Shot count
- 1. Shot No. Shot Type Action Mise En Scene 1 Long shot (Establishing) of protagonist. Stationary shot of the girl slowly moving around the studio stood in front of lights to reveal a silhouette. The girl will be wearing black jeans and a dark top; this is so that the silhouette will stand out more. Lighting will be shinning down on the girl to show her silhouette, through movement. 2 Crosscuts – Medium shot. Hand held camera shows the girl stood with her back to the camera. Wearing a long floaty dress stood in a field. Lighting will be natural for a typical frost morning. 3 Long shot Stationary shot of a horse moving towards the camera at a distance. In an open misty field. Lighting will be natural for a typically frosty morning. 4 Medium/Close up shot. Stationary shot shows her stroking a horse. Wearing a long floaty dress stood in a field. 5 Long shot (Establishing) of protagonist. Stationary shot of the girl slowly moving around the studio stood in front of lights to reveal a silhouette. The girl will be wearing black jeans and a dark top; this is so that the silhouette will stand out more. Lighting will be shinning down on the girl to show her silhouette, through movement. 6 Close up shot Stationary For this shot we
- 2. shot of the girls face showing her hair blowing in the wind. need the weather to be windy so that the girls hair can flow representing his freedom. Lighting will be natural for a typical frosty morning. 7 Close up shot. Stationary shot of the horse moving towards the camera, this time closer to the camera than before. In an open misty field. Lighting will be natural for a typically frosty morning. 8 Long shot. Stationary shot of the girl slowly moving around the studio stood in front of lights to reveal a silhouette. The girl will be wearing black jeans and a dark top; this is so that the silhouette will stand out more. Lighting will be shinning down on the girl to show her silhouette, through movement. 9 Extreme close up shot. This shot will show the horses nostrils breathing in the cold frost air Set in the frosty field the air blown will be natural for a typical frosty morning.
- 3. 10 Long shot/Establishing shot This shot will be of the sunrise early on a morning in the field. Misty, lighting due to the cold frosty morning. 11 MediumClose up Hand held camera shows the girl staring with a blank expressionless face with her hair blowing in the wind. Misty, lighting due to the cold frosty morning. 12 Medium shot Stationary shot reveals the girl gripping on to her dress. It will show the bottom part of her torso and the top part of her legs. Misty, lighting due to the cold frosty morning. She will be wearing a long floaty dress. 13 Continuous shot. Hand held shot reveals the girl letting go of her dress and it blowing in the wind. Misty, lighting due to the cold frosty morning. She will be wearing a long floaty dress. 14 Cutaway and close up. Hand held shot sows the girl holding her cheek. Hair blowing in the end with minimal background showing. Girl will be lip syncing the words to the song followed with the action.
- 4. 15 Continuous shot. Hand held. Hair blowing in the end with minimal background showing. Girl will be lip syncing the words to the song. 16 Long Shot. Fixated camera. The girl will galloping on the horse with her hair blowing in the wind, this will be in slow motion. She will be wearing all black so it doesn’t confuse the audience that the girl is on the horse because she WAS chasing after his love. 17 13 cutaway shots. 1. Medium shot. Fixated camera. The girl will be laying down in the field with he camera above her. Her eyes will be closed, reminiscing over her love. She will be wearing the big floaty dress wrapped around her. Her hair will laid out behind her. 18 2. Long shot. Fixated camera of the horse running. Misty Field. 19 3. Close up. Hand held camera shows the girls face. She will be wearing the big floaty dress, with minimal natural make up.
- 5. 20 4. Medium shot. The girl will be beginning to crouch down towards the floor with her hands over her face. She will be wearing the big floaty dress, with minimal natural make up. Misty field. 21 5. Close Up The girl and boys hands will nearly be touching back to back. The light will be behind their hands metaphorically saying that there’s ‘something in the way’ of their love. 22 6. Close Up Fixated shot of the girl stroking the horse. This will metaphorically show her kindness. 23 7. Medium shot. The girl will be crouching down towards the floor with her hands over her face. This will be the main shot we will keep on cutting back to through out 13 fast shots. She will be wearing the big floaty dress, with minimal natural make up. Misty field. 24 8. Medium shot The shot will reveal the connections between their shoulders. They will be touching but only revealing half of their bodies. The The girl and boy will be stood side by side looking out on to the field. Boy will be wearing a plain grey or black top with skinny jeans and the girl will
- 6. camera will be hand held. be wearing either the floaty dress or black vest top/net dress. 25 9. Close up. Fixated camera shot. Reveals the girl scrunching on to her dress. Floaty nude netted coloured dress. 26 10. Extreme Close Up. Fixated Camera shot revealing the girls hair blowing in the wind. The natural light will hit her hair with the natural the wind. 27 11. Medium shot. The girl will be crouching down towards the floor with her hands over her face. She will be wearing the big floaty dress, with minimal natural make up. Misty field. 28 12. Medium shot. Fixated camera. The girl will be laying down in the field with he camera above her. Her eyes will be open, reminiscing over her love. She will be wearing the big floaty dress wrapped around her. Her hair will laid out behind her.
