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April 23rd:
Available Tools:
Free, Cheap, and Premium
(and how to navigate choosing between them)
While there are many
different digital
platforms you can use,
in the end, all tools are
visualization tools.
When you choose a
tool, you’re choosing
how you want to see
your data.
You may work with
many tools/platforms in
the lifespan of your
project.
Important Considerations
Ownership
• In what space was your project built?
• Your personal site?
• The university’s webspace?
• Where is the project supposed to “live” after
completion?
• Where did the funding for the project come from?
• Was the project produced in the context of your
teaching responsibilities?
Hosting
• If a platform is web-based (sometimes referred to as
“server-side”), then someone else is making sure
that the platform works, and gets upgraded.
• Pro: you don’t have to install or maintain it.
• Con: you’re dependent on being online for the
platform to work.
Hosting• If the platform is locally hosted (sometimes referred
to as “client-side”), then it’s on your computer.
• Pro: you don’t have to be online! (this is handy
anytime you’re demonstrating your project
outside of your home institution)
• Con: you may need to have more programming
skills to install and maintain the platform on
your own machine/server.
• Con: other people may not be able to access
the content you produce (because it’s only
located on your machine).
Licensing
• Did you pay for the tool/platform that you
want to use?
• Did you have to pay for it once, or do you
have to renew it annually?
• Do your users need a license to interact
with what you produce?
IP Resources
• MILO (McMaster Industry Liaison Office)
• McMaster Policy on Ownership of Student
Work
(http://www.mcmaster.ca/policy/faculty/Research/OwnershipOfStu
dentWork.pdf)
• CAGS Guide to Intellectual Property for
Graduate Students and Postdoctoral
Researchers
(http://www.cags.ca/documents/publications/working/Guide_Intell
ectual_Property.pdf)
Flexibility
• Can you import your data (i.e., prepare it
outside of the platform?)
• Can you export your data?
• In a way that allows other people to
see what the platform does?
• In a way that allows you to use the
data in other platforms?
Robustness
• For a platform to be “robust,” it needs to be able to
handle unexpected input or actions in a way that
allows the user to fix the problem and continue with
minimal fuss.
• While this definition of robust is generally agreed
upon, the precise standards for robustness are
essentially subjective.
Is it robust?• If something goes wrong, does the platform
return a blank screen, or crash entirely?
• If something goes wrong, does the platform
provide an error message that allows you
to figure out what part of your input
caused the problem?
NOT ROBUST!
ROBUST!
Platform Support & Lifespan
• Who made the platform you want to use?
• Is it open source?
• How is maintenance of the platform (not
your project, but the platform itself)
funded? (Grants? Donations?)
• Is it new and shiny? Or old and reliable?
Average lifespan of Google projects
“Google Keep? It’ll probably be with us until March 2017 – on average” – Charles Arthur, The Guardian,
March 22, 2013
Platform Support Community
• Does the platform have a support system
(i.e., a contact for troubleshooting or a
message board)
• How active is the message board?
• Are there discussions of the platform at
broad support sites like StackExchange?
• Can you find blog posts where people write
about using/troubleshooting?
Audience
• You
• Specialized scholarly audience
• Other digital/multimodal scholars
• Search committees/hiring representatives
• Students
• The general public
Audience
• How easy will it be for members of your
audience(s) to access your project?
• What can you assume about the technical
knowledge of your audience?
• Alternatives: screenshots, screencasts
Visibility
• Some platforms may allow you to use them
for free, provided you make your data
public:
• Are you concerned about other people
accessing your data?
• Could your data be considered
someone else’s property?
Accessibility
• Can your project/platform be accessed by
people with disabilities and/or using
assistive technologies?
• Universal design: creating content and tools
for people with the widest range of abilities
possible.
• Accessibility is easier to implement when
planned from the beginning, rather than
retroactively.
Transparency
• How much documentation is available
about the platform’s continuing
development and its creator’s goals?
• If the platform creates data visualizations or
other assessments, how visible is its internal
logic?
Alpha & Beta
(useful vocab)
• Alpha: programs and platforms that are in early
development, and are still highly error/crash-prone.
Usually alpha programs are released to a limited
audience who agree to provide feedback.
• Beta: programs that are still in development, but
released to a wider audience.These programs may
not have full functionality, but are meant to be
relatively error-free.
The choices you make
regarding platforms are an
essential part of your
documentation and your
scholarly output.
