
p.688
127.13, p.680
P27.14, p.681
127.24, p.684
C27.25, p.685
D27.34, p.691
28. Notations
Euler Fraktur and Script
Here is a list of the capital Roman letters, each followed by its corresponding Euler Fraktur
and Script letters:
30. Chapter 1
Measure Spaces
§0 Introduction
Let us consider the problem of measuring an arbitrary subset of the real line R. For a finite
open interval J = (a, b) in R, we define the length of J by setting £(7) = & — a, and for an
infinite open interval J in R, we set £(Z) = 00. Let $3(R) be the collection of all subsets of
R. To extend the notion of length to an arbitrary E € 93(R), let (7, : n € N) be an arbitrary
sequence of open intervals in R such that ), cy Jn D E, take the sum of the lengths of the
intervals >°,cn €Un), and define jz*(E) as the infimum of all such sums, that is,
(1) p*(E) = inf { Xnew £m) : (qin €N) such that U,en In D Ej.
The set function jz* thus defined on §3(R) is nonnegative extended real-valued, that is,
0 < p*(E) < oo for every E € $3(R), with u*( = 0; monotone in the sense that
B*(E) < u*(F) for any E, F € $8(R) such that E C F; and w*(1) = £(D) for every open
interval J in R so that j2* is an extension of the notion of length to an arbitrary subset of R.
The set function * also has the property that
(2) w*(E, U Eo) < w*(E1) + e*(E2)
for any two sets F,, Ey € $(R). We call this property the subadditivity of * on $3(R).
We say that a set function v on a collection € of subsets of R is additive on € if we have
v(E, U £2) = v(E1) + v(E2) whenever £1, Ez € €, Ey 1 Ey = Gand E, U Ep € €. Our
set function j4* is not additive on $3(R), that is, there exist subsets FE, and Ey of R which
are disjoint but not separated enough, as far as z* is concerned, to have u*(E, U E2) =
B*(E1) + w*(E2). Examples of such sets are constructed in §3 and §4.
Let us show that it is possible to restrict 4* to a subcollection of $8(R) so that p*
is additive on the subcollection. Let Z € 9(R) be arbitrarily chosen. Then for every
A€ (BR), ANE and AN E*, where E° is the complement of E, are two disjoint members
of $8(R) whose union is A. We say that the set EF satisfies the .*-measurability condition
and E is a jz*-measurable set if
é)) ut(A) = p*(ANE)+ eu (ANE*) forevery A € PR).
1
31. 2 CHAPTER 1 Measure Spaces
Itis clear that if E satisfies condition (3), then so does E°. Note also that J and R are two ex-
amples of members of $3(R) satisfying condition (3). Now let )t(*) be the subcollection
of §3(R) consisting of all 2*-measurable sets in 93(R). Let us show that 2t(*) is closed
under unions. Let £1, Ez € Dt(u*). Then we have 4*(A) = 2*(AN Ey) + u*(AN Ef) for
an arbitrary A € $$(R) by (3). With AN Ef as atesting set for our E2 € Nt(u*) replacing
A in condition (3), we have u*(A M Ef) = p*(AN Ej N Eo) + w*(AN Ef N E5). Thus
B*(A) = w*(AN Ey) + p*(AN EN Ey) + w(AN EL N ES).
For the union of the first two sets on the right side of the last equality, we have
(ANE1)U(AN(E{NE2)) = AN(E,UCE{NE2)) = AN(E1U(E2
Ey) = AN(E1UE2).
Then *(AN E1) + 2*(AN (Ef E2)) > u*(AN (Ei U Ea)) by the subadditivity of p*
on §3(R). Thus we have 2*(A) > w*(AN (EU Ex)) + u*(AN (£1 U E2)*). On the other
hand by the subadditivity of 2* on $3 (R), the reverse of this inequality holds. Thus £1 U £2
satisfies condition (3) and is therefore a member of 9J%(*). This shows that Nt(u*) is
closed under unions. We show in §2 that 29t(*) is closed under countable unions. A
collection of subsets of a nonempty set X is called a o-algebra of subsets of X if it includes
X as a member, is closed under complementations and countable unions. Thus our St(jz*)
is ac-algebra of subsets of R. Let us show next that jz* is additive on the o-algebra Nt(z*)
of subsets of R. Thus let £,, £2 € Dt(z*) and assume that Ej NM Ey = §. Now with
E, U E, as the testing set A in the z*-measurability condition (3) which is satisfied by £1,
we have
*(E1 U Bo) = w*((E1 U Ex) 9 E1) + w*((E1 U E2) 9 Ef).
But (EZ; U Eo) Ey = Ey and (Ey U Ey) N Ef = Eo. Thus the last equality reduces to
(4) #* (Ey U Ea) = w*(E1) + w* (Ep).
This shows that jz*, though not additive on $3(R), is additive on the subcollection Nt(u*) of
PR). Now pz* is additive on MNt(*) so that we may regard it as the extension of the notion
of length to sets which are members of Nt(z*). For this extension j:* to be interesting,
the collection )t(j.*) must be large enough to include subsets of R that occur regularly
in analysis. In §3, we show that 9)t(2*) includes all open sets in R and all subsets of R
that are the results of a sequence of such set theoretic operations as union, intersection, and
complementation, on the open sets.
32. §1 Measure on a o-algebra of Sets 3
§1 Measure on a c-algebra of Sets
[I] o-algebra of Sets
Notations. We write N for both the sequence (1, 2, 3, .. .) andthe set {1, 2, 3, ...}. Whether
a sequenice or a set is meant by N should be clear from the context. Similarly we write Z
for both (0, 1, —1, 2, —2, ...) and {0, 1, -1, 2, —2, ...} and Z, for both (0, 1, 2,...) and
{0, 1,2,...}.
Definition 1.1. Let X be an arbitrary set. A collection A of subsets of X is called an algebra
(or a field) of subsets of X if it satisfies the following conditions:
1° XeQ,
2 AEM=> AEA,
3 A,BEA>AUBEA.
Lemma 1.2. If 2 is an algebra of subsets of a set X, then
(1) GEM,
(2) At,...,
An € A= iy Ae € A,
G3) A BeADBANBEA,
(4) At,...,
An € A= (fy
Ac € A,
6) A BeA>ABem.
Proof. (1) follows from 1° and 2° of Definition 1.1. (2) is by repeated application of 3°.
Since AN B = (A‘ U B°)*, (3) follows from 2° and 3°. (4) is by repeated application of
(3). For (5) note that A B = AN BS € BW by 2° and (3). wf
Definition 1.3. An algebra A of subsets of a set X is called a o-algebra (or a o-field) if it
satisfies the additional condition:
4° (An:n EN) CA Une An € A
Note that applying condition 4° to the sequence (A, B, 0, 8, ...), we obtain condition
3° in Definition 1.1, Thus 3° is implied by 4°. Observe also that if an algebra 2 is a finite
collection, then itis ao-algebra. This follows from the fact that when 2 is a finite collection
then a countable union of members of 2 is actually a finite union of members of 2 and this
finite union is a member of & by (2) of Lemma 1.2.
Lemma 1.4. If & is a o-algebra of subsets of a set X, then
(0) (An:n
EN CAD (ey An € A
Proof. Note that (en 4n = (Upen AS)°- By 2°, A$ € and by 4°, nen Ag €
Thus by 2°, we have (U,ey AS)" € 2.
35. 6 CHAPTER 1 Measure Spaces
then lim A, = @.
n-00
Example. Let X = R and let a sequence (A, : n € N) of subsets of R be defined
by Ai = [0,1], 43 = [0,3], 4s = [0, 5],-.- and Ao = [0, 21, Ay = [0,4], Ag =
[0, 6], .... Then lim inf An = {x € X: x € A,for all but finitely
many n € N} = {0} and
lim sup A, = {x € X : x € A, for infinitely many n € N} = [0, 00). Thus jim, An does
ny
notexist, The subsequence (Ap, : k € N) = (Aj, A3, As, .. .) is adecreasing sequence with
jimn An, = {0} and the subsequence (A,, : k € N) = (Az, Aq, Ag, ...) is an increasing
sequence with jim n An = [0, 00).
