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Andrew Goodwin’s theory and
it’s application too music videos
Analysing
When analysing music videos, Andrew Goodwin
  came to the conclusion that all successful
  music videos contain 5 key aspects:
• Star Image
• Thought beats – seeing the sound
• Narrative and Performance
• Relation of visuals to song
• Technical aspects of music video
Star Image
• In all successful music videos, particularly in the genre
  of alternative hip hop, a star image is built throughout
  the music video as well as built with a meta narrative
  over a longer period of time, adding character and
  personality to the persona of the main musician being
  represented. A ‘star’ being developed, even within a
  group of multiple musicians, creates a greater
  connection between fans and the music as we find we
  can relate to the artist. Goodwin therefore feels all
  engaging music videos contain a single star being
  created, and with our own video we intend to do this
  through the use of extravagant props representing
  wealth and success e.g. cars, pianos, glass buildings.
Thought beats – seeing the sound
• Andrew Goodwin explores ‘thought beats’ the idea that
   music videos and the narrative ideas, including the beat
   and rhythm, are correlated through the use of incidental
   cuts, frequent shot taking and other filming techniques.
 For our music we’ll have to explore the structure of
   verses, the chorus, look at the speed of the beats
   throughout the song and consider how we’d highlight the
   difference throughout our video.
Finally we’d have to look at the voice of specific artist, as all
   are extremely unique and establish an indivdual moods and
   aim to reflect that with the mode of address we present
   our audience.
Narrative and Performance
• Andrew Goodwin argues that music videos don’t
  present the entire narrative of a song, and
  instead we are given a gist of the meaning of the
  song, giving the audience the task to come up
  with their own ideas. The videos should coherent
  repeatability, letting narrative and performance
  be equally important in making the video
  interesting so the audience can watch it
  repeatedly. Having the actor participate as both
  narrator and performer lip-synching increases the
  authenticity
Relation of visuals to song
• Illustrate: Music videos can use images to directly illustrate
  the meaning of lyrics, probably the most common


• Amplify: Meanings and moods are continually repeated and
  ‘drummed’ into our thoughts, however lyrics are not acted
  out or emphasis placed upon them.


• Disjuncture: Meaning of the song is completely
  ignored, usually abstract.
Technical aspects
• Lighting and colour helps set the mood and adds emphasis
  on key/dramatic moments using filters on the lighting or
  through post-production.
• Mise-en-scene is vital in producing a succinct and
  meaningful music video. In order to look realistic, the
  location needs to match the mood of the song. Our music
  video, especially that of being rich and successful NEEDS a
  matching location to look professional. Mise-en-scene is
  most definitely the most important technical aspect to our
  music video being successful.
• Technical aspects hold the entire music video together, this
  includes camerawork, movement, angle, editing, sound and
  special effects.

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Andrew goodwin’s theory and it’s application too music

  • 1. Andrew Goodwin’s theory and it’s application too music videos
  • 2. Analysing When analysing music videos, Andrew Goodwin came to the conclusion that all successful music videos contain 5 key aspects: • Star Image • Thought beats – seeing the sound • Narrative and Performance • Relation of visuals to song • Technical aspects of music video
  • 3. Star Image • In all successful music videos, particularly in the genre of alternative hip hop, a star image is built throughout the music video as well as built with a meta narrative over a longer period of time, adding character and personality to the persona of the main musician being represented. A ‘star’ being developed, even within a group of multiple musicians, creates a greater connection between fans and the music as we find we can relate to the artist. Goodwin therefore feels all engaging music videos contain a single star being created, and with our own video we intend to do this through the use of extravagant props representing wealth and success e.g. cars, pianos, glass buildings.
  • 4. Thought beats – seeing the sound • Andrew Goodwin explores ‘thought beats’ the idea that music videos and the narrative ideas, including the beat and rhythm, are correlated through the use of incidental cuts, frequent shot taking and other filming techniques. For our music we’ll have to explore the structure of verses, the chorus, look at the speed of the beats throughout the song and consider how we’d highlight the difference throughout our video. Finally we’d have to look at the voice of specific artist, as all are extremely unique and establish an indivdual moods and aim to reflect that with the mode of address we present our audience.
  • 5. Narrative and Performance • Andrew Goodwin argues that music videos don’t present the entire narrative of a song, and instead we are given a gist of the meaning of the song, giving the audience the task to come up with their own ideas. The videos should coherent repeatability, letting narrative and performance be equally important in making the video interesting so the audience can watch it repeatedly. Having the actor participate as both narrator and performer lip-synching increases the authenticity
  • 6. Relation of visuals to song • Illustrate: Music videos can use images to directly illustrate the meaning of lyrics, probably the most common • Amplify: Meanings and moods are continually repeated and ‘drummed’ into our thoughts, however lyrics are not acted out or emphasis placed upon them. • Disjuncture: Meaning of the song is completely ignored, usually abstract.
  • 7. Technical aspects • Lighting and colour helps set the mood and adds emphasis on key/dramatic moments using filters on the lighting or through post-production. • Mise-en-scene is vital in producing a succinct and meaningful music video. In order to look realistic, the location needs to match the mood of the song. Our music video, especially that of being rich and successful NEEDS a matching location to look professional. Mise-en-scene is most definitely the most important technical aspect to our music video being successful. • Technical aspects hold the entire music video together, this includes camerawork, movement, angle, editing, sound and special effects.