![New words
1. Heritage ['herɪtɪdʒ] - спадок, спадщина.
2. Affirmed [ə'fə:md] - затверджувати.
3. Depict [dı'pıkt] - зображувати.
4. Diverse [daɪ'vəs] - відмінний, різноманітний.
5. Commenced [kə'menst] - починати.
6. Etching ['etʃɪŋ] - гравіювання.
7. Sentenced ['sent(ə)nsd] - присуджувати.
8. Exile ['eksaɪl] - заслання.
9. Oppress [ə'pres] - пригноблений.
10. Revealed [rɪ'vi:l] - негативно ставитись.
11. Maturity [mə'tjuərətɪ] - зрілість, повноліття.
12. Aquatint ['ækwətınt] - метод гравіювання.](https://image.slidesharecdn.com/random-160828064703/85/-10-320.jpg)
Художники Англії.
- 2. Thomas Gainsborough (1727 –1788) English portrait and landscape painter.
- 3. The Blue Boy (1770) Style: Rococo Genre: portrait Technique: oil Material: canvas Girl with Pigs (1782) Style: Rococo Genre: genre painting Technique: oil Material: canvas Joshua Reynolds considered Girl with Pigs the best picture he (Gainsborough) ever painted or perhaps ever will
- 4. John Constable (1776 –1837) was an English Romantic painter. Self-portrait, pencil on paper (1806)
- 5. The Vale of Dedham (1828) Style: Romanticizm Genre: landscape Technique: oil Material: canvas "Salisbury Cathedral from the Bishop's Garden"(undated) Style: Romanticizm Genre: landscape Technique: oil Material: canvas
- 6. William Hogarth (1697 –1764) The Painter and his Pug (Self-portrait) (1745)
- 7. The Roast Beef of Old England (1748) Style: Rococo Genre: scenery Technique: oil Material: canvas A Scene from 'The Tempest' (1735) Style: Rococo Genre: scenery Technique: oil Material: canvas
- 8. Sir Joshua Reynolds (1723 –1792) Self-portrait , pencil on paper (1806)
- 9. Captain The Honourable Augustus Keppel (1753) Style: Rococo Genre: figure Technique: oil Material: canvas Colonel Acland and Lord Sydney: The Archers (1769) Style: Rococo Genre: figure Technique: oil Material: canvas
- 10. New words 1. Heritage ['herɪtɪdʒ] - спадок, спадщина. 2. Affirmed [ə'fə:md] - затверджувати. 3. Depict [dı'pıkt] - зображувати. 4. Diverse [daɪ'vəs] - відмінний, різноманітний. 5. Commenced [kə'menst] - починати. 6. Etching ['etʃɪŋ] - гравіювання. 7. Sentenced ['sent(ə)nsd] - присуджувати. 8. Exile ['eksaɪl] - заслання. 9. Oppress [ə'pres] - пригноблений. 10. Revealed [rɪ'vi:l] - негативно ставитись. 11. Maturity [mə'tjuərətɪ] - зрілість, повноліття. 12. Aquatint ['ækwətınt] - метод гравіювання.
- 11. 1814 - 1861 The great poet, patriot, thinker and humanist, Shevchenko, is at one and the same time an outstanding master of Ukrainian painting and graphic art, the founder of critical realism and the folk element in Ukrainian fine arts. Ukrainian artists refer to the artistic heritage of Shevchenko as one of the greatest and most valuable national traditions. Shevchenko, simultaneously with Fedotov, affirmed critical realism as a new, progressive trend in Russian fine arts of that time. During his first years as a pupil of the “indoor painter” and at the same time attending drawing classes at the "Association of Young Artists", Shevchenko turned to themes from the history of his homeland. In his letter Shevchenko wrote "The history of my life is a part of the history of my homeland". These words are the key to understanding the creative work of Shevchenko the artist and poet.
- 12. The themes of Shevchenko works, depicting life in Ukraine at that time, are very diverse, indeed. Among them we can single out the watercolor composition of 1841, "Gypsy Fortune-Teller", which was awarded a silver medal by the Council of the Academy of Arts. These led to the greater canvas, "Kateryna". The poem of the same name served as a basis for this paining. This painting is an important page in the history of Ukrainian art, a new word in the formation of the folk element and critical realism in art. Gipsy Fortune- Teller, 1841 Kateryna, 1842
- 13. In the spring of 1843, after 14 years of separation from his homeland, Shevchenko visited his native Ukraine. In Ukraine under the influence of everything seen and experienced, the idea of a periodical art edition entitled Picturesque Ukraine came to Shevchenko. And so, having arrived in St. Petersburg, he commenced this work. Shevchenko divided up the edition into three parts: Ukrainian landscapes, showing the beauty of the country or expressing its historical meaning, were included into the first part; the second part included scenes from the everyday life of that period; the third consisted of etchings, depicting the historical past of the Ukrainian people. A peasant family, 1843 Council of Elders, 1844, Etching
- 14. But soon he was arrested and sentenced to exile. In 1844 the first edition of "Picturesque Ukraine", consisting of six etchings, came out in print. The artist depicted many themes from the life of the oppressed and suffering people. He painted "The Paternal Hut of T. H. Shevchenko in the Village of Kyrilivka"... Among the paintings of this period is a great number of portraits, including those of Mayevska, Olexandre Lukyanovich, Illya Lizogub, Gorlenko, and others. In these portraits you can easily trace the influence of Bryullov. He was delicate not only in the manner of painting, but also in the way he revealed the images. The Paternal Hut of Shevchenko in the Village of Kyrilivka Portrait of Mayevska, 1843
- 15. While still a student at the Academy of Arts, Shevchenko created a magnificent watercolor painting "Maria" on the theme of Pushkin's poem "Poltava". In the spring of 1845 Shevchenko completed his studies at the Academy of Arts and returned to Ukraine. But he did not stay in Ukraine for long. On April 5, 1847 he was arrested and exiled to the Caspian steppes. During his first year in exile Shevchenko portrayed himself in a uniform. In his "prison without doors", as he himself called it, Shevchenko in the period of ten years created the greater part of his wonderful works. The works of the exile period can be divided up into three groups: portraits, landscapes and compositions. Shevchenko's self-portraits comprise one of the most valuable sources of learning about the artist's life. Maria, 1840 Self-Portrait, 1847
- 16. During his stay at the Novopetrovsky Fortress Shevchenko created a great number of watercolor landscape paintings. These landscape paintings attract us by their maturity of realistic mastery. In the sepia "Kazakh Beggar Children" Shevchenko portrayed himself in the background, looking on with an expression of sadness and sympathy. Novopetrovsky Fortress Viewed from the Sea, 1857 Kazakh Beggar Children, 1853
- 17. The best works of Shevchenko after his exile were those done in the technique of etching with aquatint. The exceptions are some of the self-portraits and portraits in paints and pencil. In the summer of 1859, during his last days in Ukraine, Shevchenko created only a small number of sketches. His works will continue to live for ages … Mangishlatsky Garden, 1859 Beggar in the Graveyard, 1859