SlideShare a Scribd company logo

Activity 11 Team Cadmium

C
carlosvk

The document is a proposal for a future urban gallery called Park Artlet. It outlines concepts for the gallery including thinking globally, creating a communal space, incorporating urban art, and infusing the space with greenery. The proposal describes Park Artlet as a design that converts parking spaces into a public space for art, community, and green space. It aims to showcase local creativity and foster innovative collaboration on a global scale.

Art & Photos
1 of 18
Download to read offline
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
MAIN LOGO CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES TEAM CADMIUM ACTIVITY 11: FUTURE GALLERY PROPOSAL PARK ARTLET - URBAN GALLERY
CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 2 / 18 TABLE OF CONTENTS 1. MANIFESTO & VISION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 03 2. CONCEPTS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 04 2.1 THINKING GLOBAL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 05 2.2 COMMUNAL SPACE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 06 2.3 URBAN ART. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .07 2.4 GREEN INFUSION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 08 3. THE FUTURE GALLERY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 09 3.1 WHAT IS PARK ARTLET?. . . . . . . . . . . . . . . . . . . . . . . . . . 10 3.2 MOOD BOARD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 3.3 DESIGN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 3.4 VISUALIZATION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 4. CONCLUSION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 5. CREDITS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 6. BIBLIOGRAPHY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 AVATAR STRUCTURE ■ PROPOSAL BY HIBA ABUL HEIJA REVISED BY CARLOS VILLARREAL KWASEK & TEAM CADMIUM
MANIFESTO & VISION ■ CREATED BY IAN RICHMOND REVISED BY TEAM CADMIUM THE URBAN AREA IS AN ETERNAL PARADE OF CONTRASTS, SIMILARITIES AND LIMITATIONS. AN EVOLVING EPOCH OF EXISTENCE, REPRESENTED BY A COLLECTION OF LIKE-MINDED INHABITANTS CO-EXISTING CONTEMPORANEOUSLY ACROSS A FAMILIAR LANDSCAPE, SHARING A WEATHER SYSTEM THAT DRIVES A COLLECTIVE TEMPERAMENT. THE URBAN ENVIRONMENT IS AN INTRICATE DISPOSITION IN PERPETUAL MOTION; ITS ACCOMPLISHMENTS NEED TO BE CELEBRATED, ITS POTENTIAL ENVISIONED. WE AT CADMIUM, A TEAM OF MULTIFARIOUS VISIONARIES, ARE WORKING TOGETHER TO EXTRACT THE POTENTIAL BRILLIANCE OF THE CITY. BY ADDRESSING LOCAL, WE ARE CONTRIBUTING TO THE GLOBAL COMMUNITY BY IMPLEMENTING A MODEL THAT CAN BE APPLIED ANYWHERE. OUR GALLERY HAS NO BORDERS OR LIMITATIONS; WE ASPIRE TOWARDS PROMOTING AND SHOWCASING LOCALLY INSPIRED CREATIVITY, AIDING IN THE CREATION OF A SUSTAINABLE CENTRE OF COMMERCE AND ART. OUR GOAL IS TO CULTIVATE NON-LINEAR, OPEN DEVELOPMENT GLOBALLY THROUGH EXTENSIONS OF THE CITY IN THE FORM OF AN URBAN GALLERY. BY FOSTERING INNOVATIVE COLLABORATION, WE FEEL THAT THIS WILL ENHANCE THE COLLECTIVE VALUE IN THE LIVES OF ALL PEOPLE. MANIFESTO & VISION
CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 4 / 18 AVATAR CONCEPTS INSPIRED BY OUR VISION AND MANIFESTO WE HAVE IDENTIFIED FOUR ELEMENTS THAT HAVE BECOME THE DNA OF OUR PROJECT AVATAR
AVATAR 5 / 18 CONCEPTS 1. THINKING GLOBAL When we say global we think of bringing cultures together. When we say global we think of access for everyone. (King, 2004, pp. xiii – xiv) We want people to interact with our urban space and reflect their identity and their heart into the canvas. We want to become an open page from Tokyo to Tromsø, from Mombasa to Mendoza, from Arequipa to Sacramento. WE BELIEVE IN THE GOODNESS OF THE PEOPLE AND THAT CULTURES WANT TO REACH OUT TO ONE ANOTHER AND SHARE. THINKING GLOBAL ■ CREATED BY CARLOS VILLARREAL KWASEK & NADA NASSIER REVISED BY HIBA ABUL HEIJA Fig. 1 Carlos Villarreal Kwasek, Thinking Global (2015) CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015
COMMUNAL SPACE An urban installation of which its geometry and design create gathering spaces that stimulate community connectivity and socialization in any existing parking space, just off the sidewalk. Installation is composed of an integral Art display and art workstation, creating a public space that is activated by the integration of art and culture, in which neighbourhood residents of all ages can gather, socialize, and become connected through a public, green, artistic installation of community artwork. ART INCORPORATION The idea is to create a friendly open environment for the residents and visitors, integrated into a parking space that is usually reserved for cars. This space will provide greenery, art, and other visual amenities fostering a communal area activated by art displays and art creation, produced by the community or local neighbour- hood. Art creation workspaces will be integrated into the installations, so that artwork can be created on site and installed in an interactive manner. The finished works will then be modified to handle the elements for outdoor display. CONCEPTS 2. COMMUNAL SPACE Fig. 2 Topfer, J., Absurd and Generous... Yes Please! Advance. (2011) CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 6 / 18 AVATAR COMMUNAL SPACE ■ CREATED BY NADA NASSIER REVISED BY IAN RICHMOND
CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 7 / 18 AVATAR CONCEPTS 3. URBAN ART URBAN ART ■ CREATED BY CARLOS VILLARREAL KWASEK REVISED BY HIBA ABUL HEIJA Fig. 3 Germen Crew, Barrio Palmitas (2015) Working with the community, the art collective Germen Crew transformed an entire neighborhood into a unified art piece. The objective of this project was it oppose delinquency. Street art was once a synonym of delinquency and was seen as an art form only by a small underground community. But minds have changed. Today street art has its right of passage among the voices of artistic expression. Artists are reaching to speak this voice and the cities are eager to listen (the guardian, 2009). In cities all around the globe, urban art is becoming accepted and craved (Cascone, 2015). We want to bring the community closer to this art form by providing an area for people to create their own art in a communal space.
WHY GREEN? We believe that living plants and greenery immedi- ately improve people’s lives and living conditions. Increased access to greenery in the city cultivates tranquillity and encour- ages people to congregate and socialise. Green areas are a refuge from the daily grind, and offer an opportunity to reflect on our cities, how we live, where we live, our interactions with others, and our space in the city and on this shared planet. Green has a cooling effect, asphalt swallows the summer heat, so green is not only clean, it is refreshing. Green adds sustain- ability to any location and acts as a buffer when Mother Nature decides to give us more than we need. For instance, to counter flooding, green areas absorb moisture thus insulating the city. Variations in global terrain and weather conditions reinforce the importance of green space as a necessity in our daily lives. Green environments improve mental and physical health promoting cognitive thinking and self-discipline. Research suggests that green settings nurture generosity and positive communication. Neighbourhood social ties are enhanced, aiding the overall sense of community and in turn nurtures trust and a willingness to assist others. On the contrary, environments with an absence of greenery have shown escalated aggression, violence, and property crime across all income brackets. (Nauert, 2011) Infusing our gallery space in greenery does not simply supple- ment the art, it becomes the art. It displays what a city should represent, and changes our perception on how to live in an urban area. The promotion of a better-designed city experience is not only advantageous for its inhabitants, but also its visitors. GREEN NFUSION CONCEPTS 4. GREEN INFUSION Fig. 4 Greenfield, J., Checkerboard City: Pavement to the People. (2012) CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 8 / 18 AVATAR GREEN INFUSION ■ CREATED BY IAN RICHMOND
CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 9 / 18 AVATAR THE FUTURE GALLERY: PARK ARTLET WE LOOK INTO THE FUTURE AND WE SEE COMMUNITIES REACHING INTO DYNAMIC PUBLIC SPACES. WE LOOK INTO THE FUTURE AND WE SEE PARK ARTLET.
AVATAR 10 / 18WHAT IS PARK ARTLET? ■ CREATED BY HIBA ABUL HEIJA REVISED BY CARLOS VILLARREAL KWASEK An Park Artlet is a design proposal that came together/about as an installation that manifests our team’s thoughts and concepts of what an Art Gallery as a notion should represent. Our thoughts very much revolved around a Global Futuristic Gallery that fits anywhere, in any location or Culture, capturing the essence of its surroundings through Art. Therefore, it had to be Universal in design dimensions, elements and character. After extensive team research we came to believe that a Parklet as an urban installation fits our design criteria. “In simple terms, a Parklet converts a small number of contiguous parking spaces into a mixed-use public space, creating interest, vitality, and foot traffic.” (Mahe, 2015) “A Parklet... combines elements such as seating, trees, flowers, shrubs, umbrellas, bike parking or lighting that reflect the unique character and needs of the location.” (betterblocknewark, 2015) there we had found our universally-dimensioned-urban installation that also serves as a communal green space. Being of fixed dimensions eases its replication across the globe. (Littlefield, 2008) “By serving as an attractive destination, they give people yet another reason to get out of their cars, which helps reduce traffic congestion, improve air quality and safeguard people traveling on bikes and on foot.” (Sacramento Area Bicycle Advocates, 2015) Additional benefits to proposal and simply adding value. Now all we had to do was incorporate art and be it the catalyst reviving this space. We accordingly created a nice public environment for residents and visitors alike, in a space that is usually reserved for cars providing greenery, and other visual amenities, fostering art, its display and creation. Allowing artwork to be created on site and laminated or treated somehow for outdoor display, then installed in an interactive manner. WHAT IS PARK ARTLET? WE PROPOSE TO TRANSFER AN URBAN SPACE THROUGH THE INTEGRATION OF ART AND CULTURE, GLOBALLY. CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015
CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 11 / 18 AVATAR THE FUTURE GALLERY: PARK ARTLET MOOD BOARD MOOD BOARD ■ CREATED BY HIBA ABUL HEIJA REVISED BY IAN RICHMOND Fig. 5 Ian Richmond, Mood Board (2015).
CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 12 / 18 AVATAR DESIGN ■ CREATED BY HIBA ABUL HEIJA REVISED BY TEAM CADMIUM Fig. 6 Hiba Abul Heia, Design (2015). THE FUTURE GALLERY: PARK ARTLET DESIGN FRONT ELEVATION PLAN
CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 13 / 18 AVATAR DESIGN ■ CREATED BY HIBA ABUL HEIJA REVISED BY TEAM CADMIUM Fig. 7 Hiba Abul Heia, Design (2015). Fig. 8 Carlos Villarreal Kwasek, 3D Visualization (2015) [online] Available at: https://youtu.be/heEuJnpV2G0 THE FUTURE GALLERY: PARK ARTLET DESIGN BACK ELEVATION 3D ANIMATIONLEFT ELEVATION RIGHT ELEVATION
CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 THE FUTURE GALLERY: PARK ARTLET VISUALIZATION RENDERS ■ CREATED BY TEAM CADMIUM Fig. 9 Carlos Villarreal Kwasek, Visualization (2015).
CONCLUSION ■ CREATED BY IAN RICHMOND REVISED BY TEAM CADMIUM AVATAR 15 / 18 Team Cadmium’s empirical knowledge has hinted at an allegory that everyone on this planet carries a fire within him or her to implement change. Change happens everywhere; it is perpetual and inevitable. Too often change meets resistance, though we believe that it has to be respected, communicated and nurtured; counter opinions are encouraged, always with the aforementioned in mind. We encourage freedom of expression through constructive discourse, promoting discussion and idea exchange. Change propels opportunities, new perspectives, new responsibilities, and innovations. By changing how society interacts, we invite integrated global advocacy, and a cognizance of structuring a maintainable, yet sustainable living environment that promotes positive outcomes in all communities. Our reason d’être is recognizing that people are instinctively different, though open to change. For us, change equates to ambition, change is a springboard to accomplish global commitments to the betterment of our collective living conditions. When we think of a Future Gallery, we are thinking about what matters most to the end user, opportunity. We consider our aspirations to be in the vanguard of social improvement and artistic exchange by projecting individual allegories to foster rich ethnographic expression. A question that we ask is, “Where do people congregate and express themselves?” Our overwhelming answer is, on the streets. There is no better place to project art; there are limited borders and limited censorship; this is our definition of ‘Street Art’ and promoted through the PARK ARTLET. WHY THIS MATTERS? CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015
CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 16 / 18 TEAM CADMIUM TEAM LEADER CARLOS VILLARREAL KWASEK (ILLUSTRATION) CREATIVE DIRECTOR HIBA ABUL HEIJA (INTERIOR DESIGN) ART DIRECTOR NADA NASSIER (GRAPHIC DESIGN) ART DIRECTOR IAN RICHMOND (GRAPHIC DESIGN) PRODUCTION BABIES Kendrix William Richmond During the production of this project our Art Director, Ian Richmond, became a father. We wish happiness and a bright future for the new parents. CREDITS CREDITS ■ CREATED BY CARLOS VILLARREAL KWASEK REVISED BY IAN RICHMOND MAIN LOGO Fig. 10 Ian Richmond, Cadmium Logo & Image (2015)
CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 17 / 18 AVATAR BIBLIOGRAPHY LIST OF IMAGES REFERENCES ■ CREATED BY NADA NASSIER REVISED BY CARLOS VILLARREAL KWASEK A Parklet for Duane Street (2015) Available at: http:// tribecatrust.org/a-parklet-for-duane-street/ [Accessed: 26 August 2015]. betterblocknewark (2015) What is a parklet?. [online] Available at: http://betterblocknewark.com/2015/05/11/what-is-a- parklet/ (Accessed: 26 August 2015). Cascone, S. (2015) The Mexican Town of Palmitas Is Now One Big Mural. [online] Available at: https://news.artnet.com/in- brief/palmitas-mexican-neighborhood-becomes-germen- crew-mural-319947 (Accessed: 27 August 2015). King, A. D. (2004) Spaces of Global Cultures:Architecture, Urbanism, Identity. London: Taylor & Francis. Littlefield, D. (2008) Metric Handbook. 3rd edn. Oxford: Architectural Press. Mahe, G. (2015) ‘It’s a Patio! It’s A Deck! … It’s a Public Parklet?’ St. Louis Magazine (April). Nauert, R. (2011) Going Green Benefits Physical, Mental Health. [online] Available at: http://psychcentral.com/ news/2011/04/20/going-green-benefits-physical-mental- health/25492.html [Accessed: 26 August 2015]. Sacramento Area Bicycle Advocates (2015) Parklets | Sacramento Area Bicycle Advocates. [online] Available at: http://sacbike.org/parklets/ (Accessed: 20 August 2015). The Guardian (2009) Banksy at Bristol City Museum. Available at: http://www.theguardian.com/artanddesign/gallery/2009/ jun/12/banksy-bristol-art-exhibition [Accessed: 26 August 2015] Fig. 1 Carlos Villarreal Kwasek, Thinking Global (2015) 1.1 Chris “Paco” Camino, Stranger 70/100 (2015) Photography [online] Available at: https://www.flickr.com/ photos/chriscamino/9180026702/ [Accessed: 28 August 2015]. 1.2 올리브, Season’s Greetings (2015) [online] Photography Available at: http://dailyexo.tumblr.com/ image/105781460290 [Accessed: 28 August 2015]. 1.3 Gigja Einarsdottir, The Farmer Ásmundur (2015) Photography [online] Available at: https://www.flickr.com/ photos/gigjae/3273042638/ [Accessed: 28 August 2015]. 1.4 Eric Lafforgue, Beautiful Young Woman, Island Of Mozambique, Mozambique (2015) Photography [online] Available at: https://www.flickr.com/photos/ mytripsmypics/9494938556/ [Accessed: 28 August 2015]. Fig. 2 Topfer, J., Absurd and Generous...Yes Please! Advance. (2011) Photography [online] Available at: http://advance. org/articles/absurd-and-generous-yes-please/ [Accessed: 28 August 2015]. Fig. 3 Germen Crew, Barrio Palmitas (2015) Photography Cascone, S. (2015) The Mexican Town of Palmitas Is Now One Big Mural. Available at: https://news.artnet.com/in- brief/palmitas-mexican-neighborhood-becomes-germen- crew-mural-319947 (Accessed: 27 August 2015). Fig. 4 Greenfield, J., Checkerboard City:Pavement to the People. (2012) Photography. Greenfield, J., (2012) Checkerboard City:Pavement to the People. [online] Available at: http:// newcity.com/2012/10/09/checkerboard-city-pavement-to- the-people/ [Accessed: 28 August 2015]. Fig. 5 Ian Richmond, Mood Board (2015). 5.1 Syamsul Hadi, Untitled (2014) Photograph [online] Available at: http://soulhadi.vsco.co/ media/53e5eb6775670843668b48f8 [Accessed: 28 August 2015]. 5.2 Garrett Grove, Demoed Cars In The Parking Lot (2014) Photograph [online] Available at: http://garrettgrove.vsco. co/media/5408f21373670821278b45ff [Accessed: 28 August 2015]. ▶
CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 18 / 18 AVATAR REFERENCES ■ CREATED BY NADA NASSIER REVISED BY CARLOS VILLARREAL KWASEK 5.3 Rachel Lindsy, #parking (2014) Photograph [online] Available at: http://rachaellindsy.vsco.co/ media/537810f87467082c378b4c11 [Accessed: 28 August 2015]. 5.4 Ajoo, #dtla #losangeles #park #empty (2013) Photograph [online] Available at: http://ajoo.vsco.co/ media/52e4cec47167088479000111 [Accessed: 28 August 2015]. 5.5 The Digital Bird, All I see is # green (2015) Photograph [online] Available at: http://thedigitalbird.vsco.co/ media/552594d90b56152d308b4584 [Accessed: 28 August 2015]. 5.6 R, Green (2014) Photograph [online] Available at: http:// strang2r.vsco.co/media/53eac0bc716708ee758b4816 [Accessed: 28 August 2015]. 5.7 Junior, Greens (2013) Photograph [online] Available at: http://gilbertoalvarado.vsco.co/ media/530e2ffb716708a071000016 [Accessed: 28 August 2015]. 5.8 Sean Ball, Untitled (2014) Photograph [online] Available at: http://seanboyy.vsco.co/ media/52d3336a71670849380003b5 [Accessed: 28 August 2015]. 5.9 Kunakos, Untitled (2013) Photograph [online] Available at: http://kunakos.vsco.co/ media/52b876ad7267087e0a000255 [Accessed: 28 August 2015]. 5.10 Go And See, our paths often cross for reasons we do not know (2014) Photograph [online] Available at: http:// michellel.vsco.co/media/5352ec627167084009000235 [Accessed: 28 August 2015]. 5.11 Eliiias, street #art (2013) Photograph [online] Available at: http://eliiias.vsco.co/ media/51dc45885968088915000000 [Accessed: 28 August 2015]. 5.12 Katie Deer, Penang Street Art (2013) Photograph [online] Available at: http://katiedeer.vsco.co/ media/529e72625d680803320000be [Accessed: 28 August 2015]. 5.13 Richard Ezeolisa, Untitled (2013) Photograph [online] Available at: http://richardezeolisa.vsco.co/ media/52aeb2625b6808167a00011a [Accessed: 28 August 2015]. 5.14 artparklet, Untitled (2015) Photograph [online] Available at: https://instagram.com/p/6I6tpYza2x/ [Accessed: 28 August 2015]. 5.15 Marvin Fong, Funky Prints - Meiji-Jingu Shrine (2012) Photograph [online] Available at: http://marveydarvey. vsco.co/media/51e3acd15a68087d7e00003f [Accessed: 28 August 2015]. 5.16 artparklet, Untitled (2014) Photograph [online] Available at: https://instagram.com/p/5cBvWtza-c/ [Accessed: 28 August 2015]. 5.17 sim.porquesim, parklet ao lado do mar (2015) Photograph [online] Available at: https://instagram. com/p/60nln5oifm/ [Accessed: 28 August 2015]. 5.18 ecohus, Untitled (2015) Photograph [online] Available at: https://instagram.com/p/6pV3BWDcgk/ [Accessed: 28 August 2015]. 5.19 ivnavasconcelosarquitetura, Untitled (2015) Photograph [online] Available at: https://instagram. com/p/6NOT07kh4_/ [Accessed: 28 August 2015]. 5.20 jadegoto, Untitled (2014) Photograph [online] Available at: https://instagram.com/p/6ABDLvFtAQ/ [Accessed: 28 August 2015]. 5.21 Cesar Rubio, Sunset Parklet (2014) Photograph [online] Available at: http://www.intersticearchitects. com/?project=sunset-parklet [Accessed: 28 August 2015]. 5.22 Roger Wagner, City Square (2011) Photograph [online] Available at: http://www.archdaily.com/186202/city-square- developing-alleswirdgut [Accessed: 28 August 2015]. 5.23 cristherivera, Multicultural Club (2015) Photograph [online] Available at: https://instagram.com/ p/63qGZGzRfP/ [Accessed: 28 August 2015]. 5.24 FADIAKADER.VSCO.CO, Hydrabad (2014) Photograph [online] Available at: http://fadiakader.vsco.co/ media/53345f22726708673e0002c1 [Accessed: 28 August 2015]. 5.25 MKEALCORAN, Untitled (2013) Photograph [online] Available at: http://mkealcoran.vsco.co/ media/5201fbfa5a6808534e00000a [Accessed: 28 August 2015]. 5.26 AIBUBBLE, lighting (2014) Photograph [online] Available at: http://aibubble.vsco.co/ media/5349ceda736708df20000490 [Accessed: 28 August 2015]. 5.27 Sofia Colombini, Untitled (2014) Photograph [online] Available at: http://sofiacolombini.vsco.co/ media/5438749d75670821148b4a3d [Accessed: 28 August 2015]. 5.28 Rachel Feldhaus, the world at your grasp (2014) Photograph [online] Available at: http://hausmuzak.vsco. co/media/530c6729716708d261000a32 [Accessed: 28 August 2015]. 5.29 Ben Walker, Innes National Park (2013) Photograph [online] Available at: http://benwalker.vsco.co/ media/52b6a59b71670887410000d0 [Accessed: 28 August 2015]. Fig. 6 Hiba Abul Heia, Design (2015). Fig. 7 Hiba Abul Heia, Design (2015). Fig. 8 Carlos Villarreal Kwasek, 3D Visualization (2015) [online] Available at: https://youtu.be/heEuJnpV2G0 Fig. 9 Carlos Villarreal Kwasek, Visualization (2015). Fig. 10 Ian Richmond, Cadmium Logo & Image (2015)