Theorem 1.9, Let 2 be a o-algebra of subsets of a set X. For every sequence (A, :n € N)
in &, the two setslimminf A, and lim supAy,, are in 2. So is im a An ifit exists.
noo
Proof. For every n € N, (yo,
Az € A by Lemma 1.4. Then nen Mon At € A by
4° of Definition 1.3. This shows that lim inf An € &. Similarly U,., Ak € A by 4°
of Definition 1.3. Then cn jon At "2eA. by Lemma 1.4. Thus limsup A, € &. If
00
lim A, exists,
then lim A, = liminf
A, € &. .
n—>0o noo noo
[III] Generation of o-algebras
Let A be an arbitrary set. If we select a set E, corresponding to each a ¢€ A, then we
call {E, : a € A} a collection of sets indexed by A. Usual examples of indexing set A
are for instance
N = {1, 2,3,...}, Z= (0, 1, —1,2, —2,...}, and Z, = {0,1,2,...}. An
arbitrary set A can serve as an indexing set.
Lemma 1.10. Let {2l, : a € A} be a collection of o-algebras of subsets of a set X where
A is an arbitrary indexing set. Then 1yc4 Ua is a a-algebra of subsets of X. Similarly if
{2y : @ € A} is an arbitrary collection of algebras of subsets of X, then yc4 Aa is an
algebra of subsets of X.
Proof. Let {M. : @ € A} be an arbitrary collection of o-algebras of subsets of X. Then
Nee A, is a collection of subsets of X. To show that it is a o-algebra we verify 1°, 2°,
and 3° in Definition 1.1 and 4° in Definition 1.3. Now X € 2%, for every a € A so that
X € (ea Me verifying 1°. To verify
2°, note that if E € (,c4 Me, then E € A, so that
E° € Ay for every a € A and then E° € (,-4 Ay. 3° is implied by 4°. To verify 4°, let
(E, > n EN) C Oye4 Me. Then
for every a € A, we have (E, : n € N) C Ay so that
Unen En € My. Then Unen E,€ Mees Mo. Ot
Theorem 1.11. Let € be an arbitrary collection of subsets of a set X. There exists the
smallest o-algebra Ag of subsets of X containing €, smallest in the sense that if U is a
o-algebra of subsets of X containing € then Ay C A. Similarly there exists the smallest
algebra of subsets of X containing €.
37. 8 CHAPTER 1 Measure Spaces
some B, € % for each n € N. Thus we have
Un =U #72) = FU Be) € £1)
neN neN neN
since |_),<n Bn € 3. This verifies that f 16598) isa o-algebra of subsets of X. a
Theorem 1.14. Let f be a mapping of a set X into a set Y. Then for an arbitrary collection
€of subsets of
Y, we have a(f-() =f (o(€)).
Proof. Since € C o(€), we have f-1(€) c f-!(o(€)) and consequently o (f-1(€)) c
a(f—1(o(€))). Since o(€) is a o-algebra of subsets of Y, f—!(a(€)) is a c-algebra of
subsets of X by Proposition 1.13 so that o(f—!(o(€))) = f—'(o(€)). Thus we have
a(f-"@) c fo).
To prove the reverse inclusion, let 2%, be an arbitrary o-algebra of subsets of X and let
MW ={AcY: fA) eA}.
To show that 22 is a o-algebra of subsets of Y, note first ofall that f ly) = X € A sothat
Y € M>. Secondly, for every A € Wo we have f—1(A*) = (f-1(A))° € Bi so that AC €
>. Finally for any (A, :n € N) C Mo, we have f-! (ney An) = Unen £1 (An) € Mi
so that L,en 4n € Mo and thus 2%, is a o-algebra of subsets of Y. In particular, if we let
a={AcY: fA) eo(f))},
then % is a o-algebra of subsets of Y. Clearly & > € and thus 2% D> o(€) and then
f7Q) Dd f-(a(€). But f(D) c o(f—1(€)) by the definition of 2. Thus we have
o(f-(€)) > f-1(o(€)). Therefore
o (f—1(€)) = f-t(o(@)).
Notations. For an arbitrary collection € of subsets of a set X and an arbitrary subset A
of X, letus write ENA ={ENA: E € €}. We write o4(€ 2 A) for the o-algebra
of
subsets of A generated by the collection € N A of subsets of A. Note that the subscript A
in og indicates that it is a o-algebra of subsets of A, not a o-algebra of subsets of X.
Theorem 1.15. Let € be an arbitrary collection of subsets of a set X andlet A C X. Then
a4(EN A) =G(E)NA.
Proof. Since € C o(€) wehave ENA C o(€)NA. From the fact that
o (€) is ao-algebra
of subsets of X and A C Xit follows that o(€) N A is a o-algebra of subsets of A. Thus
() os(EN A) Co(E)NA.
Therefore, to prove the theorem it remains to show
@) a(€)NA Coa(EN A).
38. §1 Measure on a o-algebra of Sets 9
Let & be the collection of subsets K of X of the type
(3) K =(CNA‘)UB,
where C € o(€) and B € o4(EM A). Observe that since B C A, the union in (3) is a
disjoint union. By (3), X € # and K is closed under countable unions. To show that & is
also closed under complementations, let K € & be as given by (3). Then
K°=XK =[(KNA)UA][(CNA)UB]
=[(XN AD) (CN AY] U(A B)
since XN A° > CN AC and A > B. But (XM A°) (CN.A*) = C*N A*. Therefore
K° =(C°NA)U(A BER.
Thus & is closed under complementations and is therefore a o-algebra of subsets of X.
Next, observe that for any K € as given by (3) we have KM A = B € og(EN A) 80
that RN A C o4(EM A). Thus to show (2) it suffices to show that o(E)N AC ANA.
Since & is a o-algebra of subsets of X, it remains only to show that€ Cc A. LetEe €
and write FE = (EN A°) U(EN A). Since EN A € o4(EN A), E is a subset of X of type
(3). Thus E € & and therefore € Cc &. This completes the proof.
[TV] Borel o-algebras
To fix our terminology let us review definitions of some topological concepts. Let X be a
set. A collection of subsets of X is called a topology on Xif it satisfies the following
axioms:
I ged,
0 Xe,
I {Eyg:a€ A}CO> Ube ED,
IV Ei,E,ED > E()EeD.
The pair (X, 9) is called a topological space. The members of 9 are called the open sets
of the topological space.
A subset E of X is called a closed set if its complement E° is an open set. Thus X is
both an open set and a closed and so is 9.
An arbitrary union of open sets is an open set and a finite intersection of open sets is an
open set. An arbitrary intersection of closed sets is a closed set and a finite union of closed
sets is a closed set.
The interior E° of a subset E of X is defined as the union of all open sets contained in
E. Thus it is the greatest open set contained in E.
The closure E of E is defined as the intersection of all closed sets containing E. It is
the smallest closed set containing E.
The boundary 0£ of
£ is defined by 2E = (E° Uu (E))".
A subset £ of X is called a compact set if for every collection 23 of open sets such that
EC Uves V there exists a finite subcollection {Vj, ..., Vw} such that EC Ura Va.
43. 14 CHAPTER 1 Measure Spaces
members of 2 whose union is equal to E27. Thus by the additivity of 2 on 2, we have
B(E2) = B(E}) + e(E2 £1). If w(E1) < 00, then subtracting (£1) for both sides of
the last equality, we have (£2) — (£1) = (E2 £1). This proves (3).