On with the tools!
• Display (Scalar, Omeka)
• Mapping/GIS tools(Google Tools, CartoDB, Neatline,
Quantum GIS,ArcGIS)
• Data visualization (Prism, MIT Simile, Google Fusion,
Gephi)
Display Tools
Scalar (Free)
Scalar (free)
Pros
• Free Web-based
• Unique in its capability for
creating non-linear paths.
• Customizable
• Supported by investment and
use of multiple organizations.
• Actively expanding cross-
platform functionality with
other tools.
• Requires you to host material
on the Scalar website.
• Documentation is still being
created
• Export functionality exists, but
is unwieldy
• (Somewhat) dependent on
continued funding.
Cons
Omeka (free/cheap)
Pros
• Available free (if you have
your own server), or hosted
for a small fee ($49
annually).
• Robust functionality, full
documentation available.
• User-friendly interface
• Compatible with Neatline
GIS suite.
• Large community of
individual and institutionally-
based users.
• Works best with data that is a
mixture of images and texts
(i.e., it’s less effective for data
analysis projects)
• New features are released
while in development, and
may still be buggy at first
• (Somewhat) dependent on
continued funding
Cons
Mapping Tools
Google-based Mapping Tools
• Google Maps (support ends in January 2016)
• Community Walk (runs on Google Maps Engine
API) http://www.communitywalk.com
• Google Earth Pro (free as of January 2015;
limited support for third-party apps)
Quantum GIS (free)
Pros
• Has all the functionality of
ArcGIS in an open-source
format
• No ads
• Robust functionality
• Compatible with Google
Earth (unclear how long this
will last)
• Large user community
• Not compatible with ArcGIS
(i.e., very difficult to
import/export between the
platforms)
• Shorter development history
(displays typical open source
bugginess)
Cons
ArcGIS (free / super-premium)
Pros
• It does EVERYTHING you
could want a mapping
program to do.
• Robust functionality
• Free (no ads) web-based
version available through
arcgis.com
• Downloadable version is
expensive! ($$$$ annually)
• Web-based free version
requires you to make
content public/accessible to
all other ArcGIS users
Cons
Neatline (free)
Pros
• Allows tracking and display of
points in space and time
• Creates flexible custom
timelines, maps
• Highly compatible with
Omeka
• Not standalone (i.e., you need
to be working with Omeka in
order to run it)
• Still in development (but
generally well-supported)
Cons
MIT Simile Widgets (free)
Pros
• Free!
• Easy to use for group
collaboration
• Web-based or locally
hosted
• Highly customizable
• Data can be stored in
GoogleDoc
• Open access and always in
development (stability issues)
• Requires HTML, more
programming skill for
customization
• Documentation is spotty
Cons
Google Fusion Tables
(free)
Pros
• Simple to set up and highly portable
– based on Google Doc spreadsheet
data
• Lots of flexibility in terms of
visualizations (maps, charts, graphs,
histograms, etc.)
• Easy to use for group collaboration
Cons
• The more data you have, the more
effective it is.
• Low levels of support
• It could eventually be abandoned (like
other Google projects)
Gephi (free)
Pros
• Free!
• Works with data that you create
yourself (from any source), or
download from sites like
Facebook
• Will produce complex
visualizations if you devote time
to learning how to structure
your data
• How-to posts available from
various sources online.
• Intermediate learning curve:
requires time and
experimentation to produce
sophisticated visualizations
• Occasional compatibility
conflicts with various Apple OS
releases.
Cons
Just a few of the many places
you can check for tools:
http://dirt.projectbamboo.org/
http://digitalhumanities.org/answers/
Choosing between free, cheap, and
premium
• Will paying for a cheap version of a tool allow you better
backup/export/sharing functionality?
• Will paying for a cheap/premium version of a tool allow
you to show it to others when you’re going on the job
market?
• Does your local/academic library have the tool available?
(Can you ask them to purchase it?)
• Can you ask for a non-profit/educational account and get
a discount?
• Are there any open-source versions available with similar
functionality?
Using (new) digital
tools means that you
will inevitably need help
at some point.
Learning how to ask for
help is important.
Learning how to Google
for it is vital.
In the end, you are only
as good as your data
set and your platform.
While there are many different
digital platforms you can use, in
the end, all tools are visualization
tools.