More Related Content

PDF
The Unravel Tomorrow Journal
Martin Dyrman Hansen
 
PDF
Activity 9 Team Cadmium
carlosvk
 
PPT
Cadmium
Razavi Nader
 
PDF
Evaluation of in vitro inhibitory effect of Enoxacin on Babesia and Theileria...
sherein abdelgayed
 
PPTX
Estimating Annual Cadmium Load
Kitipan Kitbamroong Ph.D. CISA
 
PPT
Neurobehavioural, neurochemical and neuromorphological effects of cadmium in ...
Kawkab Abd El Aziz
 
PPTX
Influence of Silicon on Cadmium uptake in durum wheat cultivars
Arifin Sandhi
 
PDF
Convenio Quest Diagnostics - SATULSA
Andres Camino
 
The Unravel Tomorrow Journal
Martin Dyrman Hansen
 
Activity 9 Team Cadmium
carlosvk
 
Cadmium
Razavi Nader
 
Evaluation of in vitro inhibitory effect of Enoxacin on Babesia and Theileria...
sherein abdelgayed
 
Estimating Annual Cadmium Load
Kitipan Kitbamroong Ph.D. CISA
 
Neurobehavioural, neurochemical and neuromorphological effects of cadmium in ...
Kawkab Abd El Aziz
 
Influence of Silicon on Cadmium uptake in durum wheat cultivars
Arifin Sandhi
 
Convenio Quest Diagnostics - SATULSA
Andres Camino
 

Viewers also liked (18)

PPT
Newcastle iGEM Presentation 2009
Morgan Taschuk
 
PPTX
Cad
emilykatefinn
 
PDF
EU: Cadmium And Articles Thereof - Market Report. Analysis And Forecast To 2020
IndexBox Marketing
 
PPT
Cadmium Case Study
affinitytrack
 
PPTX
Cad
emilykatefinn
 
PPTX
Cadmium (Rebekka Meeks)
kwalters00
 
PPTX
Cadmium (Jeremy Willett)
kwalters00
 
PDF
Amelioration the toxic effects of cadmium exposure in nileTilapia (Oreochromi...
sherein abdelgayed
 
PDF
Wheat: The Grain at the Center of Civilization
CIMMYT
 
PDF
Ameliorative Potentials of a Combination of Fenugreek and α-tocopherol on Cad...
Prof. Dr. Hesham N. Mustafa 🩺
 
PPTX
[THVInstitute13] Cadmium at Foundry Cove: An Ecology & Evolution Story
Teaching the Hudson Valley
 
PDF
Activity 10 Team Cadmium
carlosvk
 
PDF
A pilot study on effect of copper and cadmium toxicity in Tilapia Mossambicus
researchanimalsciences
 
PPTX
cadmium ~ juan
JahNen Novicio
 
PPTX
Gracie's Element Box slideshow
NPMMscience
 
PDF
Cadmium Toxicity and Symptoms Factsheet
osumex
 
PPT
Cadmium Oxide Fume During Brazing and Soldering Crimping Tool Parts
The Windsdor Consulting Group, Inc.
 
PDF
Audrey Bruneau_In vitro immunotoxicology of quantum dots and comparison with ...
Ne3LS_Network
 
Newcastle iGEM Presentation 2009
Morgan Taschuk
 
Cad
emilykatefinn
 
EU: Cadmium And Articles Thereof - Market Report. Analysis And Forecast To 2020
IndexBox Marketing
 
Cadmium Case Study
affinitytrack
 
Cad
emilykatefinn
 
Cadmium (Rebekka Meeks)
kwalters00
 
Cadmium (Jeremy Willett)
kwalters00
 
Amelioration the toxic effects of cadmium exposure in nileTilapia (Oreochromi...
sherein abdelgayed
 
Wheat: The Grain at the Center of Civilization
CIMMYT
 
Ameliorative Potentials of a Combination of Fenugreek and α-tocopherol on Cad...
Prof. Dr. Hesham N. Mustafa 🩺
 
[THVInstitute13] Cadmium at Foundry Cove: An Ecology & Evolution Story
Teaching the Hudson Valley
 
Activity 10 Team Cadmium
carlosvk
 
A pilot study on effect of copper and cadmium toxicity in Tilapia Mossambicus
researchanimalsciences
 
cadmium ~ juan
JahNen Novicio
 
Gracie's Element Box slideshow
NPMMscience
 
Cadmium Toxicity and Symptoms Factsheet
osumex
 
Cadmium Oxide Fume During Brazing and Soldering Crimping Tool Parts
The Windsdor Consulting Group, Inc.
 
Audrey Bruneau_In vitro immunotoxicology of quantum dots and comparison with ...
Ne3LS_Network
 
Ad

Similar to Activity 11 Team Cadmium (20)

PDF
Brainstorm Carlos
carlosvk
 
PDF
Cultural Urbanism - Planning Mag April 2014 SCREEN RES
Uta Birkmayer
 
PPT
The Pulse of a Contemporary City
pmatthews1
 
PDF
CATALYST-ISSUE-13_For-Web
Melissa Jester
 
PDF
CATALYST Strategic Design Review, Issue 1
Erin (Weber) Skurdal
 
PDF
Exhibition Brief
dannyteal
 
PDF
INDES Studio 372 - Experimental
Kim Lam
 
PDF
Ogechukwu Ukpabia
ogeigwilo
 
PDF
Portfolio - 2008
erobin
 
PDF
Creative Industries, Creative City and Creative Economy Development: Perspect...
2015 Social Theory, Politics and the Arts Conference
 
