Standardization n localization in natya oct 2010
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The document discusses the principles of standardization and localization in Indian classical dance, focusing on the Natya Shastra approach to art. It covers various aspects such as generating emotion (rasa), the importance of audience composition, the role of artistic medium, and the vocabulary of movement like mudras. Additionally, it explores the interplay of emotional states in storytelling and the significance of personal artistic identity within traditional frameworks.
Standardization n localization in natya oct 2010
- 1. Standardization & Localization in NatyaOctober 2010By Sindhoor
- 2. Classical Dances of India - 101
- 10. Classical Dances of India - 101Natya
- 11. Classical Dances of India - 101Natyasastra
- 12. Indian Philosophy on Art
- 14. Generating Rasa
- 15. Defining Natya
- 16. How, in your art form, do you…Create Beauty&Evoke Emotion?
- 20. What external factors could effect the presentation of your art?
- 23. Do you have your preference matrix handy?
- 25. What should the composition of your audience be?Are you giving them front row seats?
- 27. What skills should you posses to be good at your art?How to get into the right state of mind to produce great art?
- 29. The Medium
- 30. What is your artistic medium?What are all the units that can be tweaked…down to the smallest unit?How do you classify them?
- 32. Mudras
- 33. The Vocabulary - Mudra
- 34. The Vocabulary - Mudra
- 35. The Vocabulary – Head Movements
- 36. The Vocabulary – Glances
- 37. How extensive is your vocabulary?Is it well defined?Is it standardized?
- 38. LocalizationUnique stylistic identities due to localization
- 42. Can localization be a tool to create individual identities, in your artistic space?
- 43. Generating Rasa
- 44. Generating Rasa
- 45. Rasa
- 46. How would you classify what you evoke in your audience?
- 47. Generating Rasa
- 48. Emotion & Rasa
- 49. Generating Rasa
- 50. Building the Story - SringaraDurableEmotionRasaDeterminantsPleasures of the seasons, flowers, perfumes, ornaments, beloved one, material objects, splendid mansionGoing to a gardenSeeing, hearing, playing with him or herSeparation
- 51. Building the Story - SringaraDurableEmotionRasaDeterminantsComplementary Emotional StatesDiscouragement, Weakness, Apprehension, Envy, Intoxication, Weariness, Indolence, Depression, Anxiety, Distraction, Recollection, Contempt, Shame, Sleep, Epilepsy, Deliberation, Dreaming, Joy, Agitation, Stupor, Arrogance, Despair, Impatience, Dreaming, Awakening, Indignation, Dissimulation, Cruelty, Assurance, Sickness, Insanity, Death, Fright
- 52. Generating Rasa
- 53. Generating Rasa
- 54. Building the Story - SringaraDurableEmotionRasaDeterminantsExpressionVoiceBodyProps & CostumeSatva*Complementary Emotional States
- 55. If you followed this process, what would your tools of expression be?What tools of expression do different arts use?
- 56. What is your creative process?
- 57. www.sindhoor.in