The countable additivity of jz on 2 implies its countable subadditivity on & by (b) of
Lemma 1.22. This then implies the finite subadditivity of 4. on 21 by (b) of Observation
1.20. &
Regarding (3) of Lemma 1.25, let us note that if 4(£,) = oo then by the monotonicity
of 2 we have (Ez) = 00 also so that 4.(£2) — w(E1) is not defined.
[VI] Measures of a Sequence of Sets
Let be a measure on a a-algebra & of subsets of a set X. Let (EZ, : n € N) be
a sequence in 2. If lim E&, exists, does lim y(E,) exist? If it does, do we have
n> noo
uf jim, En) = jim, uU(E,)? The next theorem addresses this question for monotone se-
quences of measurable sets. It is based on the countable additivity of a measure. It is a
fundamental theorem in that a subsequent theorem regarding the limit inferior and the limit
superior of the measures of an arbitrary sequence of measurable sets as well as the monotone
convergence theorem for the Lebesgue integral, Fatou’s lemma, and Lebesgue’s dominated
convergence theorem are ultimately based on this theorem.
Theorem 1.26. (Monotone Convergence Theorem for Sequences of Measurable Sets)
Let be a measure on a o-algebra A of subsets of a set X and let (E, :n € N) bea
monotone sequence in Q.
(a)
If En t, then lim j(En) = u4(lim Ey).
no 00
(b) FE, J, then lim p(E,) = a iim Ex), provided that there exists a set A € UA with
n—>00 > OO
HAA) < 00 such that Ey Cc A.
Proof. If Z,, +, then dim, En = Unen En € Wl. If Ey J, then dim, En = (hen En € A.
Note also that if (E, : n € N) is a monotone sequence in 2, then (u(Z,) : 2 € N) isa
monotone sequence in [0, oo] by the monotonicity of jz so that jim (En) exists in [0, oo].
1. Suppose E,, +. Then we have u(Z,) +. Consider first the case where 2(Ey,) = 00
for some mo € N. In this case we have Aim, w(En) = oo. Since Eno C Unen En =
lim E,, we have jt( lim E,) > (Eno) = 00. Thus j4( lim E,) =0co= lim (Ep).
noo noo ROO n> 00
Consider next the case where j4(E,) < 00 for every n € N. Let Ey = G and consider
a disjoint sequence (F, : n € N) in 2 defined by F,, = E, En-1 forn € N. We have
En = UN, Fa for every N € N and hence Unen En = Unen /n- Then we have
u( Jim En) = 2((JEn) = (Um) = a)
neN
neN neN
=oEn Env) =O {wEn) — o(En-v)},
neN ncN
44. §1 Measure on a o-algebra of Sets 15
where the third equality is by the countable additivity of yz. and the fifth equality is by (3) of
Lemma 1.25. Since the sum ofa series is the limit of the sequence of partial sums we have
Do {eGin) — e(En—1)} = lim "Y7 {a Ex) — uEx-1)}
k=1
neN
= Jim {w(En) — w(Eo)} = lim (En).
Thus we have j2( lim E,) = lim (E,).
AO n> 0O.
2. Suppose E, | and assume the existence of a containing set A with finite measure.
Define a disjoint sequence (F, : n € N) in 2 by setting F, = Ey En41 form € N. Then
a A(h=Ur,.
neN neN
To show this, letx € £1 Myen En. Thenx € EF, and
x is not in every E,. Since Ey |,
there exists the first set E,.+41 in the sequence not containing x. Then x € Eng Engt+i =
Fag C Unen Fn. This shows that Ey Men En C Unen Fn. Conversely ifx € Unen Fas
thenx € Fry = Eng Eno+1 for some no € N. Now x € En, C Ey. Sincex ¢ Engii,
We
have x ¢ pen En. Thus x € E; Mex En. This shows that Len Fn C Ei Open En
Therefore (1) holds. Now by (1), we have
@) w(E1 7) En) =H( UF):
neN neN
Since 4 (Qnen En) < #(E1) < (A) < 00, we have by (3) of Lemma 1.25
@) ——w(Z1 7) Ba) =n) — 2( 1) Bn) = wy) — wfJim 2).
neN neN
By the countable additivity of 4, we have
@) u( U Fa) = 0 wa) = 7 wa Ens)
neN neN nen
=) {oGn) — wEny1)} = fim YY fa (Ee) — a Ber)}
neN k=1
= im {w(E1) — w(En41)} = aE) — fim, u(En+1)-
Substituting (3) and (4) in (2), we have
H(E1) — wf Jim En) = 2(Ei) — lim (En41) = #(E1) — lim jo(Ep).
Subtracting (£1) € R from both sides we have a lim, En) = jim, (En). O
45. 16 CHAPTER 1 Measure Spaces
Remark 1.27. (b) of Theorem 1.26 has the following particular cases. Let (FE, : n € N) be
a decteasing sequence in %. Then lim (En) = a lim, E,) if any one of the following
conditions is satisfied:
(a) U(X) < 00,
(b) u(E1) < «0,
(c) 4(En,) < 00 for some no € N.
Proof. (a) and (b) are particular cases of (b) of Theorem 1.26 in which X and FE) respectively
are the containing set A € 21 with 4(A) < oo.
To prove (c), suppose 4(En,) < 00 for some no € N. Let (F;, : 2 € N) be a decreasing
sequence in 21 obtained by dropping the first no terms from (EZ, : n € N), that is, we set
F,, = Engin forn € N. Lemma 1.7 implies that lim inf i= lim inf E,, and lim sup F, =
n>00
lim sup EZ, and thus lim F, = lim E,. Now since (F, : n € N) is a decreasing sequence
noo noo n->00
and F, C En, forn € N and since 4(En,) < 00, (b) of Theorem 1.26 applies so that
lim »(F,) = u({ lim F,) = ( lim E,). Since (u(F,) : n € N) is a sequence obtained
noo noo noo
by dropping the first ng terms of (%(E,) : n € N), we have im, u(F,) = im, H(E,).
Therefore we have lim y(E,) = 2{ lim Ep).
a) n00
Let yz be a measure on a o-algebra A of subsets of a set X. Then for an arbitrary
sequence (E, :n € N) in 2, lim inf E,, and lim sup E,, exist
in 1 by Theorem 1.9 and thus
n>00
uf lim inf E,) and j.(lim sup E,,) are defined. Now (1(E,) : n € N) isasequencein [0, 00]
>
and thus liminf z(E,) = lim inf w(E,) and limsupu(E,) = lim sup 2(E,) exist in
n-00 n>ook>n n>0o N00 pon
[0, 00]. How arej4(liminf E,) and j:(lim sup E,) related respectively to lim inf 4(E,)
7100 noo 100
and lim sup 4(Z,)? The next theorem addresses this question.
ROO
Theorem 1.28. Let 2 be a measure on a o-algebra A of subsets of a set X.
(a) For an arbitrary sequence (E, :n € N) in Q, we have
() u(liminf £,) <lim inf CE).
n00 n>00
(b) If there exists A € SA with u(A) < 00 such that E, C Aforn €N, then
2) j(lim sup E,,) > lim sup 2(E,).
n->co n+>00
(c) both lim E, and lim p(E,) exist, then
ROO n->00
@) w( lim Eq) < tim (En).
noo n—>00
@ if jim En exist and if there exists A € A with w(A) < 00 such that E, C Aforn €N,
then im w(En) exists and
4 Hf lim En) = Jim w(En).
46. §1 Measure on a o-algebra of Sets 17
Proof. 1. Recall that lim inf E, = new Mon Be = tim, Chen Ex by the fact that
(Neen Ex : 2 € N) is an increasing sequence in %. Then by (a) of Theorem 1.26, we
have y(liminf
Zn) = lim (Myon Ee) = liminf (Myon Ze) since the limit of a
sequence, if it exists, is equal to the limit inferior of the sequence. Since hen Ex C En,
we have 14 (Msn Ex) < (En) for n € N by the monotonicity of 2. This then implies
lim:inf # (Men Ex) < lim inf u(E,). Continuing the chain of equalities above with this
inequality, we have (1).
