-­‐-­‐Elisa	
  Beshero-­‐Bondar (Project	
  Director),
University	
  of	
  Pittsburgh-­‐Greensburg	
  (@epyllia)
-­‐-­‐Mary	
  Erica	
  Zimmer,	
  The	
  Editorial	
  Institute,	
  
Boston	
  University	
  	
  (@athenerica)	
  
-­‐-­‐Molly	
  O’Donnell,	
  University	
  of	
  Nevada,	
  
Las	
  Vegas
What Might an Archive Know
What Might an Archive Know
http://www.digitalmitford.org/
Earlier	
  
Editions…
Henry
Ed.	
  Rev.	
  A.	
  G.	
  L’Estrange,	
  3	
  vols.,	
  1870
2nd series,	
  ed.	
  
Henry	
  Chorley,	
  1872
What Might an Archive Know
Mitfordian	
  “Connections”?
-­‐-­‐Mitford	
  to	
  Sir	
  William	
  Elford,	
  3	
  April	
  1815	
  
(ed.	
  L’Estrange,	
  vol.	
  1	
  [1870]),	
  p.	
  306
“…her	
  family	
  connections	
  must	
  render	
  her	
  disagreeable	
  to	
  Miss	
  Austen,	
  since	
  
she	
  is	
  the	
  sister-­‐in-­‐law	
  of	
  a	
  gentleman	
  who	
  is	
  at	
  law	
  with	
  Miss	
  A’s	
  brother	
  for
the	
  greater	
  part	
  of	
  his	
  fortune.*”
“You	
  must	
  have	
  remarked	
  how	
  much	
  her	
  stories	
  hinge	
  upon	
  entailed	
  estates;
doubtless	
  she	
  has	
  learned	
  to	
  dislike	
  entails.”
Editor’s	
  Note:
“*	
  Every	
  other	
  account	
  of	
  Jane	
  Austen,
from	
  whatever	
  quarter,	
  represents	
  her	
  
as	
  handsome,	
  graceful,	
  amiable,	
  and	
  shy.”
Annotation:	
  Creating	
  Communities
• “The	
  annotator,	
  if	
  [s]he's	
  a	
  good	
  one,	
  presents	
  
a	
  reading	
  that	
  will	
  create	
  the	
  acceptable	
  
range	
  of	
  conversation	
  within	
  the	
  group	
  
[s]he	
  supposedly	
  serves.”
• “This	
  leads	
  me	
  to	
  suggest	
  that	
  questions	
  of	
  
annotation	
  always	
  come	
  back	
  to	
  issues	
  of	
  
communities	
  and	
  institutions	
  .	
  .	
  .”
-­‐-­‐Hanna,	
  “Annotation	
  as	
  Social	
  Practice,”	
  184
About	
  Digital	
  Mitford
http://digitalmitford.org/about.html
Digital	
  Mitford
• “That	
  no	
  such	
  edition	
  yet	
  exists	
  almost	
  
certainly	
  reflects	
  the	
  challenging	
  extent	
  of	
  a	
  
task	
  that	
  could	
  not	
  be	
  completed	
  without	
  the	
  
assistance	
  of	
  a	
  large	
  and	
  diversely	
  specialized	
  
team	
  of	
  scholars.”
-­‐-­‐Digital	
  Mitford,	
  
“Methods	
  and	
  
Practice”	
  
(mitford.pitt.edu)
What Might an Archive Know
What Might an Archive Know
“-­‐ographies”:
Digital	
  Mitford’s	
  site	
  index
Site	
  Index	
  entry:	
  Sir	
  William	
  Elford
(sample:	
  draft	
  form)
Interpretive	
  Grounds,	
  via	
  Granularity?
– Hanna	
  notes	
  “the	
  fear	
  that	
  the	
  annotator	
  will	
  
in	
  fact	
  become	
  an	
  interpreter,	
  impose	
  his	
  being,	
  
in	
  a	
  double	
  attack,	
  on	
  the	
  reader	
  and	
  on	
  the	
  text.”
• Hence,	
  “twentieth-­‐century	
  annotators	
  .	
  .	
  .	
  are	
  
required	
  to	
  fragment	
  their	
  activities	
  into	
  tasks	
  
presented	
  as	
  rhetorically	
  discrete,	
  so	
  they	
  can	
  
never	
  appear	
  whole	
  consciousnesses	
  in	
  touch	
  
with	
  the	
  text”	
  (Hanna	
  180).
• Yet	
  “this	
  rhetorical	
  prescription	
  seems	
  .	
  .	
  .	
  a	
  way	
  
of	
  allowing	
  annotation	
  to	
  proceed	
  as	
  a	
  form	
  of	
  benign
meditation,	
  a	
  service	
  profession,	
  which	
  it	
  is	
  not”	
  (181).	
  
