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Surrealism
Where the ordinary becomes
      extraordinary
Surrealism
•   Surrealism Movement was founded in Paris in 1924
•   as a movement that relied on dreams, nightmares fantasy, images from the
    subconscious.
•   Surrealist means above and beyond reality as it is normally seen and
    understood.
•   Artists were interested in strange things that can happen.
•   Humor was a part of the surrealism.
•   Works can be a combination of objects and images which are absurd and very
    funny, they believed that art did not have to be serious all the time
                                   Subject Matter
•   Objects rejected by society
•   Objects in strange surroundings
•   Unusual perspective/ barren landscapes sky
•   Reflections and shadows do not have to be the same size as the objects
    casting the shadows
•   Effects of gravity
•   Melting of objects/transforming/blending
                                  Common Images
•   Eyes ants, playing cards, snakes/reptiles, human body parts, skulls, skeleton, fish,
    butterflies etc
Salvador Dali
Salvador Dali
Geopoliticus Child Watching the Birth of the New Man
Oil on Canvas 1943
Salvador Dali

Atavistic Vestiges After the Rain
Oil on canvas 1934
Salvador Dali
The Architectural Angelus of Millet
Oil on Canvas 1933
Salvador Dali

The Last Supper (detail)
Oil on canvas 1955
Salvador Dali
Beach Scene with
telephone (detail)
Oil on canvas, 1938
Salvador Dali

Lobster telephone 1936
Mixed Media
Rene Magritte 1898-1967




The Voice of the Winds
1928
Rene Magritte ‘Golconda, 1953
Rene Magritte ‘Memory’ 1948
Rene Magritte
The Explanation
1954
James
                                                 Gleeson

•James Gleeson is regarded as the foremost Australian surrealist
painter and poet.
•His career spans from 1938 until the present day
•He was initially influenced by Dali
•As a war artist, he painted and drew scenes of battles, this may
have influenced his ‘warped’ images
Structural Emblems of a
   Friend 1941
Oil on Canvas board, 46
   x 35.6 cm
We inhabit the Corrosive Littoral of
   Habit, 1940
Oil on Canvas 40.7x51.1cm
National Gallery of Victoria, Gift
Coagulations on the
     maintenance of
     Identity 1942
Oil on Canvas
     97.6x77.4cm
Frida Kahlo




Mexican Artist
1907-1954
‘the art of Frida Kahlo is a ribbon around a
bomb’ Andre Breton
Frida Kahlo
Self portrait
1940
Oil on Masonite
40x31cms
Frida Kahlo
Self portrait with braid
1941
Oil on Masonite
51x38.7cms
Frida Kahlo
The Broken Column
1944
Oil on Masonite
40x31cms
Frida Kahlo
Frida Kahlo
Tree of Hope
1946
Dorothea Tanning
  Eine kleine nachmusik
           1946
Dusan Marek
1926-1993
Painter/Filmmaker
Dusan Marek
Gravitation 1949
Max Dupain
Girls Head and Goats Skull
1930
Surrealism  powerpoint presentation

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Editor's Notes

  • #9: Dali was concerned with the threat of war in Europe, the telephone represents the phone calls between chamberlain and Hitler which culminated in the short term Munich Agreement in Sept. 1938