2. Assume that there exists A € {2 with 4(A) < oo such that E, C A forn € N. Now
limsup En = nen Uson Ex = lim Ubon Ex by the fact that (Ubon Ex 2 €N) isa
n—00
decreasing sequence in A. Since E, C A for all m € N, we have Ubon E, Cc A for all
n & N. Thus we havejz(limsup Ep) = w( lim Uj, Ex) = lim 2 (Upon Ex) by 0)
n—>00 no9 RE n>00 I
of Theorem 1.26. Now lim (Uren 2x) = lim sup #(Usen Ex) since the limit of a se-
quence, if it exists, is equal to the limit superior of the sequence. Then by 5, Zz D En, we
have 1 (Ups, Ex) = w(En). Thus lim sup (Upon Ex) = lim sup u(E,). Continuing
the chain of equalities above with this jncquality, we have (2).
3. If im, E,, and jim, BA(E,) exist, then im, E,, = liminf E,, and im, BE) =
lim nf s.(i,) 80 that (1) reduces to (3) ue
“4. If ima, E,, exists, then im sup En =
= im, Ey,
= lim inf E,. If there exists
A € 2
with uA) < oo such that E, C "A for ne N.then by (2) and (1) we have
6) limsup 2(En) = #(lim sup E,} = u( lim Ep)
now Aco noo
= 2(liminf E,,) < liminf 2(E,).
n>00 n>00
Since liminf 4(Z,) < lim sup (£,) the inequalities (5) imply
noo n>00
(6) liminf (En) = w{ lim En) = lim sup HE).
Thus lim ,(£,) exists and then by (6) we have ( lim E,) = lim (Ey). This proves
(4) nora n->00 ni>00
[VII] Measurable Space and Measure Space
Definition 1.29. Let & be a o-algebra of subsets of a set X. The pair (X, QW) is called a
measurable space. A subset E of X is said to be &-measurable if E € A.
Definition 1.30. (a) if 4 is a measure on a o-algebra ‘XA of subsets of a set X, we call the
triple (X, A, w) a measure space.
(b) A measure pp on a o-algebra A of subsets of a set X is called a finite measure if
48. §1 Measure on a o-algebra of Sets 19
E with respect to us is a member of A (and consequently has (Eo) = 0 by the monotonicity
of 4). When & is complete with respect to 1, we say that (X, A, 4) is a complete measure
space,
Example. Let X = {a,b,c}. Then & = {9, {a}, {b, c}, X} is a o-algebra of subsets of
X. If we define a set function 4 on X by setting (0) = 0, w({a}) = 1, u({b,c}) = 0,
and 4.(X) = 1, then yw is a measure on 2. The set {b, c} is a null set in the measure space
(X, A, 2), but its subset {5} is not a member of 2. Therefore (X, A, 2) is not a complete
measure space.
Definition 1.35. (a) Given a measurable space (X, UM). An A-measurable set E is called
an atom of the measurable space if @ and E are the only A-measurable subsets of E.
(b) Given a measure space (X, A, 4). An A-measurable set E is called an atom of the
measure space if it satisfies the following conditions :
1° 2(E) > 0,
2 Eg C £, Eg € R= p(Eo) =0 or u(Eq) = (EZ).
Observe that if Z is an atom of (X, 20) and w(£) > 0, then E is an atom of (X, A, yz).
Example. In a measurable space (X, &) where X = {a, b, c} and A = {G, {a}, {b, c}, X},
if we define a set function on 2 by setting (8) = 0, w{{a}) = 1, u({b,c}) = 2, and
HX) = 3, then yz is a measure on &. The set {b, c} is an atom of the measure space
(X, 2, w).
[VI] Measurable Mapping
Let f be a mapping
of a subset D of a set X into
a set Y. We write D(f) and (f) for the
domain of definition and the range of f respectively. Thus
D(f=DcX,
MP) ={y oY:
y = f(&) forsomex e D(P)} CY.
For the image of D(f) by f we have f(D(f)) = N(f).
For an arbitrary subset E of Y we define the preimage of E under the mapping f by
f(E) = [x eX: f(x) € E} = {x DY): f@) € E}.
Note that F is an arbitrary subset of Y and need not be a subset of S8(f). Indeed E may
be disjoint from 9%(f), in which case f—1(E) = 9. In general we have f(f—1(E)) c E.
For an arbitrary collection € of subsets of Y, we let f-1(€) := {f-1(Z) : E € €}.
Observation 1.36. Given sets X and Y. Let f be a mapping with D(f) C X and
51. 22 CHAPTER 1 Measure Spaces
Proof. Let V be an open set in Y. The continuity
of f on D implies that f—1(V) = UND
where U is an open set in X so that f—!(V) € %3y. Since this holds for every open set V
in Y, f is a 3x /My-measurable mapping of D into Y by (a) of Proposition 1.42.
A particular case of Theorem 1.43 is when we have a real-valued continuous function
f defined on a set D € By where By is the Borel o-algebra of subsets of a topological
space X. In this case we have (Y, By) = (R, BR). By Theorem 1.43, f is a Bx/Br-
measurable mapping of D into R.
[IX] Induction of Measure by Measurable Mapping
Let ys be a measure on a o-algebra 2 of subsets of a set X. We show next that a measurable
mapping of the measurable space (X, 2) into another measurable space (Y, 33) induces
a measure on the o-algebra 93. The induced measure on %B is called the image measure
induced by the measurable mapping.
Theorem 1.44. (Image Measure) Given two measurable spaces (X, A) and (Y, B). Let
f be aSA/B-measurable mapping of X into Y. Let be a measure on XU. The set function
defined by vy = 0 f—| on B, that is, v(B) = w (f-1(B)) for B € B, is a measure on
B.
Proof. Since f is a 21/93-measurable mapping of X into Y, we have f—1(B) € Ml forevery
B € ® and then v(B) = » (f—1(B)) € [0, oo]. Also vx) = u(f 1@) = w@ =0.
Let (B, : n € N) be a disjoint sequence in %3. Then (f—!(B,) : » € N) is a disjoint
sequence in & and f—! (U,c~ Bn) = Unew f1(Bn) € &. Thus we have the equality
»(Upen Ba) = #(F7"(Unen Bn) = Dnen #(F'(Bn)) = Caen ¥(Bn)- This shows
that v is countably additive on 1. Therefore v is a measure on 3.
Problems
Prob. 1.1. Given two sequences of subsets (E,, : n € N) and (F, : n € N) of aset X.
(a) Show that
(1) _sdiminf
E,, U liminf F, C liminf(E,
U F,) C liminf
E, Ulim sup Fy
noo AS>O
n>00 noo n-P0O
c lim sup(E£, U F,) C lim sup E,, U lim sup F,.
noo n>00 noo
(b) Show that
(2) liminf
E, M liminf F, C liminf(E,
N F,) C liminf
E, M lim sup F,
100 m0 100 100 no
C lim sup(E, N F,) C lim sup E, NM lim sup F,.
nooo n>00 noo
52. §1 Measure on a o-algebra of Sets 23
(c) Show thatif lim £, and lim F, exist, then lim (En u Fr) and lim (En n Fy) exist
n00 n00 n00 n00
and moreover
Q) lim (EZ,
U F,) = lim E,U lim Fy,
n-00 norco" n-+00
(4) lim (E, Fn) = lim E,A lim Fy.
n—->0O noo n—->00
Prob. 1.2. (a) Let (A, : n € N) be a sequence of subsets ofa set X. Let (B, :n € N) bea
sequence obtained by dropping finitely many entries in the sequence (A, : n € N). Show
that lim inf By =
= lim inf An and fim sup Ba
= im
m sup A,. Show that im, Bp, exists if
and onlyif jim, Ag exists andwhen ‘they exist they a
ae equal.