PDF
Thesis Paper Prototype
valleraj
 
PDF
Real Estate Development: David Burney
urbansystemssymposium
 
PPTX
ASEM - Creative Cities and Sustainability
Linkeroever
 
PDF
Wil Marquez Portfolio 2008
wmarquez
 
PDF
Th Presentation Architecture Online Version
kmollion
 
PDF
Portfolio_NADIA_DAIRY OF A NARCISSIST
Syeda Hossain
 
PDF
Abbud_Jesus_Fernando_Portfolio
fernandoabbud
 
PDF
Portfolio cv
Cristina Ferrete
 
PDF
Ahoo Rezaei Architecture portfolio 2015-2025
ahoorezaeii
 
PDF
McGahee_Sarah_INDS2230_Studio III_Big Project_December_4
Sarah McGahee
 
Brainstorm Carlos
carlosvk
 
Cultural Urbanism - Planning Mag April 2014 SCREEN RES
Uta Birkmayer
 
The Pulse of a Contemporary City
pmatthews1
 
CATALYST-ISSUE-13_For-Web
Melissa Jester
 
CATALYST Strategic Design Review, Issue 1
Erin (Weber) Skurdal
 
Exhibition Brief
dannyteal
 
INDES Studio 372 - Experimental
Kim Lam
 
Ogechukwu Ukpabia
ogeigwilo
 
Portfolio - 2008
erobin
 
Creative Industries, Creative City and Creative Economy Development: Perspect...
2015 Social Theory, Politics and the Arts Conference
 
Thesis Paper Prototype
valleraj
 
Real Estate Development: David Burney
urbansystemssymposium
 
ASEM - Creative Cities and Sustainability
Linkeroever
 
Wil Marquez Portfolio 2008
wmarquez
 
Th Presentation Architecture Online Version
kmollion
 
Portfolio_NADIA_DAIRY OF A NARCISSIST
Syeda Hossain
 
Abbud_Jesus_Fernando_Portfolio
fernandoabbud
 
Portfolio cv
Cristina Ferrete
 
Ahoo Rezaei Architecture portfolio 2015-2025
ahoorezaeii
 
McGahee_Sarah_INDS2230_Studio III_Big Project_December_4
Sarah McGahee
 
Ad

Recently uploaded (20)

PPTX
CPRC-SOCIAL-STUDIES-FINAL-COACHING-DAY-1.pptx
doitulabing
 
PPTX
Review1_Bollywood_Project analysis of bolywood trends from 1950s to 2025
kachra29022004
 
PPTX
current by laws xxxxxxxxxxxxxxxxxxxxxxxxxxx
ReynaldoPiol
 
PPTX
CPAR7 ARTS GRADE 112 LITERARY ARTS OR LI
hidalgoandreaa11
 
PPTX
vsfbvefbegbefvsegbthnmthndgbdfvbrsjmrysnedgbdzndhzmsr
janrylmaeodangllego
 
PPTX
65bc3704-6ed1-4724-977d-a70f145d40da.pptx
akshit163arora
 
PPTX
The-Evolution-of-Comedy-in-America-A-Conversation-with-Dan-Nainan.pptx
nainancomediandan
 
PPTX
573393963-choose-your-own-adventure(2).pptx
phuonglinhzzcxc
 
PPTX
White Green Simple and Professional Business Pitch Deck Presentation.pptx
RamaSuputra2
 
PPTX
CMU-PPT-LACHICA-DEFENSE FOR RESEARCH PRESENTATION
jayceebernardolachic
 
PDF
Close Enough S3 E7 "Bridgette the Brain"
Hye Lynn Park
 
PPTX
Neoclassical and Mystery Plays Entertain
LaurenHeazlewood
 
PPTX
22 Bindushree Sahu.pptxmadam curie life and achievements
SantoshRout28
 
PPTX
Visual-Arts.pptx power point elements of art the line, shape, form
zieziepeyt23
 
PPSX
Multiple scenes in a single painting.ppsx
guimera
 
PPTX
CPAR_QR1_WEEK1_INTRODUCTION TO CPAR.pptx
rachelannpayumo2
 
PPTX
G10 HOMEROOM PARENT-TEACHER ASSOCIATION MEETING SATURDAY.pptx
MirasolEscobido1
 
PPTX
Technical-Codes-presentation-G-12Student
ssuser7b04d8
 
PPTX
Green and Blue Illustrative Earth Day Presentation.pptx
3000Luv
 
PDF
Ricardo Salinas Pliego Accused of Acting as A Narcotics Kingpin
associate14
 
CPRC-SOCIAL-STUDIES-FINAL-COACHING-DAY-1.pptx
doitulabing
 
Review1_Bollywood_Project analysis of bolywood trends from 1950s to 2025
kachra29022004
 
current by laws xxxxxxxxxxxxxxxxxxxxxxxxxxx
ReynaldoPiol
 
CPAR7 ARTS GRADE 112 LITERARY ARTS OR LI
hidalgoandreaa11
 
vsfbvefbegbefvsegbthnmthndgbdfvbrsjmrysnedgbdzndhzmsr
janrylmaeodangllego
 
65bc3704-6ed1-4724-977d-a70f145d40da.pptx
akshit163arora
 
The-Evolution-of-Comedy-in-America-A-Conversation-with-Dan-Nainan.pptx
nainancomediandan
 
573393963-choose-your-own-adventure(2).pptx
phuonglinhzzcxc
 
White Green Simple and Professional Business Pitch Deck Presentation.pptx
RamaSuputra2
 
