This document discusses slasher horror films and how they manipulate audience emotional response, focusing on Scream and Halloween. It provides context on Robin Wood's repression theory that horror films show repressed evil desires projected as monsters. The document then analyzes the opening scenes of Scream and Halloween, comparing elements like music, location, masks, and victims used to elicit audience responses. Students are prompted to discuss how these openings manipulate emotions and relate to Wood's spectator theory.