(b) Let (An:TR € N) and (B, : n € N) be two sequences of subsets of a set X such
that A, = 8B, for all but finitely many n € N. Show that fim inf By, = lim inf Ap and
lim sup B, = iimn sup Ay. Show that jim, B,, exists if and only’ if“iim A, exists and when
a>00
they exist they are
re equal.
Prob. 1.3. Let (Z,, : n € N) bea disjoint sequence of subsets of a set X. Show that im, En
exists and lim £, = 9.
n>00
Prob. 1.4. Leta € R and let (x, : n € N) be a sequence
of points in R, all distinct
from a, such that jim, X, = a. Show that im a {xn} exists and jima {xn} = 9 and thus
jim {xn} # {a}.
Prob. 1.5. ForE c Randt € R, let us write
E+¢ = {x +f €R:x € E} and call it
the translate of E by t. Let (f,: n € N) be a strictly decreasing sequence in R such that
jim, t, = Oand let E,= E +t, forn € N. Let us investigate the existence of im, En.
(a) Let E = (— 00, 0). Show that in, E, = (—00, 0].
(b) Let E = {a} where a € R. Show that Jim, E, =.
(c) Let
E = [a, b] where
a, b € Randa < b. “Show that fim, E, = (a, 6].
(d) Let E = (a, b) where
a, b € Randa < b. Show that jim, En
= (a, b].
(e) Let E = Q, the set of all rational numbers. Assume ‘that (i,: n € N) satisfies the
additional condition that £, is a rational number for all but finitely many n € N. Show that
Jim, E,= E.
Ol
Let E = Qas in (d) but assume that (1,: n € N) satisfies the additional condition that t,
is a rational number for infinitely many n € N and 1, is an irrational number for infinitely
many n € N. Show that Jima, E,, does not exist.
Prob. 1.6. The characteristic function 14 of a subset A of a set X is a function on X defined
by
1 forx € A,
1a@) = { 0 forx € A‘.
Let (A, : n € N) be a sequence of subsets of X and A be a subset of X.
54. §1 Measure on a o-algebra of Sets 25
such that |_7_, Ay = X. Let ¥ be the collection of all arbitrary unions of members of €.
(a) Show that ¥ = o(€), the smallest o-algebra of subsets of X containing €.
(b) Show that the cardinality of o (€) is equal to 2".
Prob. 1.16. Let € = {A; : i € N} be a disjoint collection of nonempty subsets of a set X
such that |_),<9y Ai = X. Let ¥ be the collection of all arbitrary unions of members of €.
(a) Show that ¥ = o(€), the smallest o-algebra of subsets of X containing €.
(b) Show that the cardinality of o (€) is equal to 2%,
Prob. 1.17. Show that a o-algebra of subsets of a set cannot be a countably infinite collection,
that is, it is either a finite or an uncountable collection.
Prob. 1.18. Let € = {£1,--- , E,} be a finite collection of distinct, but not necessarily
disjoint, subsets of a set X. Let D be the collection of all subsets of X of the type:
Ay A
EL Ey? n+. Ee,
where A; assumes the values {1, 0} and E} = E; and E° = Ef fori = 1,...,n. Let
¥ be
the collection of all arbitrary unions of members of D.
(a) Show that any two distinct members of D are necessarily disjoint, that is, D is a disjoint
collection.
(b) Show that the cardinality of D is at most 2”.
(c) Show that
¥ = a(€).
(d) Show that the cardinality of #(€) has at most 2
(e) Show that o(€) = a(€).
Remark. For an arbitrary collection € of subsets of a set X, the smallest o-algebra of
subsets of X containing €, o(€), always exists according to Theorem 1.11. Prob. 1.18
presents a method of constructing a(€) for the case that € is a finite collection.
Prob. 1.19. Let € be an arbitrary collection of subsets of a set X. Consider a(€), the
smallest algebra of subsets of X containing €. Show that for every A € a(€) there exists
a finite subcollection €4 of € depending on A such that A € a(€,).
Prob. 1.20. Let € be an arbitrary collection of subsets of a set X. Consider o(€), the
smallest a-algebra of subsets of X containing €. Show that for every A € o(€) there
exists an at most countable subcollection €4 of € depending on A such that A € o(€,).
Prob. 1.21. Let yz be a measure on a o-algebra A of subsets of a set X and let Wy be a
sub-c-algebra of 2, that is, Xp is a o-algebra of subsets of X and Wo C MA. Show that the
restriction of jz to Ao is a measure on Wo.
Prob. 1.22. Let (X, A, 2) be a measure space. Show that for any £1, Ez € MU we have the
equality: (Ey U Ey) + w(E1 9 £2) = w(E1) + w(E2).
Prob. 1.23, Let (X, 2) be a measurable space. Let yzbe a measure on the a-algebra 2&
of subsets of X and let a, > 0 for every k € N. Define a set function yz on 2 by setting
= Deen Okie. Show that us is a measure on 2.
Prob. 1.24, Let X = (0, oc) and let J = {4 : k € N} where , = (K—1,k] fork EN.
60. This ebook is for the use of anyone anywhere in the United
States and most other parts of the world at no cost and with
almost no restrictions whatsoever. You may copy it, give it away
or re-use it under the terms of the Project Gutenberg License
included with this ebook or online at www.gutenberg.org. If you
are not located in the United States, you will have to check the
laws of the country where you are located before using this
eBook.
Title: Descriptive Analyses of Piano Works
Author: Edward Baxter Perry
Release date: February 14, 2014 [eBook #44910]
Most recently updated: October 24, 2024
Language: English
Credits: Produced by Sean (scribe_for_hire@yahoo.com), based
on
page images generously made available by the
Internet
Archive
(https://archive.org/details/descriptiveanaly00perriala).
*** START OF THE PROJECT GUTENBERG EBOOK DESCRIPTIVE
ANALYSES OF PIANO WORKS ***
61. DESCRIPTIVE ANALYSES
OF PIANO WORKS
FOR THE USE OF TEACHERS,
PLAYERS, AND MUSIC CLUBS
BY
EDWARD BAXTER PERRY
PHILADELPHIA
THEODORE PRESSER CO.
LONDON, WEEKES & CO.
Copyright, 1902, by Theodore Presser
International Copyright
Printed in the United States of America
62. My Keys
I.
To no crag-crowning castle above the wild main,
To no bower of fair lady or villa in Spain;
To no deep, hidden vaults where the stored
jewels shine,
Or the South’s ruddy sunlight is prisoned in
wine;
To no gardens enchanted where nightingales
sing,
And the flowers of all climes breathe perpetual
spring:
To none of all these
They give access, my keys,
My magical ebon and ivory keys.
II.
But to temples sublime, where music is prayer,
To the bower of a goddess supernally fair;
To the crypts where the ages their mysteries
keep,
Where the sorrows and joys of earth’s greatest
ones sleep;
Where the wine of emotion a life’s thirst may
still,
And the jewels of thought gleam to light at my
will:
To more than all these
They give access, my keys,
My magical ebon and ivory keys.
III.
63. To bright dreams of the past in locked cells of
the mind,
To the tombs of dead joys in their beauty
enshrined;
To the chambers where love’s recollections are
stored,
And the fanes where devotion’s best homage is
poured;
To the cloudland of hope, where the dull mist of
tears
As the rainbow of promise illumined appears;
To all these, when I please,
They give access, my keys,
My magical ebon and ivory keys.
Only an Interpreter
The world will still go on the very same
When the last feeble echo of my name
Has died from out men’s listless hearts and ears
These many years.
Its tides will roll, its suns will rise and set,
When mine, through twilight portals of regret,
Has passed to quench its pallid, parting light
In rayless night,
While o’er my place oblivion’s tide will sweep
To whelm my deeds in silence dark and deep,
The triumphs and the failures, ill and good,
Beneath its flood.