CMU-PPT-LACHICA-DEFENSE FOR RESEARCH PRESENTATION
jayceebernardolachic
 
Close Enough S3 E7 "Bridgette the Brain"
Hye Lynn Park
 
Neoclassical and Mystery Plays Entertain
LaurenHeazlewood
 
22 Bindushree Sahu.pptxmadam curie life and achievements
SantoshRout28
 
Visual-Arts.pptx power point elements of art the line, shape, form
zieziepeyt23
 
Multiple scenes in a single painting.ppsx
guimera
 
CPAR_QR1_WEEK1_INTRODUCTION TO CPAR.pptx
rachelannpayumo2
 
G10 HOMEROOM PARENT-TEACHER ASSOCIATION MEETING SATURDAY.pptx
MirasolEscobido1
 
Technical-Codes-presentation-G-12Student
ssuser7b04d8
 
Green and Blue Illustrative Earth Day Presentation.pptx
3000Luv
 
Ricardo Salinas Pliego Accused of Acting as A Narcotics Kingpin
associate14
 

Activity 11 Team Cadmium

  • 1. MAIN LOGO CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES TEAM CADMIUM ACTIVITY 11: FUTURE GALLERY PROPOSAL PARK ARTLET - URBAN GALLERY
  • 2. CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 2 / 18 TABLE OF CONTENTS 1. MANIFESTO & VISION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 03 2. CONCEPTS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 04 2.1 THINKING GLOBAL. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 05 2.2 COMMUNAL SPACE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 06 2.3 URBAN ART. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .07 2.4 GREEN INFUSION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 08 3. THE FUTURE GALLERY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 09 3.1 WHAT IS PARK ARTLET?. . . . . . . . . . . . . . . . . . . . . . . . . . 10 3.2 MOOD BOARD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 3.3 DESIGN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 3.4 VISUALIZATION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 4. CONCLUSION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 5. CREDITS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 6. BIBLIOGRAPHY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 AVATAR STRUCTURE ■ PROPOSAL BY HIBA ABUL HEIJA REVISED BY CARLOS VILLARREAL KWASEK & TEAM CADMIUM
  • 3. MANIFESTO & VISION ■ CREATED BY IAN RICHMOND REVISED BY TEAM CADMIUM THE URBAN AREA IS AN ETERNAL PARADE OF CONTRASTS, SIMILARITIES AND LIMITATIONS. AN EVOLVING EPOCH OF EXISTENCE, REPRESENTED BY A COLLECTION OF LIKE-MINDED INHABITANTS CO-EXISTING CONTEMPORANEOUSLY ACROSS A FAMILIAR LANDSCAPE, SHARING A WEATHER SYSTEM THAT DRIVES A COLLECTIVE TEMPERAMENT. THE URBAN ENVIRONMENT IS AN INTRICATE DISPOSITION IN PERPETUAL MOTION; ITS ACCOMPLISHMENTS NEED TO BE CELEBRATED, ITS POTENTIAL ENVISIONED. WE AT CADMIUM, A TEAM OF MULTIFARIOUS VISIONARIES, ARE WORKING TOGETHER TO EXTRACT THE POTENTIAL BRILLIANCE OF THE CITY. BY ADDRESSING LOCAL, WE ARE CONTRIBUTING TO THE GLOBAL COMMUNITY BY IMPLEMENTING A MODEL THAT CAN BE APPLIED ANYWHERE. OUR GALLERY HAS NO BORDERS OR LIMITATIONS; WE ASPIRE TOWARDS PROMOTING AND SHOWCASING LOCALLY INSPIRED CREATIVITY, AIDING IN THE CREATION OF A SUSTAINABLE CENTRE OF COMMERCE AND ART. OUR GOAL IS TO CULTIVATE NON-LINEAR, OPEN DEVELOPMENT GLOBALLY THROUGH EXTENSIONS OF THE CITY IN THE FORM OF AN URBAN GALLERY. BY FOSTERING INNOVATIVE COLLABORATION, WE FEEL THAT THIS WILL ENHANCE THE COLLECTIVE VALUE IN THE LIVES OF ALL PEOPLE. MANIFESTO & VISION
  • 4. CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 4 / 18 AVATAR CONCEPTS INSPIRED BY OUR VISION AND MANIFESTO WE HAVE IDENTIFIED FOUR ELEMENTS THAT HAVE BECOME THE DNA OF OUR PROJECT AVATAR
  • 5. AVATAR 5 / 18 CONCEPTS 1. THINKING GLOBAL When we say global we think of bringing cultures together. When we say global we think of access for everyone. (King, 2004, pp. xiii – xiv) We want people to interact with our urban space and reflect their identity and their heart into the canvas. We want to become an open page from Tokyo to Tromsø, from Mombasa to Mendoza, from Arequipa to Sacramento. WE BELIEVE IN THE GOODNESS OF THE PEOPLE AND THAT CULTURES WANT TO REACH OUT TO ONE ANOTHER AND SHARE. THINKING GLOBAL ■ CREATED BY CARLOS VILLARREAL KWASEK & NADA NASSIER REVISED BY HIBA ABUL HEIJA Fig. 1 Carlos Villarreal Kwasek, Thinking Global (2015) CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015
  • 6. COMMUNAL SPACE An urban installation of which its geometry and design create gathering spaces that stimulate community connectivity and socialization in any existing parking space, just off the sidewalk. Installation is composed of an integral Art display and art workstation, creating a public space that is activated by the integration of art and culture, in which neighbourhood residents of all ages can gather, socialize, and become connected through a public, green, artistic installation of community artwork. ART INCORPORATION The idea is to create a friendly open environment for the residents and visitors, integrated into a parking space that is usually reserved for cars. This space will provide greenery, art, and other visual amenities fostering a communal area activated by art displays and art creation, produced by the community or local neighbour- hood. Art creation workspaces will be integrated into the installations, so that artwork can be created on site and installed in an interactive manner. The finished works will then be modified to handle the elements for outdoor display. CONCEPTS 2. COMMUNAL SPACE Fig. 2 Topfer, J., Absurd and Generous... Yes Please! Advance. (2011) CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 6 / 18 AVATAR COMMUNAL SPACE ■ CREATED BY NADA NASSIER REVISED BY IAN RICHMOND
  • 7. CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 7 / 18 AVATAR CONCEPTS 3. URBAN ART URBAN ART ■ CREATED BY CARLOS VILLARREAL KWASEK REVISED BY HIBA ABUL HEIJA Fig. 3 Germen Crew, Barrio Palmitas (2015) Working with the community, the art collective Germen Crew transformed an entire neighborhood into a unified art piece. The objective of this project was it oppose delinquency. Street art was once a synonym of delinquency and was seen as an art form only by a small underground community. But minds have changed. Today street art has its right of passage among the voices of artistic expression. Artists are reaching to speak this voice and the cities are eager to listen (the guardian, 2009). In cities all around the globe, urban art is becoming accepted and craved (Cascone, 2015). We want to bring the community closer to this art form by providing an area for people to create their own art in a communal space.
