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Analyzing Print Products
         Part II
       Alex Challies
The second print product
  that I am analyzing is
  the film poster
  advertising Chernobyl
  Diaries. The eerie
  layout of the poster
  with the central image
  taking up the entire
  product gives the
  impression that the
  genre is horror. The
  form is also obvious
  because it’s a standard
  poster layout, which is
  universally recognizable
  as what it is.
The purpose of this text product is to
  promote the film, since the film
  itself is creating a fictional narrative
  from non-fictional events then it is
  extremely effective to use a simple
  centre image.




 The unique selling point of this poster is the creational credit displayed at the
 top of the page. Since Paranormal Activity is known throughout the world to be
 a mainstream shock horror film, a different product from the same creator is
 going to attract a large audience due to curiosity and a fondness of Oren Peli’s
 work. There is no tagline on this poster, this shows it is more of an indirect
 teaser as oppose to a direct film advertising, it still advertises the product but
 with a lot less information. The same is used with film trailers, often a ‘teaser’ is
 first released before a full theatrical version.
The title of the film is shown clearly in the
                                             centre of the poster in a distinctive font
                                             that is associated with nuclear warnings.
                                             This embeds well into the film product
                                             because anyone with knowledge of
                                             Chernobyl will know the nuclear
                                             disaster, fans of disaster films and horror
                                             will both be attracted by this. Despite the
                                             two genre audience attractions, having
                                             seen the film it is slightly deceiving but
                                             regardless serves its purpose.
Towards the lower section of the poster is text (all
identical font to title but varying in size), it does
not give a release date but states ‘coming soon’
with a website link below. This suggests that their
target audience will be considerate of enthusiasts
and people who are online. The target audience,
after seeing this print product will have to look for
themselves to find out any considerate
information on the film. Potentially the website
could also be part of a viral advertising campaign.
Unlike the first print product I analyzed (The Cabin in the
  Woods), this poster appears to follow traditional horror
  conventions in terms of text. At the top of the product is a
  piece of text that was referenced earlier, stating that the
  creator of Chernobyl Diaries was also the creator of
  Paranormal Activity. It follows conventions as this text piece
  is placed boldly at the top of the page. Equally however,
  conventions are also defied to a small extent with the lack of
  a tagline, release date or any starring/directorial roles being
  shown.




         The inspirational aspects of this print product is its simplicity. A
         basic image with minimal text but still acts as a successful
         advertising format. The picture below is taken from the very
         top of the poster and shows the central image blurring into
         blood splatter, which could suggest gore content in the film.

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Analyzing Print Products Part 2

  • 1. Analyzing Print Products Part II Alex Challies
  • 2. The second print product that I am analyzing is the film poster advertising Chernobyl Diaries. The eerie layout of the poster with the central image taking up the entire product gives the impression that the genre is horror. The form is also obvious because it’s a standard poster layout, which is universally recognizable as what it is.
  • 3. The purpose of this text product is to promote the film, since the film itself is creating a fictional narrative from non-fictional events then it is extremely effective to use a simple centre image. The unique selling point of this poster is the creational credit displayed at the top of the page. Since Paranormal Activity is known throughout the world to be a mainstream shock horror film, a different product from the same creator is going to attract a large audience due to curiosity and a fondness of Oren Peli’s work. There is no tagline on this poster, this shows it is more of an indirect teaser as oppose to a direct film advertising, it still advertises the product but with a lot less information. The same is used with film trailers, often a ‘teaser’ is first released before a full theatrical version.
  • 4. The title of the film is shown clearly in the centre of the poster in a distinctive font that is associated with nuclear warnings. This embeds well into the film product because anyone with knowledge of Chernobyl will know the nuclear disaster, fans of disaster films and horror will both be attracted by this. Despite the two genre audience attractions, having seen the film it is slightly deceiving but regardless serves its purpose. Towards the lower section of the poster is text (all identical font to title but varying in size), it does not give a release date but states ‘coming soon’ with a website link below. This suggests that their target audience will be considerate of enthusiasts and people who are online. The target audience, after seeing this print product will have to look for themselves to find out any considerate information on the film. Potentially the website could also be part of a viral advertising campaign.
  • 5. Unlike the first print product I analyzed (The Cabin in the Woods), this poster appears to follow traditional horror conventions in terms of text. At the top of the product is a piece of text that was referenced earlier, stating that the creator of Chernobyl Diaries was also the creator of Paranormal Activity. It follows conventions as this text piece is placed boldly at the top of the page. Equally however, conventions are also defied to a small extent with the lack of a tagline, release date or any starring/directorial roles being shown. The inspirational aspects of this print product is its simplicity. A basic image with minimal text but still acts as a successful advertising format. The picture below is taken from the very top of the poster and shows the central image blurring into blood splatter, which could suggest gore content in the film.