64. Then other, abler men will serve the Art
I strove to serve with singleness of heart;
Will wear her thorned laurels on the brow,
As I do now.
I shall not care to ask whose fame is first,
Or feel the fever of that burning thirst
To win her warmest smile, nor count the cost
Whate’er be lost.
As I have striven, they will strive to rise
To hopeless heights, where that elusive prize,
The unattainable ideal, gleams
Through waking dreams.
But I shall sleep, a sleep secure, profound,
Beyond the reach of blame, or plaudits’ sound;
And who stands high, who low, I shall not
know:
’Tis better so.
For what the gain of all my toilsome years,
Of all my ceaseless struggles, secret tears?
My best, more brief than frailest summer flower,
Dies with the hour.
My most enduring triumphs swifter pass
Than fairy frost-wreaths from the window glass:
The master but of moments may not claim
A deathless name.
Mine but the task to lift, a little space,
The mystic veil from beauty’s radiant face
That other men may joy thereon to see,
Forgetting me.
65. Not mine the genius to create the forms
Which stand serenely strong, thro’ suns and
storms,
While passing ages praise that power sublime
Defying time.
Mine but the transient service of a day,
Scant praise, too ready blame, and meager pay:
No matter, though with hunger at the heart
I did my part.
I dare not call my labor all in vain,
If I but voice anew one lofty strain:
The faithful echo of a noble thought
With good is fraught.
For some it cheers upon life’s weary road,
And some hearts lightens of their bitter load,
Which might have missed the message in the
din
Of strife and sin.
My lavished life-blood warmed and woke again
The still, pale children of another’s brain,
Brimmed full the forms which else were cold,
Tho’ fair of mold.
And thro’ their lips my spirit spoke to men
Of higher hopes, of courage under pain,
Of worthy aspirations, fearless flight
To reach the light.
Then, soul of mine, content thee with thy fate,
Though noble niche of fame and guerdon great
Be not for thee: thy modest task was sweet
At beauty’s feet.
66. The Artist passes like a swift-blown breeze,
Or vapors floating up from summer seas;
But Art endures as long as life and love:
For her I strove.
Contents
PAGE
Introduction, 11
Esthetic versus Structural Analysis, 15
Sources of Information Concerning Musical Compositions, 23
Traditional Beethoven Playing, 32
Beethoven: The Moonlight Sonata, Op. 27, No. 2, 45
Beethoven: Sonata Pathétique, Op. 13, 50
Beethoven: Sonata in A Flat Major, Op. 26, 55
Beethoven: Sonata in D Minor, Op. 31, No. 2, 61
Beethoven: Sonata in C Major, Op. 53, 64
Beethoven: Sonata in E Minor, Op. 90, 68
Beethoven: Music to “The Ruins of Athens,” 72
Weber: Invitation to the Dance, Op. 65, 81
Weber: Rondo in E Flat, Op. 62, 86
Weber: Concertstück, in F Minor, Op. 79, 90
Weber-Kullak: Lützow’s Wilde Jagd, Op. 111, No. 4, 93
Schubert: (Impromptu in B Flat) Theme and Variations, Op.
142, No. 3, 99
Emotion in Music, 105
Chopin: Sonata, B Flat, Op. 35, 113
The Chopin Ballades, 118
67. Chopin: Ballade in G Minor, Op. 23, 123
Chopin: Ballade in F Major, Op. 38, 130
Chopin: Ballade in A Flat, Op. 47, 137
Chopin: Polonaise, A Flat Major, Op. 53, 142
Chopin: Impromptu in A Flat, Op. 29, 147
Chopin: Fantasie Impromptu, Op. 66, 149
Chopin: Tarantelle, A Flat, Op. 43, 152
Chopin: Berceuse, Op. 57, 156
Chopin: Scherzo in B Flat Minor, Op. 31, 158
Chopin: Prelude, Op. 28, No. 15, 161
Chopin: Waltz, A Flat, Op. 42, 168
Chopin’s Nocturnes, 172
Chopin: Nocturne in E Flat, Op. 9, No. 2, 174
Chopin: Nocturne, Op. 27, No. 2, 176
Chopin: Nocturne, Op. 32, No. 1, 179
Chopin: Nocturne, Op. 37, No. 1, 183
Chopin: Nocturne, Op. 37, No. 2, 186
Chopin: Polish Songs, Transcribed for Piano by Franz Liszt, 191
Liszt: Poetic and Religious Harmonies, No. 3, Book 2, 194
Liszt: First Ballade, 199
Liszt: Second Ballade, 201
Transcriptions for the Piano by Liszt, 203
Wagner-Liszt: Spinning Song from “The Flying Dutchman,” 205
Wagner-Liszt: Tannhäuser March, 208
Wagner-Liszt: Abendstern, 209
Wagner-Liszt: Isolde’s Love Death, 210
Schubert-Liszt: Der Erlkönig, 213
Schubert-Liszt: Hark! Hark! the Lark, 216
Schubert-Liszt: Gretchen am Spinnrad, 217
Liszt: La Gondoliera, 219
68. The Music of the Gipsies and Liszt’s Hungarian Rhapsodies, 222
Rubinstein: Barcarolle, G Major, 237
Rubinstein: Kamennoi-Ostrow, No. 22, 241
Grieg: Peer Gynt Suite, Op. 46, 247
Grieg: An den Frühling, Op. 43, No. 6, 257
Grieg: Vöglein, Op. 43, No. 4, 260
Grieg: Berceuse, Op. 38, No. 1, 261
Grieg: The Bridal Procession, from “Aus dem Volksleben,” Op.
19, No. 2, 264
Saint-Saëns: Le Rouet d’Omphale, 271
Saint-Saëns: Danse Macabre, 276
Counterparts among Poets and Musicians, 281
DESCRIPTIVE
ANALYSES OF
PIANO WORKS
Introduction
The material comprised in the following pages has been collected for
use in book form by the advice and at the earnest request of the
publisher, as well as of many musical friends, who express the belief
that it is of sufficient value and interest to merit a certain degree of
permanency, and will prove of practical aid to teachers and students
of music. A portion of it has already appeared in print in the program
books of the Derthick Musical Literary Society and in different
musical journals; and nearly all of it has been used at various times
in my own Lecture Recitals.
69. The book is merely a compilation of what have seemed the most
interesting and valuable results of my thought, reading, and
research in connection with my Lecture Recital work during the past
twenty years.
In the intensely busy life of a concert pianist a systematic and
exhaustive study of the whole broad field of piano literature has
been utterly impossible. That would require the exclusive devotion of
a lifetime at least. My efforts have been necessarily confined strictly
to such compositions as came under my immediate attention in
connection with my own work as player.
The effect is a seemingly desultory and haphazard method in the
study, and an inadequacy and incoherency in the collective result,
which no one can possibly realize or deplore so fully as myself. Still
the work is a beginning, a first pioneer venture into a realm which I
believe to be not only new, but rich and important. I can only hope
that the example may prompt others, with more leisure and ability,
to follow in the path I have blazed, to more extensive explorations
and more complete results.
Well-read musicians will find in these pages much that they have
learned before from various scattered sources. Naturally so. I have
not originated my facts or invented my legends. They are common
property for all who will but seek. I have merely collected, arranged,
and, in many instances, translated them into English. I claim no
monopoly. On the other hand, they may find some things they have
not previously known. In such cases I venture to suggest to the
critically and incredulously inclined, that this does not prove their
inaccuracy, though some have seemed to fancy that it did. Not to
know a thing does not always conclusively demonstrate that it is not
so.