Annotation-­‐>Aggregation-­‐>	
  
Interpretation
-­‐-­‐from	
  The	
  Digital	
  Mitford	
  Coding	
  Guidelines,	
  
“Contextual	
  Annotation”
“Known	
  Unknowns”:	
  
finding	
  “Miss	
  James”
What Might an Archive Know
What Might an Archive Know
What Might an Archive Know
What Might an Archive Know
What Might an Archive Know
What Might an Archive Know
What Might an Archive Know
What Might an Archive Know
What Might an Archive Know
Are	
  You	
  Being	
  Served?
• “The	
  annotator,	
  if	
  [s]he's	
  a	
  good	
  one,	
  presents	
  
a	
  reading	
  that	
  will	
  create	
  the	
  acceptable	
  range	
  
of	
  conversation	
  within	
  the	
  group	
  [s]he	
  
supposedly	
  serves.”
• “This	
  leads	
  me	
  to	
  suggest	
  that	
  questions	
  of	
  
annotation	
  always	
  come	
  back	
  to	
  issues	
  of	
  
communities	
  and	
  institutions,	
  and	
  consequently	
  
questions	
  of	
  power.”
• “At	
  least	
  one	
  question	
  one	
  should	
  ponder	
  at	
  
length	
  .	
  .	
  .	
  is	
  precisely	
  that	
  of	
  power:	
  who	
  or	
  
what	
  is	
  being	
  served	
  by	
  this	
  activity?”
-­‐-­‐Hanna,	
  “Annotation	
  as	
  Social	
  Practice,”	
  184
What Might an Archive Know
Mobilizing	
  Markup?
-­‐-­‐from	
  The	
  Digital	
  Mitford	
  Codebook,	
  “Contextual	
  Annotation”
Supporting	
  Principles	
  and	
  Praxis
Annotation	
  Tool:	
  XQuery
Editing	
  “Miss	
  James”
-­‐-­‐”Miss	
  James”	
  site	
  index	
  entry,	
  
May	
  2015,	
  Digital	
  Mitford	
  
For	
  “Known	
  Unknowns”:	
  Initial	
  Results
For	
  “Unknown	
  Knowns”:	
  
Annotation	
  as	
  Iteration
Byronic	
  Influences?
“Oh!	
  renowned	
  committeemen!	
  From	
  all	
  the	
  selected	
  fruits	
  of	
  all	
  the	
  poetical	
  costermongers	
  
of	
  Great	
  Britain,	
  Ireland,	
  and	
  Berwick-­‐upon-­‐Tweed,	
   could	
  ye	
  choose	
  nothing	
  more	
  promising	
  
than	
  this	
  green	
  sour	
  apple?	
  I	
  am	
  really	
  astonished	
  that	
  Lord	
  Byron	
  could	
  write	
  anything	
  so
stamped	
  with	
  the	
  curse	
  of	
  mediocrity,	
  that	
  even	
  the	
  strong	
  shadow	
  of	
  Dr.	
  Busby	
  fails	
  to	
  
throw	
  it	
  out	
  with	
  anything	
  like	
  effect.”
-­‐-­‐MRM	
  to	
  Sir	
  William	
  Elford,	
  18	
  October	
  1812
Seeking	
  Out	
  “Shakespeare”
A	
  Mitfordian	
  Model…
—MRM	
  site	
  index	
  entry,	
  May	
  2015,	
  Digital	
  Mitford project
…for	
  managing	
  “more.”
Recalibration,	
  Redux
• Re:	
  “what	
  an	
  annotator	
  is	
  doing”:
– “My	
  practice	
  suggests	
  to	
  me	
  that	
  he	
  is	
  in	
  fact	
  
creating	
  himself	
  as	
  reader—and	
  thus	
  creating	
  
the	
  reader	
  of	
  his	
  work.”
– “When	
  my	
  reading	
  runs	
  into	
  blocks,	
  I	
  have	
  to	
  
dissociate	
  myself	
  momentarily	
  and	
  become	
  a	
  
researcher.”
– “But	
  eventually,	
  this	
  split	
  within	
  myself	
  is	
  healed,	
  
since	
  I	
  return	
  to	
  write	
  in	
  the	
  most	
  helpful	
  fashion	
  
my	
  reading	
  as	
  note	
  or	
  gloss	
  .	
  .	
  .”	
  
-­‐-­‐Hanna,	
  “Annotation	
  as	
  Social	
  Practice,”	
  181
What Might an Archive Know

