08 22-12 lecture
- 1. Class 2 Class 2 What? Why? What is it? Why is it?
- 2. Getlein, our esteemed textbook author, says
- 3. 6 things!
- 4. What. What
- 5. 1. Create places for some human purpose. 2. Create extraordinary versions of ordinary objects 3. Record and commemorate 4. Give tangible form to the unknown 5. Give tangible form to feelings and ideas 6. Refresh our vision and help us see the world in new ways.i
- 6. What
- 7. Create places for some human purpose.
- 8. James Turrell, Live Oak Meeting House (note: "Skyspace")
- 9. Create places for some human purpose.
- 10. Create extraordinary versions of ordinary objects
- 11. More from Claes Oldenburg & Coosje van Bruggen
- 12. Ca Circa 1700s, Mughal Empire, India Record and commemorate
- 14. Ca Hans-Peter Feldmann, 9/12 Frontpage
- 15. Give tangible form to the unknown
- 16. Give tangible form to the unknown
- 17. Give tangible form to feelings and ideas
- 18. Give tangible form to feelings and ideas
- 19. Refresh our vision and help us see the world in new ways.i
- 20. Refresh our vision and help us see the world in new ways.i
- 21. Refresh our vision and help us see the world in new ways.i
- 22. Refresh our vision and help us see the world in new ways.i
- 23. "Above all, the nature of perception suggests that the most important key to looking at art is to become aware of the process of looking itself-- to notice details and visual relationships, to explore the associations and feelings that they inspire, to search for knowledge that we can bring to bear, and to try to put what we see into words." -- page 14 of our text
Editor's Notes
- #4: six things that artists do
- #12: Create extraordinary versions of ordinary objects CCreate extraordinary versions of ordinary objects reate extr aordinary versions of ordinary objects
- #14: hans-peter feldmann 9/12 frontpage
- #15: hans-peter feldmann 9/12 frontpage
- #16: Monjushri Buddha, taming the lion with wisdom. From the British Museum.
- #17: Francesco Solimena , Adam and Eve in Paradise, c. 1700
- #20: Serra said that because sculpture was site-specific, to re-locate it would be to destroy it. Serra lost his lawsuit, and Tilted Arc was removed in 1989. (It's in storage today.)