Flashback: Slide #2
“Even something as simple as colour scheme
can have a marked impact on the perceived
credibility of information presented visually -
often a considerably more marked impact
than the actual authority of the data source.”
–John Burn-Murdoch,“Why you should never trust a
data visualisation”,The Guardian, 7/24/13
The Dangers of Data Visualizations
https://litvisuals.wordpress.com/2011/06/13/pride-and-prejudice/
Further reading on dataviz
critiques
• Annie Swafford on Matthew Jockers’ Syuzhet Package:
https://annieswafford.wordpress.com/2015/03/02/syuzhet/
• Robert Kosara on “Visualization Criticism:The Missing
Link Between InformationVisualization and Art:
http://www.purdue.edu/discoverypark/vaccine/assets/pdfs/
publications/pdf/Visualization%20Criticism.pdf
• Critiques (and resources) at The Digital Panopticon:
http://www.digitalpanopticon.org/?page_id=216
Using tools doesn’t
make you a digital
scholar – the critical
thinking does.
Demystifying Digital Scholarship Workshop 6 Slides
(But what about
pretty/shiny websites?)
User
experience/interface
design is its own
complex field.
(Flashy content isn’t
everything – but it’s not
nothing, either.)
Graphic design tools in
the Adobe Creative
Suite can help with this.
(Creative Suite is available on Lyons
Media Lab machines)
Lynda.com (also available in
Lyons) provides tutorials for
working with CS tools, and
for graphic design in general.
Graphic/Info Design resources
• Go:A Kidd’s Guide to Graphic Design (Chip Kidd)
• Designing the Editorial Experience:A Primer for Print,
Web, and Mobile (Sue Apfelbaum, Juliette Cezzar)
• Visual Display of Quantitative Information; Envisioning
Information; Visual Explanations; Beautiful Evidence
(Edward Tufte)
• Look around you – notice designs that are appealing to
you, and think about why.
Graphic/info design may
be most useful for
poster presentations –
but posters can be a
significant contact
point.
What can the Sherman
Centre do to help?
The Sherman Centre can…
• Provide access to a wide range of non-free tools at 3 high-
powered workstations
• Help you think through questions of which platform to use; and
how to plan a learning agenda
• Connect you with other people with similar interests and
potential collaborators
• Provide opportunities for you to speak about your work/project
to larger audiences
• Help you think about how your project fits into your larger
career/research agenda
• Offer support through annual graduate fellowships
What do you need, as
possible practitioners
of digital scholarship?
Thank you for
attending this year’s
Demystifying Digital
Scholarship series!

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Demystifying Digital Scholarship Workshop 6 Slides

  • 1. April 23rd: Available Tools: Free, Cheap, and Premium (and how to navigate choosing between them)
  • 2. While there are many different digital platforms you can use, in the end, all tools are visualization tools.
  • 3. When you choose a tool, you’re choosing how you want to see your data.
  • 4. You may work with many tools/platforms in the lifespan of your project.
  • 6. Ownership • In what space was your project built? • Your personal site? • The university’s webspace? • Where is the project supposed to “live” after completion? • Where did the funding for the project come from? • Was the project produced in the context of your teaching responsibilities?
  • 7. Hosting • If a platform is web-based (sometimes referred to as “server-side”), then someone else is making sure that the platform works, and gets upgraded. • Pro: you don’t have to install or maintain it. • Con: you’re dependent on being online for the platform to work.
  • 8. Hosting• If the platform is locally hosted (sometimes referred to as “client-side”), then it’s on your computer. • Pro: you don’t have to be online! (this is handy anytime you’re demonstrating your project outside of your home institution) • Con: you may need to have more programming skills to install and maintain the platform on your own machine/server. • Con: other people may not be able to access the content you produce (because it’s only located on your machine).
  • 9. Licensing • Did you pay for the tool/platform that you want to use? • Did you have to pay for it once, or do you have to renew it annually? • Do your users need a license to interact with what you produce?
  • 10. IP Resources • MILO (McMaster Industry Liaison Office) • McMaster Policy on Ownership of Student Work (http://www.mcmaster.ca/policy/faculty/Research/OwnershipOfStu dentWork.pdf) • CAGS Guide to Intellectual Property for Graduate Students and Postdoctoral Researchers (http://www.cags.ca/documents/publications/working/Guide_Intell ectual_Property.pdf)
  • 11. Flexibility • Can you import your data (i.e., prepare it outside of the platform?) • Can you export your data? • In a way that allows other people to see what the platform does? • In a way that allows you to use the data in other platforms?