  • 8. WHY GREEN? We believe that living plants and greenery immedi- ately improve people’s lives and living conditions. Increased access to greenery in the city cultivates tranquillity and encour- ages people to congregate and socialise. Green areas are a refuge from the daily grind, and offer an opportunity to reflect on our cities, how we live, where we live, our interactions with others, and our space in the city and on this shared planet. Green has a cooling effect, asphalt swallows the summer heat, so green is not only clean, it is refreshing. Green adds sustain- ability to any location and acts as a buffer when Mother Nature decides to give us more than we need. For instance, to counter flooding, green areas absorb moisture thus insulating the city. Variations in global terrain and weather conditions reinforce the importance of green space as a necessity in our daily lives. Green environments improve mental and physical health promoting cognitive thinking and self-discipline. Research suggests that green settings nurture generosity and positive communication. Neighbourhood social ties are enhanced, aiding the overall sense of community and in turn nurtures trust and a willingness to assist others. On the contrary, environments with an absence of greenery have shown escalated aggression, violence, and property crime across all income brackets. (Nauert, 2011) Infusing our gallery space in greenery does not simply supple- ment the art, it becomes the art. It displays what a city should represent, and changes our perception on how to live in an urban area. The promotion of a better-designed city experience is not only advantageous for its inhabitants, but also its visitors. GREEN NFUSION CONCEPTS 4. GREEN INFUSION Fig. 4 Greenfield, J., Checkerboard City: Pavement to the People. (2012) CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 8 / 18 AVATAR GREEN INFUSION ■ CREATED BY IAN RICHMOND
  • 9. CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 9 / 18 AVATAR THE FUTURE GALLERY: PARK ARTLET WE LOOK INTO THE FUTURE AND WE SEE COMMUNITIES REACHING INTO DYNAMIC PUBLIC SPACES. WE LOOK INTO THE FUTURE AND WE SEE PARK ARTLET.
  • 10. AVATAR 10 / 18WHAT IS PARK ARTLET? ■ CREATED BY HIBA ABUL HEIJA REVISED BY CARLOS VILLARREAL KWASEK An Park Artlet is a design proposal that came together/about as an installation that manifests our team’s thoughts and concepts of what an Art Gallery as a notion should represent. Our thoughts very much revolved around a Global Futuristic Gallery that fits anywhere, in any location or Culture, capturing the essence of its surroundings through Art. Therefore, it had to be Universal in design dimensions, elements and character. After extensive team research we came to believe that a Parklet as an urban installation fits our design criteria. “In simple terms, a Parklet converts a small number of contiguous parking spaces into a mixed-use public space, creating interest, vitality, and foot traffic.” (Mahe, 2015) “A Parklet... combines elements such as seating, trees, flowers, shrubs, umbrellas, bike parking or lighting that reflect the unique character and needs of the location.” (betterblocknewark, 2015) there we had found our universally-dimensioned-urban installation that also serves as a communal green space. Being of fixed dimensions eases its replication across the globe. (Littlefield, 2008) “By serving as an attractive destination, they give people yet another reason to get out of their cars, which helps reduce traffic congestion, improve air quality and safeguard people traveling on bikes and on foot.” (Sacramento Area Bicycle Advocates, 2015) Additional benefits to proposal and simply adding value. Now all we had to do was incorporate art and be it the catalyst reviving this space. We accordingly created a nice public environment for residents and visitors alike, in a space that is usually reserved for cars providing greenery, and other visual amenities, fostering art, its display and creation. Allowing artwork to be created on site and laminated or treated somehow for outdoor display, then installed in an interactive manner. WHAT IS PARK ARTLET? WE PROPOSE TO TRANSFER AN URBAN SPACE THROUGH THE INTEGRATION OF ART AND CULTURE, GLOBALLY. CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015
  • 11. CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 11 / 18 AVATAR THE FUTURE GALLERY: PARK ARTLET MOOD BOARD MOOD BOARD ■ CREATED BY HIBA ABUL HEIJA REVISED BY IAN RICHMOND Fig. 5 Ian Richmond, Mood Board (2015).
  • 12. CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 12 / 18 AVATAR DESIGN ■ CREATED BY HIBA ABUL HEIJA REVISED BY TEAM CADMIUM Fig. 6 Hiba Abul Heia, Design (2015). THE FUTURE GALLERY: PARK ARTLET DESIGN FRONT ELEVATION PLAN
  • 13. CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 13 / 18 AVATAR DESIGN ■ CREATED BY HIBA ABUL HEIJA REVISED BY TEAM CADMIUM Fig. 7 Hiba Abul Heia, Design (2015). Fig. 8 Carlos Villarreal Kwasek, 3D Visualization (2015) [online] Available at: https://youtu.be/heEuJnpV2G0 THE FUTURE GALLERY: PARK ARTLET DESIGN BACK ELEVATION 3D ANIMATIONLEFT ELEVATION RIGHT ELEVATION
  • 14. CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 THE FUTURE GALLERY: PARK ARTLET VISUALIZATION RENDERS ■ CREATED BY TEAM CADMIUM Fig. 9 Carlos Villarreal Kwasek, Visualization (2015).
  • 15. CONCLUSION ■ CREATED BY IAN RICHMOND REVISED BY TEAM CADMIUM AVATAR 15 / 18 Team Cadmium’s empirical knowledge has hinted at an allegory that everyone on this planet carries a fire within him or her to implement change. Change happens everywhere; it is perpetual and inevitable. Too often change meets resistance, though we believe that it has to be respected, communicated and nurtured; counter opinions are encouraged, always with the aforementioned in mind. We encourage freedom of expression through constructive discourse, promoting discussion and idea exchange. Change propels opportunities, new perspectives, new responsibilities, and innovations. By changing how society interacts, we invite integrated global advocacy, and a cognizance of structuring a maintainable, yet sustainable living environment that promotes positive outcomes in all communities. Our reason d’être is recognizing that people are instinctively different, though open to change. For us, change equates to ambition, change is a springboard to accomplish global commitments to the betterment of our collective living conditions. When we think of a Future Gallery, we are thinking about what matters most to the end user, opportunity. We consider our aspirations to be in the vanguard of social improvement and artistic exchange by projecting individual allegories to foster rich ethnographic expression. A question that we ask is, “Where do people congregate and express themselves?” Our overwhelming answer is, on the streets. There is no better place to project art; there are limited borders and limited censorship; this is our definition of ‘Street Art’ and promoted through the PARK ARTLET. WHY THIS MATTERS? CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015
  • 16. CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 16 / 18 TEAM CADMIUM TEAM LEADER CARLOS VILLARREAL KWASEK (ILLUSTRATION) CREATIVE DIRECTOR HIBA ABUL HEIJA (INTERIOR DESIGN) ART DIRECTOR NADA NASSIER (GRAPHIC DESIGN) ART DIRECTOR IAN RICHMOND (GRAPHIC DESIGN) PRODUCTION BABIES Kendrix William Richmond During the production of this project our Art Director, Ian Richmond, became a father. We wish happiness and a bright future for the new parents. CREDITS CREDITS ■ CREATED BY CARLOS VILLARREAL KWASEK REVISED BY IAN RICHMOND MAIN LOGO Fig. 10 Ian Richmond, Cadmium Logo & Image (2015)