To the general reader let me say that this book represents the best
thought and effort of my professionally unoccupied hours during the
past twenty years. It comes to you with my heart in it, bringing the
wish that the material here collected may be to you as interesting
and helpful as it has been to me in the gathering. The actual writing
70. has mainly been done on trains, or in lonely hotel rooms far from
books of reference, or aids of any kind; so occasional inexactitudes
of data or detail are by no means improbable, when my only
resource was the memory of something read, or of personal
conversation often years before. With the limited time at my
disposal, a detailed revision is not practicable, and I therefore
present the articles as originally written. Take and use what seems
of value, and the rest pass by.
The plan and purpose of the book rest simply upon the theory that
the true interpretation of music depends not only on the player’s
possession of a correct insight into the form and harmonic structure
of a given composition, but also on the fullest obtainable knowledge
concerning the circumstances and environment of its origin, and the
conditions governing the composer’s life at the time, as well as any
historical or legendary matter which may have served him as
inspiration or suggestion.
My reason for now presenting it to the public is the same as that
which has caused me to devote my professional life exclusively to
the Lecture Recital—namely, because experience has proved to me
that a knowledge of the poetic and dramatic content of a musical
work is of immense value to the player in interpretation, and to the
listener in comprehension and enjoyment of any composition, and
because, except in scattered fragments, no information of just this
character exists elsewhere in print.
It being, as explained, impossible to make this collection of analyses
complete, or even approximately so, it has seemed wise to limit the
number here included to just fifty, so as to keep the book to a
convenient size. I have endeavored to select those covering as large
a range and variety as possible, with the view of making them as
broadly helpful and suggestive as may be.
It is my intention to continue my labors along this line so far as
strength and opportunity permit, in the faith that I can devote my
efforts to no more useful end.
71. Edward Baxter Perry.
Esthetic versus Structural Analysis
It has been, and still is, the general custom among most musicians,
when called upon to analyze a composition for the enlightenment of
students or the public, or in the effort to broaden the interest in their
art, to think and speak solely of the form, the structure of the work,
to treat it scientifically, anatomically—to dwell with sonorous unction
upon the technical names for its various divisions, to lay bare and
delightedly call attention to its neatly fashioned joints, to dilate upon
the beauty of its symmetrical proportions, and show how one part
fits into or is developed out of another—in brief, to explain more or
less intelligently the details of its mechanical construction, without a
hint or a thought as to why it was made at all, or why it should be
allowed to exist. With the specialist’s engrossing absorption in the
technicalities of his vocation, they expect others to share their
interest, and are surprised and indignant to find that they do not.
They forget that to the average hearer this learned dissertation upon
primary and secondary subjects, episodical passages, modulation to
related and unrelated keys, cadences, return of the first theme, etc.,
has about as much meaning and importance as so much Sanskrit. It
is well enough, so far as it goes, in the classroom, where students
are being trained for specialists, and need that kind of information;
but it is only one side,—the mechanical side,—and the general public
needs something else; and even the student, however gifted, if he is
to become more than a mere technician, must have something else;
for composition and interpretation both have their mere technic, as
much as keyboard manipulation, which is, however, only the means,
not the end.
Knowledge of and insight into musical form are necessary to the
player, but not to the listener, even for the highest artistic
72. appreciation and enjoyment, just as the knowledge of colors and
their combination is essential to the painter, but not to the beholder.
The poet must understand syntax and prosody, the technic of
rhyme-making and verse-formation; but how many of his readers
could analyze correctly from that standpoint the poem they so much
enjoy, or give the scientific names for the literary devices employed?
Or how many of them would care to hear it done, or be the better
for it if they did? The public expects results, not rules or formulas;
effects, not explanations of stage machinery; food and stimulus for
the intellect, the emotions, the imagination, not recipes of how they
are prepared.
The value of esthetic analysis is undeniably great in rendering this
food and stimulus, contained in every good composition, more easily
accessible and more readily assimilated, by a judicious selection and
partial predigestion, so to speak, of the different artistic elements in
a given work, and a certain preparation of the listener to receive
them. This is, of course, especially true in the case of the young,
and those of more advanced years, to whom, owing to lack of
training and opportunity, musical forms of expression are somewhat
unfamiliar; or, in other words, those to whom the musical idiom is
still more or less strange. But there are also very many musicians of
established position who are sorely in need of something of the kind
to awaken them to a perception of other factors in musical art
besides sensuous beauty and the display of skill; to develop their
imaginative and poetic faculties, in which both their playing and
theories prove them to be deficient; and the more loudly they cry
against it as useless and illegitimate, the more palpably self-evident
becomes their own crying need of it.
Esthetic analysis consists in grasping clearly the essential artistic
significance of a composition, its emotional or descriptive content,
either with or without the aid of definite knowledge concerning the
circumstances of its origin, and expressing it plainly in a few simple,
well-chosen words, comprehensible by the veriest child in music,
whether young or old in years, conveying in a direct, unmistakable,
and concrete form the same general impressions which the
73. composition, through all its elaborations and embellishments, all its
manifold collateral suggestions, is intended to convey, giving a
skeleton, not of its form, but of its subject-matter, so distinctly
articulated that the most untrained perceptions shall be able to
recognize to what genus it belongs.
Of course, when it is possible, as it is in many cases, to obtain and
give reliable data concerning the conception and birth of a musical
work, the actual historical or traditional material, or the personal
experience, which furnished its inspiration, the impulse which led to
its creation, it is of great assistance and value; and this is especially
so when the work is distinctly descriptive of external scenes or
human actions. For example, take the Schubert-Liszt “Erlkönig.” Here
the elements embodied are those of tempest and gloom, of
shuddering terror, of eager pursuit and panic-stricken flight, ending
in sudden, surprised despair. These may be vaguely felt by the
listener when the piece is played, with varying intensity according to
his musical susceptibility; but if the legend of the “Erlkönig,” or “Elf-
king,” is narrated and attention directly called to the various
descriptive features of the work,—the gallop of the horse, the rush
and roar of the tempest through the depths of the Black Forest, the
seductive insistence and relentless pursuit of the elf-king, the
father’s mad flight, the shriek of the child, and the final tragic
ending, all so distinctly suggested in the music,—the impression is
intensified tenfold, rendered more precise and definite; and the
undefined sensations produced by the music are focused at once
into a positive, complete, artistic effect.
Who can doubt that this is an infinite gain to the listener and to art?
Again, take an instance selected from a large number of
compositions which are purely emotional, with no kind of realistic
reference to nature or action, the Revolutionary Etude, by Chopin,
Opus 10, No. 12. The emotional elements here expressed are fierce
indignation, vain but desperate struggle, wrathful despair. These are
easily recognized by the trained esthetic sense. Indeed, the work
cannot be properly rendered by one who does not feel them in
playing it; and they can be eloquently described in a general way by
74. one possessing a little gift of language and some imagination; but
many persons find it hard to grasp abstract emotions without a
definite assignable cause for them, and are incalculably aided if told
that the study was written as the expression of Chopin’s feelings,
and those of every Polish patriot, on receipt of the news that
Warsaw had been taken and sacked by the Russians.
Where such data cannot be found concerning a composition, one
can make the content of a work fairly clear by means of description,
of analogy and comparison, by the use of poetic metaphor and
simile, by little imaginative word-pictures, embodying the same
general impression; by any means, in short,—any and all are
legitimate,—which will produce the desired result, namely: to
concentrate the attention of the student or the listener on the most
important elements in a composition, to show him what to listen for
and what to expect; to prepare him fully to receive and respond to
the proper impression, to tune up his esthetic nature to the required
key, so it may re-echo the harmonious soul-utterances of the Master,
as the horn-player breathes through his instrument before using it,
to warm it, to bring it up to pitch, to put it in the right vibratory
condition.
The plan of esthetic analysis, in more or less complete form, was
used by nearly all of the great teachers, such as Liszt, Kullak, Frau
Schumann, and others, and was a very important factor in their
instruction. It was used by all the great writers on music who were
at the same time eminent musicians, like Liszt, Schumann,
Mendelssohn, Mozart, Wagner, Berlioz, Ehrlich, and many more.