- 7. 29 13. Extreme Close Up Showing her eyes. Her eyes will be teary which will show her emotion. 30 Medium Shot and Cross Cut. Stationary shot. A flash of lights fill the camera lens. A shot of the lights represent the impact of the loss of love has left her. 31 Long Shot Stationary shot of the girl on the horse galloping on the field. The field will be misty with natural lighting. We are hoping it will be quite dark on the morning. She will be wearing all black with her hair blowing in the wind. 32 Cross Cut to the studio. Stationary shot of the girl vigorously moving around the studio stood in front of lights to reveal a silhouette. The girl will be wearing black jeans and a dark top; this is so that the silhouette will stand out more. Lighting will be shinning down on the girl to show her silhouette, through movement.
- 8. 33 Cross Cut to field. Medium Shot. The girl will be lip syncing to the camera. Scrunching her hair. The girl will be stood in the misty field with natural light wearing the floaty dress. 34 Jump Cut. Medium Close Up The girl will be scrunching her dress. The girl will be stood in the misty field with natural light wearing the floaty dress. 35 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 36 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 37 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
- 9. 38 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 39 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 40 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 41 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 42 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
- 10. 43 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 44 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 45 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 46 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 47 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29
- 11. 48 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 49 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 50 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 SHOT 35 – 50 ARE THE SAME AS SHOTS 17-29 51 Long Shot Cross cut to the field. The shot reveals the man appearing from the smoke. Slowly walking. It will be significantly darker and a lot more smoke will appear. He will just be wearing skinny jeans and a grey or black plain t shirt. 52 Deep focus. The girl will be the main focus, revealing the girl having her head down with the man still walking towards her, slightly blurred out. It will be significantly darker and a lot more smoke will appear. He will just be wearing skinny jeans and a grey or black plain t shirt. The girl will be wearing the floaty dress.
- 12. 53 Deep focus The man will then be the main focus, an over the shoulder shot will show him still walking towards the girl. It will be significantly darker and a lot more smoke will appear. He will just be wearing skinny jeans and a grey or black plain t shirt. The girl will be wearing the floaty dress. 54 Medium Shot The girl turns to see the man. They begin to walk towards each other. It will be significantly darker and a lot more smoke will appear. He will just be wearing skinny jeans and a grey or black plain t shirt. The girl will be wearing the floaty dress. 55. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17- 29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. 56. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17- 29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER.
- 13. EACH OTHER. 57 SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17- 29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. 58 SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17- 29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. 59 SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17- 29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER.
- 14. 60 SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17- 29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. SHOTS WILL BE PLACED WITHIN THIS PART OF THE SONG SIMILAR TO SHOTS 17-29, MIXED WITH THE BOY AND GIRL WALKING TOWARDS EACH OTHER. 61 Medium Shot This shot will reveal the girl and man finally meeting. They look at each other. They don’t touch. The light behind them signifies the ‘block’ between them that they cant be together because he left. It will be significantly darker and a lot more smoke will appear. He will just be wearing skinny jeans and a grey or black plain t shirt. The girl will be wearing the floaty dress. 62 Medium Shot Mixture of colours of powder paint will hit together. Shot will a black background so the paint stands out. 63 Long Shot Shots will begin to overlay to really emphasise the feelings and thoughts. She will be in the studio infront of the Girl will be wearing along black to create a strong silhouette.
- 15. lights and smoke. 64 AGAIN SHOTS WILL BE REPEATED. MIXTURE OF THE GIRL IN THE STUDIO INFRONT OF THE LIGHTS, HER ON THE HORSE, JUST THE HORSE, HER LIP SYCNING AND THE BOY. FROM 3:06-3:44 AGAIN SHOTS WILL BE REPEATED. MIXTURE OF THE GIRL IN THE STUDIO INFRONT OF THE LIGHTS, HER ON THE HORSE, JUST THE HORSE, HER LIP SYCNING AND THE BOY. 3:06-3:44 AGAIN SHOTS WILL BE REPEATED. MIXTURE OF THE GIRL IN THE STUDIO INFRONT OF THE LIGHTS, HER ON THE HORSE, JUST THE HORSE, HER LIP SYCNING AND THE BOY. 3:06-3:44