  • 17. CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 17 / 18 AVATAR BIBLIOGRAPHY LIST OF IMAGES REFERENCES ■ CREATED BY NADA NASSIER REVISED BY CARLOS VILLARREAL KWASEK A Parklet for Duane Street (2015) Available at: http:// tribecatrust.org/a-parklet-for-duane-street/ [Accessed: 26 August 2015]. betterblocknewark (2015) What is a parklet?. [online] Available at: http://betterblocknewark.com/2015/05/11/what-is-a- parklet/ (Accessed: 26 August 2015). Cascone, S. (2015) The Mexican Town of Palmitas Is Now One Big Mural. [online] Available at: https://news.artnet.com/in- brief/palmitas-mexican-neighborhood-becomes-germen- crew-mural-319947 (Accessed: 27 August 2015). King, A. D. (2004) Spaces of Global Cultures:Architecture, Urbanism, Identity. London: Taylor & Francis. Littlefield, D. (2008) Metric Handbook. 3rd edn. Oxford: Architectural Press. Mahe, G. (2015) ‘It’s a Patio! It’s A Deck! … It’s a Public Parklet?’ St. Louis Magazine (April). Nauert, R. (2011) Going Green Benefits Physical, Mental Health. [online] Available at: http://psychcentral.com/ news/2011/04/20/going-green-benefits-physical-mental- health/25492.html [Accessed: 26 August 2015]. Sacramento Area Bicycle Advocates (2015) Parklets | Sacramento Area Bicycle Advocates. [online] Available at: http://sacbike.org/parklets/ (Accessed: 20 August 2015). The Guardian (2009) Banksy at Bristol City Museum. Available at: http://www.theguardian.com/artanddesign/gallery/2009/ jun/12/banksy-bristol-art-exhibition [Accessed: 26 August 2015] Fig. 1 Carlos Villarreal Kwasek, Thinking Global (2015) 1.1 Chris “Paco” Camino, Stranger 70/100 (2015) Photography [online] Available at: https://www.flickr.com/ photos/chriscamino/9180026702/ [Accessed: 28 August 2015]. 1.2 올리브, Season’s Greetings (2015) [online] Photography Available at: http://dailyexo.tumblr.com/ image/105781460290 [Accessed: 28 August 2015]. 1.3 Gigja Einarsdottir, The Farmer Ásmundur (2015) Photography [online] Available at: https://www.flickr.com/ photos/gigjae/3273042638/ [Accessed: 28 August 2015]. 1.4 Eric Lafforgue, Beautiful Young Woman, Island Of Mozambique, Mozambique (2015) Photography [online] Available at: https://www.flickr.com/photos/ mytripsmypics/9494938556/ [Accessed: 28 August 2015]. Fig. 2 Topfer, J., Absurd and Generous...Yes Please! Advance. (2011) Photography [online] Available at: http://advance. org/articles/absurd-and-generous-yes-please/ [Accessed: 28 August 2015]. Fig. 3 Germen Crew, Barrio Palmitas (2015) Photography Cascone, S. (2015) The Mexican Town of Palmitas Is Now One Big Mural. Available at: https://news.artnet.com/in- brief/palmitas-mexican-neighborhood-becomes-germen- crew-mural-319947 (Accessed: 27 August 2015). Fig. 4 Greenfield, J., Checkerboard City:Pavement to the People. (2012) Photography. Greenfield, J., (2012) Checkerboard City:Pavement to the People. [online] Available at: http:// newcity.com/2012/10/09/checkerboard-city-pavement-to- the-people/ [Accessed: 28 August 2015]. Fig. 5 Ian Richmond, Mood Board (2015). 5.1 Syamsul Hadi, Untitled (2014) Photograph [online] Available at: http://soulhadi.vsco.co/ media/53e5eb6775670843668b48f8 [Accessed: 28 August 2015]. 5.2 Garrett Grove, Demoed Cars In The Parking Lot (2014) Photograph [online] Available at: http://garrettgrove.vsco. co/media/5408f21373670821278b45ff [Accessed: 28 August 2015]. ▶
  • 18. CREATIVE INDUSTRIES: BUSINESS PERSPECTIVES ACTIVITY 11: FUTURE GALLERY PROPOSAL TEAM CADMIUM 28 AUGUST 2015 18 / 18 AVATAR REFERENCES ■ CREATED BY NADA NASSIER REVISED BY CARLOS VILLARREAL KWASEK 5.3 Rachel Lindsy, #parking (2014) Photograph [online] Available at: http://rachaellindsy.vsco.co/ media/537810f87467082c378b4c11 [Accessed: 28 August 2015]. 5.4 Ajoo, #dtla #losangeles #park #empty (2013) Photograph [online] Available at: http://ajoo.vsco.co/ media/52e4cec47167088479000111 [Accessed: 28 August 2015]. 5.5 The Digital Bird, All I see is # green (2015) Photograph [online] Available at: http://thedigitalbird.vsco.co/ media/552594d90b56152d308b4584 [Accessed: 28 August 2015]. 5.6 R, Green (2014) Photograph [online] Available at: http:// strang2r.vsco.co/media/53eac0bc716708ee758b4816 [Accessed: 28 August 2015]. 5.7 Junior, Greens (2013) Photograph [online] Available at: http://gilbertoalvarado.vsco.co/ media/530e2ffb716708a071000016 [Accessed: 28 August 2015]. 5.8 Sean Ball, Untitled (2014) Photograph [online] Available at: http://seanboyy.vsco.co/ media/52d3336a71670849380003b5 [Accessed: 28 August 2015]. 5.9 Kunakos, Untitled (2013) Photograph [online] Available at: http://kunakos.vsco.co/ media/52b876ad7267087e0a000255 [Accessed: 28 August 2015]. 5.10 Go And See, our paths often cross for reasons we do not know (2014) Photograph [online] Available at: http:// michellel.vsco.co/media/5352ec627167084009000235 [Accessed: 28 August 2015]. 5.11 Eliiias, street #art (2013) Photograph [online] Available at: http://eliiias.vsco.co/ media/51dc45885968088915000000 [Accessed: 28 August 2015]. 5.12 Katie Deer, Penang Street Art (2013) Photograph [online] Available at: http://katiedeer.vsco.co/ media/529e72625d680803320000be [Accessed: 28 August 2015]. 5.13 Richard Ezeolisa, Untitled (2013) Photograph [online] Available at: http://richardezeolisa.vsco.co/ media/52aeb2625b6808167a00011a [Accessed: 28 August 2015]. 5.14 artparklet, Untitled (2015) Photograph [online] Available at: https://instagram.com/p/6I6tpYza2x/ [Accessed: 28 August 2015]. 5.15 Marvin Fong, Funky Prints - Meiji-Jingu Shrine (2012) Photograph [online] Available at: http://marveydarvey. vsco.co/media/51e3acd15a68087d7e00003f [Accessed: 28 August 2015]. 5.16 artparklet, Untitled (2014) Photograph [online] Available at: https://instagram.com/p/5cBvWtza-c/ [Accessed: 28 August 2015]. 5.17 sim.porquesim, parklet ao lado do mar (2015) Photograph [online] Available at: https://instagram. com/p/60nln5oifm/ [Accessed: 28 August 2015]. 5.18 ecohus, Untitled (2015) Photograph [online] Available at: https://instagram.com/p/6pV3BWDcgk/ [Accessed: 28 August 2015]. 5.19 ivnavasconcelosarquitetura, Untitled (2015) Photograph [online] Available at: https://instagram. com/p/6NOT07kh4_/ [Accessed: 28 August 2015]. 5.20 jadegoto, Untitled (2014) Photograph [online] Available at: https://instagram.com/p/6ABDLvFtAQ/ [Accessed: 28 August 2015]. 5.21 Cesar Rubio, Sunset Parklet (2014) Photograph [online] Available at: http://www.intersticearchitects. com/?project=sunset-parklet [Accessed: 28 August 2015]. 5.22 Roger Wagner, City Square (2011) Photograph [online] Available at: http://www.archdaily.com/186202/city-square- developing-alleswirdgut [Accessed: 28 August 2015]. 5.23 cristherivera, Multicultural Club (2015) Photograph [online] Available at: https://instagram.com/ p/63qGZGzRfP/ [Accessed: 28 August 2015]. 5.24 FADIAKADER.VSCO.CO, Hydrabad (2014) Photograph [online] Available at: http://fadiakader.vsco.co/ media/53345f22726708673e0002c1 [Accessed: 28 August 2015]. 5.25 MKEALCORAN, Untitled (2013) Photograph [online] Available at: http://mkealcoran.vsco.co/ media/5201fbfa5a6808534e00000a [Accessed: 28 August 2015]. 5.26 AIBUBBLE, lighting (2014) Photograph [online] Available at: http://aibubble.vsco.co/ media/5349ceda736708df20000490 [Accessed: 28 August 2015]. 5.27 Sofia Colombini, Untitled (2014) Photograph [online] Available at: http://sofiacolombini.vsco.co/ media/5438749d75670821148b4a3d [Accessed: 28 August 2015]. 5.28 Rachel Feldhaus, the world at your grasp (2014) Photograph [online] Available at: http://hausmuzak.vsco. co/media/530c6729716708d261000a32 [Accessed: 28 August 2015]. 5.29 Ben Walker, Innes National Park (2013) Photograph [online] Available at: http://benwalker.vsco.co/ media/52b6a59b71670887410000d0 [Accessed: 28 August 2015]. Fig. 6 Hiba Abul Heia, Design (2015). Fig. 7 Hiba Abul Heia, Design (2015). Fig. 8 Carlos Villarreal Kwasek, 3D Visualization (2015) [online] Available at: https://youtu.be/heEuJnpV2G0 Fig. 9 Carlos Villarreal Kwasek, Visualization (2015). Fig. 10 Ian Richmond, Cadmium Logo & Image (2015)