Surely, with such examples as precedents, not to mention other
good and sufficient grounds, we may feel safe in pursuing it to the
best of our ability, in print, in the teaching-room, in the concert-hall,
whenever and wherever it will contribute to the increase of general
musical interest and intelligence, in spite of the outcries of the so-
called “purists,” who see and would have us see in musical art only
sensuous beauty and the perfection of form, with possibly the
addition of, as they might put it, a certain ethereal, spiritual,
indefinable something, too sacred to be talked about, too
75. transcendental to be expressed in language, too lofty and pure to be
degraded to the level of human speech.
Who, I ask, are the sentimentalists—they, or we who believe that
music, like every other art, is expression, the embodying of human
experiences, than which there is no grander or loftier theme on this
earth? Trust me, it is not music nor its subject-matter that is
nebulous, indistinct, hazy; but the mental conceptions of too many
who deal with it.
If art is expression, as estheticians agree, and music is an art, as we
claim, then it must express something; and, given sufficient
intelligence, training, and insight, that something—the vital essence
of every good composition—can be stated in words. Not always
adequately, I grant, but at least intelligibly, as a key to the fuller,
more complex expression of the music; serving precisely like the
synopsis to an opera, or the descriptive catalogue in a picture
gallery. This is the aim and substance of esthetic analysis.
Musicians are many who see in their mistress
But physical beauty of “color” and “form,”
Who hear in her voice but a sensuous
sweetness,
No thrill of the heart that is living and warm.
They judge of her worth by “perfection of
outline,”
“Proportion of parts” as they blend in the
whole,
“Symmetrical structure,” and “finish of detail”;
They see but the body—ignoring the soul.
She speaks, but they seem not to master her
meaning,
They catch but the “rhythmical ring of the
phrase.”
76. She sings, but they dream not a message is
borne on
The breath of the sigh, while its “cadence”
they praise.
Her saddest laments are “melodious minors”
To them, and her jests are but “notes marked
staccato”;
Her tenderest pleadings but “themes well
developed,”
Her rage—but “a climax of chords animato.”
In vain she endeavors to rouse their perceptions
By touching their brows with her soul-stirring
hand
They measure her fingers, their fairness admire,
Declare her “divine,” but will not understand.
Away with such worthless and sense-prompted
service;
Forgetting the goddess, to worship the
shrine;
Forgetting the bride, to admire her costume,
Her garments that glitter, and jewels that
shine:
And give us the artists of true inspiration,
Whose insight is clear, and whose brains
comprehend,
To interpret the silver-tongued message of
music
That speaks to the heart, like the voice of a
friend;
That wakens the soul to the joys that are higher
And purer than all that the senses can give,
77. That teaches the language of lofty endeavor,
And hints of a life that ’twere worthy to live!
For music is Art, and all Art is expression,
The “beauty of form” but embodies the
thought,
Imprisons one ray of that wisdom supernal
Which Genius to sense-blinded mortals has
brought.
Then give us the artist whose selfless devotion
To Art and her service is earnest and true,
To read us the mystical meaning of music;
Musicians are many, but artists are few.
Sources of Information Concerning Musical
Compositions
During my professional career I have received scores of letters from
musical persons all over the country, asking for the name of the
book or books from which I derive the information, anecdote, and
poetic suggestion, concerning the compositions used in my Lecture
Recitals, particularly the points bearing upon the descriptive and
emotional significance of such compositions. All realize the
importance and value of this phase of interpretative work, and many
are anxious to introduce it in their teaching or public performances;
but all alike, myself not excepted, find the sources of such
information scanty and difficult of access.
First, let me say frankly that there is no such book, or collection of
books. My own meager stock of available material in this line has
been laboriously collected, without definite method, and at first
without distinct purpose, during many years of extensive
78. miscellaneous reading in English, French, and German;
supplemented by a rather wide acquaintance among musicians and
composers, and the life-long habit of seizing and magnifying the
poetic or dramatic bearing and import of every scene, situation, and
anecdote. If asked to enumerate the sources from which points of
value concerning musical works can be derived, I should answer that
they are three, not all equally promising, but from each of which I
myself have obtained help, and all of which I should try before
deserting the field. These are:
First, and perhaps the most important, reading. Second, a large
acquaintance among musicians, and frequent conversations with
them on musical subjects. Third, an intuitive perception, partly
inborn and partly acquired, of the analogies between musical ideas,
on the one hand, and the experiences of life and the emotions of the
human soul, on the other. I will now elaborate each of these a little,
to make my meaning more clear.
While there is no book in which information concerning the meaning
of musical compositions is collected and classified for convenient
reference, such information is scattered thinly and unevenly
throughout all literatures,—a grain here, a nugget there, like gold
through the secret veins of the earth,—and can be had only by much
digging and careful sifting. Now and again you come upon a single
volume, like a rich though limited pocket of precious ore, and rejoice
with exceeding gladness at the discovery of a treasure. But
unfortunately, there is usually nothing in the appearance or nature of
such a book to indicate to the seeker before perusal that this
treasure is within, or to distinguish it from scores of barren volumes.
And the very item of which he may be in search is very likely not
here to be found; so he must turn again to the quest, which is much
like seeking a needle in a hay-mow, or a pearl somewhere at the
bottom of the Indian Ocean.
Musical histories, biographies, and essays—what is usually termed
distinctly musical literature—by no means exhibit the only productive
soil, though they are certainly the most fruitful, and should be first
79. turned to, because nearest at hand. Poetry, fiction, travels, personal
reminiscences, in short every department of literature, from the
philosophy of Schopenhauer to the novels of George Sand, must be
made to contribute what it can to the stock of general and
comprehensive knowledge, which is our ambition. I instance these
two authors, because, while neither of them wrote a single work
which would be found embraced in a catalogue of musical literature,
the metaphysical speculations of Schopenhauer are known to have
had great influence upon Wagner’s personality, and through that, of
course, upon his music; while in some of the characteristics of
George Sand will be found the key to certain of Chopin’s moods, and
their musical expression. But even where no such relation between
author and composer can be traced, I deem one could rarely read a
good literary work, chosen at random, without chancing upon some
item of interest or information, which would prove directly or
indirectly of value to the professional musician in his life-work. And
this is entirely apart from the general broadening, developing, and
maturing influence of good reading upon the mind and imagination,
which may be added to the more direct benefit sought, forming a
background of esthetic suggestion and perception, against which the
beauties of tone-pictures stand forth with enhanced power and
heightened color.
I know of no better plan to suggest to those striving for an
intelligent comprehension of the composer’s meaning in his great
works than much and careful reading of the best books in all
departments, and the more varied and comprehensive their scope
the better. In the search for enlightenment concerning any one
particular composition, I should advise the student to begin with
works, if such exist, from the pen of the composer himself, followed
by biographies and all essays, criticisms, and dissertations upon his
compositions which are in print. If these fail to give information, he
should proceed to read as much as possible regarding the
composer’s country and contemporaries, and concerning any and all
subjects in which he has become aware, by the study of his life, that
the master was interested. The chances are that he will come upon
80. Welcome to our website – the perfect destination for book lovers and
knowledge seekers. We believe that every book holds a new world,
offering opportunities for learning, discovery, and personal growth.
That’s why we are dedicated to bringing you a diverse collection of
books, ranging from classic literature and specialized publications to
self-development guides and children's books.
More than just a book-buying platform, we strive to be a bridge
connecting you with timeless cultural and intellectual values. With an
elegant, user-friendly interface and a smart search system, you can
quickly find the books that best suit your interests. Additionally,
our special promotions and home delivery services help you save time
and fully enjoy the joy of reading.
Join us on a journey of knowledge exploration, passion nurturing, and
personal growth every day!
ebookbell.com