Technical Creativity – 501 Deconstructing Experience: analysis of the sublime
Download as PPTX, PDF0 likes19 views
The document explores the analysis of aesthetics and experience through the lens of the 'cursed animosity of inanimate objects,' referencing figures like Ruskin and L'Engle. It discusses the relationship between form, meaning, and the use of paradox in creative expression. The text highlights the contrasts in sentence structure and sound to illuminate deeper interpretations in artistic contexts.
Technical Creativity – 501 Deconstructing Experience: analysis of the sublime
- 1. deconstructing experience analysis of the sublime Alan Dix
- 2. being analytic … technical creativity (algorithms, functionality) aesthetics and experience ✔ ?
- 3. the cursed animosity of inanimate objects (Ruskin)
- 4. "What I remember from Ruskin is ..." (Madeleine L'Engle )
- 5. the cursed animosity of inanimate objects
- 6. the cursed animosity of inanimate objects sound semantics pragmatics etymology
- 7. the cursed animosity of inanimate objects paradoxical yet familiar resonance and dissonance form and meaning
- 8. poets, writers, composers (creative people) are happy to analyse aesthetics
- 9. deconstruction the cursed animosity of inanimate objects similar sounds to bring words into contrast sentence form to do the same parallels – surface form and deep meaning use of paradox (even oxymoron)
- 10. reconstruction similar sounds to bring words into contrast sentence form to do the same parallels – surface form and deep meaning use of paradox (even oxymoron) she fans the glowing embers while ice gathers on the sill
Editor's Notes
- #11: William Morris [Public domain], via Wikimedia Commons https://commons.wikimedia.org/wiki/File%3AWilliam_Morris_design_for_Trellis_wallpaper_1862.jpg