  • 12. Robustness • For a platform to be “robust,” it needs to be able to handle unexpected input or actions in a way that allows the user to fix the problem and continue with minimal fuss. • While this definition of robust is generally agreed upon, the precise standards for robustness are essentially subjective.
  • 13. Is it robust?• If something goes wrong, does the platform return a blank screen, or crash entirely? • If something goes wrong, does the platform provide an error message that allows you to figure out what part of your input caused the problem? NOT ROBUST! ROBUST!
  • 14. Platform Support & Lifespan • Who made the platform you want to use? • Is it open source? • How is maintenance of the platform (not your project, but the platform itself) funded? (Grants? Donations?) • Is it new and shiny? Or old and reliable?
  • 15. Average lifespan of Google projects “Google Keep? It’ll probably be with us until March 2017 – on average” – Charles Arthur, The Guardian, March 22, 2013
  • 16. Platform Support Community • Does the platform have a support system (i.e., a contact for troubleshooting or a message board) • How active is the message board? • Are there discussions of the platform at broad support sites like StackExchange? • Can you find blog posts where people write about using/troubleshooting?
  • 17. Audience • You • Specialized scholarly audience • Other digital/multimodal scholars • Search committees/hiring representatives • Students • The general public
  • 18. Audience • How easy will it be for members of your audience(s) to access your project? • What can you assume about the technical knowledge of your audience? • Alternatives: screenshots, screencasts
  • 19. Visibility • Some platforms may allow you to use them for free, provided you make your data public: • Are you concerned about other people accessing your data? • Could your data be considered someone else’s property?
  • 20. Accessibility • Can your project/platform be accessed by people with disabilities and/or using assistive technologies? • Universal design: creating content and tools for people with the widest range of abilities possible. • Accessibility is easier to implement when planned from the beginning, rather than retroactively.
  • 21. Transparency • How much documentation is available about the platform’s continuing development and its creator’s goals? • If the platform creates data visualizations or other assessments, how visible is its internal logic?
  • 22. Alpha & Beta (useful vocab) • Alpha: programs and platforms that are in early development, and are still highly error/crash-prone. Usually alpha programs are released to a limited audience who agree to provide feedback. • Beta: programs that are still in development, but released to a wider audience.These programs may not have full functionality, but are meant to be relatively error-free.
  • 23. The choices you make regarding platforms are an essential part of your documentation and your scholarly output.
  • 24. On with the tools! • Display (Scalar, Omeka) • Mapping/GIS tools(Google Tools, CartoDB, Neatline, Quantum GIS,ArcGIS) • Data visualization (Prism, MIT Simile, Google Fusion, Gephi)
  • 27. Pros • Free Web-based • Unique in its capability for creating non-linear paths. • Customizable • Supported by investment and use of multiple organizations. • Actively expanding cross- platform functionality with other tools. • Requires you to host material on the Scalar website. • Documentation is still being created • Export functionality exists, but is unwieldy • (Somewhat) dependent on continued funding. Cons
  • 29. Pros • Available free (if you have your own server), or hosted for a small fee ($49 annually). • Robust functionality, full documentation available. • User-friendly interface • Compatible with Neatline GIS suite. • Large community of individual and institutionally- based users. • Works best with data that is a mixture of images and texts (i.e., it’s less effective for data analysis projects) • New features are released while in development, and may still be buggy at first • (Somewhat) dependent on continued funding Cons
  • 31. Google-based Mapping Tools • Google Maps (support ends in January 2016) • Community Walk (runs on Google Maps Engine API) http://www.communitywalk.com • Google Earth Pro (free as of January 2015; limited support for third-party apps)
  • 33. Pros • Has all the functionality of ArcGIS in an open-source format • No ads • Robust functionality • Compatible with Google Earth (unclear how long this will last) • Large user community • Not compatible with ArcGIS (i.e., very difficult to import/export between the platforms) • Shorter development history (displays typical open source bugginess) Cons
  • 34. ArcGIS (free / super-premium)
  • 35. Pros • It does EVERYTHING you could want a mapping program to do. • Robust functionality • Free (no ads) web-based version available through arcgis.com • Downloadable version is expensive! ($$$$ annually) • Web-based free version requires you to make content public/accessible to all other ArcGIS users Cons
