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TEXTUAL
ANALYSIS
UPDATE
Shona Traynor
Xavier Vale
 Afterthe Textual Analyses, the following
 are things which could make it into
 production:
     The introduction of either one or two of the
      main characters.
     Like in Love Actually, a totally detached
      event with the voiceover serving as an
      introduction to one of the main characters.
     A voiceover as in Bridget Jones’s Diary,
      providing the exposition behind the lead
      female character.
     A typical romantic introduction, as seen in
      the Holiday. This would start the film strongly
      and introduce key generic conventions.
 Relating  to the narrative structure, some
  sort of disequilibrium could be hinted at in
  the sequence – bad relationship or a
  need for change.
 HIGH KEY LIGHTING!!
 A FORM OF VOICEOVER/SOUNDTRACK –
  perhaps not too much dialogue or no
  dialogue at all?

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Textual analysis summary

  • 2.  Afterthe Textual Analyses, the following are things which could make it into production:  The introduction of either one or two of the main characters.  Like in Love Actually, a totally detached event with the voiceover serving as an introduction to one of the main characters.  A voiceover as in Bridget Jones’s Diary, providing the exposition behind the lead female character.  A typical romantic introduction, as seen in the Holiday. This would start the film strongly and introduce key generic conventions.
  • 3.  Relating to the narrative structure, some sort of disequilibrium could be hinted at in the sequence – bad relationship or a need for change.  HIGH KEY LIGHTING!!  A FORM OF VOICEOVER/SOUNDTRACK – perhaps not too much dialogue or no dialogue at all?