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What Might an Archive Know

  • 1. -­‐-­‐Elisa  Beshero-­‐Bondar (Project  Director), University  of  Pittsburgh-­‐Greensburg  (@epyllia) -­‐-­‐Mary  Erica  Zimmer,  The  Editorial  Institute,   Boston  University    (@athenerica)   -­‐-­‐Molly  O’Donnell,  University  of  Nevada,   Las  Vegas
  • 5. Earlier   Editions… Henry Ed.  Rev.  A.  G.  L’Estrange,  3  vols.,  1870 2nd series,  ed.   Henry  Chorley,  1872
  • 7. Mitfordian  “Connections”? -­‐-­‐Mitford  to  Sir  William  Elford,  3  April  1815   (ed.  L’Estrange,  vol.  1  [1870]),  p.  306 “…her  family  connections  must  render  her  disagreeable  to  Miss  Austen,  since   she  is  the  sister-­‐in-­‐law  of  a  gentleman  who  is  at  law  with  Miss  A’s  brother  for the  greater  part  of  his  fortune.*” “You  must  have  remarked  how  much  her  stories  hinge  upon  entailed  estates; doubtless  she  has  learned  to  dislike  entails.” Editor’s  Note: “*  Every  other  account  of  Jane  Austen, from  whatever  quarter,  represents  her   as  handsome,  graceful,  amiable,  and  shy.”
  • 8. Annotation:  Creating  Communities • “The  annotator,  if  [s]he's  a  good  one,  presents   a  reading  that  will  create  the  acceptable   range  of  conversation  within  the  group   [s]he  supposedly  serves.” • “This  leads  me  to  suggest  that  questions  of   annotation  always  come  back  to  issues  of   communities  and  institutions  .  .  .” -­‐-­‐Hanna,  “Annotation  as  Social  Practice,”  184
  • 10. Digital  Mitford • “That  no  such  edition  yet  exists  almost   certainly  reflects  the  challenging  extent  of  a   task  that  could  not  be  completed  without  the   assistance  of  a  large  and  diversely  specialized   team  of  scholars.” -­‐-­‐Digital  Mitford,   “Methods  and   Practice”   (mitford.pitt.edu)
  • 14. Site  Index  entry:  Sir  William  Elford (sample:  draft  form)
  • 15. Interpretive  Grounds,  via  Granularity? – Hanna  notes  “the  fear  that  the  annotator  will   in  fact  become  an  interpreter,  impose  his  being,   in  a  double  attack,  on  the  reader  and  on  the  text.” • Hence,  “twentieth-­‐century  annotators  .  .  .  are   required  to  fragment  their  activities  into  tasks   presented  as  rhetorically  discrete,  so  they  can   never  appear  whole  consciousnesses  in  touch   with  the  text”  (Hanna  180). • Yet  “this  rhetorical  prescription  seems  .  .  .  a  way   of  allowing  annotation  to  proceed  as  a  form  of  benign meditation,  a  service  profession,  which  it  is  not”  (181).  
  • 16. Annotation-­‐>Aggregation-­‐>   Interpretation -­‐-­‐from  The  Digital  Mitford  Coding  Guidelines,   “Contextual  Annotation”
  • 17. “Known  Unknowns”:   finding  “Miss  James”
  • 27. Are  You  Being  Served? • “The  annotator,  if  [s]he's  a  good  one,  presents   a  reading  that  will  create  the  acceptable  range   of  conversation  within  the  group  [s]he   supposedly  serves.” • “This  leads  me  to  suggest  that  questions  of   annotation  always  come  back  to  issues  of   communities  and  institutions,  and  consequently   questions  of  power.” • “At  least  one  question  one  should  ponder  at   length  .  .  .  is  precisely  that  of  power:  who  or   what  is  being  served  by  this  activity?” -­‐-­‐Hanna,  “Annotation  as  Social  Practice,”  184
  • 29. Mobilizing  Markup? -­‐-­‐from  The  Digital  Mitford  Codebook,  “Contextual  Annotation”
  • 32. Editing  “Miss  James” -­‐-­‐”Miss  James”  site  index  entry,   May  2015,  Digital  Mitford  
  • 33. For  “Known  Unknowns”:  Initial  Results
  • 34. For  “Unknown  Knowns”:   Annotation  as  Iteration
  • 35. Byronic  Influences? “Oh!  renowned  committeemen!  From  all  the  selected  fruits  of  all  the  poetical  costermongers   of  Great  Britain,  Ireland,  and  Berwick-­‐upon-­‐Tweed,   could  ye  choose  nothing  more  promising   than  this  green  sour  apple?  I  am  really  astonished  that  Lord  Byron  could  write  anything  so stamped  with  the  curse  of  mediocrity,  that  even  the  strong  shadow  of  Dr.  Busby  fails  to   throw  it  out  with  anything  like  effect.” -­‐-­‐MRM  to  Sir  William  Elford,  18  October  1812
  • 37. A  Mitfordian  Model… —MRM  site  index  entry,  May  2015,  Digital  Mitford project
  • 39. Recalibration,  Redux • Re:  “what  an  annotator  is  doing”: – “My  practice  suggests  to  me  that  he  is  in  fact   creating  himself  as  reader—and  thus  creating   the  reader  of  his  work.” – “When  my  reading  runs  into  blocks,  I  have  to   dissociate  myself  momentarily  and  become  a   researcher.” – “But  eventually,  this  split  within  myself  is  healed,   since  I  return  to  write  in  the  most  helpful  fashion   my  reading  as  note  or  gloss  .  .  .”   -­‐-­‐Hanna,  “Annotation  as  Social  Practice,”  181