  • 37. Pros • Allows tracking and display of points in space and time • Creates flexible custom timelines, maps • Highly compatible with Omeka • Not standalone (i.e., you need to be working with Omeka in order to run it) • Still in development (but generally well-supported) Cons
  • 39. Pros • Free! • Easy to use for group collaboration • Web-based or locally hosted • Highly customizable • Data can be stored in GoogleDoc • Open access and always in development (stability issues) • Requires HTML, more programming skill for customization • Documentation is spotty Cons
  • 41. Pros • Simple to set up and highly portable – based on Google Doc spreadsheet data • Lots of flexibility in terms of visualizations (maps, charts, graphs, histograms, etc.) • Easy to use for group collaboration Cons • The more data you have, the more effective it is. • Low levels of support • It could eventually be abandoned (like other Google projects)
  • 43. Pros • Free! • Works with data that you create yourself (from any source), or download from sites like Facebook • Will produce complex visualizations if you devote time to learning how to structure your data • How-to posts available from various sources online. • Intermediate learning curve: requires time and experimentation to produce sophisticated visualizations • Occasional compatibility conflicts with various Apple OS releases. Cons
  • 44. Just a few of the many places you can check for tools: http://dirt.projectbamboo.org/ http://digitalhumanities.org/answers/
  • 45. Choosing between free, cheap, and premium • Will paying for a cheap version of a tool allow you better backup/export/sharing functionality? • Will paying for a cheap/premium version of a tool allow you to show it to others when you’re going on the job market? • Does your local/academic library have the tool available? (Can you ask them to purchase it?) • Can you ask for a non-profit/educational account and get a discount? • Are there any open-source versions available with similar functionality?
  • 46. Using (new) digital tools means that you will inevitably need help at some point.
  • 47. Learning how to ask for help is important. Learning how to Google for it is vital.
  • 48. In the end, you are only as good as your data set and your platform.
  • 49. While there are many different digital platforms you can use, in the end, all tools are visualization tools. Flashback: Slide #2
  • 50. “Even something as simple as colour scheme can have a marked impact on the perceived credibility of information presented visually - often a considerably more marked impact than the actual authority of the data source.” –John Burn-Murdoch,“Why you should never trust a data visualisation”,The Guardian, 7/24/13 The Dangers of Data Visualizations
  • 52. Further reading on dataviz critiques • Annie Swafford on Matthew Jockers’ Syuzhet Package: https://annieswafford.wordpress.com/2015/03/02/syuzhet/ • Robert Kosara on “Visualization Criticism:The Missing Link Between InformationVisualization and Art: http://www.purdue.edu/discoverypark/vaccine/assets/pdfs/ publications/pdf/Visualization%20Criticism.pdf • Critiques (and resources) at The Digital Panopticon: http://www.digitalpanopticon.org/?page_id=216
  • 53. Using tools doesn’t make you a digital scholar – the critical thinking does.
  • 57. (Flashy content isn’t everything – but it’s not nothing, either.)
  • 58. Graphic design tools in the Adobe Creative Suite can help with this. (Creative Suite is available on Lyons Media Lab machines)
  • 59. Lynda.com (also available in Lyons) provides tutorials for working with CS tools, and for graphic design in general.
  • 60. Graphic/Info Design resources • Go:A Kidd’s Guide to Graphic Design (Chip Kidd) • Designing the Editorial Experience:A Primer for Print, Web, and Mobile (Sue Apfelbaum, Juliette Cezzar) • Visual Display of Quantitative Information; Envisioning Information; Visual Explanations; Beautiful Evidence (Edward Tufte) • Look around you – notice designs that are appealing to you, and think about why.
  • 61. Graphic/info design may be most useful for poster presentations – but posters can be a significant contact point.
  • 62. What can the Sherman Centre do to help?
  • 63. The Sherman Centre can… • Provide access to a wide range of non-free tools at 3 high- powered workstations • Help you think through questions of which platform to use; and how to plan a learning agenda • Connect you with other people with similar interests and potential collaborators • Provide opportunities for you to speak about your work/project to larger audiences • Help you think about how your project fits into your larger career/research agenda • Offer support through annual graduate fellowships
  • 64. What do you need, as possible practitioners of digital scholarship?
  • 65. Thank you for attending this year’s Demystifying Digital Scholarship series!